1.
German people
–
Germans are a Germanic ethnic group native to Central Europe, who share a common German ancestry, culture and history. German is the mother tongue of a substantial majority of ethnic Germans. The English term Germans has historically referred to the German-speaking population of the Holy Roman Empire since the Late Middle Ages, before the collapse of communism and the reunification of Germany in 1990, Germans constituted the largest divided nation in Europe by far. Ever since the outbreak of the Protestant Reformation within the Holy Roman Empire, of approximately 100 million native speakers of German in the world, roughly 80 million consider themselves Germans. Thus, the number of Germans lies somewhere between 100 and more than 150 million, depending on the criteria applied. Today, people from countries with German-speaking majorities most often subscribe to their own national identities, the German term Deutsche originates from the Old High German word diutisc, referring to the Germanic language of the people. It is not clear how commonly, if at all, the word was used as an ethnonym in Old High German, used as a noun, ein diutscher in the sense of a German emerges in Middle High German, attested from the second half of the 12th century. The Old French term alemans is taken from the name of the Alamanni and it was loaned into Middle English as almains in the early 14th century. The word Dutch is attested in English from the 14th century, denoting continental West Germanic dialects, while in most Romance languages the Germans have been named from the Alamanni, the Old Norse, Finnish and Estonian names for the Germans were taken from that of the Saxons. In Slavic languages, the Germans were given the name of němьci, originally with a meaning foreigner, the English term Germans is only attested from the mid-16th century, based on the classical Latin term Germani used by Julius Caesar and later Tacitus. It gradually replaced Dutch and Almains, the latter becoming mostly obsolete by the early 18th century, the Germans are a Germanic people, who as an ethnicity emerged during the Middle Ages. Originally part of the Holy Roman Empire, around 300 independent German states emerged during its decline after the Peace of Westphalia in 1648 ending the Thirty Years War and these states eventually formed into modern Germany in the 19th century. The concept of a German ethnicity is linked to Germanic tribes of antiquity in central Europe, the early Germans originated on the North German Plain as well as southern Scandinavia. By the 2nd century BC, the number of Germans was significantly increasing and they began expanding into eastern Europe, during antiquity these Germanic tribes remained separate from each other and did not have writing systems at that time. In the European Iron Age the area that is now Germany was divided into the La Tène horizon in Southern Germany and the Jastorf culture in Northern Germany. By 55 BC, the Germans had reached the Danube river and had either assimilated or otherwise driven out the Celts who had lived there, and had spread west into what is now Belgium and France. Conflict between the Germanic tribes and the forces of Rome under Julius Caesar forced major Germanic tribes to retreat to the east bank of the Rhine, in Roman-held territories with Germanic populations, the Germanic and Roman peoples intermarried, and Roman, Germanic, and Christian traditions intermingled. The adoption of Christianity would later become an influence in the development of a common German identity
German people
German people
–
Germanic Kingdoms in Europe c. 500 AD
German people
–
Extent of
Holy Roman Empire in 972 (red line) and 1035 (red dots) with
Kingdom of Germany marked in blue
German people
–
18 January 1871: The proclamation of the
German Empire in the
Hall of Mirrors of the
Palace of Versailles.
Bismarck appears in white. The Grand Duke of Baden stands beside Wilhelm, leading the cheers. Crown Prince Friedrich, later
Friedrich III, stands on his father's right.
2.
Inventor
–
An invention is a unique or novel device, method, composition or process. The invention process is a process within an overall engineering and product development process and it may be an improvement upon a machine or product or a new process for creating an object or a result. An invention that achieves a unique function or result may be a radical breakthrough. Such works are novel and not obvious to others skilled in the same field, an inventor may be taking a big step in success or failure. A patent legally protects the property rights of the inventor. The rules and requirements for patenting an invention vary from country to country, another meaning of invention is cultural invention, which is an innovative set of useful social behaviours adopted by people and passed on to others. The Institute for Social Inventions collected many such ideas in magazines, Invention is also an important component of artistic and design creativity. Inventions often extend the boundaries of knowledge, experience or capability. Brainstorming also can spark new ideas for an invention, collaborative creative processes are frequently used by engineers, designers, architects and scientists. Co-inventors are frequently named on patents, in addition, many inventors keep records of their working process - notebooks, photos, etc. including Leonardo da Vinci, Galileo Galilei, Evangelista Torricelli, Thomas Jefferson and Albert Einstein. In the process of developing an invention, the idea may change. The invention may become simpler, more practical, it may expand, working on one invention can lead to others too. History shows that turning the concept of an invention into a device is not always swift or direct. Inventions may also more useful after time passes and other changes occur. For example, the became more useful once powered flight was a reality. Invention is often a creative process, an open and curious mind allows an inventor to see beyond what is known. Seeing a new possibility, connection, or relationship can spark an invention, inventive thinking frequently involves combining concepts or elements from different realms that would not normally be put together. Sometimes inventors disregard the boundaries between distinctly separate territories or fields, several concepts may be considered when thinking about invention
Inventor
–
' BUILD YOUR OWN TELEVISION RECEIVER.'
Science and Invention magazine cover, November 1928
Inventor
–
Alessandro Volta with the first
electrical battery. Volta is recognized as one of the most influential inventors of all time.
Inventor
–
Thomas Edison with
phonograph. Edison is considered one of the most prolific inventors in history, holding
1,093 U.S. patents in his name.
Inventor
–
A rare 1884 photo showing the experimental recording of voice patterns by a photographic process at the
Alexander Graham Bell Laboratory in Washington, D.C. Many of their experimental designs panned out in failure.
3.
Filmmaker
–
Filmmaking is the process of making a film. Filmmaking takes place in places around the world in a range of economic, social, and political contexts. Typically, it involves a number of people, and can take from a few months to several years to complete. Film production consists of five stages, Development, The first stage in which the ideas for the film are created, rights to books/plays are bought etc. Financing for the project has to be sought and greenlit, pre-production, Preparations are made for the shoot, in which cast and film crew are hired, locations are selected and sets are built. Production, The raw elements for the film are recorded during the film shoot, post-production, The images, sound, and visual effects of the recorded film are edited. Distribution, The finished film is distributed and screened in cinemas and released to home video. In this stage, the project producer selects a story, which may come from a book, play, another film, true story, video game, comic book, graphic novel, or an original idea, etc. After identifying a theme or underlying message, the works with writers to prepare a synopsis. Next they produce an outline, which breaks the story down into one-paragraph scenes that concentrate on dramatic structure. Then, they prepare a treatment, a 25-to-30-page description of the story, its mood and this usually has little dialogue and stage direction, but often contains drawings that help visualize key points. Another way is to produce a scriptment once a synopsis is produced, next, a screenwriter writes a screenplay over a period of several months. The screenwriter may rewrite it several times to improve dramatization, clarity, structure, characters, dialogue, however, producers often skip the previous steps and develop submitted screenplays which investors, studios, and other interested parties assess through a process called script coverage. A film distributor may be contacted at a stage to assess the likely market. All these factors imply a certain appeal of the film to a possible audience, not all films make a profit from the theatrical release alone, so film companies take DVD sales and worldwide distribution rights into account. The producer and screenwriter prepare a film pitch, or treatment and they will also pitch the film to actors and directors in order to attach them to the project. Many projects fail to move beyond this stage and enter so-called development hell, if a pitch succeeds, a film receives a green light, meaning someone offers financial backing, typically a major film studio, film council, or independent investor. The parties involved negotiate a deal and sign contracts, once all parties have met and the deal has been set, the film may proceed into the pre-production period
Filmmaker
–
Steven Spielberg with Chandran Rutnam in Sri Lanka
Filmmaker
–
Sound recordist Curtis Choy (left) on location for "Dim Sum: a Little Bit of Heart," an indie film by Wayne Wang on Clement Street, San Francisco, California 1983
4.
Bioscop
–
The Bioscop is a movie projector developed in 1895 by German inventors and filmmakers Max Skladanowsky and his brother Emil Skladanowsky. The Bioscop used two loops of 54-mm films without a side perforation and this caused poor control of the film-transport through the projector and might have contributed to the more successful development of the cinematograph by the French brothers Lumiere. The first public performance of the scenes using the Bioscop was organized in the restaurant Feldschlößchen in Berlin-Pankow. Three of the scenes became iconic for early cinematography, Boxing Kangaroo, The Wrestler and they were all shot earlier in the garden of the same restaurant. The Skladanovsky brothers later used the Bioscop to show movies to an audience in the Berlin Variete theater Wintergarten. This can be considered the first movie program to a paid audience, in 1896, they traveled through the Netherlands and Scandinavia, presenting their invitation to the international audience. Max Skladanowsky at the Internet Movie Database Emil Skladanowsky at the Internet Movie Database
Bioscop
–
Eugen (left) and Max Skladanowsky (right) with their Bioscop (1934)
5.
Movie projector
–
A movie projector is an opto-mechanical device for displaying motion picture film by projecting it onto a screen. Most of the optical and mechanical elements, except for the illumination, the first movie projector was the Zoopraxiscope, invented by British photographer Eadweard Muybridge in 1879. The zoopraxiscope projected images from rotating glass disks in rapid succession to give the impression of motion, the stop-motion images were initially painted onto the glass, as silhouettes. A second series of discs, made in 1892–94, used outline drawings printed onto the discs photographically, a more sophisticated movie projector was invented by Frenchman Louis Le Prince while working in Leeds. In 1888 Le Prince took out a patent for a 16-lens device that combined a motion picture camera with a projector, in 1888, he used an updated version of his camera to film the first ever motion picture, the Roundhay Garden Scene. The pictures were exhibited in Hunslet. The Lumière brothers invented the first successful movie projector and they made their first film, Sortie de lusine Lumière de Lyon, in 1894, which was publicly screened at LEden, La Ciotat a year later. The first commercial, public screening of cinematographic films happened in Paris on 28 December 1895, the cinematograph was also exhibited at the Paris Exhibition of 1900. At the Exhibition, films made by the Lumière Brothers were projected onto a screen measuring 16 by 21 meters. In 1999, digital projectors were being tried out in some movie theatres. These early projectors played the movie stored on a server and played back through the projector, due to their relatively low resolution, the images at the time showed pixelization blocks in some scenes, much like images on early widescreen televisions. By 2006, the advent of much higher 4K resolution digital projection had removed any traces of pixelization, the systems became more compact than the larger machines of four years earlier. By 2009, movie theatres started replacing the film projectors with digital projectors, in 2013, it was estimated that 92% of movie theatres in the United States had converted to digital, with 8% still playing film. In 2015, numerous popular filmmakers—including Quentin Tarantino and Christopher Nolan—lobbied large studios to commit to purchase an amount of 35 mm film from Kodak. The decision ensured that Kodaks 35mm film production would continue for several years, nowadays film projectors are considered obsolete as high-resolution digital projectors offer many advantages over traditional film units. For example, digital projectors contain no moving parts except fans, can be operated remotely and they also allow for much easier, less expensive, and more reliable storage and distribution of content, including the ability to display live broadcasts. According to the theory of the phi phenomenon, the brain constitutes an experience of apparent movement when presented with a sequence of near-identical still images. Persistence of vision should be compared with the phenomena of beta movement
Movie projector
–
35 mm movie projector in operation.
Movie projector
–
35 mm Kinoton FP30ST movie projector, with parts labeled. (Click thumbnail for larger text.)
Movie projector
–
Imaging lens Diastar of an Askania 35mm movie projector (
focal length: 400 mm)
Movie projector
–
Christie AW3 platter, BIG SKY Industries console, and Century SA projector.
6.
Pankow (locality)
–
Pankow is a locality of Berlin in the district of Pankow. Until 2001 it was a district with the localities of Karow, Niederschönhausen, Wilhelmsruh, Rosenthal, Blankenfelde. The village of Pankow is named after the small Panke river, the settlement was first mentioned in a 1311 deed by the Margraves of Brandenburg, though the Four Evangelists fieldstone church had already been erected about 1230. As Pankow grew, due to industrialization, in the 19th century, it became a suburb – and it was finally incorporated into the city by the Greater Berlin Act of 1920. In the East German period, from 1949 to 1990, Pankow, from 1949 to 1960 Schönhausen Palace was the presidential residency of East Germany, and throughout the period many embassies were located in the vicinity. Pankow is situated in the side of its district. It borders the localities of Niederschönhausen, Französisch Buchholz, Karow, Heinersdorf, Weissensee, Prenzlauer Berg, between 1961 and 1990, the Berlin Wall passed through Pankow and Gesundbrunnen (in West Berlin. The locality is served by the Berliner S-Bahn lines S1, S2, S25, S85, by the U-Bahn line U2, Schönhausen Palace Berlin-Pankow railway station Media related to Pankow at Wikimedia Commons
Pankow (locality)
–
Gymnasium Pankow
Pankow (locality)
–
Pankow Church
Pankow (locality)
–
Gothic church of St.George
Pankow (locality)
–
Former malthouse
7.
Berlin
–
Berlin is the capital and the largest city of Germany as well as one of its constituent 16 states. With a population of approximately 3.5 million, Berlin is the second most populous city proper, due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. Around one-third of the area is composed of forests, parks, gardens, rivers. Berlin in the 1920s was the third largest municipality in the world, following German reunification in 1990, Berlin once again became the capital of all-Germany. Berlin is a city of culture, politics, media. Its economy is based on high-tech firms and the sector, encompassing a diverse range of creative industries, research facilities, media corporations. Berlin serves as a hub for air and rail traffic and has a highly complex public transportation network. The metropolis is a popular tourist destination, significant industries also include IT, pharmaceuticals, biomedical engineering, clean tech, biotechnology, construction and electronics. Modern Berlin is home to world renowned universities, orchestras, museums and its urban setting has made it a sought-after location for international film productions. The city is known for its festivals, diverse architecture, nightlife, contemporary arts. Since 2000 Berlin has seen the emergence of a cosmopolitan entrepreneurial scene, the name Berlin has its roots in the language of West Slavic inhabitants of the area of todays Berlin, and may be related to the Old Polabian stem berl-/birl-. All German place names ending on -ow, -itz and -in, since the Ber- at the beginning sounds like the German word Bär, a bear appears in the coat of arms of the city. It is therefore a canting arm, the first written records of towns in the area of present-day Berlin date from the late 12th century. Spandau is first mentioned in 1197 and Köpenick in 1209, although these areas did not join Berlin until 1920, the central part of Berlin can be traced back to two towns. Cölln on the Fischerinsel is first mentioned in a 1237 document,1237 is considered the founding date of the city. The two towns over time formed close economic and social ties, and profited from the right on the two important trade routes Via Imperii and from Bruges to Novgorod. In 1307, they formed an alliance with a common external policy, in 1415 Frederick I became the elector of the Margraviate of Brandenburg, which he ruled until 1440. In 1443 Frederick II Irontooth started the construction of a new palace in the twin city Berlin-Cölln
Berlin
Berlin
Berlin
Berlin
8.
Glazier
–
A glazier is a skilled tradesman responsible for cutting, installing, and removing glass. Glaziers may work with glass in various surfaces and settings, such as windows, doors, shower doors, skylights, storefronts, display cases, mirrors, facades, interior walls, ceilings, the Occupational Outlook Handbook of the U. S. Uses and maintains tools and equipment 2, performs routine activities Block B – Commercial Window and Door Systems 4. Fabricates commercial window and door systems 5, installs commercial window and door systems Block C – Residential Window and Door Systems 6. Installs residential door systems Block D – Specialty Glass and Products 8, fabricates and installs specialty glass and products 9. Installs glass systems on vehicles Block E – Servicing 10, services commercial window and door systems 11. Services residential window and door systems 12, tools used by glaziers include cutting boards, glass-cutting blades, straightedges, glazing knives, saws, drills, grinders, putty, and glazing compounds. Some glaziers work specifically with glass in motor vehicles, other work specifically with the safety glass used in aircraft. Glaziers are typically educated at the high school diploma or equivalent level and learn the skills of the trade through an apprenticeship program, in the U. S. apprenticeship programs are offered through the National Glass Association as well as trade associations and local contractors associations. Construction-industry glaziers are frequently members of the International Union of Painters, in Ontario, Canada, apprenticeships are offered at the provincial level and certified through the Ontario College of Trades. Other provinces manage their own apprenticeship programs, the Trade of Glazier is a designated Red Seal Trade in Canada. Occupational hazards encountered by glaziers include the risks of being cut by glass or tools, according to the Occupational Outlook Handbook, there are some 45,300 glaziers in the United States, with median pay of $38,410 per year in 2014. Among the 50 states, only Connecticut and Florida require glaziers to hold a license, architectural glass Glazing in architecture Insulated glazing Stained glass Glass manufacturing Glassblowing Media related to Glaziers at Wikimedia Commons
Glazier
–
glazier
Glazier
–
glazier trailer
9.
Photographer
–
A photographer is a person who makes photographs. As in other arts, the definitions of amateur and professional are not entirely categorical, a professional photographer is likely to take photographs to make money, by salary or through the display, sale or use of those photographs. An amateur photographer may take photographs for pleasure and to record an event, emotion, place, as a person without a monetary motivation. A professional photographer may be an employee, for example of a newspaper, or may contract to cover a planned event such as a wedding or graduation. Others, including paparazzi and fine art photographers, are freelancers, first making a picture, some workers, such as crime scene detectives, estate agents, journalists and scientists, make photographs as part of other work. Photographers who produce moving rather than still pictures are often called cinematographers, videographers or camera operators, an amateur may make considerable sums entering work in contests for prize money or through occasional inclusion of their work in magazines or the archive of a photo agency. The term professional may also imply preparation, for example, by academic study, Photographers are also categorized based on the subjects they photograph. Some photographers explore subjects typical of such as landscape, still life. The exclusive right of photographers to copy and use their products is protected by copyright, countless industries purchase photographs for use in publications and on products. This is usually referred to as usage fee and is used to distinguish from production fees, an additional contract and royalty would apply for each additional use of the photograph. The contract may be for one year, or other duration. The photographer usually charges a royalty as well as a one-time fee, the contract may be for non-exclusive use of the photograph or for exclusive use of the photograph. The contract can also stipulate that the photographer is entitled to audit the company for determination of royalty payments. A royalty is also based on the size at which the photo will be used in a magazine or book. Photos taken by a photographer working on assignment are often work for hire belonging to the company or publication unless stipulated otherwise by contract. There are major companies who have maintained catalogues of stock photography and images for decades, such as Getty Images, commercial photographers may also promote their work to advertising and editorial art buyers via printed and online marketing vehicles. Many people upload their photographs to social networking websites and other websites and those interested in legal precision may explicitly release them to the public domain or under a free content license. Some sites, including Wikimedia Commons, are punctilious about licenses, the dictionary definition of photographer at Wiktionary Media related to Photographers at Wikimedia Commons
Photographer
–
2012 IAAF World Indoor Championships photographer stand.
Photographer
–
A group of photographers taking photographs of retired footballer
Franz Beckenbauer.
Photographer
–
Nature photographer Urmas Tartes working on an outdoor environment.
Photographer
–
A photographer (
Douglas Osheroff) setting up a shot with the aid of a
tripod.
10.
Magic lantern
–
The magic lantern or laterna magica is an early type of image projector employing painted pictures or photographs on sheets of glass, a lens, and a bright light source. It was mostly developed in the 17th century and commonly used for entertainment purposes, some lanterns, including those of Christiaan Huygens and Jan van Musschenbroek, used 3 lenses. Originally the pictures were painted on glass slides. Initially figures were rendered with black paint but soon transparent colors were also used, sometimes the painting was done on oiled paper. Usually black paint was used as a background to block superfluous light, many slides were finished with a layer of transparent lacquer, but in a later period cover glasses were also used to protect the painted layer. Most hand-made slides were mounted in frames with a round or square opening for the picture. After 1820 the manufacturing of hand colored printed slides started, often making use of decalcomania transfers, many manufactured slides were produced on strips of glass with several pictures on them and rimmed with a strip of glued paper. The first photographic lantern slides, called Hyalotypes, were invented by the German-born brothers Ernst Wilhelm and Friedrich Langenheim in 1848 in Philadelphia and patented in 1850. Apart from sunlight, the light sources available at the time of invention in the 17th century were candles and oil lamps. The invention of the Argand lamp in the 1790s helped to make the images brighter, the invention of limelight in the 1820s made them very much brighter. Several types of projection systems existed before the invention of the magic lantern, for these precursors, The magic lantern can be seen as a further development of the Camera Obscura. It was known at least since the 5th century BCE and experimented with in darkened rooms at least since circa 1000 CE, the use of a lens in the hole has been traced back to circa 1550. The portable camera obscura box with a lens was developed in the 17th century, in the 17th century there was an immense interest in optics. The telescope and microscope were invented and apart from being useful to some scientists, the magic lantern would prove to be a perfect successor. Prominent Dutch scientist Christiaan Huygens, is widely accepted as the true inventor of the magic lantern. Christiaans father Constantijn had been acquainted with Cornelis Drebbel who used some unidentified optical techniques to transform himself, Constantijn Huygens wrote very enthusiastically about a camera obscura device that he got from Drebbel in 1622. As this page was found between documents dated in 1659, it is believed to also have made in 1659. Huygens probably only constructed the lantern to amuse young family members and soon seemed to regret it, Christiaan initially referred to the magic lantern as la lampe and la lanterne, but in the last years of his life he used the then common term laterna magica in some notes
Magic lantern
–
Magic lantern, 1818,
Musée des Arts et Métiers
Magic lantern
–
Magic lantern at the
Wymondham Museum.
Magic lantern
–
Hand-colored photographic lantern slide of the
Lahore Railway Station, circa 1895
Magic lantern
–
A look inside a magic lantern in the collection of the
Children's Museum of Indianapolis
11.
Berlin Wintergarten theatre
–
The Berlin Wintergarten theatre was a large variety theatre in Berlin-Mitte. It opened in 1887 and was destroyed by bombs in June 1944, the name was taken on by a theatre in Potsdamer Strasse in 1992. The Skladanowsky brothers showcased the first short movie presentation ever at the theatre in 1895, but it was a multi-use variety theatre, not a true kino. Media related to Wintergarten at Wikimedia Commons
Berlin Wintergarten theatre
–
July 1940
Berlin Wintergarten theatre
–
Wintergarten, Potsdamer Strasse, 2010
12.
Music hall
–
Music hall is a type of British theatrical entertainment that was popular from the early Victorian era circa 1850 and lasting until 1960. It involved a mixture of songs, comedy, speciality acts. The term is derived from a type of theatre or venue in which such entertainment took place and these theatres were designed chiefly so people could consume food and alcohol and smoke tobacco in the auditorium while the entertainment took place. This differed somewhat from the type of theatre, which until then seated the audience in stalls with a separate bar-room. By the mid-19th century, the halls cried out for many new, as a result, professional songwriters were enlisted to provide the music for a plethora of star performers, such as Marie Lloyd, Dan Leno, Little Tich, and George Leybourne. Music hall did not adopt its own unique style, the halls had recovered by the start of the First World War and were used to stage charity events in aid of the war effort. Music hall entertainment continued after the war, but became popular due to upcoming Jazz, Swing. Licensing restrictions had also changed, and drinking was banned from the auditorium, a new type of music hall entertainment had arrived, in the form of variety, and many music hall performers failed to make the transition. Deemed old fashioned and with the closure of many halls, music hall entertainment ceased, Music hall in London had its origins in entertainment provided in the new style saloon bars of public houses during the 1830s. These venues replaced earlier semi-rural amusements provided by fairs and suburban pleasure gardens such as Vauxhall Gardens and these latter became subject to urban development and became fewer and less popular. The saloon was a room where for a fee or a greater price at the bar, singing, dancing. The most famous London saloon of the days was the Grecian Saloon, established in 1825, at The Eagle,2 Shepherdess Walk. According to John Hollingshead, proprietor of the Gaiety Theatre, London, this establishment was the father and mother, later known as the Grecian Theatre, it was here that Marie Lloyd made her début at the age of 14 in 1884. It is still famous because of an English nursery rhyme, with the somewhat mysterious lyrics, Up and down the City Road In and out The Eagle Thats the way the money goesPop goes the weasel. Another famous song and supper room of this period was Evans Music-and-Supper Rooms,43 King Street, Covent Garden and this venue was also known as Evans Late Joys – Joy being the name of the previous owner. Other song and supper rooms included the Coal Hole in The Strand, the Cyder Cellars in Maiden Lane, Covent Garden, the music hall as we know it developed from such establishments during the 1850s and were built in and on the grounds of public houses. In a theatre, by contrast, the audience was seated in stalls, an exception to this rule was the Britannia Theatre, Hoxton which somehow managed to evade this regulation and served drinks to its customers. Though a theatre rather than a hall, this establishment later hosted music hall variety acts
Music hall
–
The Oxford Music Hall, ca. 1875
Music hall
–
The Eagle Tavern in 1830
Music hall
–
The interior of
Wilton's (here, being set for a wedding). The lines of tables give some idea of how early music halls were used as supper clubs.
Music hall
–
Interior of the
Canterbury Hall, opened 1852 in
Lambeth
13.
German gold mark
–
The Goldmark was the currency used in the German Empire from 1873 to 1914. The Papiermark refers to the German currency from 4 August 1914 when the link between the Mark and gold was abandoned. Before unification, the different German states issued a variety of different currencies, though most were linked to the Vereinsthaler, a silver coin containing 16⅔ grams of pure silver. Although the Mark was based on rather than silver, a fixed exchange rate between the Vereinsthaler and the Mark of 3 Mark =1 Vereinsthaler was used for the conversion. Southern Germany had used the Gulden as the unit of account. Bremen had used a gold based Thaler which was converted directly to the Mark at a rate of 1 gold Thaler =3.32 Mark, Hamburg had used its own Mark prior to 1873. This was replaced by the Goldmark at a rate of 1 Hamburg Mark =1.2 Goldmark, from 1 January 1876 onwards, the Mark became the only legal tender. The name Goldmark was created later to distinguish it from the Papiermark which suffered a loss of value through hyperinflation following World War I. The goldmark was on a standard with 2790 Mark equal to 1 kilogram of pure gold. From 1900 to 1933, the United States adhered to a standard as well. The goldmark therefore had a value of approximately U. S. $0.25, the monetary hegemon of the time when the goldmark was in use, however, was the Pound Sterling, with £1 being valued at 20.43 goldmarks. The actual total payout from 1920 to 1931 was 20 billion German goldmarks, most of that money came from loans from New York bankers. Following the Nazi seizure of power in 1933, payments of reparations were officially abandoned, the interest on those debts was paid off on 3 October 2010, the 20th anniversary of German reunification. Occasionally Commemorative coins were minted, in cases the obverse. Many of the states issued coins in very small numbers. Also, in all states coinage became very limited after the First World War began. Well preserved examples of such low mintage coins can be rare, the Principality of Lippe was the only state not to issue any gold coins in this period. 1 Pfennig 2 Pfennig 5 Pfennig 10 Pfennig 20 Pfennig 25 Pfennig Silver coins were minted in.900 fineness to a standard of 5 grams silver per Mark, production of 2 and 5 Mark coins ceased in 1915 while 1 Mark coins continued to be issued until 1916
German gold mark
–
German 20 mark
banknote from 1914
German gold mark
–
Germany 5 Mark 1904
Art Nouveau Banknote, designed by
Alexander Zick
German gold mark
–
Goldmark coins (½, 1, 5 and 20 Mark)
German gold mark
14.
Paris
–
Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
Paris
–
In the 1860s Paris streets and monuments were illuminated by 56,000 gas lamps, making it literally "The City of Light."
Paris
Paris
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Gold coins minted by the Parisii (1st century BC)
Paris
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The
Palais de la Cité and
Sainte-Chapelle, viewed from the Left Bank, from the
Très Riches Heures du duc de Berry (month of June) (1410)
15.
Stettin
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Szczecin is the capital city of the West Pomeranian Voivodeship in Poland. Located near the Baltic Sea, it is a major seaport, as of June 2011, the population was 407,811. Szczecin is located on the Oder, south of the Szczecin Lagoon, the city is situated along the southwestern shore of Dąbie Lake, on both sides of the Oder and on several large islands between the western and eastern branches of the river. The citys recorded history began in the 8th century as a Slavic Pomeranian stronghold, in the 12th century, when Szczecin had become one of Pomeranias main urban centres, it lost its independence to Piast Poland, the Duchy of Saxony, the Holy Roman Empire and Denmark. At the same time, the House of Griffins established themselves as rulers, the population was Christianized. The native Slavic population was subjected to discrimination and Germanization in the following centuries, between 1237 and 1243, the town was rebuilt, granted extensive autonomy rights and eventually joined the Hanseatic League. After the Treaty of Stettin in 1630, the town came under the control of the Swedish Empire, in the late-19th century Stettin became an industrial town, vastly increasing in size and population, and served as a major port for Berlin. During the Nazi era, opposition groups and minorities were persecuted and treated as enemies, by the end of World War II Stettins status was in doubt, and the Soviet occupation authorities at first appointed officials from the citys almost entirely German pre-war population. In July 1945, however, Polish authorities were permitted to take power, Stettin was renamed Szczecin and became part of the newly established the Polish Peoples Republic, and from 1989 the Republic of Poland. From 1999 onwards, Szczecin has served as the site of the headquarters of NATOs Multinational Corps Northeast, the names Szczecin and Stettin are of Slavic origin, though the exact etymology is the subject of ongoing research. Other medieval names for the town are Burstaborg and Burstenburgh and these names, which literally mean brush burgh, are likely derived from the translation of the citys Slavic name. The recorded history of Szczecin began in the century, when West Slavs settled Pomerania. Since the 9th century, the stronghold was fortified and expanded toward the Oder bank, Mieszko I of Poland took control of Pomerania between 960 and 967, and the region with the city of Szczecin became part of Poland in 967. Subsequent Polish rulers, the Holy Roman Empire, and the Liutician federation all aimed to control the territory, after the decline of the neighbouring regional centre Wolin in the 12th century, the city became one of the more important and powerful seaports of the Baltic Sea. In a campaign in the winter of 1121–1122, Bolesław III Wrymouth, the inhabitants were Christianized by two missions of Bishop Otto of Bamberg in 1124 and 1128. At this time, the first Christian church of Saints Peter, Polish minted coins were commonly used in trade in this period. The population of the city at that time is estimated to be at around 5, Polish rule ended with Boleslaws death in 1138. There, a Polish contingent supplied by Mieszko III the Old joined the crusaders, however, the citizens had placed crosses around the fortifications, indicating they already had been Christianised
Stettin
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Top: Market;
Old Town Hall, The
Oder River Middle:
National Sea Museum,
PAZIM building Bottom:
Ducal Castle,
St James' Cathedral, Virgin Tower
Stettin
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The city's fortifications, as seen in 1642
Stettin
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Stettin in the late 19th century.
Stettin
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Sedina Monument (1899–1913). Sedina was a personification of Stettin. The statue was scrapped for copper in 1942, and after the war it was replaced with an anchor. In 2012 the authorities approved plans for a reconstruction of the statue.
16.
Geneva drive
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The Geneva drive or Maltese cross is a gear mechanism that translates a continuous rotation into an intermittent rotary motion. The rotating drive wheel has a pin that reaches into a slot of the driven wheel advancing it by one step, the drive wheel also has a raised circular blocking disc that locks the driven wheel in position between steps. The name derives from the devices earliest application in mechanical watches, the Geneva drive is also commonly called a Maltese cross mechanism due to the visual resemblance when the driven wheel has four spokes. Since they can be small and are able to withstand substantial mechanical stress. In the most common arrangement, the wheel has four slots. If the driven wheel has n slots, it advances by 360°/n per full rotation of the drive wheel, because the mechanism needs to be well lubricated, it is often enclosed in an oil capsule. One application of the Geneva drive is in movie projectors, the film does not run continuously through the projector, instead, the film is advanced frame by frame, each frame standing still in front of the lens for 1/24 of a second. This intermittent motion is achieved using a Geneva drive, the first uses of the Geneva drive in film projectors go back to 1896 to the projectors of Oskar Messter and Max Gliewe and the Teatrograph of Robert William Paul. Previous projectors, including Thomas Armats projector, marketed by Edison as the Vitascope, had used a mechanism, invented by Georges Demenÿ in 1893. If one of the slots of the wheel is occluded. In watches, the wheel is the one that winds up the spring. This so-called Geneva stop or Geneva stop work was the invention of 17th or 18th century watchmakers, the Iron Ring Clock uses a Geneva mechanism to provide intermittent motion to one of its rings. A Geneva drive was used to change filters in the Dawn mission framing camera used to image the asteroid 4 Vesta in 2011 and it was selected to ensure that should the mechanism fail at least one filter would be usable. An internal Geneva drive is a variant on the design, the axis of the drive wheel of the internal drive can have a bearing only on one side. The external form is the common, as it can be built smaller. Another variant is the spherical Geneva drive, the figure shows the motions curves for an external four-slots Geneva drive, in arbitrary units. There is a discontinuity in the acceleration when the drive pin enters and this generates an infinite peak of jerk, and therefore vibrations. Dwell cam Sclater, Neil, Cam, Geneva, and Ratchet Drives and Mechanisms, Mechanisms and Mechanical Devices Sourcebook, New York, McGraw Hill, pp. 180–210, drawings and designs of various drives
Geneva drive
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Animation showing a six-position external Geneva drive in operation
17.
Flip book
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Flip books are often illustrated books for children, but may also be geared towards adults and employ a series of photographs rather than drawings. Flip books are not always separate books, but may appear as a feature in ordinary books or magazines. Software packages and websites are available that convert digital video files into custom-made flip books. Flip books are essentially a form of animation. Rather than reading left to right, a viewer simply stares at the location of the pictures in the flip book as the pages turn. The German word for flip book—Daumenkino, literally thumb cinema—reflects this process, the first flip book appeared in September,1868, when it was patented by John Barnes Linnett under the name kineograph. They were the first form of animation to employ a linear sequence of images rather than circular, in 1894, Herman Casler invented a mechanized form of flip book called the Mutoscope, which mounted the pages on a central rotating cylinder rather than binding them in a book. The mutoscope remained a popular attraction through the century, appearing as coin-operated machines in penny arcades. In 1897, the English filmmaker Henry William Short marketed his Filoscope, Flip books are now largely considered a toy or novelty for children, and were once a common prize in cereal and Cracker Jack boxes. However, in addition to their role in the birth of cinema and they continue to be used in marketing today, as well as in art and published photographic collections. Vintage flip books are popular among collectors, and especially ones from the late 19th to early 20th century have been known to fetch thousands of dollars in sales. Since 2007, Walt Disney Animation Studios has started its films with a logo that initially evokes a flip book. It starts with a view of an empty page of paper, then as the start to turn. The first international flip book festival was held in 2004, by the Akademie Schloss Solitude in Stuttgart, another international flip book festival was held in Linz, Austria in 2005. In 2010 Hungary postal services released a book of stamps depicting a moving gömböc. Israel issued an Israeli Animation Stamp Booklet later in the same year, finnish passport design released in 2012 contains a flipbook of a walking moose. Flipbook. info – Includes demonstrative videos of antique flipbooks, history of Flip Books – a brief history of flipbooks
Flip book
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1886 illustration of the kineograph
Flip book
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A flip book
18.
Anaglyph image
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Anaglyph 3D is the name given to the stereoscopic 3D effect achieved by means of encoding each eyes image using filters of different colors, typically red and cyan. Anaglyph 3D images contain two differently filtered colored images, one for each eye, when viewed through the color-coded anaglyph glasses, each of the two images reaches the eye its intended for, revealing an integrated stereoscopic image. The visual cortex of the brain fuses this into perceptive tion of a scene or composition. Anaglyph images have seen a recent resurgence due to the presentation of images and video on the Web, Blu-ray Discs, CDs, low cost paper frames or plastic-framed glasses hold accurate color filters that typically, after 2002, make use of all 3 primary colors. The current norm is red and cyan, with red being used for the left channel, the cheaper filter material used in the monochromatic past dictated red and blue for convenience and cost. There is an improvement of full color images, with the cyan filter. Video games, theatrical films, and DVDs can be shown in the anaglyph 3D process, practical images, for science or design, where depth perception is useful, include the presentation of full scale and microscopic stereographic images. Examples from NASA include Mars Rover imaging, and the investigation, called STEREO. Other applications include geological illustrations by the United States Geological Survey, a recent application is for stereo imaging of the heart using 3D ultra-sound with plastic red/cyan glasses. Anaglyph images are much easier to view than either parallel or crossed-view pairs stereograms, however, these side-by-side types offer bright and accurate color rendering, not easily achieved with anaglyphs. Recently, cross-view prismatic glasses with adjustable masking have appeared, that offer an image on the new HD video. Template, 3D Glasses The oldest known description of anaglyph images was written in August 1853 by W. Rollmann in Stargard about his Farbenstereoscope and he had the best results viewing a yellow/blue drawing with red/blue glasses. Rollmann found that with a drawing the red lines were not as distinct as yellow lines through the blue glass. In 1858 Joseph DAlmeida began projecting three-dimensional magic lantern slide shows using red and green filters with the audience wearing red, louis Ducos du Hauron produced the first printed anaglyphs in 1891. This process consisted of printing the two negatives which form a photograph on to the same paper, one in blue. The viewer would then use coloured glasses with red and blue or green, the left eye would see the blue image which would appear black, whilst it would not see the red, similarly the right eye would see the red image, this registering as black. Thus a three dimensional image would result, william Friese-Green created the first three-dimensional anaglyphic motion pictures in 1889, which had public exhibition in 1893. 3-D films enjoyed something of a boom in the 1920s, the term 3-D was coined in the 1950s
Anaglyph image
–
Stereoscopic effect used in
macro photography 3D red cyan glasses are recommended to view this image correctly.
Anaglyph image
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Anaglyph of Saguaro National Park at dusk 3D red cyan glasses are recommended to view this image correctly.
Anaglyph image
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Anaglyph of a column head in
Persepolis, Iran 3D red cyan glasses are recommended to view this image correctly.
Anaglyph image
–
Stereo monochrome image anaglyphed for red (left eye) and cyan (right eye) filters. 3D red cyan glasses are recommended to view this image correctly.
19.
Guido Seeber
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Guido Seeber was a German cinematographer and pioneer of early cinema. Seebers father, Clemens, was a photographer and therefore Seeber had experience with photography from an early age, in the summer of 1896, he saw the first films of the Lumière Brothers and became fascinated by this new technology. He bought a camera and devoted himself to the development of cinematography. In 1908 he became manager of the film company Deutsche Bioscop. His pioneering work as a cinematographer from this time on laid the foundations which other cameramen of German silent film such as Karl Freund, Fritz Arno Wagner and Carl Hoffman were able to build. In addition to his talents with the camera, his use of perspective. Seeber created several animated works, including an advertisement entitle Kipho or Du musst zur Kipho for a film, Seeber continued to work into the sound era, but his work from this period is less significant. He had suffered a stroke in 1932 and after this he retired from active camera operation. However, he continued to be involved in the industry, taking over the management of UFAs animation department in 1935. Müller und H. Segeberg Die Modellierung des Kinofilms, stiftung Deutsche Kinemathek Das wandernde Bild. Max Skladanowsky oder der Beginn einer deutschen Filmgeschichte, highly interesting the relationship between Skladanowsky and Seeber. Guido Seeber at the Internet Movie Database
Guido Seeber
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Guido Seeber.
20.
Wim Wenders
–
Ernst Wilhelm Wim Wenders is a German filmmaker, playwright, author, photographer, and a major figure in New German Cinema. One of Wenders earliest honors was a win for the BAFTA Award for Best Direction for his narrative drama Paris, Texas, which also won the Palme dOr at the 1984 Cannes Film Festival. Many of his subsequent films have also recognized at Cannes, including Wings of Desire. Wenders has been the president of the European Film Academy in Berlin since 1996, alongside filmmaking, he is an active photographer, emphasizing images of desolate landscapes. Wenders was born in Düsseldorf into a traditionally Catholic family and his father, Heinrich Wenders, was a surgeon. The use of the Dutch name Wim is a version of the baptismal name Wilhelm/Willem. As a boy, he took unaccompanied trips to Amsterdam to visit the Rijksmuseum and he graduated from high school in Oberhausen in the Ruhr area. He then studied medicine and philosophy in Freiburg and Düsseldorf, however, he dropped out of university studies and moved to Paris in October 1966 to become a painter. Wenders failed his entry test at Frances national film school IDHEC, during this time, Wenders became fascinated with cinema, and saw up to five movies a day at the local movie theater. Set on making his obsession also his lifes work, Wenders returned to Germany in 1967 to work in the Düsseldorf office of United Artists and that fall, he entered the Hochschule für Fernsehen und Film München. Between 1967 and 1970 while at the HFF, Wenders also worked as a critic for FilmKritik, then the Munich daily newspaper Süddeutsche Zeitung, Twen magazine. Wenders completed several films before graduating from the Hochschule with a feature-length 16mm black and white film. Wenders began his career during the New German Cinema era of the late 1960s, much of the distinctive cinematography in his movies is the result of a highly productive long-term collaboration with Dutch cinematographer Robby Müller. Handkes novel, The Goalies Anxiety at the Penalty Kick was adapted for Wenders second feature film, handke co-wrote the script for Wings of Desire and Until the End of the World, both featuring Solveig Dommartin. Wenders has directed several highly acclaimed documentaries, most notably Buena Vista Social Club, about Cuban musicians and he has also directed a documentary style film on the Skladanowsky brothers, known in English as A Trick of the Light. The Skladanowsky brothers were inventing moving pictures when several others like the Lumiere brothers, alongside Buena Vista Social Club also his documentaries on Pina Bausch, Pina, and Sebastiao Salgado, The Salt of the Earth, got him a nomination for an Academy Award for Best Documentary Feature. He has also directed music videos for groups such as U2 and Talking Heads, including Stay and Sax. His television commercials include a UK advertisement for Carling Premier Canadian beer, Wenders is a member of the advisory board of World Cinema Foundation
Wim Wenders
–
Wim Wenders (2015)
Wim Wenders
–
Wim Wenders at
Cannes (2002)
Wim Wenders
–
Wim Wenders (2008)
Wim Wenders
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Wim Wenders (2005)
21.
Udo Kier
–
Udo Kier is a German actor who has appeared in over 200 films. Kier was born in Cologne, near the end of World War II, the hospital where he was born was bombed moments after his birth. In his youth he worked as a boy and cantor. He moved to the United Kingdom to learn the English language, in 1966, Kier was cast in the lead role for the film Road to St. Tropez. He has also become notorious for his work with directors, including Rainer Werner Fassbinder, Walerian Borowczyk, Gus Van Zant, Christoph Schlingensief. He has appeared in all of Lars von Triers movies since 1987s Epidemic and his most famous Hollywood roles include appearances in Ace Ventura, Pet Detective, Barb Wire, as a NASA flight psychologist in Armageddon, and as Ralphie in the film Johnny Mnemonic. Music video work Madonnas Deeper and Deeper from the album Erotica, Korns Make Me Bad, Eve Let Me Blow Ya Mind and he also voiced Professor Pericles in Scooby-Doo. A documentary on his life and career entitled ICH-UDO. der Schauspieler Udo Kier was filmed for ARTE, the French-German culture channel in Europe,2013 the Documentary won the New York Festival Finalist Certificate. Kier moved to Palm Springs, California in 1991, Command & Conquer, Red Alert 2 Command & Conquer, Yuris Revenge Tons May. The Other Face of Love, Udo Kiers Career in the Erotic Genre in Jack Stevenson, Fleshpot, Cinemas Sexual Myth Makers, manchester, Critical Vision/Headpress,2002, pp. 141–58 and Udo Speaks, An Interview with Udo Kier in same volume, pp. 159–62. Udo Kier at the Internet Movie Database Official website
Udo Kier
–
Kier at the
2011 Cannes Film Festival
22.
IMDb
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In 1998 it became a subsidiary of Amazon Inc, who were then able to use it as an advertising resource for selling DVDs and videotapes. As of January 2017, IMDb has approximately 4.1 million titles and 7.7 million personalities in its database, the site enables registered users to submit new material and edits to existing entries. Although all data is checked before going live, the system has open to abuse. The site also featured message boards which stimulate regular debates and dialogue among authenticated users, IMDb shutdown the message boards permanently on February 20,2017. Anyone with a connection can read the movie and talent pages of IMDb. A registration process is however, to contribute info to the site. A registered user chooses a name for themselves, and is given a profile page. These badges range from total contributions made, to independent categories such as photos, trivia, bios, if a registered user or visitor happens to be in the entertainment industry, and has an IMDb page, that user/visitor can add photos to that page by enrolling in IMDbPRO. Actors, crew, and industry executives can post their own resume and this fee enrolls them in a membership called IMDbPro. PRO can be accessed by anyone willing to pay the fee, which is $19.99 USD per month, or if paid annually, $149.99, which comes to approximately $12.50 per month USD. Membership enables a user to access the rank order of each industry personality, as well as agent contact information for any actor, producer, director etc. that has an IMDb page. Enrolling in PRO for industry personnel, enables those members the ability to upload a head shot to open their page, as well as the ability to upload hundreds of photos to accompany their page. Anyone can register as a user, and contribute to the site as well as enjoy its content, however those users enrolled in PRO have greater access and privileges. IMDb originated with a Usenet posting by British film fan and computer programmer Col Needham entitled Those Eyes, others with similar interests soon responded with additions or different lists of their own. Needham subsequently started an Actors List, while Dave Knight began a Directors List, and Andy Krieg took over THE LIST from Hank Driskill, which would later be renamed the Actress List. Both lists had been restricted to people who were alive and working, the goal of the participants now was to make the lists as inclusive as possible. By late 1990, the lists included almost 10,000 movies and television series correlated with actors and actresses appearing therein. On October 17,1990, Needham developed and posted a collection of Unix shell scripts which could be used to search the four lists, at the time, it was known as the rec. arts. movies movie database
IMDb
–
Internet Movie Database (IMDb)
23.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
International Standard Book Number
–
A 13-digit ISBN, 978-3-16-148410-0, as represented by an
EAN-13 bar code
24.
Virtual International Authority File
–
The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records
Virtual International Authority File
–
Screenshot 2012
25.
Integrated Authority File
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The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly also by archives, the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero license, the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, and an approach to unambiguous identification of single elements. It also comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format
Integrated Authority File
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GND screenshot
26.
Netherlands Institute for Art History
–
The Netherlands Institute for Art History or RKD is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation, archives, and books on Western art from the late Middle Ages until modern times, all of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, categorize, via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca.150,000 are auction catalogs, there are ca.3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the record format includes a link to library entries and images of known works. The RKD also manages the Dutch version of the Art and Architecture Thesaurus, the original version is an initiative of the Getty Research Institute in Los Angeles, California. Their bequest formed the basis for both the art collection and the library, which is now housed in the Koninklijke Bibliotheek. Though not all of the holdings have been digitised, much of its metadata is accessible online. The website itself is available in both a Dutch and an English user interface, in the artist database RKDartists, each artist is assigned a record number. To reference an artist page directly, use the code listed at the bottom of the record, usually of the form, https, for example, the artist record number for Salvador Dalí is 19752, so his RKD artist page can be referenced. In the images database RKDimages, each artwork is assigned a record number, to reference an artwork page directly, use the code listed at the bottom of the record, usually of the form, https, //rkd. nl/en/explore/images/ followed by the artworks record number. For example, the record number for The Night Watch is 3063. The Art and Architecture Thesaurus also assigns a record for each term, rather, they are used in the databases and the databases can be searched for terms. For example, the painting called The Night Watch is a militia painting, the thesaurus is a set of general terms, but the RKD also contains a database for an alternate form of describing artworks, that today is mostly filled with biblical references. To see all images that depict Miriams dance, the associated iconclass code 71E1232 can be used as a search term. Official website Direct link to the databases The Dutch version of the Art and Architecture Thesaurus
Netherlands Institute for Art History
–
As the logos on the window show, the RKD shares the same building located at
Den Haag Centraal with the National Archives, the Nederlands Letterkundig Museum (nl) (LM), the
Huygens ING, the
Netherlands Music Institute (NMI) and the
Koninklijke Bibliotheek.
