Man Ray was an American-born, French-naturalized visual artist who spent most of his career in Paris. He was a significant contributor to the Dada and Surrealist movements, although his ties to each w
Man Ray in 1934
Man Ray, 1913, Landscape (Paysage Fauve), watercolor on paper, 35.2 x 24.6 cm, Smithsonian American Art Museum
Man Ray, c. 1921–1922, Rencontre dans la porte tournante, published on the cover (and page 39) of Der Sturm, Volume 13, Number 3, March 5, 1922
Man Ray, 1919, Seguidilla, airbrushed gouache, pen & ink, pencil, and colored pencil on paperboard, 55.8 × 70.6 cm, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.
Dada or Dadaism was an international art movement that developed in the context of World War I, its aftermath, and the Futurist movement. First established in Zürich, Switzerland, it later quickly spr
Man Ray
…November 18, 1976) was an American-born, French-naturalized visual artist who spent most of his career in Paris. He was a significant contributor to the Dada and Surrealist movements, although his ties to each were informal. He produced major works in a variety of media but considered himself a painter above…
Grand opening of the first Dada exhibition: International Dada Fair, Berlin, 5 June 1920. The central figure hanging from the ceiling is an effigy of a German officer with a pig's head. From left to right: Raoul Hausmann, Hannah Höch (sitting), Otto Burchard, Johannes Baader, Wieland Herzfelde, Margarete Herzfelde, Dr. Oz (Otto Schmalhausen), George Grosz and John Heartfield.
Cover of the first edition of the publication Dada, Tristan Tzara; Zürich, 1917
Francis Picabia: left, Le saint des saints c'est de moi qu'il s'agit dans ce portrait, 1 July 1915; center, Portrait d'une jeune fille americaine dans l'état de nudité, 5 July 1915; right, J'ai vu et c'est de toi qu'il s'agit, De Zayas! De Zayas! Je suis venu sur les rivages du Pont-Euxin, New York, 1915[clarification needed]
Francis Picabia, Dame! Illustration for the cover of the periodical Dadaphone, n. 7, Paris, March 1920