1.
Liverpool
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Liverpool is a major city and metropolitan borough in North West England.24 million people in 2011. Liverpool historically lay within the ancient hundred of West Derby in the south west of the county of Lancashire and it became a borough from 1207 and a city from 1880. In 1889 it became a county borough independent of Lancashire, Liverpool sits on the eastern side of the Mersey Estuary and its growth as a major port is paralleled by the expansion of the city throughout the Industrial Revolution. Along with general cargo, freight, raw materials such as coal and cotton, the city was also directly involved in the Atlantic slave trade. Liverpool was home to both the Cunard and White Star Line, and was the port of registry of the ocean liner RMS Titanic and others such as the RMS Lusitania, Queen Mary, and Olympic. The city celebrated its 800th anniversary in 2007, and it held the European Capital of Culture title together with Stavanger, Norway, several areas of Liverpool city centre were granted World Heritage Site status by UNESCO in 2004. The Liverpool Maritime Mercantile City includes the Pier Head, Albert Dock, tourism forms a significant part of the citys economy. Liverpool is also the home of two Premier League football clubs, Liverpool and Everton, matches between the two being known as the Merseyside derby, the world-famous Grand National horse race takes place annually at Aintree Racecourse on the outskirts of the city. The city is home to the oldest Black African community in the country. Natives of Liverpool are referred to as Liverpudlians and colloquially as Scousers, a reference to scouse, the word Scouse has also become synonymous with the Liverpool accent and dialect. Pool is a place name element in England from the Brythonic word for a pond, inlet, or pit, cognate with the modern Welsh. The derivation of the first element remains uncertain, with the Welsh word Llif as the most plausible relative and this etymology is supported by its similarity to that of the archaic Welsh name for Liverpool Llynlleifiad. Other origins of the name have suggested, including elverpool. The name appeared in 1190 as Liuerpul, and it may be that the place appearing as Leyrpole, in a record of 1418. King Johns letters patent of 1207 announced the foundation of the borough of Liverpool, the original street plan of Liverpool is said to have been designed by King John near the same time it was granted a royal charter, making it a borough. The original seven streets were laid out in an H shape, Bank Street, Castle Street, Chapel Street, Dale Street, Juggler Street, Moor Street, in the 17th century there was slow progress in trade and population growth. Battles for the town were waged during the English Civil War, in 1699 Liverpool was made a parish by Act of Parliament, that same year its first slave ship, Liverpool Merchant, set sail for Africa. Since Roman times, the city of Chester on the River Dee had been the regions principal port on the Irish Sea
2.
Kensington
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Kensington is an affluent district within the Royal Borough of Kensington and Chelsea in West London. Its commercial heart is Kensington High Street, the affluent and densely populated area contains the major museum district of South Kensington, which has the Royal Albert Hall for music and nearby Royal College of Music. The area is home to many of Londons European embassies, the first mention of the area is in the Domesday Book of 1086, where it was written in Latin as Chenesitone, which has been interpreted to have originally been Kenesignetun in Anglo-Saxon. A variation may be Kesyngton, in 1396 and he in turn granted the tenancy of Kensington to his vassal Aubrey de Vere I, who was holding the manor in 1086, according to Domesday Book. The bishops heir, Robert de Mowbray, rebelled against William Rufus, Aubrey de Vere I had his tenure converted to a tenancy in-chief, holding Kensington after 1095 directly of the crown. He granted land and church there to Abingdon Abbey at the deathbed request of his young eldest son, Geoffrey. As the Veres became the earls of Oxford, their estate at Kensington came to be known as Earls Court, while the Abingdon lands were called Abbots Kensington and the church St Mary Abbots. The original Kensington Barracks, built at Kensington Gate in the late 18th century, were demolished in 1858, the focus of the area is Kensington High Street, a busy commercial centre with many shops, typically upmarket. The street was declared Londons second best shopping street in February 2005 thanks to its range, however, since October 2008 the street has faced competition from the Westfield shopping centre in nearby White City. Kensingtons second group of buildings is at South Kensington, where several streets of small to medium-sized shops. This is also the end of Exhibition Road, the thoroughfare that serves the areas museums. To the west, a border is kept along the line of the Counter Creek marked by the West London railway line, in the north east, the large Royal Park of Kensington Gardens is a green buffer. The other main area in Kensington is Holland Park, just north of Kensington High Street. Kensington is, in general, an affluent area, a trait that it now shares with its neighbour to the south. In early 2007, houses sold in Upper Phillimore Gardens for in excess of £20 million, Kensington is also very densely populated, it forms part of the most densely populated local government district in the United Kingdom. This high density is not formed from high-rise buildings, instead, unlike northern extremities of the Borough, Kensington lacks high-rise buildings except for the Holiday Inns London Kensington Forum Hotel in Cromwell Road, which is a 27-storey building. The Olympia exhibition hall is just over the border in West Kensington. Kensington is part of the Royal Borough of Kensington and Chelsea, the head office of newspaper group DMGT is located in Northcliffe House in Kensington, which is the office part of the large Barkers building
3.
Mary Fildes
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Born Mary Pritchard 1789 in Cork, Ireland, she married William Fildes, Reedmaker,18 March 1808, Cheshire, England. They had eight children, James Fildes, father of Luke Fildes Samuel Fildes George FIldes, Peters field around whats now St Peters Square on the then outskirts Manchester. Fildes along with other female activists including Elizabeth Gaunt & Sarah Hargreaves were to be placed on the platform or in Hunts carriage holding the flags, the magistrates fearing unrest and anarchy then gave orders to the Manchester and Salford Yeomanry. A number of the concourse were killed and several hundred were seriously wounded. Mary Fildes was wounded severely while riding on the box sear of Henry Hunts carriage, in the confusion of the massacre she tumbled off the carriage seat. Eye-witness account Mrs. Fildes hanging suspended by a nail on the platform of the carriage had caught her white dress and she was slashed across her exposed body by an officer of the cavalry. Reports claimed that the Manchester and Salford Yeomanry attempted to murder her while arresting the leaders of the demonstration, although badly wounded Mary Fildes survived and continued her campaign for the vote. The first victim of the massacre was two-year old William Fildes son of Charles & Ann Fildes of Kennedy Street, Ann claims to have been running errands to Cooper Street when she was knocked down by the approaching cavalry and William was thrown from her arms. Therefore, Ann may have been in attendance to support her relative at the rally, in 1833 Mary Fildes & Mrs Broadhurst established the Female Political Union of the Working Classes. When attempting to distribute pamphlets on birth control, Fildes was arrested and charged with the distribution of pornography, years went by and Mary Fildes became more of a celebrity. In the 1830s and 1840s Mary Fildes was active in the Chartist movement. She exchanged the tensions of Manchester for the relaxation of Chester and he was privately educated in Chester. At the age of 14 the notion of his becoming an artist by no means pleased his grandmother and she had envisaged a more substantial life in politics for her grandson and this gave way to a rift between them
4.
Knight Commander of the Royal Victorian Order
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The Royal Victorian Order is a dynastic order of knighthood established in 1896 by Queen Victoria. It recognises distinguished personal service to the monarch of the Commonwealth realms, members of the monarchs family, the present monarch, Queen Elizabeth II, is the Sovereign of the order, its motto is Victoria, and its official day is 20 June. The orders chapel is the Savoy Chapel in London, the organisation was founded a year preceding Victorias Diamond Jubilee, so as to give the Queen time to complete a list of first inductees. The orders official day was made 20 June of each year, in 1902, King Edward VII created the Royal Victorian Chain as a personal decoration for royal personages and a few eminent British subjects and it was the highest class of the Royal Victorian Order. It is today distinct from the order, though it is issued by the chancery of the Royal Victorian Order. The order was open to foreigners from its inception, the Prefect of Alpes-Maritimes, Queen Elizabeth II then appointed her daughter, Anne, Princess Royal, to the position in 2007. Foreigners may be admitted as members, there are no limits to the number of any grade. Retiring Deans of the Royal Peculiars of St, prior to 1984, the grades of Lieutenant and Member were classified as Members and Members, respectively, but both with the post-nominals MVO. On 31 December of that year, Queen Elizabeth II declared that those in the grade of Member would henceforth be Lieutenants with the post-nominals LVO. Upon admission into the Royal Victorian Order, members are given various insignia of the organisation, each grade being represented by different emblems and robes. For Knights and Dames Grand Cross, Commanders, and Lieutenants, the orders ribbon is blue with red-white-red stripe edging, the only difference being that for foreigners appointed into the society, their ribbon bearing an additional central white stripe. For Knights Grand Cross, the ribbon is 82.5 millimetres wide, for Dames Grand Cross 57.1 millimetres, for Knights and Dames Commander 44.4 millimetres, and for all other members 31.7 millimetres. Though after the death of a Knight or Dame Grand Cross their insignia may be retained by their family, the collar must be returned. Knights and Dames Grand Cross also wear a mantle of blue satin edged with red satin and lined with white satin. Since 1938, the chapel of the Royal Victorian Order has been the Queens Chapel of the Savoy, in central London, upon the occupants death, the plate is retained, leaving the stalls festooned with a record of the orders Knights and Dames Grand Cross since 1938. There is insufficient space in the chapel for the display of knights and dames banners, founded by Michael Jackson, the group has, since 2008, gathered biennially. The practice of notifying the Prime Minister of Canada of nominees ended in 1982, in Canada, the order has come to be colloquially dubbed as the Royal Visit Order, as the majority of appointments are made by the sovereign during her tours of the country. Persons have been removed from the order at the monarchs command, anthony Blunt, a former surveyor of the Queens Pictures, was in 1979 stripped of his knighthood, after it was revealed that he had been a spy
5.
Royal Academician
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The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly in London. The Royal Academy of Arts was founded through an act of King George III on 10 December 1768 with a mission to promote the arts of design in Britain through education and exhibition. Supporters wanted to foster a national school of art and to encourage appreciation, fashionable taste in 18th-century Britain was based on continental and traditional art forms, providing contemporary British artists little opportunity to sell their works. From 1746 the Foundling Hospital, through the efforts of William Hogarth, the success of this venture led to the formation of the Society of Artists of Great Britain and the Free Society of Artists. Both these groups were primarily exhibiting societies, their success was marred by internal factions among the artists. The combined vision of education and exhibition to establish a school of art set the Royal Academy apart from the other exhibiting societies. It provided the foundation upon which the Royal Academy came to dominate the art scene of the 18th and 19th centuries, supplanting the earlier art societies. Sir William Chambers, a prominent architect, used his connections with George III to gain royal patronage and financial support of the Academy, the painter Joshua Reynolds was made its first president. Francis Milner Newton was elected the first secretary, a post he held for two decades until his resignation in 1788, the instrument of foundation, signed by George III on 10 December 1768, named 34 founder members and allowed for a total membership of 40. William Hoare and Johann Zoffany were added to this list later by the King and are known as nominated members, among the founder members were two women, a father and daughter, and two sets of brothers. The Royal Academy was initially housed in cramped quarters in Pall Mall, although in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace. In 1780 it was installed in purpose-built apartments in the first completed wing of New Somerset House, located in the Strand and designed by Chambers, the Academy moved in 1837 to Trafalgar Square, where it occupied the east wing of the recently completed National Gallery. These premises soon proved too small to house both institutions, in 1868,100 years after the Academys foundation, it moved to Burlington House, Piccadilly, where it remains. Burlington House is owned by the British Government, and used rent-free by the Royal Academy, the first Royal Academy exhibition of contemporary art, open to all artists, opened on 25 April 1769 and ran until 27 May 1769. 136 works of art were shown and this exhibition, now known as the Royal Academy Summer Exhibition, has been staged annually without interruption to the present day. In 1870 the Academy expanded its programme to include a temporary annual loan exhibition of Old Masters. The range and frequency of these exhibitions have grown enormously since that time. Britains first public lectures on art were staged by the Royal Academy, led by Reynolds, the first president, a program included lectures by Dr. William Hunter, John Flaxman, James Barry, Sir John Soane, and J. M. W. Turner
6.
Royal College of Art
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The Royal College of Art or RCA is a public research university in London, in the United Kingdom. This was the third year that QS had awarded it the number 1 position for Art & Design. The RCA was founded in Somerset House in 1837 as the Government School of Design or Metropolitan School of Design, richard Burchett became head of the school in 1852. In 1853 it was expanded and moved to Marlborough House, and then, in 1853 or 1857 and it was renamed the Normal Training School of Art in 1857 and the National Art Training School in 1863. During the later 19th century it was primarily a training college, pupils during this period included George Clausen, Christopher Dresser, Luke Fildes, Kate Greenaway. In 1896 or 1897 the school received the name Royal College of Art, teaching of graphic design, industrial design and product design began in the mid-twentieth century. The school expanded further in the 1960s, and in 1967 it received a Royal Charter which gave it the status of an independent university with the power to grant its own degrees, the RCA has two campuses, in South Kensington and in Battersea. The Darwin Building in Kensington Gore dates from the 1960s and is a Grade II listed building and it was designed by a team of RCA staff members, H. T. Cadbury-Brown, Hugh Casson and Robert Goodden. In 1991 the sculpture department moved to a converted factory across the river Thames in Battersea, in the early 2000s the college conceived a substantial second campus being created on the site, with a minibus service linking it to Kensington. Thus, after a redevelopment of the premises by Wright & Wright. A masterplan was commissioned by Haworth Tompkins and phase 1 of their three phase design was completed with the opening of the Sackler Building on 19 November 2009 and its name commemorates a major gift by The Dr Mortimer and Theresa Sackler Foundation. The Dyson Building, named in honour of James Dyson, whose educational charity donated £5m to the development, was opened on 24 September 2012 and it is the home for printmaking and photography, and contains an innovation wing where start-up designers can launch their businesses. The Woo Building was opened on 30 September 2015, completing the Battersea project and it is named in honour of Sir Po-Shing and Lady Helen Woo, who have funded scholarships at the RCA since the 1990s. It accommodates the Ceramics & Glass and Jewellery & Metal programmes, the buildings anodised aluminium gates were designed by alumnus Max Lamb. The RCA offers MA, MPhil and PhD degrees in twenty-four subject areas, divided into six schools, architecture, communication, design, fine art, humanities, and materials. In April 2011 the RCA was ranked first on a list of UK graduate art schools compiled by Modern Painters magazine from a survey of professionals in the art world. In August 2015 it was ranked first on a list of courses in fashion by Business of Fashion. In 2015 the RCA placed first in the art and design subject area in the QS World University Rankings published by Quacquarelli Symonds, in 2016 and 2017 it held onto the position, increasing its overall score from 96. 0/100 to 98. 4/100
7.
Royal Academy
–
The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly in London. The Royal Academy of Arts was founded through an act of King George III on 10 December 1768 with a mission to promote the arts of design in Britain through education and exhibition. Supporters wanted to foster a national school of art and to encourage appreciation, fashionable taste in 18th-century Britain was based on continental and traditional art forms, providing contemporary British artists little opportunity to sell their works. From 1746 the Foundling Hospital, through the efforts of William Hogarth, the success of this venture led to the formation of the Society of Artists of Great Britain and the Free Society of Artists. Both these groups were primarily exhibiting societies, their success was marred by internal factions among the artists. The combined vision of education and exhibition to establish a school of art set the Royal Academy apart from the other exhibiting societies. It provided the foundation upon which the Royal Academy came to dominate the art scene of the 18th and 19th centuries, supplanting the earlier art societies. Sir William Chambers, a prominent architect, used his connections with George III to gain royal patronage and financial support of the Academy, the painter Joshua Reynolds was made its first president. Francis Milner Newton was elected the first secretary, a post he held for two decades until his resignation in 1788, the instrument of foundation, signed by George III on 10 December 1768, named 34 founder members and allowed for a total membership of 40. William Hoare and Johann Zoffany were added to this list later by the King and are known as nominated members, among the founder members were two women, a father and daughter, and two sets of brothers. The Royal Academy was initially housed in cramped quarters in Pall Mall, although in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace. In 1780 it was installed in purpose-built apartments in the first completed wing of New Somerset House, located in the Strand and designed by Chambers, the Academy moved in 1837 to Trafalgar Square, where it occupied the east wing of the recently completed National Gallery. These premises soon proved too small to house both institutions, in 1868,100 years after the Academys foundation, it moved to Burlington House, Piccadilly, where it remains. Burlington House is owned by the British Government, and used rent-free by the Royal Academy, the first Royal Academy exhibition of contemporary art, open to all artists, opened on 25 April 1769 and ran until 27 May 1769. 136 works of art were shown and this exhibition, now known as the Royal Academy Summer Exhibition, has been staged annually without interruption to the present day. In 1870 the Academy expanded its programme to include a temporary annual loan exhibition of Old Masters. The range and frequency of these exhibitions have grown enormously since that time. Britains first public lectures on art were staged by the Royal Academy, led by Reynolds, the first president, a program included lectures by Dr. William Hunter, John Flaxman, James Barry, Sir John Soane, and J. M. W. Turner
8.
South Kensington Art School
–
The Royal College of Art or RCA is a public research university in London, in the United Kingdom. This was the third year that QS had awarded it the number 1 position for Art & Design. The RCA was founded in Somerset House in 1837 as the Government School of Design or Metropolitan School of Design, richard Burchett became head of the school in 1852. In 1853 it was expanded and moved to Marlborough House, and then, in 1853 or 1857 and it was renamed the Normal Training School of Art in 1857 and the National Art Training School in 1863. During the later 19th century it was primarily a training college, pupils during this period included George Clausen, Christopher Dresser, Luke Fildes, Kate Greenaway. In 1896 or 1897 the school received the name Royal College of Art, teaching of graphic design, industrial design and product design began in the mid-twentieth century. The school expanded further in the 1960s, and in 1967 it received a Royal Charter which gave it the status of an independent university with the power to grant its own degrees, the RCA has two campuses, in South Kensington and in Battersea. The Darwin Building in Kensington Gore dates from the 1960s and is a Grade II listed building and it was designed by a team of RCA staff members, H. T. Cadbury-Brown, Hugh Casson and Robert Goodden. In 1991 the sculpture department moved to a converted factory across the river Thames in Battersea, in the early 2000s the college conceived a substantial second campus being created on the site, with a minibus service linking it to Kensington. Thus, after a redevelopment of the premises by Wright & Wright. A masterplan was commissioned by Haworth Tompkins and phase 1 of their three phase design was completed with the opening of the Sackler Building on 19 November 2009 and its name commemorates a major gift by The Dr Mortimer and Theresa Sackler Foundation. The Dyson Building, named in honour of James Dyson, whose educational charity donated £5m to the development, was opened on 24 September 2012 and it is the home for printmaking and photography, and contains an innovation wing where start-up designers can launch their businesses. The Woo Building was opened on 30 September 2015, completing the Battersea project and it is named in honour of Sir Po-Shing and Lady Helen Woo, who have funded scholarships at the RCA since the 1990s. It accommodates the Ceramics & Glass and Jewellery & Metal programmes, the buildings anodised aluminium gates were designed by alumnus Max Lamb. The RCA offers MA, MPhil and PhD degrees in twenty-four subject areas, divided into six schools, architecture, communication, design, fine art, humanities, and materials. In April 2011 the RCA was ranked first on a list of UK graduate art schools compiled by Modern Painters magazine from a survey of professionals in the art world. In August 2015 it was ranked first on a list of courses in fashion by Business of Fashion. In 2015 the RCA placed first in the art and design subject area in the QS World University Rankings published by Quacquarelli Symonds, in 2016 and 2017 it held onto the position, increasing its overall score from 96. 0/100 to 98. 4/100
9.
Hubert von Herkomer
–
Sir Hubert von Herkomer CVO RA was a German born British painter, and also a pioneering film-director and composer. Though a very successful portraitist, especially of men, he is remembered for his earlier works that took a realistic approach to the conditions of life of the poor. Hard Times, showing the family of a travelling day-labourer at the side of a road, is one of his best known works. Herkomer was born at Waal, Bavaria and his family was poor and his mother tried to supplement the earnings of his father by giving music lessons. Once his mother gave him a sovereign for some shopping. Lorenz Herkomer, his father and a wood-carver of great ability, left Bavaria in 1851 with his wife and child for the United States, settling in Cleveland, Ohio. They soon returned to Europe and settled in Southampton in 1857, huberts education was slight, He went to school for a month or two, and, falling ill never returned. In a lengthy interview for Chums boys annual in 1896, Herkomer recalled his childhood and we were constantly in want of money. I was always inclined to art, and as a little boy worked principally at my fathers bench, the reputation I gained among my play fellows, however, was as a maker of kites. He also crafted mechanical toys including clowns and wagons to give to his friends and he lived for some time at Southampton and in the school of art there began his art training. An uncle in America commissioned his father to carve the four evangelists in wood, receiving some money his father determined to take Hubert to Munich so that he could study art whilst his father worked on the carving. In Chums, he recalled his trip vividly, Ah, how I remember that first visit to Germany and we crossed to Antwerp in a cattle boat. And never shall I forget the miseries of that voyage, and then there were the railway carriages on the other side. We were compelled to travel fourth-class, in the company of people who were no less filthy than the carriages, I swore a big oath that if ever I had any money I would travel in the most luxurious style possible. I have never forgotten that oath, the pair led a hard life whilst in Munich, but he stated that they were very happy days and his father sat as model for him during that time. In 1866 he entered upon a serious course of study at the South Kensington Schools and, in 1869. He sold his first picture for two guineas but by the time he was twenty-four, he had sold a picture for five hundred pounds. In same year, he began working as an illustrator for the newly founded newspaper The Graphic
10.
Frank Holl
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Francis Montague Holl RA was an English painter and royal portraitist. He was educated mainly at University College School, a Fern Gatherer, The Ordeal, Convalescent, and Faces in the Fire, succeeded. Holl gained the travelling studentship in 1868, the work was characteristic of the young painters mood, being The Lord gave. In 1869 he was recruited as an artist by the engraver and social reformer William Luson Thomas, to work on Thomass newly founded newspaper, The Graphic. In 1886 he produced a portrait of Millais as his diploma work and he is buried in Highgate Cemetery. Overwork undermined Holls health, but his reputation was assured by the studentship picture, van Gogh admired Holls works and wrote enthusiastically to his brother Theo about them. In 1877 he painted the two pictures Hush and Hushed, newgate, Committed for Trial, first attested the breaking down of the painters health in 1878. In this year he was elected A. R. A. and exhibited The Gifts of the Fairies, The Daughter of the House, Absconded, Holl was overwhelmed with commissions, which he would not decline. This article incorporates text from a now in the public domain, Chisholm, Hugh. Profile on Royal Academy of Arts Collections
11.
Frederick Walker (painter)
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Frederick Walker ARA RWS was an English social realist painter and illustrator described by Sir John Everett Millais as the greatest artist of the century. Walker was born at 90 Great Titchfield Street, Marylebone in London, the elder of twins and the 5th son of William Henry, Jeweller, and Ann Walker - he was one of 8 children. His grandfather, William Walker had been an artist of some merit, fredricks mother was an embroideress, and became the familys chief breadwinner when his father died in 1847. Frederick received his education at a school and later at the North London Collegiate School in Camden. He showed a talent for art from an early age teaching himself to copy prints using pen, from 1855–57 he worked in an architects office in Gower Street but gave up architecture to become a student at the British Museum and at James Mathews Leighs art school. In March 1858 he was admitted as a student at the Royal Academy and it was here that he met fellow artists J W North and George Pinwell. During the 2 years of his apprenticeship he continued to paint in his spare time, much of his work during this period was engraved by Joseph Swain. Walker produced his first important watercolour, Strange faces in 1862, Walker exhibited at the Old Watercolour Society from 1864 until the end of his life, becoming an associate member in February 1864. He was later made a member in 1866, which entitled him to add the postnominal initials RWS after his name. He was also elected a member of the Belgian Watercolour Society in 1871. In 1871 he was elected an Associate Royal Academician, Walker never married and lived all his life in London with members of his family - brother John, sister Fanny and mother - residing in Bayswater from 1863. He twice visited Paris and Venice, in 1873 he travelled to Algiers in an unsuccessful attempt to recuperate from a bout of tuberculosis, which gradually worsened until his death in June 1875 at St Fillans in Perthshire, Scotland. Life and letters of Frederick Walker, A. R. A. Phillips, Claude, a history of water-colour painting in England pp. This article incorporates text from a now in the public domain, Chisholm, Hugh, ed. Walker. London, Smith, Elder & Co. pp. 51–53
12.
The Graphic
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The Graphic was a British weekly illustrated newspaper, first published on 4 December 1869 by William Luson Thomass company Illustrated Newspapers Limited. The influence of The Graphic within the art world was immense, its many admirers included Vincent Van Gogh, from 1889 Luson Thomass company, H. R. Baines and Co. published The Daily Graphic. The Graphic was founded by William Luson Thomas, a successful artist, wood engraver, earlier he, his brother and his brother-in-law had been persuaded to go to New York and assist in launching two newspapers, Picture Gallery and Republic. Thomas also had an establishment of his own and, aided by a large staff. His illustrated paper, despite being more expensive that its competition, when it began in 1869, the newspaper was printed in a rented house. By 1882, the company owned three buildings and twenty printing presses, and employed more than 1,000 people, the first editor was Henry Sutherland Edwards. A successful artist himself, founder Thomas recruited gifted artists including Luke Fildes, Hubert von Herkomer, Frank Holl, the Graphic was published on a Saturday and its original cover price was sixpence, while the Illustrated London News was fivepence. In addition to its market the paper had subscribers all around the British Empire. The Graphic covered home news and news from around the Empire, and devoted much attention to literature, arts, sciences, royal occasions and national celebrations and ceremonials were also given prominent coverage. Writers for the paper included George Eliot, Thomas Hardy, H. Rider Haggard, malcolm Charles Salaman was employed there from 1890 to 1899. Beatrice Grimshaw travelled the South Pacific reporting on her experiences for the Daily Graphic, mary Frances Billington served the Graphic as a special correspondent from 1890 to 1897, reporting from India in essays that were compiled into Woman in India. Topics of the Week,12 paragraphs of news coverage, amusements, A roundup of activities for the week, for the middle-class reader. Our illustrations, a summary of all the illustrations in the edition, home, a summary of the news in Britain. Church news Legal, Trials and Cases of interest to the target reader, a weekly serial written by popular authors of the time, such as William Black. Book reviews A summary of the new developments in science, rural notes, information about the season and tips about crops, and other news concerning the rampant unrest of the farm labourers. New Music, Reviews of the latest music and musicals, obituaries, of Church leaders, factory owners, European Royalty, musicians and noteworthy Victorians. Sport, coverage of football and cricket Motoring, c, 1903-1908 Dorothy Levitt, The Fastest Girl on Earth, wrote a column on motoring from the point of view of A womans right to motor. A collection of her articles formed the basis of the book The Woman, there were at least three pages dedicated to advertising and it is interesting to see the obsession with hygiene, with countless adverts for toothpaste and soap products
13.
William Luson Thomas
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William Luson Thomas was an English wood-engraver and the founder of various British newspapers. He worked as an engraver in Paris and also as an assistant to the well-known engraver William James Linton, Thomas was a friend of Charles Dickens and believed in social reform. At one time he worked for the Illustrated London News, and became convinced that pictures could have an influence on public opinion. In December 1869 he founded a new weekly illustrated newspaper, called The Graphic, in 1889, Thomas and his company H. R. Baines and Co. began publishing the first daily illustrated newspaper, called The Daily Graphic. He hoped that illustrated news would inspire people to campaign against various evils in Victorian society, including poverty and his newspapers achieved a significant readership throughout the British Empire and in the United States. When Thomas died in 1900, his company H. R. Baines and Co. was run by his son, the Graphic ceased to be published in 1932. His seventh son George Holt Thomas was a director and general manager of The Graphic and independently founded The Bystander and he also became a pioneer industrialist in the aviation industry but died in 1929. Sidney Lee, ed. Thomas, William Luson, dictionary of National Biography,1901 supplement
14.
Social realist
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While the movements characteristics vary from nation to nation, it almost always utilizes a form of descriptive or critical realism. Social realism traces back to 19th-century European Realism, including the art of Honoré Daumier, Gustave Courbet, in Russia Peredvizhniki or Social Realism was critical of the social environment that caused the conditions pictured, and denounced the evil Tsarist period. Ilya Repin, said that his art work was aimed “To criticize all the monstrosities of our vile society” of the Tsarist period, similar concerns were addressed in 20th-century Britain by the Artists International Association, Mass Observation and the Kitchen sink school. Social realist photography draws from the traditions of the late 19th century, such as the work of Jacob A. Riis. In about 1900, a group of Realist artists led by Robert Henri challenged the American Impressionism and academics, the term was suggested by a drawing by George Bellows, captioned Disappointments of the Ash Can, which appeared in the Philadelphia Record in April 1915. In paintings, illustrations, etchings, and lithographs, Ashcan artists concentrated on portraying New Yorks vitality, with a eye on current events. Barbara Weinberg of The Metropolitan Museum of Art has described the artists as documenting an unsettling, transitional time that was marked by confidence and doubt, excitement and trepidation. Ignoring or registering only gently harsh new realities such as the problems of immigration and urban poverty, notable Ashcan works include George Luks’ Breaker Boy and John Sloan’s Sixth Avenue Elevated at Third Street. The Ashcan school influenced the art of the Depression era, including Thomas Hart Benton’s mural City Activity with Subway, Social Realism with roots in European Realism became an important art movement during the Great Depression in the United States in the 1930s. As an American artistic movement it is related to American scene painting. In Mexico the painter Frida Kahlo is associated with the realism movement. The Mexican muralist movement is characterized by its political undertones, the majority of which are of a Marxist nature, diego Rivera, David Alfaro Siqueiros, José Clemente Orozco, and Rufino Tamayo are the best known proponents of the movement. Santiago Martínez Delgado, Jorge González Camarena, Roberto Montenegro, Federico Cantú Garza, the term dates on a broader scale to the Realist movement in French art during the mid-19th century. The social realist style fell out of fashion in the 1960s but is influential in thinking. Many artists who subscribed to social realism were painters with socialist political views, in certain contexts, socialist realism has been described as a specific branch of social realism. Social realism has been summarized as follows, Social Realism developed as a reaction against idealism, consequences of the Industrial Revolution became apparent, urban centers grew, slums proliferated on a new scale contrasting with the display of wealth of the upper classes. With a new sense of consciousness, the Social Realists pledged to “fight the beautiful art”. They focused on the realities of contemporary life and sympathized with working-class people
15.
Charles Dickens
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Charles John Huffam Dickens was an English writer and social critic. He created some of the worlds best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era and his works enjoyed unprecedented popularity during his lifetime, and by the twentieth century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity, born in Portsmouth, Dickens left school to work in a factory when his father was incarcerated in a debtors prison. Dickenss literary success began with the 1836 serial publication of The Pickwick Papers, within a few years he had become an international literary celebrity, famous for his humour, satire, and keen observation of character and society. His novels, most published in monthly or weekly instalments, pioneered the publication of narrative fiction. The instalment format allowed Dickens to evaluate his audiences reaction, and he modified his plot. For example, when his wifes chiropodist expressed distress at the way Miss Mowcher in David Copperfield seemed to reflect her disabilities and his plots were carefully constructed, and he often wove elements from topical events into his narratives. Masses of the poor chipped in hapennies to have each new monthly episode read to them, opening up. Dickens was regarded as the literary colossus of his age and his 1843 novella, A Christmas Carol, remains popular and continues to inspire adaptations in every artistic genre. Oliver Twist and Great Expectations are also adapted, and, like many of his novels. His 1859 novel, A Tale of Two Cities, set in London, Dickens has been praised by fellow writers—from Leo Tolstoy to George Orwell and G. K. Chesterton—for his realism, comedy, prose style, unique characterisations, and social criticism. On the other hand, Oscar Wilde, Henry James, and Virginia Woolf complained of a lack of depth, loose writing. The term Dickensian is used to something that is reminiscent of Dickens and his writings. Charles John Huffam Dickens was born on 7 February 1812, at 1 Mile End Terrace, Landport in Portsea Island and his father was a clerk in the Navy Pay Office and was temporarily stationed in the district. He asked Christopher Huffam, rigger to His Majestys Navy, gentleman, Huffam is thought to be the inspiration for Paul Dombey, the owner of a shipping company in Dickenss eponymous Dombey and Son. In January 1815 John Dickens was called back to London, when Charles was four, they relocated to Sheerness, and thence to Chatham, Kent, where he spent his formative years until the age of 11. His early life seems to have been idyllic, though he himself a very small. Charles spent time outdoors but also read voraciously, including the novels of Tobias Smollett and Henry Fielding, as well as Robinson Crusoe
16.
Vincent van Gogh
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Vincent Willem van Gogh was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created about 2,100 artworks, including around 860 oil paintings and his suicide at 37 followed years of mental illness and poverty. Born into a family, Van Gogh drew as a child and was serious, quiet. As a young man he worked as an art dealer, often travelling and he turned to religion, and spent time as a Protestant missionary in southern Belgium. He drifted in ill health and solitude before taking up painting in 1881 and his younger brother Theo supported him financially, and the two kept up a long correspondence by letter. His early works, mostly still lifes and depictions of peasant labourers, in 1886 he moved to Paris, where he met members of the avant-garde, including Émile Bernard and Paul Gauguin, who were reacting against the Impressionist sensibility. As his work developed he created a new approach to still lifes and his paintings grew brighter in colour as he developed a style that became fully realised during his stay in Arles in the south of France in 1888. During this period he broadened his subject matter to include trees, cypresses, wheat fields. Van Gogh suffered from episodes and delusions and though he worried about his mental stability, he often neglected his physical health, did not eat properly. His friendship with Gauguin ended after a confrontation with a razor and he spent time in psychiatric hospitals, including a period at Saint-Rémy. After he discharged himself and moved to the Auberge Ravoux in Auvers-sur-Oise near Paris and his depression continued and on 27 July 1890, Van Gogh shot himself in the chest with a revolver. He died from his injuries two days later, Van Gogh was unsuccessful during his lifetime, and was considered a madman and a failure. He became famous after his suicide, and exists in the imagination as the quintessential misunderstood genius. His reputation began to grow in the early 20th century as elements of his style came to be incorporated by the Fauves. The most comprehensive source on Van Gogh is the correspondence between him and his younger brother, Theo. Their lifelong friendship, and most of what is known of Vincents thoughts, Theo van Gogh was an art dealer and provided his brother with financial and emotional support, and access to influential people on the contemporary art scene. Theo kept all of Vincents letters to him, Vincent kept few of the letters he received, after both had died, Theos widow Johanna arranged for the publication of some of their letters. A few appeared in 1906 and 1913, the majority were published in 1914, Vincents letters are eloquent and expressive and have been described as having a diary-like intimacy, and read in parts like autobiography
17.
John Everett Millais
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Sir John Everett Millais, 1st Baronet, PRA was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. A child prodigy, at the age of eleven Millais became the youngest student to enter the Royal Academy Schools, the Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street. Millais became the most famous exponent of the style, his painting Christ in the House of His Parents generating considerable controversy, by the mid-1850s Millais was moving away from the Pre-Raphaelite style and developing a new and powerful form of realism in his art. His later works were successful, making Millais one of the wealthiest artists of his day. Millaiss personal life has played a significant role in his reputation. His wife Effie was formerly married to the critic John Ruskin, Millais was born in Southampton, England in 1829, of a prominent Jersey-based family. His parents were John William Millais and Emily Mary Millais, most of his early childhood was spent in Jersey, to which he retained a strong devotion throughout his life. The author Thackeray once asked him when England conquered Jersey, the family moved to Dinan in Brittany for a few years in his childhood. His mothers forceful personality was the most powerful influence on his early life and she had a keen interest in art and music, and encouraged her sons artistic bent, promoting the relocating of the family to London to help develop contacts at the Royal Academy of Art. He later said I owe everything to my mother and his prodigious artistic talent won him a place at the Royal Academy schools at the unprecedented age of eleven. While there, he met William Holman Hunt and Dante Gabriel Rossetti with whom he formed the Pre-Raphaelite Brotherhood in September 1848 in his home on Gower Street. Millaiss Christ in the House of His Parents was highly controversial because of its portrayal of a working class Holy Family labouring in a messy carpentry workshop. Later works were controversial, though less so. Millais achieved popular success with A Huguenot, which depicts a couple about to be separated because of religious conflicts. He repeated this theme in later works. All these early works were painted with great attention to detail, in paintings such as Ophelia Millais created dense and elaborate pictorial surfaces based on the integration of naturalistic elements. This approach has been described as a kind of pictorial eco-system, Mariana is a painting that Millais painted in 1850-51 based on the play Measure for Measure by William Shakespeare and the poem of the same name by Alfred, Lord Tennyson from 1830. In the play, the young Mariana was to be married and this style was promoted by the critic John Ruskin, who had defended the Pre-Raphaelites against their critics
18.
The Mystery of Edwin Drood
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The Mystery of Edwin Drood is the final novel by Charles Dickens. The novel was unfinished at the time of Dickenss death and his ending for it is unknown. Though the novel is named after the character Edwin Drood, the focuses on Droods uncle, precentor, choirmaster and opium addict, John Jasper. Miss Bud, Droods fiancée, has caught the eye of the high-spirited and hot-tempered Neville Landless. Landless and Drood take an instant dislike to one another, Drood later disappears under mysterious circumstances. The story is set in Cloisterham, a lightly disguised Rochester, Mr Crisparkle, for example, lives in a clergy house in Minor Canon Corner, which corresponds to a genuine address within the precincts of Rochester Cathedral, namely Minor Canon Row. The novel begins as John Jasper leaves a London opium den, the next evening, Edwin Drood visits Jasper, who is the choirmaster at Cloisterham Cathedral. Edwin confides that he has misgivings about his betrothal to Rosa Bud, the next day, Edwin visits Rosa at the Nuns House, the boarding school where she lives. They quarrel good-naturedly, which they apparently do frequently during his visits, meanwhile, Jasper, having an interest in the cathedral crypt, seeks the company of Durdles, a man who knows more about the crypt than anyone else. Neville Landless and his twin sister Helena are sent to Cloisterham for their education, Neville will study with the minor canon, Rev. Mr. Crisparkle, Helena will live at the Nuns House with Rosa. Neville confides to Rev. Mr Crisparkle that he had hated his cruel stepfather, while Rosa confides to Helena that she loathes, Neville is immediately smitten with Rosa and is indignant that Edwin prizes his betrothal lightly. Edwin provokes him and he reacts violently, giving Jasper the opportunity to spread rumours about Nevilles reputation of having a violent temper, Rev. Mr Crisparkle tries to reconcile Edwin and Neville, who agrees to apologise to Edwin if the former will forgive him. It is arranged that they dine together for this purpose on Christmas Eve at Jaspers home. Rosas guardian, Mr. Grewgious, tells her that she has an inheritance from her father. When she asks whether there would be any forfeiture if she did not marry Edwin, back at his office in London, Mr. Grewgious. Mr. Bazzard, Mr. Grewgiouss clerk, witnesses this transaction, next day, Rosa and Edwin amicably agree to end their betrothal. They decide to ask Mr. Grewgious to break the news to Jasper, meanwhile, Durdles takes Jasper into the cathedral crypt. On the way there Durdles points out a mound of quicklime, Jasper provides a bottle of wine to Durdles
19.
The Cornhill Magazine
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The Cornhill Magazine was a Victorian magazine and literary journal named after the publishers address at 65 Cornhill in London. Cornhill was founded by George Murray Smith in 1859, the first issue carrying the date of January 1860. It was a journal with a selection of articles on diverse subjects. It also gained a reputation for safe, inoffensive content in the late Victorian era. A mark of the regard in which it was held was its publication of Leaves from the Journal of our Life in the Highlands by Queen Victoria. The stories were illustrated and it contained works from some of the foremost artists of the time including, George du Maurier, Edwin Landseer, Frederic Leighton. Some of its subsequent editors included G. H. Lewes, Leslie Stephen, Ronald Gorell Barnes, James Payn, Peter Quennell and Leonard Huxley. Contributors to The Cornhill in the 1930s and 1940s included Elizabeth Bowen, Rose Macaulay, Mary Webb, D. K. Broster, from 1917 the magazine was published by John Murray of Albermarle Street, London. Important works serialised in the include, Framley Parsonage by Anthony Trollope Wives and Daughters by Elizabeth Gaskell The White Company. V.5, v.8, v.11, v.19, v.25, the Founding of Cornhill Magazine, Spencer L. Eddy,1970. Pinner, Middlesex, Private Libraries Association,2010 ISBN 978-1-58456-275-7, Discourses of Distinction the reception of the Cornhill Magazine 1859-60. Citation, Maunder, A1999, Discourses of Distinction, the reception of the Cornhill Magazine 1859-60, Victorian Periodicals Review, vol 32, files in This Item, File,901212. pdf Size,6.66 MB Format, Adobe PDF Ockerbloom, John Mark. Serial archive listings for The Cornhill Magazine
20.
The Gentleman's Magazine
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The Gentlemans Magazine was founded in London, England, by Edward Cave in January 1731. It ran uninterrupted for almost 200 years, until 1922 and it was the first to use the term magazine for a periodical. Samuel Johnsons first regular employment as a writer was with The Gentlemans Magazine, the original complete title was The Gentlemans Magazine, or, Traders monthly intelligencer. Caves innovation was to create a monthly digest of news and commentary on any topic the educated public might be interested in and it carried original content from a stable of regular contributors, as well as extensive quotations and extracts from other periodicals and books. Cave, who edited The Gentlemans Magazine under the pen name Sylvanus Urban, was the first to use the magazine for a periodical. Contributions to the magazine took the form of letters, addressed to Mr. Urban. The iconic illustration of St. Johns Gate on the front of each issue depicted Caves home, in effect, before the founding of The Gentlemans Magazine, there were specialized journals, but no such wide-ranging publications. Samuel Johnsons first regular employment as a writer was with The Gentlemans Magazine, during a time when parliamentary reporting was banned, Johnson regularly contributed parliamentary reports as Debates of the Senate of Magna Lilliputia. Though they reflected the positions of the participants, the words of the debates were mostly Johnsons own, the name Columbia, a poetic name for America coined by Johnson, first appears in a 1738 weekly publication of the debates of the British Parliament in the magazine. A skilled businessman, Edward Cave developed a distribution system for The Gentlemans Magazine. It was read throughout the English-speaking world and continued to flourish through the 18th century and it went into decline towards the end of the 19th century and finally ceased general publication in September 1907. However, issues consisting of four each were printed in very small editions between late 1907 and 1922 in order to keep the title formally in print. This 75-volume index gives the name and an abbreviated reference to the date, event. This index covers the years 1731–1850, the index is available at the Family History Library as FHL book 942 B2g Index and is also available on microfilm or microfiche. An abstract of the contents of The Gentleman’s Magazine from 1731 to 1868 was published by George L. Gomme in 1891. He describes it as excerpts from the publications containing local history and information, topographical details. Gommes work has been digitized and indexed by Ancestry. com and is available online to Ancestry subscribers or at subscribing libraries, a four-volume set of indexes was compiled by Samuel Ayscough with some assistance or later editing by John Nichols and by Gabriel Richard. Covering 1731–1786, and volume 4 contains an Index of Names of Persons covering 1731–1818, the indexes are by surname only and are available online for free through Google Books, Ayscough, Samuel, Nichols, John
21.
Thackeray
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William Makepeace Thackeray was an English novelist of the 19th century. He is known for his works, particularly Vanity Fair. Thackeray, a child, was born in Calcutta, British India. His mother, Anne Becher, was the daughter of Harriet Becher and John Harman Becher. Richmond died in 1815, which caused Anne to send her son to England in 1816, the ship on which he travelled made a short stopover at St. Helena, where the imprisoned Napoleon was pointed out to him. Once in England he was educated at schools in Southampton and Chiswick, and then at Charterhouse School, Thackeray disliked Charterhouse, and parodied it in his fiction as Slaughterhouse. Nevertheless, Thackeray was honoured in the Charterhouse Chapel with a monument after his death, Thackeray then travelled for some time on the continent, visiting Paris and Weimar, where he met Goethe. He returned to England and began to study law at the Middle Temple and he also lost a good part of his fortune in the collapse of two Indian banks. The Thackerays had three children, all girls, Anne Isabella, Jane and Harriet Marian, who married Sir Leslie Stephen, editor, Thackeray now began writing for his life, as he put it, turning to journalism in an effort to support his young family. Between 1837 and 1840 he also reviewed books for The Times and he was also a regular contributor to The Morning Chronicle and The Foreign Quarterly Review. Later, through his connection to the illustrator John Leech, he began writing for the newly created magazine Punch, in which he published The Snob Papers and this work popularised the modern meaning of the word snob. Thackeray was a regular contributor to Punch between 1843 and 1854. Tragedy struck in Thackerays personal life as his wife, Isabella, succumbed to depression after the birth of their third child, in 1840. Finding that he could get no work done at home, he spent more and more time away until September 1840, struck by guilt, he set out with his wife to Ireland. During the crossing she threw herself from a water-closet into the sea and they fled back home after a four-week battle with her mother. From November 1840 to February 1842 Isabella was in and out of professional care and she eventually deteriorated into a permanent state of detachment from reality. Isabella outlived her husband by 30 years, in the end being cared for by a family named Thompson in Leigh-on-Sea at Southend until her death in 1894, after his wifes illness Thackeray became a de facto widower, never establishing another permanent relationship. He did pursue other women, however, in particular Mrs Jane Brookfield, in 1851 Mr Brookfield barred Thackeray from further visits to or correspondence with Jane. Baxter, an American twenty years Thackerays junior whom he met during a tour in New York City in 1852
22.
Tate Britain
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Tate Britain is an art museum on Millbank in the City of Westminster in London. It is part of the Tate network of galleries in England, with Tate Modern, Tate Liverpool and it is the oldest gallery in the network, having opened in 1897. It is one of the largest museums in the country, the gallery is situated on Millbank, on the site of the former Millbank Prison. Construction, undertaken by Higgs and Hill, commenced in 1893, however, from the start it was commonly known as the Tate Gallery, after its founder Sir Henry Tate, and in 1932 it officially adopted that name. As a consequence, it was renamed Tate Britain in March 2000, the front part of the building was designed by Sidney R. J. Smith with a classical portico and dome behind, and the central sculpture gallery was designed by John Russell Pope. Tate Britain includes the Clore Gallery of 1987, designed by James Stirling, crises during its existence include flood damage to work from the River Thames, and bomb damage during World War II. However, most of the collection was in storage elsewhere during the war. In 1970, the building was given Grade II* listed status, the museum stayed open throughout the three phases of renovation. Completed in 2013, the newly designed sections were conceived by the architects Caruso St John and included a total of nine new galleries, with reinforced flooring to accommodate heavy sculptures. A second part was unveiled later that year, the centrepiece being the reopening of the buildings Thames-facing entrance as well as a new spiral staircase beneath its rotunda, the circular balcony of the rotundas domed atrium, closed to visitors since the 1920s, was reopened. The gallery also now has a dedicated entrance and reception beneath its entrance steps on Millbank. The front entrance is accessible by steps, a side entrance at a lower level has a ramp for wheelchair access. The gallery provides a restaurant and a café, as well as a Friends room and this membership is open to the public on payment of an annual subscription. As well as offices the building complex houses the Prints and Drawings Rooms, as well as the Library. The restaurant features a mural by Rex Whistler, Tate Britain and Tate Modern are now connected by a high speed boat along the River Thames, which runs from Millbank Millennium Pier immediately outside Tate Britain. The boat is decorated with spots, based on paintings of similar appearance by Damien Hirst, the lighting artwork incorporated in the piers structure is by Angela Bulloch. The main display spaces show the permanent collection of historic British art, the gallery also organises career retrospectives of British artists and temporary major exhibitions of British Art. Every three years the gallery stages a Triennial exhibition in which a guest curator provides an overview of contemporary British Art, the 2003 Tate Triennial was called Days Like These
23.
Venice
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Venice is a city in northeastern Italy and the capital of the Veneto region. It is situated across a group of 118 small islands that are separated by canals and these are located in the shallow Venetian Lagoon, an enclosed bay that lies between the mouths of the Po and the Piave Rivers. Parts of Venice are renowned for the beauty of their settings, their architecture, the lagoon and a part of the city are listed as a World Heritage Site. In 2014,264,579 people resided in Comune di Venezia, together with Padua and Treviso, the city is included in the Padua-Treviso-Venice Metropolitan Area, with a total population of 2.6 million. PATREVE is a metropolitan area without any degree of autonomy. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC, the city was historically the capital of the Republic of Venice. Venice has been known as the La Dominante, Serenissima, Queen of the Adriatic, City of Water, City of Masks, City of Bridges, The Floating City, and City of Canals. The City State of Venice is considered to have been the first real international financial center which gradually emerged from the 9th century to its peak in the 14th century and this made Venice a wealthy city throughout most of its history. It is also known for its several important artistic movements, especially the Renaissance period, Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi. Venice has been ranked the most beautiful city in the world as of 2016, the name Venetia, however, derives from the Roman name for the people known as the Veneti, and called by the Greeks Eneti. The meaning of the word is uncertain, although there are other Indo-European tribes with similar-sounding names, such as the Celtic Veneti, Baltic Veneti, and the Slavic Wends. Linguists suggest that the name is based on an Indo-European root *wen, so that *wenetoi would mean beloved, lovable, a connection with the Latin word venetus, meaning the color sea-blue, is also possible. The alternative obsolete form is Vinegia, some late Roman sources reveal the existence of fishermen on the islands in the original marshy lagoons. They were referred to as incolae lacunae, the traditional founding is identified with the dedication of the first church, that of San Giacomo on the islet of Rialto — said to have taken place at the stroke of noon on 25 March 421. Beginning as early as AD166 to 168, the Quadi and Marcomanni destroyed the center in the area. The Roman defences were again overthrown in the early 5th century by the Visigoths and, some 50 years later, New ports were built, including those at Malamocco and Torcello in the Venetian lagoon. The tribuni maiores, the earliest central standing governing committee of the islands in the Lagoon, the traditional first doge of Venice, Paolo Lucio Anafesto, was actually Exarch Paul, and his successor, Marcello Tegalliano, was Pauls magister militum. In 726 the soldiers and citizens of the Exarchate rose in a rebellion over the controversy at the urging of Pope Gregory II
24.
Coronation of King Edward VII and Queen Alexandra
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The coronation of Edward VII and his wife Alexandra as King and Queen of the United Kingdom and the British Empire took place at Westminster Abbey, London, on 9 August 1902. Originally scheduled for 26 June of that year, the ceremony had been postponed at short notice. The success of Victorias Golden and Diamond Jubilees had created the expectation that Edwards coronation would be an expression of the status as a great imperial power. In December 1901, an Executive Coronation Committee was formed, whose leading member, Viscount Esher, Esher had been responsible for organising the Diamond Jubilee in 1897 and was one of the driving forces behind the renewed enthusiasm for royal ceremonial. The position of Director of Music was given to Sir Frederick Bridge, the organist and choirmaster at Westminster Abbey, the first Abbey organist since Henry Purcell to be given that role. Bridge had successfully transformed the quality of music at the Abbey and had directed the music at the Golden Jubilee, by the time of his accession, the 59-year-old Edward was overweight and fond of large meals and cigars. He launched himself into his new role, but his first busy months on the throne were bedevilled by a succession of illnesses and injuries. On 23 June, three days before the set for the coronation, the King and Queen returned from Windsor Castle to Buckingham Palace in preparation. Foreign journalists noted that he appeared worn and pale and was leaning heavily on his cane and that evening, the King and Queen hosted a formal dinner for seventy British and overseas royal guests. On the following day at 12 noon, a telegram marked OFFICIAL was dispatched around the Empire, with the news that the coronation was postponed, shortly afterwards, a bulletin was released from Edwards medical team, stating that The King is suffering from perityphlitis. The condition on Saturday was so satisfactory that it was hoped that with care His Majesty would be able to go through the Coronation ceremonies, on Monday evening a recrudescence became manifest, rendering a surgical operation necessary today. It was undersigned by, among others, Lord Lister and Sir Frederick Treves, on 26 June itself, a solemn service of intercession was held at St Pauls Cathedral, which was attended by many of the British and foreign dignitaries who were in London for the coronation. Organised by Sir Thomas Lipton,500,000 dinners were served to Londoners on 5 July at 800 locations around the capital, the King personally contributed £30,000 towards the cost and there were donations by commercial companies and wealthy individuals. Many people had intended to watch the procession, and rooms along the planned route had been rented out at high rates for the expected day of the coronation. The postponement of the led to many demands for refunds on the rental contracts, giving rise to the Coronation cases. One unintended effect of the postponement was the departure of the delegations, they didnt return for the rescheduled ceremony. This made the coronation a celebration of the British race united by the influence of the Imperial Crown according to J E C Bodley. Among the 8,000 guests at the Abbey were the ministers of the British Dominions, thirty one rulers of the Indian Princely States, the Sultan of Perak
25.
Associate of the Royal Academy
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The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly in London. The Royal Academy of Arts was founded through an act of King George III on 10 December 1768 with a mission to promote the arts of design in Britain through education and exhibition. Supporters wanted to foster a national school of art and to encourage appreciation, fashionable taste in 18th-century Britain was based on continental and traditional art forms, providing contemporary British artists little opportunity to sell their works. From 1746 the Foundling Hospital, through the efforts of William Hogarth, the success of this venture led to the formation of the Society of Artists of Great Britain and the Free Society of Artists. Both these groups were primarily exhibiting societies, their success was marred by internal factions among the artists. The combined vision of education and exhibition to establish a school of art set the Royal Academy apart from the other exhibiting societies. It provided the foundation upon which the Royal Academy came to dominate the art scene of the 18th and 19th centuries, supplanting the earlier art societies. Sir William Chambers, a prominent architect, used his connections with George III to gain royal patronage and financial support of the Academy, the painter Joshua Reynolds was made its first president. Francis Milner Newton was elected the first secretary, a post he held for two decades until his resignation in 1788, the instrument of foundation, signed by George III on 10 December 1768, named 34 founder members and allowed for a total membership of 40. William Hoare and Johann Zoffany were added to this list later by the King and are known as nominated members, among the founder members were two women, a father and daughter, and two sets of brothers. The Royal Academy was initially housed in cramped quarters in Pall Mall, although in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace. In 1780 it was installed in purpose-built apartments in the first completed wing of New Somerset House, located in the Strand and designed by Chambers, the Academy moved in 1837 to Trafalgar Square, where it occupied the east wing of the recently completed National Gallery. These premises soon proved too small to house both institutions, in 1868,100 years after the Academys foundation, it moved to Burlington House, Piccadilly, where it remains. Burlington House is owned by the British Government, and used rent-free by the Royal Academy, the first Royal Academy exhibition of contemporary art, open to all artists, opened on 25 April 1769 and ran until 27 May 1769. 136 works of art were shown and this exhibition, now known as the Royal Academy Summer Exhibition, has been staged annually without interruption to the present day. In 1870 the Academy expanded its programme to include a temporary annual loan exhibition of Old Masters. The range and frequency of these exhibitions have grown enormously since that time. Britains first public lectures on art were staged by the Royal Academy, led by Reynolds, the first president, a program included lectures by Dr. William Hunter, John Flaxman, James Barry, Sir John Soane, and J. M. W. Turner
26.
Knight Bachelor
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The appointment of Knight Bachelor is a part of the British honours system. It is the most basic and lowest rank of a man who has been knighted by the monarch, Knights Bachelor are the most ancient sort of British knight, but Knights Bachelor rank below knights of the various orders. There is no counterpart to Knight Bachelor. The lowest knightly honour that can be conferred upon a woman is Dame Commander of the Most Excellent Order of the British Empire – which, also, foreigners are not created Knights Bachelor, instead they are generally made honorary KBEs. It is generally awarded for service, amongst its recipients are all male judges of Her Majestys High Court of Justice in England. Sir Patrick Stewart, and Sir Tom Jones are Officers of the Most Excellent Order of the British Empire, like other knights, Knights Bachelor are styled Sir. Since they are not knights of any order of chivalry, there is no post-nominal associated with the award. This style is adopted by Knights Bachelor who are also peers, baronets or knights of the various statutory orders, such as Sir William Boulton, Bt, Kt, or The Lord Olivier. Until 1926 Knights Bachelor had no insignia which they could wear, the Knights Bachelor badge may be worn on all such occasions upon the left side of the coat or outer garment of those upon whom the degree of Knight Bachelor has been conferred. In 1974, Queen Elizabeth II issued a warrant authorising the wearing on appropriate occasions of a neck badge, slightly smaller in size. In 1988 a new certificate of authentication, a knights only personal documentation, was designed by the College of Arms. The Imperial Society of Knights Bachelor was founded for the maintenance and consolidation of the Dignity of Knights Bachelor in 1908, the Society keeps records of all Knights Bachelor, in their interest
27.
King Edward VII
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Edward VII was King of the United Kingdom and the British Dominions and Emperor of India from 22 January 1901 until his death in 1910. The eldest son of Queen Victoria and Prince Albert of Saxe-Coburg and Gotha, before his accession to the throne, he served as heir apparent and held the title of Prince of Wales for longer than any of his predecessors. During the long reign of his mother, he was excluded from political power. He travelled throughout Britain performing ceremonial duties, and represented Britain on visits abroad. His tours of North America in 1860 and the Indian subcontinent in 1875 were popular successes, as king, Edward played a role in the modernisation of the British Home Fleet and the reorganisation of the British Army after the Second Boer War. He reinstituted traditional ceremonies as public displays and broadened the range of people with whom royalty socialised and he died in 1910 in the midst of a constitutional crisis that was resolved the following year by the Parliament Act 1911, which restricted the power of the unelected House of Lords. Edward was born at 10,48 in the morning on 9 November 1841 in Buckingham Palace and he was the eldest son and second child of Queen Victoria and her husband Prince Albert of Saxe-Coburg and Gotha. He was christened Albert Edward at St Georges Chapel, Windsor Castle and he was named Albert after his father and Edward after his maternal grandfather Prince Edward, Duke of Kent and Strathearn. He was known as Bertie to the family throughout his life. As the eldest son of the British sovereign, he was automatically Duke of Cornwall, as a son of Prince Albert, he also held the titles of Prince of Saxe-Coburg and Gotha and Duke of Saxony. He was created Prince of Wales and Earl of Chester on 8 December 1841, Earl of Dublin on 17 January 1850, a Knight of the Garter on 9 November 1858, and a Knight of the Thistle on 24 May 1867. In 1863, he renounced his rights to the Duchy of Saxe-Coburg and Gotha in favour of his younger brother. Queen Victoria and Prince Albert were determined that their eldest son should have an education that would prepare him to be a constitutional monarch. At age seven, Edward embarked on an educational programme devised by Prince Albert. Unlike his elder sister Victoria, Edward did not excel in his studies and he tried to meet the expectations of his parents, but to no avail. Although Edward was not a diligent student—his true talents were those of charm, sociability and tact—Benjamin Disraeli described him as informed, intelligent, after the completion of his secondary-level studies, his tutor was replaced by a personal governor, Robert Bruce. After an educational trip to Rome, undertaken in the first few months of 1859, he spent the summer of that year studying at the University of Edinburgh under, among others, in October, he matriculated as an undergraduate at Christ Church, Oxford. Now released from the strictures imposed by his parents, he enjoyed studying for the first time
28.
King George V
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George V was King of the United Kingdom and the British Dominions, and Emperor of India, from 6 May 1910 until his death in 1936. He was the son of Albert Edward, Prince of Wales. From the time of his birth, he was third in the line of succession behind his father and his own brother, Prince Albert Victor, Duke of Clarence. From 1877 to 1891, George served in the Royal Navy, on the death of his grandmother in 1901, Georges father became King-Emperor of the British Empire, and George was created Prince of Wales. He succeeded his father in 1910 and he was the only Emperor of India to be present at his own Delhi Durbar. His reign saw the rise of socialism, communism, fascism, Irish republicanism, the Parliament Act 1911 established the supremacy of the elected British House of Commons over the unelected House of Lords. In 1917, George became the first monarch of the House of Windsor, in 1924 he appointed the first Labour ministry and in 1931 the Statute of Westminster recognised the dominions of the Empire as separate, independent states within the Commonwealth of Nations. He had health problems throughout much of his reign and at his death was succeeded by his eldest son. George was born on 3 June 1865, in Marlborough House and he was the second son of the Prince and Princess of Wales, Albert Edward and Alexandra. His father was the eldest son of Queen Victoria and Prince Albert and he was baptised at Windsor Castle on 7 July 1865 by the Archbishop of Canterbury, Charles Longley. As a younger son of the Prince of Wales, there was expectation that George would become king. He was third in line to the throne, after his father and elder brother, George was only 17 months younger than Albert Victor, and the two princes were educated together. John Neale Dalton was appointed as their tutor in 1871, neither Albert Victor nor George excelled intellectually. For three years from 1879, the brothers served on HMS Bacchante, accompanied by Dalton. They toured the colonies of the British Empire in the Caribbean, South Africa and Australia, and visited Norfolk, Virginia, as well as South America, the Mediterranean, Egypt, Dalton wrote an account of their journey entitled The Cruise of HMS Bacchante. Between Melbourne and Sydney, Dalton recorded a sighting of the Flying Dutchman, after Lausanne, the brothers were separated, Albert Victor attended Trinity College, Cambridge, while George continued in the Royal Navy. He travelled the world, visiting many areas of the British Empire, during his naval career he commanded Torpedo Boat 79 in home waters then HMS Thrush on the North America station, before his last active service in command of HMS Melampus in 1891–92. From then on, his rank was largely honorary
29.
Henry Woods (painter)
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Henry Woods RA was an English painter and illustrator, and one of the leading Neo-Venetian school artists. Henry Woods was born to a family at Warrington. His father, William, was a pawnbroker and for some time a town councillor, his mother, Fanny and he was the eldest of nine siblings. In 1869 both Woods and Fildes became illustrators for The Graphic newspaper, and became associated with artists John Everett Millais, Hubert von Herkomer and Frank Holl. The same year Woods began exhibiting at Royal Academy exhibitions – his style influenced by Carl van Haanen and Eugene de Blaas – and continued to do so until his death. By 1871 Woods and Luke Fildes were lodging together in Finsbury, London, and later at 22 King Henrys Road, Haverstock Hill, both were part of an outdoor landscape sketching circle that included Marcus Stone and Charles Edward Perugini. In 1874 Woods became brother-in-law to Fildes through the marriage of Fildes to his sister, Fanny, also an artist. Woods first visit to Venice was in 1876, and, despite a few back to England, he stayed and worked there from 1878 to the end of his life. He became friends with the artist colony of Ludwig Passini, August von Pettenkofen, van Haanen, Eugene de Blaas, Wolkoff, Ruben and he met Whistler in 1879–80, introducing him to Roussoff, and befriended Sargent. One of the visitors to his studio was Empress Frederick, who discussed his Serra Valle paintings favourably, during 1890–92 Woods wrote letters from Venice for publication in The Daily Graphic. In 1889 a work submitted to the Paris Exposition Universelle won a bronze medal, Woods was also a member of The Arts Club, and an honorary member of the Accademia di Bella Arte. On 27 October, in the morning, Woods was painting at the Ducal Palace, the gondolier returned later and found Woods dead beside his easel. A memorial service was held at San Vio, the English Church, bacher, Otto, With Whistler in Venice, New York Greig, James, The Art of Henry Woods, R. A. Bénézit, E. Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Gravers,8 vols, Paris Johnson, J. dictionary of British Artists 1880-1940, Woodbridge MacDonald, Margaret F. Palaces in the Night, Whistler in Venice, London Fildes, Luke, Val, a Victorian Painter, Michael Joseph, London Profile on Royal Academy of Arts Collections
30.
Brookwood Cemetery
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Brookwood Cemetery, also known as the London Necropolis, is a burial ground in Brookwood, Surrey, England. It is the largest cemetery in the United Kingdom and one of the largest in Europe, the cemetery is listed a Grade I site in the Register of Historic Parks and Gardens. The cemetery is said to have been landscaped by architect William Tite, in 1854, Brookwood was the largest cemetery in the world. Brookwood originally was accessible by rail from a special station – the London Necropolis railway station – next to Waterloo station in Central London, the original London Necropolis station was relocated in 1902 but its successor was demolished after suffering bomb damage during World War II. Two stations were in the cemetery itself, North for non-conformists and their platforms still exist along the path called Railway Avenue. For visitors wishing to use the South Western Main Line, Brookwood station has provided direct access since June 1864. A commemorative very short piece of track with signpost and plaque which purposefully gives way to a grass field recollects the old final main stage of the journey of the deceased. The LNC offered three classes of funerals, A first class funeral allowed its buyer to select the site of their choice anywhere in the cemetery. The LNC charged extra for burials in some designated special sites in the cemetery, at the time of opening prices began at £2 10s for a basic 9-by-4-foot with no special coffin specifications. It was expected by the LNC that those using first class graves would erect a permanent memorial of some kind in due course following the funeral, Second class funerals cost £1 and allowed some control over the burial location. The right to erect a permanent memorial cost an additional 10 shillings, third class funerals were reserved for pauper funerals, those buried at parish expense in the section of the cemetery designated for that parish. Brookwood was one of the few cemeteries to permit burials on Sundays, the LNC provided dedicated sections of the cemetery for these groups, on the basis that those who had lived or worked together in life could remain together after death. A large number of these plots were established, ranging from Chelsea Pensioners and the Ancient Order of Foresters to the Corps of Commissionaires. The Nonconformist cemetery also includes a Parsee burial ground established in 1862, dedicated sections in the Anglican cemetery were also reserved for burials from those parishes which had made burial arrangements with the LNC. The first burial was of the twins of a Mr and Mrs Hore of Ewer Street. The Hore twins, along with the burials on the first day, were pauper funerals. The first burial at Brookwood with a permanent memorial was that of Lieutenant-General Sir Henry Goldfinch, buried on 25 November 1854, the 26th person to be buried in the cemetery. The first permanent memorial erected in the Nonconformist section of cemetery was that of Charles Milligan Hogg, son of botanist Robert Hogg, buried on 12 December 1854
31.
Paul Fildes
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Sir Paul Gordon Fildes OBE FRS was a British pathologist and microbiologist who worked on the development of chemical-biological weaponry at Porton Down during the Second World War. Son of the artist Luke Fildes, great grandson of reformist Mary Fildes, Paul studied surgery at Trinity College, Cambridge, Fildes served as a lieutenant-commander in the Royal Naval Volunteer Reserve, stationed at the Royal Naval Hospital Haslar during the First World War. In 1919 he was made an Officer of the Order of the British Empire, Fildes received the Copley Medal in 1963. 73 Grenades filled with botulin toxin, the story has been met with scepticism, given the absence of any indication that Heydrich displayed any of the highly distinctive symptoms of botulism. He also assisted with the anthrax strain tests on Gruinard Island, performing necropsies on the bodies of anthrax-exposed sheep and this work produced the worlds first working anthrax bomb in the summer of 1942
32.
Blue plaque
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The brainchild of British politician William Ewart in 1863, it is the oldest such scheme in the world. The worlds first blue plaques were erected in London in the 19th century to mark the homes and workplaces of famous people. This scheme continues to the present day, having been administered successively by the Society of Arts, the London County Council, the Greater London Council, many other plaque schemes have since been initiated in the United Kingdom. Some are restricted to a geographical area, others to a particular theme of historical commemoration. The plaques erected by these schemes are manufactured in a variety of designs, shapes, materials, the term blue plaque may be used narrowly to refer to the official English Heritage scheme, but is often used informally to encompass all similar schemes. There are also commemorative plaque schemes throughout the world such as those in Paris, Rome, Oslo, Dublin, and in cities in Australia, Canada, Russia. The forms these take vary, and they tend to be known as historical markers, the original blue plaque scheme was established by the Society of Arts in 1867, and since 1986 has been run by English Heritage. It is the oldest such scheme in the world, since 1984 English Heritage have commissioned Frank Ashworth to make the plaques which have then been inscribed by his wife, Sue, at their home in Cornwall. English Heritage plans to erect an average of twelve new blue plaques each year in London. After being conceived by politician William Ewart in 1863, the scheme was initiated in 1866 by Ewart, Henry Cole and the Society of Arts, the first plaque was unveiled in 1867 to commemorate Lord Byron at his birthplace,24 Holles Street, Cavendish Square. This house was demolished in 1889, the earliest blue plaque to survive, also put up in 1867, commemorates Napoleon III in King Street, St Jamess. Byron’s plaque was blue, but the colour was changed by the manufacturer Minton, in total the Society of Arts put up 35 plaques, fewer than half of which survive today. The Society only erected one plaque within the square-mile of the City of London, in 1879, it was agreed that the City of London Corporation would be responsible for erecting plaques within the City to recognise its jurisdictional independence. This demarcation has remained ever since, in 1901, the Society of Arts scheme was taken over by the London County Council, which gave much thought to the future design of the plaques. It was eventually decided to keep the shape and design of the Societys plaques, but to make them uniformly blue, with a laurel wreath. Though this design was used consistently from 1903 to 1938, some experimentation occurred in the 1920s, in 1921, the most common plaque design was revised, as it was discovered that glazed ceramic Doulton ware was cheaper than the encaustic formerly used. In 1938, a new design was prepared by an unnamed student at the LCCs Central School of Arts and Crafts and was approved by the committee. It omitted the decorative elements of earlier designs, and allowed for lettering to be better spaced and enlarged
33.
Woodland House
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Woodland House is a large detached house at 31 Melbury Road, in the Holland Park district of Kensington and Chelsea, W14. Built from 1875-7 in the Queen Anne style by the architect Richard Norman Shaw, commissioned by the painter Luke Fildes, Woodland House is situated next to William Burges Grade I listed Tower House. Originally 11 Melbury Road, the house was renumbered as 31 Melbury Road in 1967 and it was the second of two houses in Melbury Road designed by Shaw, the first,8 Melbury Road, was designed for another painter Marcus Stone. Fildes and Stone were artistic rivals and each naturally regarded their own Shaw-designed house as superior, of the construction of Woodland House Fildes wrote in November 1876 that The house is getting on famously and looks stunning. Fildes moved into the house in October 1877 and it remained his home until his death there in February 1927, Fildes was survived by his wife and six children. In 1959 the London County Council commemorated Fildes at Woodland House with a blue plaque, woodlands House was later the home of the film director Michael Winner. It was subsequently purchased by the pop star Robbie Williams, the development of Melbury Road in the grounds of Little Holland House created an art colony in Holland Park, the inhabitants of which became known as the Holland Park Circle. Shaw congratulated Fildes on acquiring such a site in May 1875. The site was recommended to Fildes by Val Prinsep, it is at the bend of Melbury Road, with vistas to the south and west, the garden spans.75 acres and contains tropical and native trees. The gardens of Woodland House and the adjoining Tower House both contain trees from the former Little Holland House, Woodland House was designed by architect Richard Norman Shaw. Shaw was well acquainted with members of the art establishment, being friends with Dante Gabriel Rossetti, William Morris, the imposing houses and studios that Shaw designed would impress potential patrons. All of the studio-houses of the Holland Park Circle were built with red bricks, Shaw had prepared preliminary designs of Woodland House by August 1875, and building began early in 1876, with construction being undertaken by W. H. Lascelles. The initial cost of building the house was £4,500, Fildes and his family moved into the house in the Autumn of 1877. Fildes house was larger than Marcus Stones, and costlier to build, shortly after Fildes had commissioned Shaw to design his house, Fildes grandmother, Mary, had died, leaving him her property. Facing south, Fildes large artists studio was at the rear of the house and was lit by a skylight and this arrangement was found not to provide the necessary light and the middle pair of windows was redesigned as a single, large, four-light, window. The studio was initially 43 feet and 24 feet, a winter studio was added in 1880, followed by a glass studio in 1885, situated above a nursery. When King Edward VII came to sit for a portrait he described the studio as one of the finest rooms in London. Fildes childrens bedrooms were hung with wallpapers designed by Morris & Co. Michael Winners father bought the house on a long lease after the Second World War
34.
William Burges
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William Burges ARA was an English architect and designer. Burges stands within the tradition of the Gothic Revival, his works echoing those of the Pre-Raphaelites and his architectural output was small but varied. Working with a team of craftsmen, he built churches, a cathedral, a warehouse, a university. Burgess most notable works are Cardiff Castle, constructed between 1866 and 1928, and Castell Coch, both of which were built for John Crichton-Stuart, 3rd Marquess of Bute. Other significant buildings include Gayhurst House, Buckinghamshire, Knightshayes Court, the Church of Christ the Consoler, St Marys, Studley Royal, in Yorkshire, many of his designs were never executed or were subsequently demolished or altered. His competition entries for cathedrals at Lille, Adelaide, Colombo, Brisbane, Edinburgh and he lost out to George Edmund Street in the competition for the Royal Courts of Justice in The Strand. His plans for the redecoration of the interior of St Pauls Cathedral were abandoned, skilbecks Warehouse was demolished in the 1970s, and work at Salisbury Cathedral, at Worcester College, Oxford, and at Knightshayes Court had been lost in the decades before. Beyond architecture, Burges designed metalwork, sculpture, jewellery, furniture, for most of the century following his death, Victorian architecture was neither the subject of intensive study nor sympathetic attention and Burgess work was largely ignored. However the revival of interest in Victorian art, architecture, and design in the twentieth century has led to a renewed appreciation of Burges. Burges was born on 2 December 1827, the son of Alfred Burges, Alfred made a considerable fortune, some £113,000 at his death, enabling his son to devote his life to the study and practice of architecture without requiring that he actually earn a living. Burges entered Kings College School, London, in 1839 to study engineering, his contemporaries there including Dante Gabriel Rossetti and he left in 1844 to join the office of Edward Blore, surveyor to Westminster Abbey. Blore was an architect, having worked for both William IV and Queen Victoria, and had made his reputation as a proponent of the Gothic Revival. In 1848 or 1849, Burges moved to the offices of Matthew Digby Wyatt, Wyatt was as prominent an architect as Blore, evidenced by his leading role in the direction of The Great Exhibition in 1851. Burgess work with Wyatt, particularly on the Medieval Court for this exhibition, was influential on the subsequent course of his career. During this period, he worked on drawings of medieval metalwork for Wyatts book, Metalwork, published in 1852. Of equal importance to Burgess subsequent career was his travelling, Burges believed that all architects should travel, remarking that it was absolutely necessary to see how various art problems have been resolved in different ages by different men. Enabled by his income, Burges moved through England, then France, Belgium, Holland, Switzerland, Germany, Spain, Italy, Greece. In total, he spent some 18 months abroad developing his skills, what he saw and drew provided a repository of influences and ideas that he used and re-used for the whole of his career
35.
The Tower House
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The Tower House,29 Melbury Road, is a late-Victorian townhouse in the Holland Park district of Kensington and Chelsea, London, built by the architect and designer William Burges as his home. The house is built of red brick, with Bath stone dressings and green roof slates from Cumbria, the ground floor contains a drawing room, a dining room and a library, while the first floor has two bedrooms and an armoury. Its exterior and the interior elements of Burgess earlier work, particularly the McConnochie House in Cardiff. It was designated a Grade I listed building in 1949, Burges bought the lease on the plot of land in 1875. The house was built by the Ashby Brothers, with decoration by members of Burgess long-standing team of craftsmen including Thomas Nicholls. By 1878 the house was complete, although interior decoration. The house was inherited by his brother-in-law, Richard Popplewell Pullan and it was later sold to Colonel T. H. Minshall and then, in 1933, to Colonel E. R. B. The poet John Betjeman inherited the lease in 1962 but did not extend it. The house retains most of its internal decoration, but much of the furniture, fittings. The Tower House is on a corner of Melbury Road, just north of Kensington High Street and it stands opposite Stavordvale Lodge and next to Woodland House, built for the artist Luke Fildes. The development of Melbury Road in the grounds of Little Holland House created an art colony in Holland Park, in 1863, William Burges gained his first major architectural commission, Saint Fin Barres Cathedral, Cork, at the age of 35. In the following years, his architecture, metalwork, jewellery, furniture. But by 1875, his career was largely over. The ground rent was £100 per annum, initial drawings for the house had been undertaken in July 1875 and the final form was decided upon by the end of the year. Building began in 1876, contracted to the Ashby Brothers of Kingsland Road at a cost of £6,000. At the Tower House Burges drew on his own experience of twenty years learning, travelling and building, an estimate book compiled by him, and now in the Victoria and Albert Museum, contains the names of the individuals and companies that worked at the house. Thomas Nicholls was responsible for the carving, including the capitals, corbels. The mosaic and marble work was contracted to Burke and Company of Regent Street, while the tiles were supplied by WB Simpson
36.
Michael Winner
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Robert Michael Winner was an English film director and producer, and a restaurant critic for The Sunday Times. Winner was a child, born in Hampstead, London, England, to Helen and George Joseph Winner. His family was Jewish, his mother was Polish and his father of Russian extraction, following his fathers death, Winners mother gambled recklessly and sold art and furniture worth around £10m at the time, bequeathed to her not only for her life but to Michael thereafter. She died aged 78 in 1984 and he was educated at St Christopher School, Letchworth, and Downing College, Cambridge, where he read law and economics. He also edited the student newspaper, Varsity. Winner had earlier written a column, Michael Winners Showbiz Gossip. The first issue of Showgirl Glamour Revue in 1955 has him writing another film and showbusiness gossip column, such jobs allowed him to meet and interview several leading film personalities, including James Stewart and Marlene Dietrich. He also wrote for the New Musical Express and he began his screen career as an assistant director of BBC television programmes, cinema shorts, and full-length B productions, occasionally writing screenplays. In 1957 he directed his first travelogue, This is Belgium and his first on-screen credit was earned as a writer for the 1958 crime film Man with a Gun directed by Montgomery Tully. Winners first credit on a short was Associate Producer on the 1959 film Floating Fortress produced by Harold Baim. Winners first project as a lead director involved another story he wrote, Shoot to Kill and he would regularly edit his own movies, using the pseudonym Arnold Crust. In the early 1960s, Winners films followed fashion and his second project, Some Like It Cool, is the tale of a young woman who introduces her prudish husband and in-laws to the joys of nudism. Filmed at Longleat, he was afraid the sight of bare flesh would offend the magistrate for the area so he confided his worries to the landowner, ‘Don’t worry, ’ said the Marquess, ‘I am the local magistrate. It was preceded by the Billy Fury-led musical Play It Cool and his first significant project was West 11, a realistic tale of London drifters starring Alfred Lynch. Winners film The System began a partnership with actor Oliver Reed that would last for six films over a 25-year period, Winner and Reed closed out the 1960s as a pair with The Jokers, comedy-drama Ill Never Forget Whatsisname, and the World War II satire Hannibal Brooks. A non-Reed comedy, You Must Be Joking. with Denholm Elliott, Hannibal Brooks drew notice in Hollywood and Winner soon received an opportunity to direct his first American film, which was Lawman starring Burt Lancaster and Robert Duvall. The following year, Winner cast Lancaster again in the espionage drama Scorpio, in 1974, Winner and Bronson collaborated on Death Wish, a film that defined the subsequent careers of both men. Based on a novel by Brian Garfield and adapted to the screen by Wendell Mayes, the commitment of Lumet to another film and UAs questioning of its subject matter led to an eventual production by Dino De Laurentiis through Paramount Pictures
37.
American Medical Association
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The American Medical Association, founded in 1847 and incorporated in 1897, is the largest association of physicians—both MDs and DOs—and medical students in the United States. The AMAs stated mission is to promote the art and science of medicine, the Association also publishes the Journal of the American Medical Association, which has the largest circulation of any weekly medical journal in the world. The AMA also publishes a list of Physician Specialty Codes which are the method in the U. S. for identifying physician. Ever since, the AMA Code of Medical Ethics dictates professional conduct for practicing physicians, the AMA has one of the largest political lobbying budgets of any organization in the United States. Its political positions throughout its history have often been controversial, the American Medical Associations vehement campaign against Medicare in the 1950s and 1960s included the Operation Coffee Cup, supported by Ronald Reagan. However, the AMA remains opposed to any health care plan that might enact a National Health Service in the United States. In the 1990s, the organization was part of the coalition that defeated the health care reform advanced by Hillary, the AMA has also supported changes in medical malpractice law to limit damage awards, which, it contends, makes it difficult for patients to find appropriate medical care. In many states, high risk specialists have moved to other states that have enacted reform, for example, in 2004, all neurosurgeons had relocated out of the entire southern half of Illinois. The main legislative emphasis in multiple states has been to effect caps on the amount that patients can receive for pain and these costs for pain and suffering are only those that exceed the actual costs of healthcare and lost income. At the same however, states without caps also experienced similar results. Some economic studies have found that caps have historically had an effect on premium rates. Nevertheless, the AMA believes the caps may alleviate what is perceived as an excessively litigious environment for many doctors. A recent report by the AMA found that in a 12-month period, claims that the AMA generates $70 million in revenue through its stewardship of Current Procedural Terminology codes appear to be a mischaracterization. The estimate is based on a distortion of the transparent financial information the AMA voluntarily offers in its Annual Report, the AMA has publicly reported this figure represents income from its complete line of books and products, which include more than 100 items, not just CPT. Collections of the associations papers dating from the late 1860s to the late 1960s are held at the National Library of Medicine. Throughout its history, the AMA has been involved in a variety of medical policy issues, from Medicare and HMOs to public health. Between 1998 and 2011, the AMA spent $264 million on lobbyists, in the 1930s, the AMA attempted to prohibit its members from working for the primitive health maintenance organizations that sprung up during the Great Depression. The AMAs subsequent conviction for violating the Sherman Antitrust Act was affirmed by the U. S. Supreme Court, the AMAs vehement campaign against Medicare in the 1950s and 1960s included the Operation Coffee Cup supported by Ronald Reagan
38.
Harry S. Truman
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Harry S. Truman was an American politician who served as the 33rd President of the United States, assuming the office upon the death of Franklin D. Roosevelt during the waning months of World War II. In domestic affairs, he was a moderate Democrat whose liberal proposals were a continuation of Franklin Roosevelts New Deal, but the conservative-dominated Congress blocked most of them. He also used weapons to end World War II, desegregated the U. S. armed forces, supported a newly independent Israel. Truman was born in Lamar, Missouri, and spent most of his youth on his familys 600-acre farm near Independence, in the last months of World War I, he served in combat in France as an artillery officer with his National Guard unit. After the war, he owned a haberdashery in Kansas City, Missouri, and joined the Democratic Party. Truman was first elected to office as a county official in 1922. After serving as a United States Senator from Missouri and briefly as Vice President, he succeeded to the presidency on April 12,1945, upon the death of Franklin D. Roosevelt. Germany surrendered on Trumans 61st birthday, just a few weeks after he assumed the presidency, but the war with Imperial Japan raged on and was expected to last at least another year. Although this decision and the issues that arose as a result of it remain the subject of debate to this day. Truman presided over a surge in economic prosperity as America sought readjustment after long years of depression. His presidency was a point in foreign affairs, as the United States engaged in an internationalist foreign policy. Truman helped found the United Nations in 1945, issued the Truman Doctrine in 1947 to contain Communism and his political coalition was based on the white South, labor unions, farmers, ethnic groups, and traditional Democrats across the North. Truman was able to rally groups of supporters during the 1948 presidential election. The Soviet Union became an enemy in the Cold War, Truman oversaw the Berlin Airlift of 1948 and the creation of NATO in 1949, but was unable to stop Communists from taking over China. When communist North Korea invaded South Korea in 1950, he sent U. S. troops, after initial successes in Korea, however, the UN forces were thrown back by Chinese intervention, and the conflict was stalemated throughout the final years of Trumans presidency. Scholars, starting in 1962, ranked Trumans presidency as near great, Harry S. Truman was born on May 8,1884, in Lamar, Missouri, the oldest child of John Anderson Truman and Martha Ellen Young Truman. His parents chose the name Harry after his mothers brother, Harrison Harry Young, while the S did not stand for any one name, it was chosen as his middle initial to honor both of his grandfathers, Anderson Shipp Truman and Solomon Young. The initial has been written and printed followed by a period
39.
Venetia James
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Mary Venetia James was a London society hostess and racehorse breeder. James was born into the Cavendish-Bentinck family, the daughter of Prudentia and she married the racehorse owner and breeder Arthur James in December 1885 in the Chapel Royal, St Jamess, London. The couple resided at Grafton Street, London, and bred horses at Coton House, Venetia and Arthur James were both friends of King Edward VII, and Venetia was reputed to be his mistress. The Kings private secretary Frederick Ponsonby wrote that she was full of humour and high spirits, despite being a millionaire, James was noted for her extreme frugality. She served her guests milk that her cat wouldnt drink and preferred to host Catholics on Fridays because fish was cheaper than meat. She was widowed in 1917, and financed the construction of a new department of Hospital of St Cross, Rugby, in the memory of her husband and she continued to breed horses and participate in races, winning the Victoria Cup and 1932 Coronation Cup. James died in 1948, leaving her jewellery and paintings by Titian, Joshua Reynolds and Thomas Gainsborough to her goddaughter, in 1872 the 11-year-old Mary Venetia Cavendish-Bentinck had been a bridesmaid at the wedding of Christina Nilsson, a famous opera singer of the period. The wedding was a high society affair, arranged by Venetias father in Westminster Abbey, Venetia held the brides bouquet whilst Nilsson took her vows with her future husband, French banker Auguste Rouzaud
40.
Edward VII
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Edward VII was King of the United Kingdom and the British Dominions and Emperor of India from 22 January 1901 until his death in 1910. The eldest son of Queen Victoria and Prince Albert of Saxe-Coburg and Gotha, before his accession to the throne, he served as heir apparent and held the title of Prince of Wales for longer than any of his predecessors. During the long reign of his mother, he was excluded from political power. He travelled throughout Britain performing ceremonial duties, and represented Britain on visits abroad. His tours of North America in 1860 and the Indian subcontinent in 1875 were popular successes, as king, Edward played a role in the modernisation of the British Home Fleet and the reorganisation of the British Army after the Second Boer War. He reinstituted traditional ceremonies as public displays and broadened the range of people with whom royalty socialised and he died in 1910 in the midst of a constitutional crisis that was resolved the following year by the Parliament Act 1911, which restricted the power of the unelected House of Lords. Edward was born at 10,48 in the morning on 9 November 1841 in Buckingham Palace and he was the eldest son and second child of Queen Victoria and her husband Prince Albert of Saxe-Coburg and Gotha. He was christened Albert Edward at St Georges Chapel, Windsor Castle and he was named Albert after his father and Edward after his maternal grandfather Prince Edward, Duke of Kent and Strathearn. He was known as Bertie to the family throughout his life. As the eldest son of the British sovereign, he was automatically Duke of Cornwall, as a son of Prince Albert, he also held the titles of Prince of Saxe-Coburg and Gotha and Duke of Saxony. He was created Prince of Wales and Earl of Chester on 8 December 1841, Earl of Dublin on 17 January 1850, a Knight of the Garter on 9 November 1858, and a Knight of the Thistle on 24 May 1867. In 1863, he renounced his rights to the Duchy of Saxe-Coburg and Gotha in favour of his younger brother. Queen Victoria and Prince Albert were determined that their eldest son should have an education that would prepare him to be a constitutional monarch. At age seven, Edward embarked on an educational programme devised by Prince Albert. Unlike his elder sister Victoria, Edward did not excel in his studies and he tried to meet the expectations of his parents, but to no avail. Although Edward was not a diligent student—his true talents were those of charm, sociability and tact—Benjamin Disraeli described him as informed, intelligent, after the completion of his secondary-level studies, his tutor was replaced by a personal governor, Robert Bruce. After an educational trip to Rome, undertaken in the first few months of 1859, he spent the summer of that year studying at the University of Edinburgh under, among others, in October, he matriculated as an undergraduate at Christ Church, Oxford. Now released from the strictures imposed by his parents, he enjoyed studying for the first time
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Leslie Ward
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Sir Leslie Matthew Ward was a British portrait artist and caricaturist who over four decades painted 1,325 portraits which were regularly published by Vanity Fair, under the pseudonyms Spy and Drawl. The portraits were produced as watercolours and turned into chromolithographs for publication in the magazine and these were then usually reproduced on better paper and sold as prints. Such was his influence in the genre that all Vanity Fair caricatures are sometimes referred to as Spy Cartoons regardless of who the artist actually was, Ward was one of eight children of artists Edward Matthew Ward and Henrietta Ward, and the great-grandson of the artist James Ward. Although they had the surname before marriage, Wards parents were not related. She was niece and great-niece respectively of the portrait painter John Jackson, both parents had studios in their homes in Slough and Kensington in London, where they regularly entertained the London artistic and literary elite. Wards father was a gifted mimic who entertained Charles Dickens and other eminent guests, although they never gave their son formal training, they and their artistic friends encouraged the young Ward to draw, paint, and sculpt. Ward had started caricaturing while still at school at Eton College, using his classmates, in 1867 his bust of his brother was exhibited at the Royal Academy in London. At school Ward had been a student, and after he left Eton in 1869 his father encouraged him to train as an architect. Ward was too afraid to tell his father that he wanted to be an artist and he spent a year in the office of the architect Sydney Smirke. In 1873 he sent some of his work to Thomas Gibson Bowles and this led to his being hired to replace Ape, who had temporarily left the magazine after falling out with Bowles. As his nom de crayon, Ward suggested to Bowles that he use the name Spy, meaning to observe secretly, Ward drew 1,325 cartoons for Vanity Fair between 1873 and 1911, many of which captured the personality of his subjects. His portraits of royalty, nobility, and women, however, were over-sympathetic, sometimes they came to his studio to pose in their robes or uniforms. A caricaturist, Ward believed, was born, not made and he observed, A good memory, an eye for detail, and a mind to appreciate and grasp the whole atmosphere and peculiarity of the subject are of course essentials. A caricature, he noted, should never depend on a physical defect, if I could sum up the art in a sentence it would be that caricature should be a comic impression with a kindly touch, and always devoid of vulgarity. In an 1897 interview given by Oliver Armstrong Fry to Frank Banfield of Cassells Magazine, Ward was the most famous Vanity Fair artist, indeed, the whole genre tends to be named after him, the caricatures often being referred to as Spy Cartoons. He worked for Vanity Fair for over forty years, producing more than half of the 2,387 caricatures published. Wards clubs included the Arts, the Orleans, the Fielding, the Lotus, the Punch Bowl, and the Beefsteak, there he sketched many of his victims. Wards last cartoon for Vanity Fair appeared in June 1911 as he had begun to contribute his characteristic portraits to The World
42.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
43.
Public domain
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The term public domain has two senses of meaning. Anything published is out in the domain in the sense that it is available to the public. Once published, news and information in books is in the public domain, in the sense of intellectual property, works in the public domain are those whose exclusive intellectual property rights have expired, have been forfeited, or are inapplicable. Examples for works not covered by copyright which are therefore in the domain, are the formulae of Newtonian physics, cooking recipes. Examples for works actively dedicated into public domain by their authors are reference implementations of algorithms, NIHs ImageJ. The term is not normally applied to situations where the creator of a work retains residual rights, as rights are country-based and vary, a work may be subject to rights in one country and be in the public domain in another. Some rights depend on registrations on a basis, and the absence of registration in a particular country, if required. Although the term public domain did not come into use until the mid-18th century, the Romans had a large proprietary rights system where they defined many things that cannot be privately owned as res nullius, res communes, res publicae and res universitatis. The term res nullius was defined as not yet appropriated. The term res communes was defined as things that could be enjoyed by mankind, such as air, sunlight. The term res publicae referred to things that were shared by all citizens, when the first early copyright law was first established in Britain with the Statute of Anne in 1710, public domain did not appear. However, similar concepts were developed by British and French jurists in the eighteenth century, instead of public domain they used terms such as publici juris or propriété publique to describe works that were not covered by copyright law. The phrase fall in the domain can be traced to mid-nineteenth century France to describe the end of copyright term. In this historical context Paul Torremans describes copyright as a coral reef of private right jutting up from the ocean of the public domain. Because copyright law is different from country to country, Pamela Samuelson has described the public domain as being different sizes at different times in different countries. According to James Boyle this definition underlines common usage of the public domain and equates the public domain to public property. However, the usage of the public domain can be more granular. Such a definition regards work in copyright as private property subject to fair use rights, the materials that compose our cultural heritage must be free for all living to use no less than matter necessary for biological survival
44.
Project Gutenberg
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Project Gutenberg is a volunteer effort to digitize and archive cultural works, to encourage the creation and distribution of eBooks. It was founded in 1971 by Michael S. Hart and is the oldest digital library, most of the items in its collection are the full texts of public domain books. The project tries to make these as free as possible, in long-lasting, as of 3 October 2015, Project Gutenberg reached 50,000 items in its collection. The releases are available in plain text but, wherever possible, other formats are included, such as HTML, PDF, EPUB, MOBI, most releases are in the English language, but many non-English works are also available. There are multiple affiliated projects that are providing additional content, including regional, Project Gutenberg is also closely affiliated with Distributed Proofreaders, an Internet-based community for proofreading scanned texts. Project Gutenberg was started by Michael Hart in 1971 with the digitization of the United States Declaration of Independence, Hart, a student at the University of Illinois, obtained access to a Xerox Sigma V mainframe computer in the universitys Materials Research Lab. Through friendly operators, he received an account with an unlimited amount of computer time. Hart has said he wanted to back this gift by doing something that could be considered to be of great value. His initial goal was to make the 10,000 most consulted books available to the public at little or no charge and this particular computer was one of the 15 nodes on ARPANET, the computer network that would become the Internet. Hart believed that computers would one day be accessible to the general public and he used a copy of the United States Declaration of Independence in his backpack, and this became the first Project Gutenberg e-text. He named the project after Johannes Gutenberg, the fifteenth century German printer who propelled the movable type printing press revolution, by the mid-1990s, Hart was running Project Gutenberg from Illinois Benedictine College. More volunteers had joined the effort, all of the text was entered manually until 1989 when image scanners and optical character recognition software improved and became more widely available, which made book scanning more feasible. Hart later came to an arrangement with Carnegie Mellon University, which agreed to administer Project Gutenbergs finances, as the volume of e-texts increased, volunteers began to take over the projects day-to-day operations that Hart had run. Starting in 2004, an online catalog made Project Gutenberg content easier to browse, access. Project Gutenberg is now hosted by ibiblio at the University of North Carolina at Chapel Hill, Italian volunteer Pietro Di Miceli developed and administered the first Project Gutenberg website and started the development of the Project online Catalog. In his ten years in this role, the Project web pages won a number of awards, often being featured in best of the Web listings, Hart died on 6 September 2011 at his home in Urbana, Illinois at the age of 64. In 2000, a corporation, the Project Gutenberg Literary Archive Foundation. Long-time Project Gutenberg volunteer Gregory Newby became the foundations first CEO, also in 2000, Charles Franks founded Distributed Proofreaders, which allowed the proofreading of scanned texts to be distributed among many volunteers over the Internet
45.
Distributed Proofreaders Canada
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Distributed Proofreaders Canada is an organization that converts books into digital format and releases them as Public domain books in formats readable by electronic devices. It maintains its own website for the material released. It was launched in December 2007 and as of 2016 has published about 2,500 books, while its focus is on Canadian publications and preserving Canadiana, it also includes books from other countries as well. Distributed Proofreaders Canada was launched in December 2007 by David Jones, although it was established by members of the original Distributed Proofreaders site, it is a separate entity. To date, it is a volunteer based non-profit organization, all the administrative and management costs are borne by its members. The software used by DP Canada was originally downloaded from SourceForge but has substantially modified since then. In addition to preserving Canadiana, DP Canada is notable because it is one of the first major efforts to take advantage of Canadas copyright laws which allows more works to be preserved, unlike copyright law in other countries, Canada has a life plus 50 copyright term. Works by authors who died more than fifty years ago may be publicly available in Canada. Other countries have differing copyright laws, notable Canadian authors whose books have been published include Stephen Leacock, L. M. Montgomery, E. T. Seton and Mazo de la Roche. Authors whose works have been released in Canada but not other parts of the world include A. A. Milne, C. S. Lewis, Winston Churchill, E. E. Smith, eligible books are chosen by members for publication based on personal interest and access. Books are scanned electronically and each page is uploaded to the proofreading website, a project is created for the book and is made available to the proofreading members. Each book is proofread in three stages called P1, P2 and P3, during the first stage, errors in scanning and other minor errors are corrected. Once all pages in the book have been edited the book pages are promoted to the next stage, the proofreading is repeated and again in stage P3 to ensure no errors make it to the final publication. Once stage P3 is finished the book moves to a set of two formatting stages called F1, and F2. In these stages the book text is changed into a format that allows it to be presented to the reader in a style that resembles the original book as closely as possible. For example, text originally appearing in Italic type is placed within formatting tags <i>this text is in italics</i>, when formatted the text appears correctly as this text is in italics. When the formatting stages are complete, a post-processing stage brings all the files together to publish the books in five electronic formats and these include ePub, mobi, HTML, PDF and plain text. The HTML version is made available as a Zip file
46.
Internet Archive
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The Internet Archive is a San Francisco–based nonprofit digital library with the stated mission of universal access to all knowledge. As of October 2016, its collection topped 15 petabytes, in addition to its archiving function, the Archive is an activist organization, advocating for a free and open Internet. Its web archive, the Wayback Machine, contains over 150 billion web captures, the Archive also oversees one of the worlds largest book digitization projects. Founded by Brewster Kahle in May 1996, the Archive is a 501 nonprofit operating in the United States. It has a budget of $10 million, derived from a variety of sources, revenue from its Web crawling services, various partnerships, grants, donations. Its headquarters are in San Francisco, California, where about 30 of its 200 employees work, Most of its staff work in its book-scanning centers. The Archive has data centers in three Californian cities, San Francisco, Redwood City, and Richmond, the Archive is a member of the International Internet Preservation Consortium and was officially designated as a library by the State of California in 2007. Brewster Kahle founded the Archive in 1996 at around the time that he began the for-profit web crawling company Alexa Internet. In October 1996, the Internet Archive had begun to archive and preserve the World Wide Web in large quantities, the archived content wasnt available to the general public until 2001, when it developed the Wayback Machine. In late 1999, the Archive expanded its collections beyond the Web archive, Now the Internet Archive includes texts, audio, moving images, and software. It hosts a number of projects, the NASA Images Archive, the contract crawling service Archive-It. According to its web site, Most societies place importance on preserving artifacts of their culture, without such artifacts, civilization has no memory and no mechanism to learn from its successes and failures. Our culture now produces more and more artifacts in digital form, the Archives mission is to help preserve those artifacts and create an Internet library for researchers, historians, and scholars. In August 2012, the Archive announced that it has added BitTorrent to its file download options for over 1.3 million existing files, on November 6,2013, the Internet Archives headquarters in San Franciscos Richmond District caught fire, destroying equipment and damaging some nearby apartments. The nonprofit Archive sought donations to cover the estimated $600,000 in damage, in November 2016, Kahle announced that the Internet Archive was building the Internet Archive of Canada, a copy of the archive to be based somewhere in the country of Canada. The announcement received widespread coverage due to the implication that the decision to build an archive in a foreign country was because of the upcoming presidency of Donald Trump. Kahle was quoted as saying that on November 9th in America and it was a firm reminder that institutions like ours, built for the long-term, need to design for change. For us, it means keeping our cultural materials safe, private and it means preparing for a Web that may face greater restrictions
47.
Virtual International Authority File
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The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records
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This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Fildes, Sir Luke". Encyclopædia Britannica. 10 (11th ed.). Cambridge University Press. p. 339.
