Maynard Ferguson

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Maynard Ferguson
Maynard.jpg
Background information
Birth name Walter Maynard Ferguson
Born (1928-05-04)May 4, 1928
Verdun, Quebec, Canada
Died August 23, 2006(2006-08-23) (aged 78)
Ventura, California, United States
Genres Jazz, jazz rock, jazz fusion, pop
Occupation(s) Musician, bandleader
Instruments Trumpet, flugelhorn, Firebird, trombone, valve trombone, superbone, baritone horn, French horn, soprano saxophone
Years active 1939–2006
Labels EmArcy, Roulette, Mainstream, Columbia
Associated acts Big Bop Nouveau, Stan Kenton Orchestra
Website maynardferguson.com

Walter Maynard Ferguson C.M. (May 4, 1928 – August 23, 2006) was a Canadian jazz trumpeter and bandleader. He came to prominence in Stan Kenton's orchestra before forming his big band in 1957. He was noted for his bands, which often served as stepping stones for up-and-coming talent,[1] his versatility on several instruments, and his ability to play in a high register.

Biography[edit]

Early life and education[edit]

Ferguson was born in Verdun (now part of Montreal), Quebec. Encouraged by his mother and father (both musicians), he started playing piano and violin at the age of four. At nine years old, he heard a cornet for the first time in his local church and asked his parents to buy one for him. When he was thirteen, he soloed with the Canadian Broadcasting Corporation Orchestra. He was heard frequently on the CBC, notably featured on a "Serenade for Trumpet in Jazz" written for him by Morris Davis. He won a scholarship to the Conservatoire de musique du Québec à Montréal where he studied from 1943 to 1948 with Bernard Baker.

Ferguson dropped out of the High School of Montreal when he was fifteen to pursue a music career, performing in dance bands led by Stan Wood, Roland David, and Johnny Holmes. Although trumpet was his primary instrument, he also performed on other brass and reed instruments. He took over the dance band formed by his saxophonist brother Percy, playing dates in the Montreal area and serving as an opening act for touring bands from Canada and the U.S. During this period, he came to the attention of American bandleaders and began receiving offers to go to the U.S.

In 1948, Ferguson moved to the United States,[1] intending to join Stan Kenton's band. But it no longer existed, so Ferguson played with the bands of Boyd Raeburn, Jimmy Dorsey, and Charlie Barnet. The Barnet band included Doc Severinsen, Ray Wetzel, Johnny Howell, and Rolf Ericson. Ferguson was featured on Barnet's recording of "All The Things You Are" by Jerome Kern. The recording enraged Kern's widow and was withdrawn from sale.[2]

Kenton and Hollywood[edit]

In January 1950, Kenton formed the Innovations Orchestra, a 40-piece jazz orchestra with strings. After the folding of the Barnet band, Ferguson was available for the first rehearsal on January 1. One of the Orchestra's recordings was named "Maynard Ferguson," one of a series of pieces named after featured soloists. When Kenton returned to a more practical 19-piece jazz band, Ferguson continued with him at third chair with numerous solo features. Notable recordings from this period that feature Ferguson include "Invention for Guitar and Trumpet", "What's New?", and "The Hot Canary".

In 1953, Ferguson left Kenton and spent the next three years a session musician for Paramount Pictures.[3] He appeared on 46 soundtracks, including The Ten Commandments. He also played on several other non-Paramount film soundtracks, usually those with jazz scores. Ferguson can clearly be discerned on several soundtracks from the time, including the Martin and Lewis films "Living It Up" and "You're Never Too Young." He still recorded jazz, but his Paramount contract prevented him from playing in jazz clubs. This was sometimes circumvented by appearing under aliases such as "Tiger Brown" or "Foxy Corby". Although he enjoyed the steady income, he was unhappy with the lack of live performance opportunities and left Paramount in 1956.[citation needed]

The Birdland Dream Band[edit]

Ferguson played with the Pérez Prado Orchestra on the LP Havana 3 A.M., recorded in February and March 1956. In 1956, he joined the Birdland Dream Band, a 14-piece big band formed by Morris Levy as an "all-star" lineup to play at Levy's Birdland jazz club in New York City. Although the name "Birdland Dream Band" was short-lived and is represented by only two albums over the course of a year, this band became the core of Ferguson's performing band for the next nine years.

The band included Mike Abene, Jaki Byard, Bill Chase, Ronnie Cuber, Frankie Dunlop, Don Ellis, Joe Farrell, Dusko Goykovich, Tony Inzalaco, Rufus Jones, Willie Maiden, Ron McClure, Rob McConnell, Don Menza, Lanny Morgan, Wayne Shorter, and Joe Zawinul. Those who were both arrangers and performers included Herb Geller, Slide Hampton, Bill Holman, and Don Sebesky.[3]

In 1959 Ferguson was a guest with the New York Philharmonic Orchestra under the direction of Leonard Bernstein performing Symphony No. 2 in C "Titans" by William Russo.

As big bands declined in popularity and economic viability in the 1960s, Ferguson's band performed less frequently. He began to feel musically stifled and sensed a resistance to change among his American jazz audiences. According to an interview in Down Beat, he was quoted as saying that if the band did not play "Maria" or "Ole," the fans went home disappointed. He began performing with a sextet before shutting down his big band in 1966.[4]

Millbrook, India, and psychedelics[edit]

After leaving his long-time recording contract and the end of his main club gig, Ferguson moved his family to the Hitchcock Estate in Millbrook, New York in November 1963 to live with Timothy Leary, Ram Dass, and their community from Harvard University. He and his wife Flo used LSD, psilocybin and other psychedelic drugs. They lived at Millbrook for about three years, playing clubs and recording several albums.[5][6][7] Ferguson was mentioned in The Electric Kool-Aid Acid Test, which detailed the psychedelic scene.

In 1967, as the Millbrook experiment was ending, Ferguson moved his family to India and taught at the Krishnamurti-based Rishi Valley School near Madras. He was associated with the Sri Sathya Sai Institute of Higher Learning's Boys Brass Band, which he founded and helped teach for several years. While in India, he was influenced by Sathya Sai Baba, whom he considered as his spiritual guru.[8]

England and jazz rock[edit]

As a Canadian in England, Ferguson avoided the union's ban on American musicians.[3] In 1969, he moved to Oakley Green, a hamlet on the outskirts of Windsor, near London. He had two houses while he was in the UK, the final one a three-story house by the River Thames. That same year, Ferguson signed with CBS Records.

He started a sixteen- to eighteen-piece big band with British musicians that played jazz rock. The band got attention for its version of "MacArthur Park" by Jim Webb. Ferguson's band made its North American debut in 1971.[3]

In 1970 he led the band on The Simon Dee Show from London Weekend Television.[9]

Return to the U.S.[edit]

Maynard Ferguson, San Francisco, 1978

He moved to New York City in 1973, then Ojai, California. He replaced the British band members with American musicians while reducing membership[3] to twelve: four trumpets, two trombones, three saxophones, and a three-piece rhythm section. Albums from this period include M.F. Horn 4&5: Live At Jimmy's and Chameleon, recorded in 1973 and 1974 in New York. Ferguson took advantage of the burgeoning jazz education movement by hiring musicians from colleges with jazz programs, such as Berklee College of Music, North Texas State University and the University of Miami. He performed for young audiences and gave master classes in colleges and high schools. This strategy helped him develop an audience that sustained him for the rest of his career.[citation needed]

In 1975 Ferguson began working with Bob James on a series of commercially successful albums with large groups of session musicians, including strings, vocalists, and guest soloists. The first of these albums was Primal Scream, featuring Chick Corea, Mark Colby, Steve Gadd, and Bobby Militello. The second, Conquistador (1976) yielded a No. 22 pop single, "Gonna Fly Now" from the movie Rocky, earning him a gold album. He maintained a hectic touring schedule. The commercial success included adding a guitarist and an additional percussionist to his band's lineup. In the summer of 1976, Ferguson performed a solo trumpet piece for the closing ceremonies for the Summer Olympics in Montreal, symbolically "blowing out the flame".

He was frustrated with Columbia over the inability to use his working band on albums and to play jazz songs on them. His contract with Columbia ended after the release of the album Hollywood (1982), produced by bassist Stanley Clarke.

Ferguson recorded three big band albums with smaller labels before forming High Voltage, a fusion septet, in 1986. This smaller ensemble, which featured multi-reed player Denis DiBlasio, gave Ferguson the freedom explore in a less structured format. High Voltage recorded two albums, produced by Jim Exon, his manager and son in law.

Big Bop Nouveau[edit]

Main article: Big Bop Nouveau

During the late 1980s, Ferguson returned to a big band format when he formed Big Bop Nouveau. He made albums with this band until the end of the next decade.[3]

Personal life[edit]

In 1973, Ferguson settled in Ojai, California, where he lived to the end of his life. His first marriage was to singer Kay Brown. His marriage to Flo Ferguson (in 1956) lasted until her death on February 27, 2005. Ferguson had four daughters: Kim, Corby, Lisa, and Wilder. A son, Bentley, predeceased his parents. Kim Ferguson is married to Maynard's former manager and producer, Jim Exon. Wilder Ferguson is married to jazz pianist (and former Big Bop Nouveau member) Christian Jacob. Lisa Ferguson is a writer and film maker living in Los Angeles. At the time of his death, Ferguson had two granddaughters, Erica and Sandra.

Ferguson died on August 23, 2006, at the Community Memorial Hospital. His death was blamed on kidney and liver failure caused by an abdominal infection.

Versatility[edit]

Ferguson was guest star in Italy on TV show with the orchestra conducted by Pino Presti in 1977.

Although his principal instrument was the trumpet, Ferguson frequently doubled on other brass instruments,[3] most notably the relatively uncommon valve trombone. Several recording sessions with bandleader Russell Garcia included a four-trombone ensemble in which Ferguson played only valve trombone. Publicity shots and album covers from the 1950s showed Ferguson with his 'quartet' of trumpet, valve trombone, baritone horn, and French horn. Recordings of the latter two are rare; the French horn vanished in later years, but the baritone horn appeared on the 1974 album Chameleon. He switched to the combination valve/slide Superbone and flugelhorn on all but his last recorded album.

Ferguson designed: the Firebird and the Superbone.[3] The Firebird was similar to a trumpet, but the valves were played with the left hand instead of the right, and a trombone-style slide was played with the right hand. Trumpeter Rajesh Mehta bought this trumpet while living in Amsterdam and played the Firebird from 1998 until 2011 when he had American trumpet maker George Schlub create the Orka-M Naga Phoenix trumpet for him. The Superbone was another hybrid instrument, a trombone with additional valves played with the left hand. Ferguson incorporated Indian instruments and influences in his music.

Ferguson was not the first trumpeter to play in the extreme upper register (such as Cat Anderson), but he could play high notes[3] with full, rich tone, power, and musicality. In interviews he said that his command of the upper registers was based mostly on breath control,[10] something he discovered as a kid in Montreal. He attributed the longevity of his technique to the spiritual and yoga studies he pursued in India.

Ferguson brought charisma to a musical genre that is often seen as cold and cerebral. His obituary in The Washington Post stated:

"Ferguson lit up thousands of young horn players, most of them boys, with pride and excitement. In a (high school) world often divided between jocks and band nerds, Ferguson crossed over, because he approached his music almost as an athletic event. On stage, he strained, sweated, heaved and roared. He nailed the upper registers like Shaq nailing a dunk or Lawrence Taylor nailing a running back – and the audience reaction was exactly the same: the guttural shout, the leap to their feet, the fists in the air. We cheered Maynard as a gladiator, a combat soldier, a prize fighter, a circus strongman – choose your masculine archetype."[11]

Awards and honors[edit]

Ferguson was appointed a Member of the Order of Canada in 2003.[12]

In 1950, 1951, and 1952, Ferguson won the Down Beat Readers' Poll for best trumpeter.[13][14][15] In 1992, he was inducted into the Down Beat Jazz Hall of Fame.

In 2000, Ferguson was initiated as a brother of Kappa Kappa Psi at the Gamma Xi Chapter (University of Maryland at College Park). In 2006, he was presented with Phi Mu Alpha Sinfonia music fraternity's Charles E. Lutton Man of Music Award at its national convention in Cleveland, Ohio. He had been initiated as an honorary member of the Fraternity's Xi Chi Chapter at Tennessee Tech University in 1976.

Shortly before his death, he received the Man of Music Award by Phi Mu Alpha Sinfonia music fraternity, of which he was a member. The Maynard Ferguson Institute of Jazz Studies at Rowan University was created in 2000, the same year Rowan bestowed Ferguson with his only Honorary Doctorate degree. The Institute, under direction of Ferguson's friend Denis Diblasio, supports the Rowan Jazz Program in training young jazz musicians.[16]

Maynard Ferguson band alumni regrouped for a memorial concert soon after his death, led by trumpeters Wayne Bergeron, Patrick Hession, Walter White, and Eric Miyashiro.[17]

In 2000, he was given an Honorary Doctorate Degree by Rowan University in Glassboro, New Jersey, and created the Maynard Ferguson Institute of Jazz Studies under the direction of Denis DiBlasio in their College of Performing Arts. The Sherman Jazz Museum in Sherman, Texas opened in 2010 and houses the extensive memorabilia of Ferguson's estate.

Discography[edit]

Main article: Maynard Ferguson discography

As leader[edit]

Compilations and reissues[edit]

  • 1974 Maynard Ferguson the Big 'F' (Mainstream)
  • 1994 Complete Roulette Recordings (Contains previously unreleased material)
  • 2004 All Stars Jam Session (Complete Dinah Washington Jam Session with previously unreleased material)
  • 2007 The Lost Tapes Volume One (Previously unreleased rehearsals, demos, and live performances)
  • 2008 The Lost Tapes Volume Two (Previously unreleased rehearsals, demos, and live performances)
  • 2012 Complete Cameo Recordings (Contains previously unreleased material)
  • 2016 La Prima Notte Di Quiete (Reissue of 1972 film soundtrack with soundtrack of additional film)
  • 2016 Complete High Voltage (Reissue of the two High Voltage albums, plus previously unreleased material)
  • 2016 The Lost Tapes Volume Three (Previously unreleased rehearsals, demos, and live performances)
  • 2018 Memories of Maynard: Best of Columbia (Previously unreleased material, new remixes and remasterings)

As sideman[edit]

With Georgie Auld

With Harry Belafonte

With Louis Bellson

With Buddy Bregman

  • Bing Sings Whilst Bregman Swings (Verve, 1956)
  • Ella Fitzgerald Sings The Cole Porter Songbook, (Verve, 1956)
  • Ella Fitzgerald Sings The Rodgers and Hart Songbook (Verve, 1956)
  • Jerry Lewis Just Sings (Capitol, 1956)
  • Swinging Kicks (Verve, 1957)
  • Boy Meets Girl (Verve, 1957) (Buddy Bregman and Jack Pleis)

With Russ Garcia

With Stan Kenton

With Vido Musso

  • The Swingin'st (Crown, 1956)

With Perez Prado

  • Voodoo Suite (1955)
  • Havanna 3A.M. (1956)

With Shorty Rogers

With Pete Rugolo

Selected film soundtracks

As guest[edit]

With Wayne Bergeron

  • Plays Well With Others (Concord, 2007)

With Chicago

With Fania All-Stars

  • Spanish Fever (1978)

With Red Grammer

  • BeBop Your Best (Red Note, 2005)

With Tito Puente

  • Special Delivery Featuring Maynard Ferguson (Concord, 1996)

With L. Subramaniam

As producer[edit]

  • Maynard Ferguson Presents Christian Jacob (Concord, 1997)
  • Maynard Ferguson Presents Tom Garling (Concord, 1997)

See also[edit]

References[edit]

  1. ^ a b "Ferguson, Maynard". Encyclopedia of Music in Canada. The Canadian Encyclopedia. Retrieved January 2, 2008.
  2. ^ "Cap Pulls Back Barnet Waxing of 'Things'". Billboard: 22. 4 March 1950.
  3. ^ a b c d e f g h i Kernfeld, Bernie (2002). Kernfeld, Barry, ed. The New Grove Dictionary of Jazz. 1 (2nd ed.). New York: Grove's Dictionaries. p. 750. ISBN 1-56159-284-6.
  4. ^ "Perez Prado CDs with Maynard Ferguson". www.angelfire.com. Retrieved March 18, 2018.
  5. ^ Tim Weiner (August 25, 2006). "Maynard Ferguson, 78, Trumpeter and Bandleader, Dies". New York Times. After a trip or two to Timothy Leary's consciousness-altering community in Millbrook, N.Y., Ferguson dissolved his band in 1967 and moved to India for a year.
  6. ^ "Interview with Lisa Ferguson – Millbrook Kid and Director of "Children of the Revolution"". Timothy Leary Archives. February 9, 2009.
  7. ^ "Re Tim Leary Video in Maynard Ferguson and General Music Forum". In 1963, Leary's invitation to Maynard to move into Millbrook's gatehouse allowed MF to pour whatever money he saved by moving out of the expensive Riverdale apartment back into the band, which by this time was floundering financially. Maynard also rehearsed the band in the gatehouse, thus saving on studio fees. There's a poignant moment in the MF Horn bio as Maynard recalls that daughter Lisa, then 5 years old, could nap even as the band played in the same room. Thus, Leary's generosity allowed the MF band to continue into 1964, when the two Cameo albums and the Mainstream album Color Him Wild were recorded with the remnants of the so-called Roulette band.
  8. ^ "Picture of Ferguson with the Sri Sathya Sai Institute of Higher Learning's Boys Brass Band". Maynardferguson.com. Retrieved 2014-01-28.
  9. ^ Steve Voce (August 26, 2006). "Maynard Ferguson, jazz trumpet maestro". Obituaries. The Independent. Archived from the original on September 30, 2007. Retrieved December 31, 2006.
  10. ^ Zan Stewart (September 1985). "Maynard's Changes". Down Beat. Retrieved July 20, 2007. There's nothing superstrong about my lip, but there is about my range and stamina. That comes from [...] my breathing.
  11. ^ Von Drehle, David (26 August 2006). "Maynard Ferguson's Horn Screamed With Vulgar Passion". The Washington Post. Retrieved 29 September 2018.
  12. ^ "Order of Canada: Maynard Ferguson". The Governor General of Canada. Retrieved 19 March 2017.
  13. ^ Down Beat Readers (December 31, 1950). "1950 Down Beat Readers Poll". Articles. Down Beat magazine. Archived from the original on March 6, 2012. Retrieved February 20, 2008.
  14. ^ Down Beat Readers (December 31, 1951). "1951 Down Beat Readers Poll". Articles. Down Beat magazine. Archived from the original on March 6, 2012. Retrieved February 20, 2008.
  15. ^ Down Beat Readers (December 31, 1952). "1952 Down Beat Readers Poll". Articles. Down Beat magazine. Archived from the original on March 6, 2012. Retrieved February 20, 2008.
  16. ^ "The Maynard Ferguson Institute of Jazz Studies". Rowan.edu. Archived from the original on June 28, 2012. Retrieved January 28, 2014.
  17. ^ "gonna fly now". YouTube. 2007-08-05. Retrieved 2014-01-28.

External links[edit]

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