Marriage A-la-Mode is a series of six pictures painted by William Hogarth between 1743 and 1745, intended as a pointed skewering of 18th-century society. They show the disastrous results of an ill-considered marriage for money or social status, and satirize patronage and aesthetics. The pictures are held in the National Gallery in London.

The Toilette, called The countess's morning levee on the frame, is the fourth canvas in the series of six satirical paintings known as Marriage A-la-Mode painted by William Hogarth.