1.
Black metal
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Black metal is an extreme subgenre and subculture of heavy metal music. Common traits include fast tempos, a vocal style, heavily distorted guitars played with tremolo picking, raw recording, unconventional song structures. Artists often appear in corpse paint and adopt pseudonyms, during the 1980s, several thrash and death metal bands formed a prototype for black metal. This so-called first wave included bands such as Venom, Bathory, Mercyful Fate, Hellhammer, a second wave arose in the early 1990s, spearheaded by Norwegian bands such as Mayhem, Darkthrone, Burzum, Immortal, Emperor, Satyricon and Gorgoroth. The early Norwegian black metal scene developed the style of their forebears into a distinct genre, norwegian-inspired black metal scenes emerged throughout Europe and North America, although some other scenes developed their own styles independently. Some prominent Swedish bands spawned during this wave, such as Marduk, Nifelheim. Initially a synonym for Satanic metal, black metal is often met with hostility from mainstream culture, due to the actions, many artists express extreme anti-Christian and misanthropic views, advocating various forms of Satanism or ethnic paganism. In the 1990s, members of the scene were responsible for a spate of church burnings, there is also a small neo-Nazi movement within black metal, although it has been shunned by many prominent artists. Generally, black metal strives to remain underground, inaccessible to the mainstream, although contemporary black metal typically refers to the Norwegian style with shrieking vocals and raw production, the term has also been applied to bands with widely differing sounds. Norwegian-inspired black metal guitarists usually favor high-pitched or trebly guitar tones, the guitar is usually played with fast, un-muted tremolo picking. Guitarists often use dissonance—along with specific scales, intervals and chord progressions—to create a sense of dread, the tritone, or flat-fifth, is often used. Guitar solos and low guitar tunings are rare in black metal, the bass guitar is seldom used to play stand-alone melodies. It is not uncommon for the bass to be muted against the guitar, some newer black metal bands began raising their production quality and introducing additional instruments such as synthesizers and even orchestras. The drumming is usually fast and relies on double-bass and blast beats to maintain tempos that can sometimes approach 300 beats per minute and these fast tempos require great skill and physical stamina, typified by black metal drummers Frost and Hellhammer. Even still, authenticity is still prioritized over technique and this professionalism has to go, insists well-respected drummer and metal historian Fenriz of Darkthrone. I want to de-learn playing drums, I want to play primitive and simple, I dont want to play like a drum solo all the time, Black metal songs often stray from conventional song structure and often lack clear verse-chorus sections. Instead, many black metal songs contain lengthy and repetitive instrumental sections, the Greek style—established by Rotting Christ, Necromantia and Varathron—has more traditional heavy metal and death metal traits than Norwegian black metal. Traditional black metal bands tend to favor raspy, high-pitched vocals which include such as shrieking, screaming, and snarling
2.
Death metal
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Death metal is an extreme subgenre of heavy metal music. Building from the structure of thrash metal and early black metal. Bands such as Venom, Celtic Frost, Slayer, and Kreator were important influences on the genres creation, Possessed and Death, along with bands such as Obituary, Autopsy and Morbid Angel, are often considered pioneers of the genre. In the late 1980s and early 1990s, death metal gained more attention as popular genre niche record labels like Combat, Earache. Since then, death metal has diversified, spawning several subgenres, melodic death metal combines death metal elements with those of the new wave of British heavy metal. Technical death metal is a style, with uncommon time signatures, atypical rhythms. Death-doom combines the deep growled vocals and double-kick drumming of death metal with the slow tempos, deathgrind, goregrind and pornogrind mix the complexity of death metal with the intensity, speed, and brevity of grindcore. Deathcore combines death metal with metalcore traits, Death n roll combines death metals growled vocals and highly distorted, detuned guitar riffs with elements of 1970s hard rock and heavy metal. English heavy metal band Venom, from Newcastle, crystallized the elements of what became known as thrash metal, death metal and black metal. Their dark, blistering sound, harsh vocals, and macabre, another highly influential band, Slayer, formed in 1981. Although the band was a metal act, Slayers music was more violent than their thrash contemporaries Metallica, Megadeth. Their breakneck speed and instrumental prowess combined with lyrics about death, violence, war, according to AllMusic, their third album Reign in Blood inspired the entire death metal genre. It had a big impact on the genre such as Death, Obituary. While attributed as having a Slayer influence, current and former members of the band had actually cited Venom and Motörhead, as well as work by Exodus. Possessed arguably did more to further the cause of Death Metal than any of the acts on the scene back in the mid-late 80s. During the same period as the dawn of Possessed, an influential metal band was formed in Florida. Death, originally called Mantas, was formed in 1983 by Chuck Schuldiner, Kam Lee, in 1984 they released their first demo entitled Death by Metal, followed by several more. The tapes circulated through the tape trader world, quickly establishing the bands name, with Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene
3.
Regain Records
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Regain Records was a Swedish-based independent record label. The label predominantly released death metal and black metal albums, regain Records was founded from what remained of the former label, Wrong Again Records, by Per Gyllenbäck in 1997. Wrong Again Records had such bands as In Flames, Cryptopsy, Arch Enemy, regain Records first two releases were Derangeds High on Blood and Embraceds Amorous Anathema, in late 1997. In the first two years of operation, business for the label was slow, due to lack of proper distribution, in 2008 the label was involved in a legal dispute with the band Gorgoroth over their 2008 live album. List of record labels Official website
4.
Century Media Records
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Century Media Records is a heavy metal record label with offices in the United States, Germany and London. In August 2015, Century Media was acquired by Sony Music Entertainment for US $17 million, the label specializes in many different styles of heavy metal music. A number of artists listed are licensed to Century Media for the American market from labels mostly based in Europe, Century Media is also home to Arch Enemy, Napalm Death, and Queensrÿche. The labels most popular band is Lacuna Coil, shadows Fall experienced its greatest success during its time with the label. Iconic hardcore punk band Sick of It All also resides in the Century Media family, Lacuna Coils 2002 album, Comalies, became Century Medias first act to crack the Billboard 200 album chart, peaking at No.178 two years after its release. Their fourth album, Karmacode, improved on that achievement, having sold over 490,000 copies since its release and it hit number one on the Top Independent Albums Chart. The Finnish band Sentenced were awarded on August 14,2008 for their platinum Buried Alive DVD labelled by Century Media. Since being bought out by Sony Music in August 2015, the releases will be distributed worldwide by Sony Music while RED will be distributing the labels releases in the U. S. In late 2014 Robert Kampf, founder of Century Media Records, launched a new hard rock-focused label named Another Century. This label is leaning away from metal of Century Media and looking to make a name for itself as a premiere hard rock label. ”Robert Kampf was quoted on his new label. My undying love for rock has driven the formation of this label ANOTHER CENTURY, over the years great bands like Otherwise and In This Moment have been released on Century Media but sometimes got lost or felt ill mixed among some of the heavier CM bands. Another Century now has a path and mission statement, To develop. The label has since acquired breakout bands New Years Day, XO Stereo, Like A Storm, Awaken The Empire, adrenaline Mob and Fozzy, both of whom have released albums on Century Media, are listed on the Artists page of the new Another Century website. Abacus Recordings was an imprint of Century Media created in 2002, on July 24,2007, it was reported that Abacus Recordings had shut down. In August 2011 Century Media decided to all of their acts from Spotify. Metal blog MetalSucks criticized Century Media in a post, which was replied to by the label in an email. On July 30,2012, Century Media Records made their entire catalog available on Spotify again after impressive debates and messages from fans and discussions with Spotify, on January 21,2014, it was reported that co-founder Oliver Withöft had died after a long period of illness. Tributes were paid to him by Monte Connor, head of US A&R for Nuclear Blast Records, Nachtmystiums Blake Judd and Sumerian Records publicist George Vallee and he is survived by his wife Judith and their 3 daughters
5.
Babylonia
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Babylonia was an ancient Akkadian-speaking state and cultural area based in central-southern Mesopotamia. A small Amorite-ruled state emerged in 1894 BC, which contained at this time the city of Babylon. Babylon greatly expanded during the reign of Hammurabi in the first half of the 18th century BC, during the reign of Hammurabi and afterwards, Babylonia was called Māt Akkadī the country of Akkad in the Akkadian language. It was often involved in rivalry with its older fellow Akkadian-speaking state of Assyria in northern Mesopotamia and it retained the Sumerian language for religious use, but by the time Babylon was founded, this was no longer a spoken language, having been wholly subsumed by Akkadian. The earliest mention of the city of Babylon can be found in a tablet from the reign of Sargon of Akkad. During the 3rd millennium BC, a cultural symbiosis occurred between Sumerian and Akkadian-speakers, which included widespread bilingualism. The influence of Sumerian on Akkadian and vice versa is evident in all areas, from lexical borrowing on a scale, to syntactic, morphological. This has prompted scholars to refer to Sumerian and Akkadian in the millennium as a sprachbund. Traditionally, the religious center of all Mesopotamia was the city of Nippur. The empire eventually disintegrated due to decline, climate change and civil war. Sumer rose up again with the Third Dynasty of Ur in the late 22nd century BC and they also seem to have gained ascendancy over most of the territory of the Akkadian kings of Assyria in northern Mesopotamia for a time. The states of the south were unable to stem the Amorite advance, King Ilu-shuma of the Old Assyrian Empire in a known inscription describes his exploits to the south as follows, The freedom of the Akkadians and their children I established. I established their freedom from the border of the marshes and Ur and Nippur, Awal, past scholars originally extrapolated from this text that it means he defeated the invading Amorites to the south, but there is no explicit record of that. More recently, the text has been taken to mean that Asshur supplied the south with copper from Anatolia and these policies were continued by his successors Erishum I and Ikunum. During the first centuries of what is called the Amorite period and his reign was concerned with establishing statehood amongst a sea of other minor city states and kingdoms in the region. However Sumuabum appears never to have bothered to give himself the title of King of Babylon, suggesting that Babylon itself was only a minor town or city. He was followed by Sumu-la-El, Sabium, Apil-Sin, each of whom ruled in the same manner as Sumuabum. Sin-Muballit was the first of these Amorite rulers to be regarded officially as a king of Babylon, the Elamites occupied huge swathes of southern Mesopotamia, and the early Amorite rulers were largely held in vassalage to Elam
6.
Marduk
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Marduk was a late-generation god from ancient Mesopotamia and patron deity of the city of Babylon. In the city of Babylon, he resided in the temple Esagila, Marduk is associated with the divine weapon Imhullu. Marduk is the Babylonian form of his name, according to The Encyclopedia of Religion, the name Marduk was probably pronounced Marutuk. The etymology of the name Marduk is conjectured as derived from amar-Utu, the origin of Marduks name may reflect an earlier genealogy, or have had cultural ties to the ancient city of Sippar, dating back to the third millennium BC. In the perfected system of astrology, Jupiter was associated with Marduk by the Hammurabi period, Marduks original character is obscure but he was later associated with water, vegetation, judgment, and magic. His consort was the goddess Sarpanit, there are particularly two gods—Ea and Enlil—whose powers and attributes pass over to Marduk. In the case of Ea, the transfer proceeded pacifically and without effacing the older god. Marduk took over the identity of Asarluhi, the son of Ea and god of magic, father Ea voluntarily recognized the superiority of the son and hands over to him the control of humanity. Babylon became independent in the early 19th century BC, and was initially a city state, overshadowed by older and more powerful Mesopotamian states such as Isin, Larsa. The only serious rival to Marduk after ca.1750 BC was the god Aššur which was the dominant power in the region between the 14th to the late 7th century BC, in the south, Marduk reigned supreme. When Babylon became the city of southern Mesopotamia during the reign of Hammurabi in the 18th century BC. In order to explain how Marduk seized power, Enûma Elish was written and this can be viewed as a form of Mesopotamian apologetics. Also included in this document are the fifty names of Marduk, in Enûma Elish, a civil war between the gods was growing to a climactic battle. The Anunnaki gods gathered together to one god who could defeat the gods rising against them. Marduk, a young god, answered the call and was promised the position of head god. Then he sets out for battle, mounting his storm-chariot drawn by four horses with poison in their mouths, in his lips he holds a spell and in one hand he grasps a herb to counter poison. Under his reign humans were created to bear the burdens of life so the gods could be at leisure, Marduk was depicted as a human, often with his symbol the snake-dragon which he had taken over from the god Tishpak. Another symbol that stood for Marduk was the spade, Babylonian texts talk of the creation of Eridu by the god Marduk as the first city, the holy city, the dwelling of their delight
7.
Tutelary deity
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A tutelary is a deity or spirit who is a guardian, patron or protector of a particular place, geographic feature, person, lineage, nation, culture or occupation. One type of deity is the genius, the personal deity or daimon of an individual from birth to death. Another form of personal tutelary spirit is the spirit of European folklore. Socrates spoke of hearing the voice of his spirit or daimonion. This sign I have had ever since I was a child, the Greeks also thought deities guarded specific places, for instance, Athena was the patron goddess of the city of Athens. Tutelary deities who guard and preserve a place or a person are fundamental to ancient Roman religion, the tutelary deity of a man was his Genius, or that of a woman her Juno. In the Imperial era, the Genius of the Emperor was a focus of Imperial cult, an emperor might also adopt a major deity as his personal patron or tutelary, as Augustus did Apollo. Each town or city had one or more deities, whose protection was considered particularly vital in time of war. Rome itself was protected by a goddess whose name was to be kept secret on pain of death. The Capitoline Triad of Juno, Jupiter, and Minerva were also tutelaries of Rome, the Italic towns had their own tutelary deities. Juno often had this function, as at the Latin town of Lanuvium and the Etruscan city of Veii, the tutelary deity of Praeneste was Fortuna, whose oracle was renowned. The depiction of some such as the Magna Mater as tower-crowned represents their capacity to preserve the city. Tutelary deities were also attached to sites of a smaller scale, such as storerooms, crossroads. The poet Martial lists the tutelary deities who watch over various aspects of his farm, the Lares Compitales were the tutelary gods of a neighborhood, each of which had a compitum devoted to these. During the Republic, the cult of local or neighborhood tutelaries sometimes became rallying points for political and social unrest, chinese folk religion, both past and present, includes a myriad of tutelary deities. Exceptional individuals may become deified after death, guan Yu is a well-known tutelary. In Korean shamanism, jangseung and sotdae were placed at the edge of villages to frighten off demons and they were also worshiped as deities. In Shinto, the spirits, or kami, which life to human bodies come from nature
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