Melchior Broederlam
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Melchior Broederlam was one of the earliest Early Netherlandish painters to whom surviving works can be confidently attributed. He worked mostly for Philip the Bold, Duke of Burgundy, and is documente
Melchior Broederlam, Annunciation and Visitation (1393–1399), left panel of a pair; (Dijon, Musée des Beaux-Arts)
The right panel: Presentation of Jesus and the Flight into Egypt. Each panel, including the frame, is 167cm high and 125cm wide.
Robert Campin
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Robert Campin now usually identified with the Master of Flémalle, was a master painter who, along with Jan van Eyck, initiated the development of early Netherlandish painting, a key development in the
Portrait of a Man, c. 1435. 40.7cm x 28.1cm. National Gallery
Portrait of a Woman, c. 1435. 40.6cm x 28.1cm. National Gallery
The Seilern Triptych, c. 1425. One of two of Campin's surviving triptychs. As an early work, it is highly innovative, especially in its application of oils, but less accomplished and successful (note the flat perspective) than his more mature panels.
The Mérode Altarpiece, attributed to the Master of Flémalle or workshop, c. 1425–1428.