1.
Neoclassical architecture
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Neoclassical architecture is an architectural style produced by the neoclassical movement that began in the mid-18th century. In its purest form, it is a style derived from the architecture of classical antiquity, the Vitruvian principles. In form, Neoclassical architecture emphasizes the wall rather than chiaroscuro, Neoclassical architecture is still designed today, but may be labelled New Classical Architecture for contemporary buildings. In Central and Eastern Europe, the style is referred to as Classicism. Many early 19th-century neoclassical architects were influenced by the drawings and projects of Étienne-Louis Boullée, the many graphite drawings of Boullée and his students depict spare geometrical architecture that emulates the eternality of the universe. There are links between Boullées ideas and Edmund Burkes conception of the sublime, the baroque style had never truly been to the English taste. The most popular was the four-volume Vitruvius Britannicus by Colen Campbell, the book contained architectural prints of famous British buildings that had been inspired by the great architects from Vitruvius to Palladio. At first the book featured the work of Inigo Jones. Palladian architecture became well established in 18th-century Britain, at the forefront of the new school of design was the aristocratic architect earl, Richard Boyle, 3rd Earl of Burlington, in 1729, he and William Kent, designed Chiswick House. This House was a reinterpretation of Palladios Villa Capra, but purified of 16th century elements and this severe lack of ornamentation was to be a feature of the Palladianism. In 1734 William Kent and Lord Burlington designed one of Englands finest examples of Palladian architecture with Holkham Hall in Norfolk, the main block of this house followed Palladios dictates quite closely, but Palladios low, often detached, wings of farm buildings were elevated in significance. This classicising vein was also detectable, to a degree, in the Late Baroque architecture in Paris. This shift was even visible in Rome at the redesigned façade for S, by the mid 18th century, the movement broadened to incorporate a greater range of Classical influences, including those from Ancient Greece. The shift to neoclassical architecture is conventionally dated to the 1750s, in France, the movement was propelled by a generation of French art students trained in Rome, and was influenced by the writings of Johann Joachim Winckelmann. The style was adopted by progressive circles in other countries such as Sweden. A second neoclassic wave, more severe, more studied and more consciously archaeological, is associated with the height of the Napoleonic Empire, in France, the first phase of neoclassicism was expressed in the Louis XVI style, and the second in the styles called Directoire or Empire. The Scottish architect Charles Cameron created palatial Italianate interiors for the German-born Catherine II the Great in St. Petersburg, indoors, neoclassicism made a discovery of the genuine classic interior, inspired by the rediscoveries at Pompeii and Herculaneum. These had begun in the late 1740s, but only achieved an audience in the 1760s
2.
Winnipeg
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Winnipeg is the capital and largest city of the province of Manitoba in Canada. It is located near the centre of North America and is 110 kilometres from the U. S. border. It is also the place of the confluence of the Red, the city is named after the nearby Lake Winnipeg, the name comes from the Western Cree words for muddy water. The region was a centre for aboriginal peoples long before the arrival of Europeans. French traders built the first fort on the site in 1738, a settlement was later founded by the Selkirk settlers of the Red River Colony in 1812, the nucleus of which was incorporated as the City of Winnipeg in 1873. As of 2011, Winnipeg is the seventh most populated municipality in Canada, being located very far inland, the local climate is extremely seasonal even by Canadian standards with average January lows of around −21 °C and average July highs of 26 °C. Known as the Gateway to the West, Winnipeg is a railway, Winnipeg was the first Canadian host of the Pan American Games. It is home to professional sports franchises, including the Winnipeg Blue Bombers, the Winnipeg Jets, Manitoba Moose. Winnipeg lies at the confluence of the Assiniboine and the Red River of the North and this point was at the crossroads of canoe routes travelled by First Nations before European contact. Winnipeg is named after nearby Lake Winnipeg, the name is a transcription of the Western Cree words for muddy or brackish water. Estimates of the date of first settlement in this area are varied, in 1805, Canadian colonists observed First Nations peoples engaged in farming activity along the Red River. The practice quickly expanded, driven by the demand by traders for provisions, the rivers provided an extensive transportation network linking northern First Peoples with those to the south along the Missouri and Mississippi rivers. The Ojibwe made some of the first maps on birch bark, sieur de La Vérendrye built the first fur trading post on the site in 1738, called Fort Rouge. French trading continued at this site for decades before the arrival of the British Hudsons Bay Company after France ceded the territory following its defeat in the Seven Years War. Many French and later British men who were trappers married First Nations women, their mixed-race children hunted, traded and they gradually developed as an ethnicity known as the Métis because of sharing a traditional culture. Lord Selkirk was involved with the first permanent settlement, the purchase of land from the Hudsons Bay Company, the North West Company built Fort Gibraltar in 1809, and the Hudsons Bay Company built Fort Douglas in 1812, both in the area of present-day Winnipeg. The two companies competed fiercely over trade, the Métis and Lord Selkirks settlers fought at the Battle of Seven Oaks in 1816. In 1821, the Hudsons Bay and North West Companies merged, Fort Gibraltar was renamed Fort Garry in 1822 and became the leading post in the region for the Hudsons Bay Company
3.
Mercury (mythology)
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Mercury is a major Roman god, being one of the Dii Consentes within the ancient Roman pantheon. He is the god of financial gain, commerce, eloquence, messages/communication, travelers, boundaries, luck, trickery and thieves. He was considered the son of Maia and Jupiter in Roman mythology, in his earliest forms, he appears to have been related to the Etruscan deity Turms, both gods share characteristics with the Greek god Hermes. He is often depicted holding the caduceus in his left hand, similar to his Greek equivalent he was awarded the caduceus by Apollo who handed him a magic wand, which later turned into the caduceus. Mercury did not appear among the di indigetes of early Roman religion. Rather, he subsumed the earlier Dei Lucrii as Roman religion was syncretized with Greek religion during the time of the Roman Republic, starting around the 4th century BC. He was often accompanied by a cockerel, herald of the new day, a ram or goat, symbolizing fertility, like Hermes, he was also a god of messages, eloquence and of trade, particularly of the grain trade. Mercury was also considered a god of abundance and commercial success, particularly in Gaul and he was also, like Hermes, the Romans psychopomp, leading newly deceased souls to the afterlife. Additionally, Ovid wrote that Mercury carried Morpheus dreams from the valley of Somnus to sleeping humans, archeological evidence from Pompeii suggests that Mercury was among the most popular of Roman gods. The god of commerce was depicted on two bronze coins of the Roman Republic, the Sextans and the Semuncia. This is probably because in the Roman syncretism, Mercury was equated with the Celtic god Lugus, Romans associated Mercury with the Germanic god Wotan, by interpretatio Romana, 1st-century Roman writer Tacitus identifies him as the chief god of the Germanic peoples. The Romans also made use of small statues of Mercury. Mercurius Arvernus, a syncretism of the Celtic Arvernus with Mercury, Mercurius Cimbrianus, a syncretism of Mercury with a god of the Cimbri sometimes thought to represent Odin. Mercurius Cissonius, a combination of Mercury with the Celtic god Cissonius, Mercurius Esibraeus, a syncretism of the Iberian deity Esibraeus with the Roman deity Mercury. Esibraeus is mentioned only in an inscription found at Medelim, Portugal, and is possibly the deity as Banda Isibraiegus. Mercurius Gebrinius, a syncretism of Mercury with the Celtic or Germanic Gebrinius, known from an inscription on an altar in Bonn, Mercurius Moccus, from a Celtic god, Moccus, who was equated with Mercury, known from evidence at Langres, France. The name Moccus implies that this deity was connected to boar-hunting, Mercurius Visucius, a syncretism of the Celtic god Visucius with the Roman god Mercury, attested in an inscription from Stuttgart, Germany. Visucius was worshiped primarily in the area of the empire in Gaul
4.
Hermes
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Hermes is an Olympian god in Greek religion and mythology, the son of Zeus and the Pleiad Maia, and the second youngest of the Olympian gods. Hermes is considered a god of transitions and boundaries and he is described as quick and cunning, moving freely between the worlds of the mortal and divine. He is also portrayed as an emissary and messenger of the gods and he has been viewed as the protector and patron of herdsmen, thieves, oratory and wit, literature and poetry, athletics and sports, invention and trade, roads, boundaries and travelers. In some myths, he is a trickster and outwits other gods for his own satisfaction or for the sake of humankind and his attributes and symbols include the herma, the rooster, the tortoise, satchel or pouch, winged sandals, and winged cap. His main symbol is the Greek kerykeion or Latin caduceus, which appears in a form of two snakes wrapped around a staff with carvings of the other gods. The earliest form of the name Hermes is the Mycenaean Greek *hermāhās, most scholars derive Hermes from Greek ἕρμα herma, prop, heap of stones, boundary marker, from which the word hermai also derives. The etymology of ἕρμα itself is unknown, R. S. P. Beekes rejects the connection with herma and suggests a Pre-Greek origin. Scholarly speculation that Hermes derives from a primitive form meaning one cairn is disputed. In Greek, a find is a hermaion. It is also suggested that Hermes is a cognate of the Vedic Sarama, homer and Hesiod portrayed Hermes as the author of skilled or deceptive acts and also as a benefactor of mortals. In the Iliad, he is called the bringer of luck, guide and guardian. He was an ally of the Greeks against the Trojans. However, he did protect Priam when he went to the Greek camp to retrieve the body of his son Hector and he also rescued Ares from a brazen vessel where he had been imprisoned by Otus and Ephialtes. In the Odyssey, Hermes helps his son, the protagonist Odysseus, by informing him about the fate of his companions. Hermes instructed Odysseus to protect himself by chewing a magic herb, when Odysseus killed the suitors of his wife, Hermes led their souls to Hades. Hermes was then instructed to take her as wife to Epimetheus, aesop featured him in several of his fables, as ruler of the gate of prophetic dreams, as the god of athletes, of edible roots, and of hospitality. He also said that Hermes had assigned each person his share of intelligence, Hermes, as an inventor of fire, is a parallel of the Titan Prometheus. In addition to the lyre, Hermes was believed to have invented many types of racing and the sports of wrestling and boxing, in 1820 Shelley translated this hymn
5.
Cupola
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In architecture, a cupola /ˈkjuːpələ/ is a small, most often dome-like, structure on top of a building. Often used to provide a lookout or to light and air. The word derives, via Italian, from the lower Latin cupula small cup indicating a vault resembling an upside down cup. The cupola is a development during the Renaissance of the oculus, an ancient device found in Roman architecture, the chhatri, seen in Indian architecture, fits the definition of a cupola when it is used atop a larger structure. Cupolas often appear as small buildings in their own right and they often serve as a belfry, belvedere, or roof lantern above a main roof. In other cases they may crown a spire, tower, or turret, barns often have cupolas for ventilation. The square, dome-like segment of a North American railroad train caboose that contains the second-level or angel seats is called a cupola. Some armored fighting vehicles have cupolas, called commanders cupola, which is a dome or cylinder with armored glass to provide 360-degree vision around the vehicle
6.
British Empire
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The British Empire comprised the dominions, colonies, protectorates, mandates and other territories ruled or administered by the United Kingdom and its predecessor states. It originated with the possessions and trading posts established by England between the late 16th and early 18th centuries. At its height, it was the largest empire in history and, for over a century, was the foremost global power. By 1913, the British Empire held sway over 412 million people, 23% of the population at the time. As a result, its political, legal, linguistic and cultural legacy is widespread, during the Age of Discovery in the 15th and 16th centuries, Portugal and Spain pioneered European exploration of the globe, and in the process established large overseas empires. Envious of the great wealth these empires generated, England, France, the independence of the Thirteen Colonies in North America in 1783 after the American War of Independence caused Britain to lose some of its oldest and most populous colonies. British attention soon turned towards Asia, Africa, and the Pacific, after the defeat of France in the Revolutionary and Napoleonic Wars, Britain emerged as the principal naval and imperial power of the 19th century. In the early 19th century, the Industrial Revolution began to transform Britain, the British Empire expanded to include India, large parts of Africa and many other territories throughout the world. In Britain, political attitudes favoured free trade and laissez-faire policies, during the 19th Century, Britains population increased at a dramatic rate, accompanied by rapid urbanisation, which caused significant social and economic stresses. To seek new markets and sources of raw materials, the Conservative Party under Benjamin Disraeli launched a period of imperialist expansion in Egypt, South Africa, Canada, Australia, and New Zealand became self-governing dominions. By the start of the 20th century, Germany and the United States had begun to challenge Britains economic lead, subsequent military and economic tensions between Britain and Germany were major causes of the First World War, during which Britain relied heavily upon its empire. The conflict placed enormous strain on the military, financial and manpower resources of Britain, although the British Empire achieved its largest territorial extent immediately after World War I, Britain was no longer the worlds pre-eminent industrial or military power. In the Second World War, Britains colonies in Southeast Asia were occupied by Imperial Japan, despite the final victory of Britain and its allies, the damage to British prestige helped to accelerate the decline of the empire. India, Britains most valuable and populous possession, achieved independence as part of a larger movement in which Britain granted independence to most territories of the empire. The transfer of Hong Kong to China in 1997 marked for many the end of the British Empire, fourteen overseas territories remain under British sovereignty. After independence, many former British colonies joined the Commonwealth of Nations, the United Kingdom is now one of 16 Commonwealth nations, a grouping known informally as the Commonwealth realms, that share a monarch, Queen Elizabeth II. The foundations of the British Empire were laid when England and Scotland were separate kingdoms. In 1496, King Henry VII of England, following the successes of Spain and Portugal in overseas exploration, Cabot led another voyage to the Americas the following year but nothing was ever heard of his ships again
7.
Masonry
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Masonry is the building of structures from individual units, which are often laid in and bound together by mortar, the term masonry can also refer to the units themselves. The common materials of construction are brick, building stone such as marble, granite, travertine, and limestone, cast stone, concrete block, glass block. Masonry is generally a durable form of construction. However, the used, the quality of the mortar and workmanship. A person who constructs masonry is called a mason or bricklayer, Masonry is commonly used for walls and buildings. Brick and concrete block are the most common types of masonry in use in industrialized nations, Concrete blocks, especially those with hollow cores, offer various possibilities in masonry construction. They generally provide great strength, and are best suited to structures with light transverse loading when the cores remain unfilled. Filling some or all of the cores with concrete or concrete with steel reinforcement offers much greater tensile, the use of material such as bricks and stones can increase the thermal mass of a building and can protect the building from fire. Masonry walls are resistant to projectiles, such as debris from hurricanes or tornadoes. Extreme weather, under circumstances, can cause degradation of masonry due to expansion. Masonry tends to be heavy and must be built upon a foundation, such as reinforced concrete. Other than concrete, masonry construction does not lend well to mechanization. Masonry consists of components and has a low tolerance to oscillation as compared to other materials such as reinforced concrete, plastics, wood. Masonry has high compressive strength under vertical loads but has low tensile strength unless reinforced, the tensile strength of masonry walls can be increased by thickening the wall, or by building masonry piers at intervals. Where practical, steel reinforcements such as windposts can be added, a masonry veneer wall consists of masonry units, usually clay-based bricks, installed on one or both sides of a structurally independent wall usually constructed of wood or masonry. In this context the brick masonry is primarily decorative, not structural, the brick veneer is generally connected to the structural wall by brick ties. There is typically an air gap between the veneer and the structural wall. Concrete blocks, real and cultured stones, and veneer adobe are sometimes used in a very similar veneer fashion
8.
Golden ratio
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In mathematics, two quantities are in the golden ratio if their ratio is the same as the ratio of their sum to the larger of the two quantities. The figure on the right illustrates the geometric relationship, expressed algebraically, for quantities a and b with a > b >0, a + b a = a b = def φ, where the Greek letter phi represents the golden ratio. Its value is, φ =1 +52 =1.6180339887 …, A001622 The golden ratio is also called the golden mean or golden section. Other names include extreme and mean ratio, medial section, divine proportion, divine section, golden proportion, golden cut, the golden ratio appears in some patterns in nature, including the spiral arrangement of leaves and other plant parts. The golden ratio has also used to analyze the proportions of natural objects as well as man-made systems such as financial markets. Two quantities a and b are said to be in the golden ratio φ if a + b a = a b = φ, one method for finding the value of φ is to start with the left fraction. Through simplifying the fraction and substituting in b/a = 1/φ, a + b a =1 + b a =1 +1 φ, multiplying by φ gives φ +1 = φ2 which can be rearranged to φ2 − φ −1 =0. First, the line segment A B ¯ is about doubled and then the semicircle with the radius A S ¯ around the point S is drawn, now the semicircle is drawn with the radius A B ¯ around the point B. The arising intersection point E corresponds 2 φ, next up, the perpendicular on the line segment A E ¯ from the point D will be establish. The subsequent parallel F S ¯ to the line segment C M ¯, produces, as it were and it is well recognizable, this triangle and the triangle M S C are similar to each other. The hypotenuse F S ¯ has due to the cathetuses S D ¯ =1 and D F ¯ =2 according the Pythagorean theorem, finally, the circle arc is drawn with the radius 5 around the point F. The golden ratio has been claimed to have held a fascination for at least 2,400 years. But the fascination with the Golden Ratio is not confined just to mathematicians, biologists, artists, musicians, historians, architects, psychologists, and even mystics have pondered and debated the basis of its ubiquity and appeal. In fact, it is fair to say that the Golden Ratio has inspired thinkers of all disciplines like no other number in the history of mathematics. Ancient Greek mathematicians first studied what we now call the golden ratio because of its frequent appearance in geometry, the division of a line into extreme and mean ratio is important in the geometry of regular pentagrams and pentagons. Euclid explains a construction for cutting a line in extreme and mean ratio, throughout the Elements, several propositions and their proofs employ the golden ratio. The golden ratio is explored in Luca Paciolis book De divina proportione, since the 20th century, the golden ratio has been represented by the Greek letter φ or less commonly by τ. Timeline according to Priya Hemenway, Phidias made the Parthenon statues that seem to embody the golden ratio, plato, in his Timaeus, describes five possible regular solids, some of which are related to the golden ratio
9.
Column
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A column or pillar in architecture and structural engineering is a structural element that transmits, through compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member, the term column applies especially to a large round support with a capital and a base or pedestal and made of stone, or appearing to be so. A small wooden or metal support is called a post. For the purpose of wind or earthquake engineering, columns may be designed to resist lateral forces, other compression members are often termed columns because of the similar stress conditions. Columns are frequently used to support beams or arches on which the parts of walls or ceilings rest. In architecture, column refers to such an element that also has certain proportional. A column might also be an element not needed for structural purposes, many columns are engaged. All significant Iron Age civilizations of the Near East and Mediterranean made some use of columns, egyptian columns are famously present in the Great Hypostyle Hall of Karnak, where 134 columns are lined up in 16 rows, with some columns reaching heights of 24 metres. Some of the most elaborate columns in the ancient world were those of the Persians and they included double-bull structures in their capitals. The Hall of Hundred Columns at Persepolis, measuring 70 ×70 metres, was built by the Achaemenid king Darius I, many of the ancient Persian columns are standing, some being more than 30 metres tall. The Minoans used whole tree-trunks, usually turned upside down in order to prevent re-growth, stood on a set in the stylobate. These were then painted as in the most famous Minoan palace of Knossos, the Minoans employed columns to create large open-plan spaces, light-wells and as a focal point for religious rituals. These traditions were continued by the later Mycenaean civilization, particularly in the megaron or hall at the heart of their palaces. Being made of wood these early columns have not survived, but their bases have and through these we may see their use. The Greeks developed the classical orders of architecture, which are most easily distinguished by the form of the column and their Doric, Ionic, and Corinthian orders were expanded by the Romans to include the Tuscan and Composite orders. Columns, or at least large structural exterior ones, became less significant in the architecture of the Middle Ages. Early columns were constructed of stone, some out of a piece of stone. Monolithic columns are among the heaviest stones used in architecture, other stone columns are created out of multiple sections of stone, mortared or dry-fit together
10.
Goddess
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A goddess is a female deity in polytheistic religions. Goddesses most often have characteristics that are apotheosize in their pure form. However, in some cases goddesses may embody neutral forms personifying both male and female characteristics, or they may even exhibit traits that are associated with the male gender. In some faiths, a female figure holds a central place in religious prayer. For example, Shaktism, the worship of the force that animates the world, is one of the three major sects of Hinduism. Polytheist religions, including Polytheistic reconstructionists, honour multiple goddesses and gods and these deities may be part of a pantheon, or different regions may have tutelary deities. The reconstructionists, like their ancient forebears, honour the deities particular to their country of origin, the noun goddess is a secondary formation, combining the Germanic god with the Latinate -ess suffix. It first appeared in Middle English, from about 1350, the English word follows the linguistic precedent of a number of languages—including Egyptian, Classical Greek, and several Semitic languages—that add a feminine ending to the languages word for god. Joseph Campbell in The Power of Myth, a 1988 interview with Bill Moyers, links the image of the Earth or Mother Goddess to symbols of fertility and reproduction. For example, Campbell states that, There have been systems of religion where the mother is the prime parent, and in Egypt you have the Mother Heavens, the Goddess Nut, who is represented as the whole heavenly sphere. Joseph Campbell, Well that was associated primarily with agriculture and the agricultural societies and it has to do with the earth. The human woman gives birth just as the earth gives birth to the plants. so woman magic, and the personification of the energy that gives birth to forms and nourishes forms is properly female. It is in the world of ancient Mesopotamia, the Egyptian Nile. Campbell also argues that the image of the Virgin Mary was derived from the image of Isis and her child Horus, other Mesopotamian goddesses include Ninhursag, Ninlil, Antu, Gaga Goddesses of the Canaanite religion, Baalat Gebal, Astarte, Anat. Cybele, Her Hittite name was Kubaba, but her name changed to Cybele in Phrygian and Roman culture and her effect can be also seen on Artemis as the Lady of Ephesus. Hebat, Mother Goddess of the Hittite pantheon and wife of the sky god. She was the origin of the Hurrian cult, arinniti, Hittite Goddess of the sun. She became patron of the Hittite Empire and monarchy, leto, A mother Goddess figure in Lykia
11.
Europa (mythology)
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In Greek mythology Europa was the mother of King Minos of Crete, a woman with Phoenician origin of high lineage, and for whom the continent Europe was named. This can especially be said of the story of Europa, Europas earliest literary reference is in the Iliad, which is commonly dated to the 8th century BC. Another early reference to her is in a fragment of the Hesiodic Catalogue of Women, the earliest vase-painting securely identifiable as Europa dates from mid-7th century BC. Greek Εὐρώπη Eurṓpē contains the elements εὐρύς, wide, broad and ὤψ/ὠπ-/ὀπτ- eye, broad has been an epithet of Earth herself in the reconstructed Proto-Indo-European religion. It is common in ancient Greek mythology and geography to identify lands or rivers with female figures, thus, Europa is first used in a geographic context in the Homeric Hymn to Delian Apollo, in reference to the western shore of the Aegean Sea. As a name for a part of the world, it is first used in the 6th century BC by Anaximander. Barry adduces the word Ereb on an Assyrian stele with the meaning of night, sunset, in opposition to Asu sunrise and this proposal is mostly considered unlikely or untenable. They call it the temple of Astarte, I hold this Astarte to be no other than the moon-goddess. But according to the story of one of the priests this temple is sacred to Europa and this legend I heard from other Phœnicians as well, and the coinage current among the Sidonians bears upon it the effigy of Europa sitting upon a bull, none other than Zeus. Thus they do not agree that the temple in question is sacred to Europa, the paradox, as it seemed to Lucian, would be solved if Europa is Astarte in her guise as the full, broad-faced moon. Sources differ in details regarding Europas family, but agree that she is Phoenician, and from a lineage that descended from Io, the mythical nymph beloved of Zeus, who was transformed into a heifer. She is generally said to be the daughter of Agenor, the Phoenician King of Tyre, other sources, such as the Iliad, claim that she is the daughter of Agenors son, the sun-red Phoenix. So some interpret this as her brother Phoenix gave his siblings name to his three children and this Europa is also loved by Zeus, but because of the same name, gave some confusions to others. After arriving in Crete, Europa had three sons fathered by Zeus, Minos, Rhadamanthus, and Sarpedon, the three of whom became the three judges of the Underworld when they died, in Crete she married Asterion also rendered Asterius and became mother of his daughter Crete. There were two competing myths relating how Europa came into the Hellenic world, but they agreed that she came to Crete, the mythical Europa cannot be separated from the mythology of the sacred bull, which had been worshipped in the Levant. There is also a sanctuary of Demeter Europa, the mythographers tell that Zeus was enamored of Europa and decided to seduce or ravish her, the two being near-equivalent in Greek myth. He transformed himself into a white bull and mixed in with her fathers herds. While Europa and her helpers were gathering flowers, she saw the bull, caressed his flanks, Zeus took that opportunity and ran to the sea and swam, with her on his back, to the island of Crete
12.
Ishtar
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Ishtar is the Mesopotamian East Semitic goddess of fertility, love, war, sex, and power. She is the counterpart to the earlier attested Sumerian Inanna, and the cognate for the later attested Northwest Semitic Aramean goddess Astarte, and the Armenian goddess Astghik. Ishtar was an important deity in Mesopotamian religion which was extant from c.3500 BCE, Ishtar symbolizes love, including that between human and animals, its power, and its danger. Ishtar was the daughter of Anu and she was particularly worshipped in the Upper Mesopotamian kingdom of Assyria, particularly at the cities of Nineveh, Ashur and Arbela, and also in the south Mesopotamian city of Uruk. Besides the lions on her gate, her symbol is an eight-pointed star, in the Babylonian pantheon, she was the divine personification of the planet Venus. Ishtar had many lovers, however, as Guirand notes, Woe to him whom Ishtar had honoured, the fickle goddess treated her passing lovers cruelly, and the unhappy wretches usually paid dearly for the favours heaped on them. Animals, enslaved by love, lost their native vigour, they fell into traps laid by men or were domesticated by them, thou has loved the lion, mighty in strength, says the hero Gilgamesh to Ishtar, and thou hast dug for him seven and seven pits. Thou hast loved the steed, proud in battle, and destined him for the halter, the goad, even for the gods Ishtars love was fatal. In her youth the goddess had loved Tammuz, god of the harvest and her cult may have involved sacred prostitution, though this is debatable. Guirand referred to her holy city Uruk as the town of the sacred courtesans, one of the most famous myths about Ishtar describes her descent to the underworld. I will bring up the dead to eat the living, and the dead will outnumber the living. The gatekeeper hurried to tell Ereshkigal, the Queen of the Underworld, Ereshkigal told the gatekeeper to let Ishtar enter, but according to the ancient decree. The gatekeeper let Ishtar into the underworld, opening one gate at a time, at each gate, Ishtar had to shed one article of clothing. When she finally passed the seventh gate, she was naked, in a rage, Ishtar threw herself at Ereshkigal, but Ereshkigal ordered her servant Namtar to imprison Ishtar and unleash sixty diseases against her. After Ishtar descended to the underworld, all activity ceased on earth. The god Papsukal reported the situation to Ea, the king of the gods, Ea created an intersex being called Asu-shu-namir and sent them to Ereshkigal, telling them to invoke the name of the great gods against her and to ask for the bag containing the waters of life. Ereshkigal was enraged when she heard Asu-shu-namirs demand, but she had to them the water of life. Asu-shu-namir sprinkled Ishtar with this water, reviving her, then, Ishtar passed back through the seven gates, getting one article of clothing back at each gate, and was fully clothed as she exited the last gate
