1.
Willem Jacobsz. Delff
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Willem Jacobsz Delff was a Dutch Golden Age engraver and painter. Delff was born and died in Delft and he learned painting from his father, Jacob Willemsz Delff the Elder, who painted a family portrait with his sons and wife Maria Joachimsdr Nagel. Jacobs sons were all artists in their own right, Cornelis became a still life painter, willem married a daughter of Michiel Jansz van Mierevelt and became a renowned engraver. His son Jacob Willemsz Delff the Younger became a painter
Willem Jacobsz. Delff
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Father's family portrait,ca 1590. Willem is the boy on the lower left.
Willem Jacobsz. Delff
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Willem Delff's engraving of Michiel van Mierevelt's painting of
Maurice of Nassau
2.
Delft
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Delft is a city and a municipality in the Netherlands. It is located in the province of South Holland, to the north of Rotterdam, the city of Delft came into being aside a canal, the Delf, which comes from the word delven, meaning delving or digging, and led to the name Delft. It presumably started around the 11th century as a landlord court, from a rural village in the early Middle Ages, Delft developed to a city, that in the 13th century received its charter. The towns association with the House of Orange started when William of Orange, nicknamed William the Silent, at the time he was the leader of growing national Dutch resistance against Spanish occupation, known as the Eighty Years War. By then Delft was one of the cities of Holland. An attack by Spanish forces in October of that year was repelled, after the Act of Abjuration was proclaimed in 1581, Delft became the de facto capital of the newly independent Netherlands, as the seat of the Prince of Orange. When William was shot dead in 1584, by Balthazar Gerards in the hall of the Prinsenhof, therefore, he was buried in the Delft Nieuwe Kerk, starting a tradition for the House of Orange that has continued to the present day. The Delft Explosion, also known in history as the Delft Thunderclap, occurred on 12 October 1654 when a gunpowder store exploded, over a hundred people were killed and thousands were wounded. About 30 tonnes of gunpowder were stored in barrels in a magazine in a former Clarissen convent in the Doelenkwartier district, cornelis Soetens, the keeper of the magazine, opened the store to check a sample of the powder and a huge explosion followed. Luckily, many citizens were away, visiting a market in Schiedam or a fair in The Hague, Delft artist Egbert van der Poel painted several pictures of Delft showing the devastation. Historical buildings and other sights of interest include, Oude Kerk, buried here, Piet Hein, Johannes Vermeer, Anthony van Leeuwenhoek. Nieuwe Kerk, constructed between 1381 and 1496 and it contains the Dutch royal familys burial vault, which between funerals is sealed with a 5,000 kg cover stone. A statue of Hugo Grotius made by Franciscus Leonardus Stracké in 1886 and this is the only remaining gate of the old city walls. The Gemeenlandshuis Delfland, or Huyterhuis, built in 1505, which has housed the Delfland regional water authority since 1645, the Vermeer Centre in the rebuilt Guild house of St. Luke. Windmill De Roos, a mill built c.1760. Restored to working order in 2013, another windmill that formerly stood in Delft, Het Fortuyn, was dismantled in 1917 and re-erected at the Netherlands Open Air Museum, Arnhem, Gelderland in 1920. Delft is well known for the Delft pottery ceramic products which were styled on the imported Chinese porcelain of the 17th century, the city had an early start in this area since it was a home port of the Dutch East India Company. It can still be seen at the pottery factories De Koninklijke Porceleyne Fles, the painter Johannes Vermeer was born in Delft
Delft
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Aerial view of Delft with from left to right three churches, a university tower building and a windmill.
Delft
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Delft in 1652 (Blaeu)
Delft
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Egbert van der Poel: A View of Delft after the Explosion of 1654
Delft
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View of Delft by
Johannes Vermeer, 1660–1661
3.
Habsburg Netherlands
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Habsburg Netherlands is the collective name of Holy Roman Empire fiefs in the Low Countries held by the House of Habsburg and later by the Spanish Empire, also known as the Spanish Netherlands. Then known as Seventeen Provinces, they were held by the Spanish Empire from 1556, in 1581, the Seven United Provinces seceded to form the Dutch Republic, the remaining Spanish Southern Netherlands eventually passed on to Habsburg Austria. Finally the Austrian Netherlands were annexed by the French First Republic in 1795, the Habsburg Netherlands was a geo-political entity covering the whole of the Low Countries from 1482 to 1581. The centre of the Burgundian possessions was the Duchy of Brabant, deeply disappointed, he entered into the disastrous Burgundian Wars and was killed in the Battle of Nancy. Upon the death of Mary of Burgundy in 1482, her possessions including the Burgundian Netherlands passed to her son. Through his father Maximilian I, Holy Roman Emperor from 1493, Philip was a Habsburg scion, the period 1481–1492 saw the Flemish cities revolt and Utrecht embroiled in civil war, but by the turn of the century both areas had been pacified by the Spanish rulers. Philips son Charles V, Holy Roman Emperor, born in Ghent, succeeded his father in 1506 and his grandfather Emperor Maximilian I incorporated the Burgundian heritage into the Burgundian Circle, whereafter the territories in the far west of the Empire developed a certain grade of autonomy. Attaining full age in 1515, Charles went on to rule his Burgundian heritage as a native Netherlander and he acquired the lands of Overijssel and the Bishopric of Utrecht, purchased Friesland from Duke George of Saxony and regained Groningen and Gelderland. His Seventeen Provinces were re-organised in the 1548 Burgundian Treaty, whereby the Imperial estates represented in the Imperial Diet at Augsburg acknowledged a certain autonomy of the Netherlands. It was followed by a sanction by the Emperor the next year. By a 1522 inheritance treaty with his younger brother Archduke Ferdinand I of Austria, Emperor Charles V had established the Austrian, upon his abdication in 1556, the Seventeen Provinces fell to the Spanish Crown. Charless son and successor King Philip II of Spain by his despotism and Catholic persecutions sparked the Dutch Revolt, the Spanish hold on the northern provinces was more and more tenuous. In 1579 the northern provinces established the Protestant Union of Utrecht, after the secession of 1581, the southern provinces, called t Hof van Brabant remained with the House of Habsburg until the French Revolutionary Wars. After the extinction of the Spanish Habsburgs and the War of the Spanish Succession, the southern provinces were also known as the Austrian Netherlands from 1715 onwards
Habsburg Netherlands
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Flag
4.
Dutch Republic
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It preceded the Batavian Republic, the Kingdom of Holland, the United Kingdom of the Netherlands, and ultimately the modern Kingdom of the Netherlands. Alternative names include the United Provinces, Seven Provinces, Federated Dutch Provinces, most of the Low Countries had come under the rule of the House of Burgundy and subsequently the House of Habsburg. In 1549 Holy Roman Emperor Charles V issued the Pragmatic Sanction, Charles was succeeded by his son, King Philip II of Spain. This was the start of the Eighty Years War, in 1579 a number of the northern provinces of the Low Countries signed the Union of Utrecht, in which they promised to support each other in their defence against the Spanish army. This was followed in 1581 by the Act of Abjuration, the declaration of independence of the provinces from Philip II. In 1582 the United Provinces invited Francis, Duke of Anjou to lead them, but after an attempt to take Antwerp in 1583. After the assassination of William of Orange, both Henry III of France and Elizabeth I of England declined the offer of sovereignty, however, the latter agreed to turn the United Provinces into a protectorate of England, and sent the Earl of Leicester as governor-general. This was unsuccessful and in 1588 the provinces became a confederacy, the Union of Utrecht is regarded as the foundation of the Republic of the Seven United Provinces, which was not recognized by the Spanish Empire until the Peace of Westphalia in 1648. During the Anglo-French war, the territory was divided into groups, the Patriots, who were pro-French and pro-American and the Orangists. The Republic of the United Provinces faced a series of revolutions in 1783–1787. During this period, republican forces occupied several major Dutch cities, initially on the defence, the Orangist forces received aid from Prussian troops and retook the Netherlands in 1787. After the French Republic became the French Empire under Napoleon, the Batavian Republic was replaced by the Napoleonic Kingdom of Holland, the Netherlands regained independence from France in 1813. In the Anglo-Dutch Treaty of 1814 the names United Provinces of the Netherlands, on 16 March 1815, the son of stadtholder William V crowned himself King William I of the Netherlands. Between 1815 and 1890 the King of the Netherlands was also in a union the Grand Duke of the sovereign Grand Duchy of Luxembourg. After Belgium gained its independence in 1830, the state became known as the Kingdom of the Netherlands. The County of Holland was the wealthiest and most urbanized region in the world, the free trade spirit of the time received a strong augmentation through the development of a modern, effective stock market in the Low Countries. The Netherlands has the oldest stock exchange in the world, founded in 1602 by the Dutch East India Company, while Rotterdam has the oldest bourse in the Netherlands, the worlds first stock exchange, that of the Dutch East-India Company, went public in six different cities. Later, a court ruled that the company had to reside legally in a city so Amsterdam is recognized as the oldest such institution based on modern trading principles
Dutch Republic
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Dutch East-India trading ship 1600
Dutch Republic
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Flag
Dutch Republic
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Onrust Island near
Batavia, 1699
Dutch Republic
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Courtyard of the Amsterdam Stock Exchange, 1653
5.
George Villiers, 1st Duke of Buckingham
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George Villiers, 1st Duke of Buckingham, KG, was an English courtier, statesman, and patron of the arts. He was a favourite—and a lover—of King James I, George Villiers was born in Brooksby, Leicestershire, on 28 August 1592, the son of the minor gentleman Sir George Villiers. His mother Mary, daughter of Anthony Beaumont of Glenfield, Leicestershire, was left an early and educated him for a courtiers life. Villiers took very well to the set by his mother, he could dance and fence well, spoke a little French. Bishop Godfrey Goodman declared Villiers to be the man in all of England, his limbs so well compacted, and his conversation so pleasing. In August 1614 at age twenty-one, Villiers caught the eye of James I at a hunt in Apethorpe, opponents of the kings favourite Robert Carr saw an opportunity to usurp the Earl of Somerset and began promoting Villiers. Money was raised to purchase Villiers a new wardrobe, and intense lobbying secured his appointment as Royal Cupbearer, a position that allowed him to make conversation with the king. Villiers began to appear as a dancer in masques from 1615, in which he could exhibit his grace of movement and beauty of body, under the kings patronage Villiers advanced rapidly through the ranks of the nobility, and his court appointments grew in importance. In 1615 he was knighted as a Gentleman of the Bedchamber, in 1616, when he was made Master of the Kings Horses, he was elevated to the peerage as Baron Whaddon, Viscount Villiers, and made a Knight of the Garter. The next year he was made Earl and in 1618 promoted Marquess of Buckingham, Villiers new rank allowed him to dance side by side with the royal heir Charles I, with whom his friendship developed through his tutoring of the prince in dance. Villiers was appointed Lord Admiral of the Fleet in 1619, since reductions in the peerage had taken place during the Tudor period, Buckingham was now the highest-ranking subject outside the royal family. The personal relationships of James are much debated, with Villiers the last in a succession of handsome young favourites the king lavished with affection, contemporaneous evidence is interpreted by some to suggest that Villiers was James lover. Edward Peyton wrote, the king sold his affections to Sir George Villiers, Jamess nickname for Buckingham was Steenie, after St. Stephen who was said to have had the face of an angel. I wish to speak in my own behalf and not to have it thought to be a defect, for Jesus Christ did the same, Christ had John, and I have George. In a letter to Buckingham in 1623, the King ends with, God bless you, my child and wife. Restoration of Apethorpe Palace in 2004–8 revealed a previously unknown passage linking his bedchamber with that of James, until James I died in 1625, Buckingham was the kings constant companion and closest advisor, enjoying control of all royal patronage. Buckingham used his influence to enrich his relatives and advance their social positions. In his rise to power, Buckingham became connected with the philosopher, Bacon wrote letters of advice to the young favourite and drafted the patent of nobility when Buckingham ascended to the peerage
George Villiers, 1st Duke of Buckingham
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His Grace The Duke of Buckingham
KG
George Villiers, 1st Duke of Buckingham
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Villiers as Lord High Admiral, a portrait by
Daniel Mytens the Elder, 1619
George Villiers, 1st Duke of Buckingham
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Michiel J. van Miereveld 's pearl-studded portrait of the Duke, 1625
George Villiers, 1st Duke of Buckingham
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Peter Paul Rubens, an equestrian portrait of the Duke as a mailed warrior, 1625
6.
Dutch Golden Age
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The Dutch Golden Age was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. The first half is characterized by the Eighty Years War which ended in 1648, the Golden Age continued in peacetime during the Dutch Republic until the end of the century. The Netherlandss transition from a possession of the Holy Roman Empire in the 1590s to the foremost maritime, in 1568, the Seven Provinces that later signed the Union of Utrecht started a rebellion against Philip II of Spain that led to the Eighty Years War. Antwerp fell on August 17,1585 after a siege, the United Provinces fought on until the Twelve Years Truce, which did not end the hostilities. Under the terms of the surrender of Antwerp in 1585, the Protestant population were given four years to settle their affairs before leaving the city, similar arrangements were made in other places. Protestants were especially well-represented among the craftsmen and rich merchants of the port cities of Bruges, Ghent. More moved to the north between 1585 and 1630 than Catholics moved in the direction, although there were also many of these. Many of those moving north settled in Amsterdam, transforming what was a port into one of the most important ports. The Pilgrim Fathers also spent time there before their voyage to the New World, Ronald Findlay and Kevin H. O’Rourke contribute part of the Dutch ascendancy to its Calvinistic ethic, which promoted thrift and education. This contributed to the lowest interest rates and the highest literacy rates in Europe, several other factors also contributed to the flowering of trade, industry, the arts and the sciences in the Netherlands during this time. A necessary condition was a supply of energy from windmills and from peat. The invention of the sawmill enabled the construction of a massive fleet of ships for worldwide trading. In 1602 the Dutch East India Company was founded and it was the first-ever multinational corporation, financed by shares that established the first modern stock exchange. This company received a Dutch monopoly on Asian trade and would keep this for two centuries and it became the worlds largest commercial enterprise of the 17th century. Spices were imported in bulk and brought huge profits, due to the efforts and risks involved and this is remembered to this day in the Dutch word peperduur, meaning something is very expensive, reflecting the prices of spices at the time. To finance the trade within the region, the Bank of Amsterdam was established in 1609. According to Ronald Findlay and Kevin H. O’Rourke, geography favored the Dutch Republic and they write, The foundations were laid by taking advantage of location, midway between the Bay of Biscay and the Baltic. The Dutch share of European shipping tonnage was enormous, well over half during most of the period of their ascendancy, from here the Dutch traded between China and Japan and paid tribute to the Shogun
Dutch Golden Age
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Rembrandt The Night Watch (1642)
Dutch Golden Age
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Fishing for Souls (Zielenvisserij), 1614, a satirical allegory of Protestant-Catholic struggles for souls during the
Dutch Revolt (
Rijksmuseum)
Dutch Golden Age
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A river landscape with fishermen in rowing boats,
windmills beyond, 1679
Dutch Golden Age
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Syndics of the Drapers' Guild by
Rembrandt depicting wealthy Amsterdam burghers.
7.
Goldsmith
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A goldsmith is a metalworker who specializes in working with gold and other precious metals. Goldsmiths must be skilled in forming metal through filing, soldering, sawing, forging, casting, the trade has very often included jewellery-making skills, as well as the very similar skills of the silversmith. Many universities and junior colleges also offer goldsmithing, silversmithing, compared to other metals, gold is malleable, ductile, rare, and it is the only solid metallic element with a yellow color. It may easily be melted, fused, and cast without the problems of oxides and gas that are problematic with other such as bronzes. It is fairly easy to weld, wherein similarly to clay two small pieces may be pounded together to make one larger piece. Gold is classified as a noble metal—because it does not react with most elements and it usually is found in its native form, lasting indefinitely without oxidization and tarnishing. Gold has been worked by humans in all cultures where the metal is available, either indigenously or imported, and the history of these activities is extensive. Superbly made objects from the ancient cultures of Africa, Asia, Europe, India, North America, Mesoamerica, some pieces date back thousands of years and were made using many techniques that still are used by modern goldsmiths. Techniques developed by some of those goldsmiths achieved a level that was lost and remained beyond the skills of those who followed. In medieval Europe goldsmiths were organized into guilds and usually were one of the most important, the guild kept records of members and the marks they used on their products. These records, when they survive, are useful to historians. Goldsmiths often acted as bankers, since they dealt in gold and had sufficient security for the storage of valuable items. The Sunar caste is one of the oldest communities in goldsmithing in India, in India, Vishwakarma are the goldsmith caste. The printmaking technique of engraving developed among goldsmiths in Germany around 1430, the notable engravers of the fifteenth century were either goldsmiths, such as Master E. S. or the sons of goldsmiths, such as Martin Schongauer and Albrecht Dürer. A goldsmith might have an array of skills and knowledge at their disposal. Gold, being the most malleable metal of all, offers opportunities for the worker. In todays world a variety of other metals, especially platinum alloys. 24 Carat is pure gold and historically, was known as fine gold, because it is so soft, however,24 Carat gold is rarely used
Goldsmith
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Fifteenth-century
engraving of the goldsmith and
patron saint of goldsmiths
Saint Eligius in his workshop
Goldsmith
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The Baqdadi goldsmith by
Kamal-ol-molk
Goldsmith
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A
Karo people (Indonesia) goldsmith in Sumatra (circa 1918)
Goldsmith
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Karo goldsmith and his tools
8.
Hieronymus Wierix
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Hieronymus Wierix was a Flemish engraver and member of the Antwerp Wierix family who made engravings after well-known artists, including Albrecht Dürer. Wierix was born and died in Antwerp, according to Cornelis de Bies book of artist biographies Het Gulden Cabinet he and his brothers Jan and Antoine were all engravers. His pupils were Abraham van Merlen, Jan Baptist van den Sande the elder and his daughter Christina married the engraver Jan-Baptist Barbé, who later had his other daughter Cecilia declared insane in order to claim her inheritance, a set of Dürer drawings
Hieronymus Wierix
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Adam and Eve after Durer
9.
Anthonie van Montfoort
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Anthonie Blocklandt van Montfoort, Anthonie van Blocklandt or Anthonie van Montfoort was a Dutch painter. He was born in Montfoort, where his father was at one time mayor and he went to learn under Hendrick Sweersz. in Delft and Frans Floris in Antwerp. In 1552 he returned to Montfoort, where he married the daughter of the then mayor, Blocklandt then settled in Delft, where he produced paintings for the Oude Kerk and the Nieuwe Kerk, later lost to the beeldenstorm. Also he painted a work for the Janskerk called De onthoofding van Saint-Jacob, in 1572, Blocklandt made a trip to Italy, after which he settled for good in Utrecht, joining a guild there in 1577. In 1579, he painted his best known work, the triptych The Assumption of Mary that is now in the Basilica of St. Martin in Bingen am Rhein, according to Carel van Mander, Blocklandt painted biblical scenes, mythological subjects and portraits. He is early-Mannerist in style and he and Joos de Beer were responsible for the Mannerist style begun by Utrecht artists around 1590, van Mander wrote that De Beer had many paintings by Blocklandt in his workshop that his pupil Abraham Bloemaert later copied. Few works can definitely be attributed to him, one of these is Joseph interpreting Pharaohs dream, now in the Centraal Museum in Utrecht. He was also the teacher of the Delft portrait painter Michiel Jansz van Mierevelt
Anthonie van Montfoort
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Anthonie Blocklandt van Montfoort
Anthonie van Montfoort
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"Joseph interpreting Pharaoh's dream" by Anthonie van Montfoort (
Centraal Museum)
Anthonie van Montfoort
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De opstanding van Christus
Anthonie van Montfoort
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Aanbidding der herders
10.
Utrecht (city)
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Utrecht is the capital and most populous city in the Dutch province of Utrecht. It is located in the corner of the Randstad conurbation and is the fourth largest city in the Netherlands with a population of 330,772 in 2014. Utrechts ancient city centre features many buildings and structures several dating as far back as the High Middle Ages and it has been the religious centre of the Netherlands since the 8th century. It lost the status of prince-bishopric but remains the religious center in the country. Utrecht was the most important city in the Netherlands until the Dutch Golden Age, Utrecht is host to Utrecht University, the largest university in the Netherlands, as well as several other institutions of higher education. Due to its position within the country, it is an important transport hub for both rail and road transport. It has the second highest number of events in the Netherlands. In 2012, Lonely Planet included Utrecht in the top 10 of the world’s unsung places, a series of such fortresses was built after the Roman emperor Claudius decided the empire should not expand north. To consolidate the border the limes Germanicus defense line was constructed along the branch of the river Rhine. These fortresses were designed to house a cohort of about 500 Roman soldiers, near the fort settlements would grow housing artisans, traders and soldiers wives and children. In Roman times, the name of the Utrecht fortress was simply Traiectum, Traiectum became Dutch Trecht, with the U from Old Dutch uut added to distinguish U-trecht from Maas-tricht. In 11th-century official documents it was Latinized as Ultra Traiectum, around the year 200, the wooden walls of the fortification were replaced by sturdier tuff stone walls, remnants of which are still to be found below the buildings around Dom Square. From the middle of the 3rd century Germanic tribes regularly invaded the Roman territories, around 275 the Romans could no longer maintain the northern border and Utrecht was abandoned. Little is known about the next period 270–650, Utrecht is first spoken of again several centuries after the Romans left. Under the influence of the realms of the Franks, during Dagobert Is reign in the 7th century. In ongoing border conflicts with the Frisians this first church was destroyed, by the mid-7th century, English and Irish missionaries set out to convert the Frisians. The pope appointed their leader, Willibrordus, bishop of the Frisians, the tenure of Willibrordus is generally considered to be the beginning of the Bishopric of Utrecht. In 723, the Frankish leader Charles Martel bestowed the fortress in Utrecht, from then on Utrecht became one of the most influential seats of power for the Roman Catholic Church in the Netherlands
Utrecht (city)
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Aerial view of the
Dom Tower in the city centre
Utrecht (city)
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Many of the features in
Blaeu 's 1652 map of Utrecht can still be recognised in the city center
Utrecht (city)
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The
Dom tower, with – to the left behind it – the remaining section of the
Dom church. The two parts have not been connected since the collapse of the nave in 1674.
Utrecht (city)
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Prince Maurits in Utrecht, 31 July 1618
11.
Guild of St. Luke
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The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the saint of artists. One of the most famous such organizations was founded in Antwerp and it continued to function until 1795, although by then it had lost its monopoly and therefore most of its power. In most cities, including Antwerp, the government had given the Guild the power to regulate defined types of trade within the city. Guild membership, as a master, was required for an artist to take on apprentices or to sell paintings to the public. Similar rules existed in Delft, where members could sell paintings in the city or have a shop. The guild of Saint Luke not only represented painters, sculptors, and other artists, but also—especially in the seventeenth century—dealers, amateurs. In traditional guild structures, house-painters and decorators were often in the same guild, however, as artists formed under their own specific guild of St. Luke, particularly in the Netherlands, distinctions were increasingly made. In general, guilds also made judgments on disputes between artists and other artists or their clients, in such ways, it controlled the economic career of an artist working in a specific city, while in different cities they were wholly independent and often competitive against each other. Although it did not become an artistic center until the sixteenth century, Antwerp was one of, if not the first. It is first mentioned in 1382, and was given privileges by the city in 1442. The registers, or Liggeren, from the guild exist, cataloging when artists became masters, who the dean for each year was, what their specialities were, and the names of any students. Perhaps because of this link, for a period they had a rule that all miniatures needed a tiny mark to identify the artist, only under special privileges, such as court artist, could an artist effectively practice their craft without holding membership in the guild. Membership also allowed members to sell works at the guild-owned showroom, Antwerp, for example, opened a market stall for selling paintings in front of the cathedral in 1460, and Bruges followed in 1482. Guilds of St. Luke in the Dutch Republic began to reinvent themselves as cities there changed over to Protestant rule, many St. Luke guilds reissued charters to protect the interests of local painters from the influx of southern talent from places like Antwerp and Bruges. Many cities in the republic became more important artistic centres in the late sixteenth. Amsterdam was the first city to reissue a St. Lukes charter after the reformation in 1579, and it included painters, sculptors, engravers, for example, Gouda, Rotterdam, and Delft, all founded guilds between 1609 and 1611. On the other hand, these distinctions did not take effect at that time in Amsterdam or Haarlem, in the Haarlem Guild of St. Luke, however, a strict hierarchy was attempted in 1631 with panel painters at the top, though this hierarchy was eventually rejected
Guild of St. Luke
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Jan Gossaert, St. Luke Painting the Madonna, c. 1520-25).
Kunsthistorisches Museum, Vienna
Guild of St. Luke
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Saint Luke Drawing the Virgin, c. 1435–1440. 137.5 x 110.8cm.
Museum of Fine Arts, Boston. This was the classic subject for paintings given to the guilds
Guild of St. Luke
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The Governors of the
Haarlem Guild of St. Luke in 1675.
Jan de Bray painted himself second from the left. Surprisingly, fewer such group portraits exist for painters than other Guild occupations.
Guild of St. Luke
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1730s engraving of the Delft Guild of St. Luke, by an unknown artist. Today the location of the
Vermeer Centre
12.
The Hague
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The Hague is a city on the western coast of the Netherlands, and the capital city of the province of South Holland. With a population of 520,704 inhabitants and more than one million including the suburbs, it is the third-largest city of the Netherlands. The Rotterdam The Hague Metropolitan Area, with a population of approximately 2.7 million, is the 12th-largest in the European Union and the most populous in the country. Located in the west of the Netherlands, The Hague is in the centre of the Haaglanden conurbation and lies at the southwest corner of the larger Randstad conurbation. The Hague is the seat of the Dutch government, parliament, the Supreme Court, and the Council of State, but the city is not the capital of the Netherlands, which constitutionally is Amsterdam. King Willem-Alexander of the Netherlands plans to live at Huis ten Bosch and works at Noordeinde Palace in The Hague, the Hague is also home to the world headquarters of Royal Dutch Shell and numerous other major Dutch companies. The Hague originated around 1230, when Count Floris IV of Holland purchased land alongside a pond, in 1248, his son and successor William II, King of the Romans, decided to extend the residence to a palace, which would later be called the Binnenhof. He died in 1256 before this palace was completed but parts of it were finished by his son Floris V, of which the Ridderzaal and it is still used for political events, such as the annual speech from the throne by the Dutch monarch. From the 13th century onwards, the counts of Holland used The Hague as their administrative centre, the village that originated around the Binnenhof was first mentioned as Haga in a charter dating from 1242. In the 15th century, the smarter des Graven hage came into use, literally The Counts Wood, with connotations like The Counts Hedge, s-Gravenhage was officially used for the city from the 17th century onwards. Today, this name is used in some official documents like birth. The city itself uses Den Haag in all its communication and their seat was located in The Hague. At the beginning of the Eighty Years War, the absence of city walls proved disastrous, in 1575, the States of Holland even considered demolishing the city but this proposal was abandoned, after mediation by William of Orange. From 1588, The Hague also became the seat of the government of the Dutch Republic, in order for the administration to maintain control over city matters, The Hague never received official city status, although it did have many of the privileges normally granted only to cities. In modern administrative law, city rights have no place anymore, only in 1806, when the Kingdom of Holland was a puppet state of the First French Empire, was the settlement granted city rights by Louis Bonaparte. After the Napoleonic Wars, modern-day Belgium and the Netherlands were combined in the United Kingdom of the Netherlands to form a buffer against France, as a compromise, Brussels and Amsterdam alternated as capital every two years, with the government remaining in The Hague. After the separation of Belgium in 1830, Amsterdam remained the capital of the Netherlands, when the government started to play a more prominent role in Dutch society after 1850, The Hague quickly expanded. The growing city annexed the rural municipality of Loosduinen partly in 1903, the city sustained heavy damage during World War II
The Hague
The Hague
The Hague
The Hague
13.
Still life
–
A still life is a work of art depicting mostly inanimate subject matter, typically commonplace objects which may be either natural or man-made. Still life gives the artist more freedom in the arrangement of elements within a composition than do paintings of other types of such as landscape or portraiture. Early still-life paintings, particularly before 1700, often contained religious, some modern still life breaks the two-dimensional barrier and employs three-dimensional mixed media, and uses found objects, photography, computer graphics, as well as video and sound. Still life emerged from the painting of details in larger compositions with subjects, the term includes the painting of dead animals, especially game. Live ones are considered art, although in practice they were often painted from dead models. The still-life category also shares commonalities with zoological and especially botanical illustration, generally a still life includes a fully depicted background, and puts aesthetic rather than illustrative concerns as primary. Still life occupied the lowest rung of the hierarchy of genres, the trompe-lœil painting, which intends to deceive the viewer into thinking the scene is real, is a specialized type of still life, usually showing inanimate and relatively flat objects. Still-life paintings often adorn the interior of ancient Egyptian tombs and it was believed that food objects and other items depicted there would, in the afterlife, become real and available for use by the deceased. Ancient Greek vase paintings also demonstrate great skill in depicting everyday objects, by the 16th century, food and flowers would again appear as symbols of the seasons and of the five senses. Also starting in Roman times is the tradition of the use of the skull in paintings as a symbol of mortality and earthly remains and these vanitas images have been re-interpreted through the last 400 years of art history, starting with Dutch painters around 1600. As Pliny the Elder recorded in ancient Roman times, Greek artists centuries earlier were already advanced in the arts of painting, genre painting. He singled out Peiraikos, whose artistry is surpassed by only a very few, by 1300, starting with Giotto and his pupils, still-life painting was revived in the form of fictional niches on religious wall paintings which depicted everyday objects. Through the Middle Ages and the Renaissance, still life in Western art remained primarily an adjunct to Christian religious subjects, painters like Jan van Eyck often used still-life elements as part of an iconographic program. Petrus Christus’ portrait of a bride and groom visiting a goldsmith is an example of a transitional still life depicting both religious and secular content. Another similar type of painting is the family portrait combining figures with a table of food. Around this time, simple still-life depictions divorced of figures were beginning to be painted on the outside of shutters of private devotional paintings, another step toward the autonomous still life was the painting of symbolic flowers in vases on the back of secular portraits around 1475. This was a development by Pieter Aertsen, whose A Meat Stall with the Holy Family Giving Alms introduced the type with a painting that still startles. A small religious scene can often be out in the distance
Still life
–
Jan Brueghel the Elder (1568–1625), Bouquet (1599),
Kunsthistorisches Museum,
Vienna. Some of the earliest examples of still life were paintings of flowers by Northern Renaissance, Dutch, and Flemish painters.
Still life
–
Still life on a 2nd-century mosaic, with fish, poultry, dates and vegetables from the
Vatican museum
Still life
–
Glass bowl of fruit and vases.
Roman wall painting in
Pompeii (around 70 AD),
Naples National Archaeological Museum,
Naples,
Italy
Still life
–
Hans Memling (1430–1494), Vase of Flowers (1480), Museo Thyssen-Bornemisza,
Madrid. According to some scholars the Vase of Flowers is filled with religious symbolism.
14.
Portrait painting
–
See Portrait for more about the general topic of portraits. Portrait painting is a genre in painting, where the intent is to depict a human subject, the term portrait painting can also describe the actual painted portrait. Portraitists may create their work by commission, for public and private persons, portraits are often important state and family records, as well as remembrances. Historically, portrait paintings have primarily memorialized the rich and powerful, over time, however, it became more common for middle-class patrons to commission portraits of their families and colleagues. Today, portrait paintings are commissioned by governments, corporations, groups, clubs. In addition to painting, portraits can also be made in other such as etching, lithography, photography, video. A well-executed portrait is expected to show the essence of the subject or a flattering representation. As Aristotle stated, The aim of Art is to present not the appearance of things. In most cases, this results in a serious, closed lip stare, or as Charles Dickens put it, there are only two styles of portrait painting, the serious and the smirk. Even given these limitations, a range of subtle emotions is possible from quiet menace to gentle contentment. However, with the mouth relatively neutral, much of the facial expression needs to be created through the eyes, as author and artist Gordon C. Aymar states, the eyes are the place one looks for the most complete, reliable, and the eyebrows can register, almost single-handedly, wonder, pity, fright, pain, cynicism, concentration, wistfulness, displeasure, and expectation, in infinite variations and combinations. Portrait painting can depict the full length, half length, head and shoulders, or ‘head’, as well as in profile, three-quarter view, or full face, with varying directions of light. Occasionally, artists have created portraits with multiple views, as with Anthony van Dycks Triple Portrait of Charles I, there are even a few portraits where the front of the subject is not visible at all. Another example of the view in portraiture, in this case photography, can be found here. Among the other variables, the subject can be clothed or nude, indoors or out, standing, seated, reclining. Portrait paintings can be of individuals, couples, parents and children, families and they can be created in various media including oils, watercolor, pen and ink, pencil, charcoal, pastel, and mixed media. Artists may employ a wide-ranging palette of colors, as with Pierre-Auguste Renoirs Mme, charpentier and her children,1878 or restrict themselves to mostly white or black, as with Gilbert Stuarts Portrait of George Washington
Portrait painting
–
The official Chinese court portrait painting of Empress Cao (wife of
Emperor Renzong) of Song Dynasty, 11th century
Portrait painting
–
Anthony van Dyck,
Charles I in Three Positions, 1635-1636, shows profile, full face and three-quarter views, to send to
Bernini in Rome, who was to sculpt a bust from this model.
Portrait painting
–
Mme. Charpentier and her children, 1878,
Metropolitan Museum of Art, New York
Portrait painting
–
Gilbert Stuart, Portrait of
George Washington, c.1796
15.
Sweden
–
Sweden, officially the Kingdom of Sweden, is a Scandinavian country in Northern Europe. It borders Norway to the west and Finland to the east, at 450,295 square kilometres, Sweden is the third-largest country in the European Union by area, with a total population of 10.0 million. Sweden consequently has a low density of 22 inhabitants per square kilometre. Approximately 85% of the lives in urban areas. Germanic peoples have inhabited Sweden since prehistoric times, emerging into history as the Geats/Götar and Swedes/Svear, Southern Sweden is predominantly agricultural, while the north is heavily forested. Sweden is part of the area of Fennoscandia. The climate is in very mild for its northerly latitude due to significant maritime influence. Today, Sweden is a monarchy and parliamentary democracy, with a monarch as head of state. The capital city is Stockholm, which is also the most populous city in the country, legislative power is vested in the 349-member unicameral Riksdag. Executive power is exercised by the government chaired by the prime minister, Sweden is a unitary state, currently divided into 21 counties and 290 municipalities. Sweden emerged as an independent and unified country during the Middle Ages, in the 17th century, it expanded its territories to form the Swedish Empire, which became one of the great powers of Europe until the early 18th century. Swedish territories outside the Scandinavian Peninsula were gradually lost during the 18th and 19th centuries, the last war in which Sweden was directly involved was in 1814, when Norway was militarily forced into personal union. Since then, Sweden has been at peace, maintaining a policy of neutrality in foreign affairs. The union with Norway was peacefully dissolved in 1905, leading to Swedens current borders, though Sweden was formally neutral through both world wars, Sweden engaged in humanitarian efforts, such as taking in refugees from German-occupied Europe. After the end of the Cold War, Sweden joined the European Union on 1 January 1995 and it is also a member of the United Nations, the Nordic Council, Council of Europe, the World Trade Organization and the Organisation for Economic Co-operation and Development. Sweden maintains a Nordic social welfare system that provides health care. The modern name Sweden is derived through back-formation from Old English Swēoþēod and this word is derived from Sweon/Sweonas. The Swedish name Sverige literally means Realm of the Swedes, excluding the Geats in Götaland, the etymology of Swedes, and thus Sweden, is generally not agreed upon but may derive from Proto-Germanic Swihoniz meaning ones own, referring to ones own Germanic tribe
Sweden
–
A
Vendel-era helmet, at the Swedish Museum of National Antiquities.
Sweden
–
Flag
Sweden
–
A
romantic nationalist interpretation of
Valdemar IV taking control over
Gotland. The final battle outside the walls of Visby in 1361 ended with a massacre of 1,800 defenders of the city.
Sweden
–
Stockholm in mid-17th century
16.
Palatinate-Neuburg
–
Palatine Neuburg was a territory of the Holy Roman Empire, founded in 1505 by a branch of the House of Wittelsbach. Its capital was Neuburg an der Donau and its area was about 2,750 km², with a population of some 100,000. The Duchy of Pfalz-Neuburg was created in 1505 as the result of the Landshut War of Succession, after the so-called Kölner Spruch the duchy was created from the territories north of the Danube for Otto Henry and Philipp, the sons of Ruprecht of the Palatinate. While they were minors, their grandfather Philip, Elector Palatine, ruled the duchy until his death in 1508, in 1557 Otto Henry ceded his duchy to Count Palaine Wolfgang of Zweibrücken. The eldest son of Wolfgang, Philipp Louis, founded in 1569 the elder line of Palatine Zweibrücken-Neuburg, Pfalz-Neuburg joined the Protestant Union in 1608. In 1800, the duchy was invaded by the France and on June 26,1800, after fighting for most of a day, the Coalition armies withdrew. Neuburg was occupied by the French, and General Ney established his headquarters in the castle there, the Duchy of Palatine Neuburg was abolished in 1808. In the partition of Bavaria in 1837 Pfalz-Neuburg was joined with Swabia, charles Theodor of the Sulzbach line was a descendant of Augustus, Count Palatine of Sulzbach, a brother of Wolfgang Wilhelm. Charles Theodore, 1742–99 Maximilian Joseph, 1799-1808, Palatinate
Palatinate-Neuburg
–
Neuburg Castle
17.
Albert VII, Archduke of Austria
–
Albert VII was the ruling Archduke of Austria for a few months in 1619 and, jointly with his wife, Isabella Clara Eugenia, sovereign of the Habsburg Netherlands between 1598 and 1621. Prior to this, he had been a cardinal, archbishop of Toledo, viceroy of Portugal and he succeeded his brother Matthias as reigning archduke of Lower and Upper Austria, but abdicated in favor of Ferdinand II the same year, making it the shortest reign in Austrian history. Archduke Albert was the son of Holy Roman Emperor Maximilian II and Maria of Spain, daughter of Holy Roman Emperor Charles V. He was sent to the Spanish Court at the age of eleven, initially he was meant to pursue an ecclesiastical career. On 3 March 1577 he was appointed cardinal by Pope Gregory XIII, with a dispensation because of his age of eighteen, and was given Santa Croce in Gerusalemme as his titular church. Philip II planned to make Albert archbishop of Toledo as soon as possible, in the meantime Albert only took lower orders. He was never ordained priest or bishop, and thus he resigned the See of Toledo in 1598 and he resigned the cardinalate in 1598. His clerical upbringing did however have an influence on his lifestyle. After the dynastic union with Portugal, Albert became the first viceroy of the kingdom, at the same time he was appointed Papal Legate and Grand Inquisitor for Portugal. As viceroy of Portugal he took part in the organization of the Great Armada of 1588, in 1593 Philip II recalled him to Madrid, where he would take a leading role in the government of the Spanish Monarchy. Two years later, the rebellious Hugh ONeill, Earl of Tyrone, after the death of Archduke Ernst in 1595, Albert was sent to Brussels to succeed his elder brother as Governor General of the Habsburg Netherlands. He made his entry in Brussels on 11 February 1596 and his first priority was restoring Spains military position in the Low Countries. Spain was facing the forces of the Dutch Republic, England and France and had known nothing. During his first campaign season, Albert surprised his enemies by capturing Calais and nearby Ardres from the French and these successes were however offset by the third bankruptcy of the Spanish crown later that year. As a consequence,1597 was marked by a series of military disasters, stadholder Maurice of Orange captured the last Spanish strongholds that remained north of the great rivers, as well as the strategic town of Rheinberg in the Electorate of Cologne. Finally the Spanish Army of Flanders lost Amiens in September the same year to King Henry IV of France despite desperate efforts to relieve the place by Albert, with no more money to pay the troops, Albert was also facing a series of mutinies. While pursuing the war as well as he could, Albert made overtures for peace with Spains enemies, under the mediation of the papal legate Cardinal Alessandro deMedici — the future Pope Leo XI — Spain and France concluded the Peace of Vervins on 2 May 1598. Spain gave up its conquests, thereby restoring the situation of Cateau Cambrésis, France tacitly accepted the Spanish occupation of the prince-archbishopric of Cambray and pulled out of the war, but maintained the financial support for the Dutch Republic
Albert VII, Archduke of Austria
–
Archduke Albert by
Juan Pantoja de la Cruz
Albert VII, Archduke of Austria
–
Albert and Isabella Clara Eugenia, by an anonymous 17th century master, after originals by
Frans Pourbus the younger.
Albert VII, Archduke of Austria
–
Jeton with portraits of Albert VII, Archduke of Austria and
Infanta Isabella of Spain, struck in Antwerp 1612. Obv: Portraits of Albert and Isabella. Rev: Eagle holding balance, date 1612.
Albert VII, Archduke of Austria
–
Portrait of Albert VII (c. 1599-1600), by
Frans Pourbus the Younger.
Convent of Las Descalzas Reales collection in
Madrid.
18.
Charles I of England
–
Charles I was monarch of the three kingdoms of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. Charles was the son of King James VI of Scotland, but after his father inherited the English throne in 1603, he moved to England. He became heir apparent to the English, Irish, and Scottish thrones on the death of his brother, Henry Frederick, Prince of Wales. Two years later, he married the Bourbon princess Henrietta Maria of France instead, after his succession, Charles quarrelled with the Parliament of England, which sought to curb his royal prerogative. Charles believed in the right of kings and thought he could govern according to his own conscience. Many of his subjects opposed his policies, in particular the levying of taxes without parliamentary consent and he supported high church ecclesiastics, such as Richard Montagu and William Laud, and failed to aid Protestant forces successfully during the Thirty Years War. From 1642, Charles fought the armies of the English and Scottish parliaments in the English Civil War, after his defeat in 1645, he surrendered to a Scottish force that eventually handed him over to the English Parliament. Charles refused to accept his captors demands for a constitutional monarchy, re-imprisoned on the Isle of Wight, Charles forged an alliance with Scotland, but by the end of 1648 Oliver Cromwells New Model Army had consolidated its control over England. Charles was tried, convicted, and executed for treason in January 1649. The monarchy was abolished and a called the Commonwealth of England was declared. The monarchy was restored to Charless son, Charles II, in 1660, the second son of King James VI of Scotland and Anne of Denmark, Charles was born in Dunfermline Palace, Fife, on 19 November 1600. James VI was the first cousin twice removed of Queen Elizabeth I of England, in mid-July 1604, Charles left Dunfermline for England where he was to spend most of the rest of his life. His speech development was slow, and he retained a stammer, or hesitant speech. In January 1605, Charles was created Duke of York, as is customary in the case of the English sovereigns second son, Thomas Murray, a Presbyterian Scot, was appointed as a tutor. Charles learnt the usual subjects of classics, languages, mathematics, in 1611, he was made a Knight of the Garter. Eventually, Charles apparently conquered his physical infirmity, which might have been caused by rickets and he became an adept horseman and marksman, and took up fencing. Even so, his public profile remained low in contrast to that of his stronger and taller elder brother, Henry Frederick, Prince of Wales. However, in early November 1612, Henry died at the age of 18 of what is suspected to have been typhoid, Charles, who turned 12 two weeks later, became heir apparent
Charles I of England
–
Portrait from the studio of
Anthony van Dyck, 1636
Charles I of England
–
Engraving by
Simon de Passe of Charles and his parents, King James and Queen Anne, c. 1612
Charles I of England
–
Portrait by
Robert Peake, c. 1610
Charles I of England
–
Portrait of Charles as Prince of Wales after
Daniel Mytens, c. 1623
19.
Amsterdam
–
Amsterdam is the capital and most populous municipality of the Kingdom of the Netherlands. Its status as the capital is mandated by the Constitution of the Netherlands, although it is not the seat of the government, which is The Hague. Amsterdam has a population of 851,373 within the city proper,1,351,587 in the urban area, the city is located in the province of North Holland in the west of the country. The metropolitan area comprises much of the part of the Randstad, one of the larger conurbations in Europe. Amsterdams name derives from Amstelredamme, indicative of the citys origin around a dam in the river Amstel, during that time, the city was the leading centre for finance and diamonds. In the 19th and 20th centuries the city expanded, and many new neighborhoods and suburbs were planned, the 17th-century canals of Amsterdam and the 19–20th century Defence Line of Amsterdam are on the UNESCO World Heritage List. As the commercial capital of the Netherlands and one of the top financial centres in Europe, Amsterdam is considered a world city by the Globalization. The city is also the capital of the Netherlands. Many large Dutch institutions have their headquarters there, and seven of the worlds 500 largest companies, including Philips and ING, are based in the city. In 2012, Amsterdam was ranked the second best city to live in by the Economist Intelligence Unit and 12th globally on quality of living for environment, the city was ranked 3rd in innovation by Australian innovation agency 2thinknow in their Innovation Cities Index 2009. The Amsterdam seaport to this day remains the second in the country, famous Amsterdam residents include the diarist Anne Frank, artists Rembrandt van Rijn and Vincent van Gogh, and philosopher Baruch Spinoza. The Amsterdam Stock Exchange, the oldest stock exchange in the world, is located in the city center. After the floods of 1170 and 1173, locals near the river Amstel built a bridge over the river, the earliest recorded use of that name is in a document dated October 27,1275, which exempted inhabitants of the village from paying bridge tolls to Count Floris V. This allowed the inhabitants of the village of Aemstelredamme to travel freely through the County of Holland, paying no tolls at bridges, locks, the certificate describes the inhabitants as homines manentes apud Amestelledamme. By 1327, the name had developed into Aemsterdam, Amsterdam is much younger than Dutch cities such as Nijmegen, Rotterdam, and Utrecht. In October 2008, historical geographer Chris de Bont suggested that the land around Amsterdam was being reclaimed as early as the late 10th century. This does not necessarily mean there was already a settlement then, since reclamation of land may not have been for farming—it may have been for peat. Amsterdam was granted city rights in either 1300 or 1306, from the 14th century on, Amsterdam flourished, largely from trade with the Hanseatic League
Amsterdam
Amsterdam
Amsterdam
Amsterdam
20.
Frederick V, Elector Palatine
–
Frederick V was, as the son and heir of Frederick IV, Elector Palatine, the Elector of the Rhine Palatinate in the Holy Roman Empire upon his fathers death in 1610. This defeat was followed by an Imperial invasion of Fredericks Palatinate lands and he was forced to flee to Holland in 1622 and he lived the rest of his life in exile with his wife and family at the Hague. Frederick was born at the Jagdschloss Deinschwang near Amberg in the Upper Palatinate and he was the son of Frederick IV and of Louise Juliana of Orange-Nassau, the daughter of William the Silent and Charlotte de Bourbon-Montpensier. An intellectual, a mystic, and a Calvinist, he succeeded his father as Prince-Elector of the Rhenish Palatinate in 1610 and he was responsible for the construction of the famous Hortus Palatinus gardens in Heidelberg. In 1618 the largely Protestant estates of Bohemia rebelled against their Catholic King Ferdinand, Frederick was asked to assume the crown of Bohemia. He accepted the offer and was crowned on 4 November 1619, however, James opposed the takeover of Bohemia from the Habsburgs and Fredericks allies in the Protestant Union failed to support him militarily by signing the Treaty of Ulm. His brief reign as King of Bohemia ended with his defeat at the Battle of White Mountain on 8 November 1620 – a year and four days after his coronation. After this battle, the Imperial forces invaded Fredericks Palatine lands and he had to flee to his uncle Prince Maurice, an Imperial edict formally deprived him of the Palatinate in 1623. He lived the rest of his life in exile with his wife and family, mostly at The Hague and his eldest surviving son Charles I Louis, Elector Palatine returned to power in 1648 with the end of the war. His daughter Princess Sophia was eventually named heiress presumptive to the British throne, Frederick was born on 26 August 1596 at the Jagdschloss Deinschwang near Amberg in the Upper Palatinate. His father, Frederick IV was the ruler of Electoral Palatinate, his mother was Louise Juliana of Nassau, Frederick was related to almost all of the ruling families of the Holy Roman Empire and a number of diplomats and dignitaries attended his baptism at Amberg on 6 October 1596. In 1604, at his mothers urging, he was sent to Sedan to live in the court of his uncle Henri de La Tour dAuvergne, during his time at Sedan, Frederick was a frequent visitor to the court of Henry IV of France. His tutor was Calvinist theologian Daniel Tilenus, a professor of theology at the Academy of Sedan and these views are likely to have shaped Fredericks future policies. On 19 September 1610, Fredericks father, Frederick IV, died from extravagant living, under the terms of the Golden Bull of 1356, Fredericks closest male relative would serve as his guardian and as regent of the Palatinate until Frederick reached the age of majority. Frederick V welcomed John to Heidelberg, whereas Wolfgang William was denied entry and this led to a heated dispute among the princes of the Holy Roman Empire. In 1613, Matthias, Holy Roman Emperor intervened in the dispute, the dispute ended in 1614, when Frederick attained his eighteenth birthday. However, much bad blood among the houses was caused by this dispute, Frederick IVs marriage policy had been designed to solidify the Palatinates position within the Reformed camp in Europe. Frederick IV had hoped that his daughter Katharina would marry the future Gustavus Adolphus of Sweden, in keeping with his fathers policy, Frederick V sought a marriage to Elizabeth Stuart, daughter of James I of England and VI of Scotland
Frederick V, Elector Palatine
–
Frederick wearing the
Crown of Saint Wenceslas, other Bohemian regalia and the collar of the
Order of the Garter and holding an
orb. On the table is the Cap representing his separate office as
Elector Palatine. Painted by
Gerrit von Honthorst in 1634.
Frederick V, Elector Palatine
–
Portrait of Frederick by
Michiel Jansz. van Mierevelt, 1613.
Frederick V, Elector Palatine
–
Elizabeth Stuart (1596–1662), 1613.
Frederick V, Elector Palatine
–
Heidelberg Castle and the
Hortus Palatinus commissioned by Frederick, and designed by English architect
Inigo Jones (1573–1652) and French engineer
Salomon de Caus (1576–1626).
21.
Mauritshuis
–
The Mauritshuis is an art museum in The Hague in the Netherlands. The museum houses the Royal Cabinet of Paintings which consists of 841 objects, the collections contains works by Johannes Vermeer, Rembrandt van Rijn, Jan Steen, Paulus Potter, Frans Hals, Jacob van Ruisdael, Hans Holbein the Younger, and others. Originally, the 17th century building was the residence of count John Maurice of Nassau and it is now the property of the government of the Netherlands and is listed in the top 100 Dutch heritage sites. On the plot, the Mauritshuis was built between 1636 and 1641, during John Maurices governorship of Dutch Brazil, the Dutch Classicist building was designed by the Dutch architects Jacob van Campen and Pieter Post. The two-storey building is symmetrical and contained four apartments and a great hall. Each apartment was designed with an antechamber, a chamber, a cabinet, originally, the building had a cupola, which was destroyed in a fire in 1704. After the death of Prince John Maurice in 1679, the house was owned by the Maes family, in 1704, most of the interior of the Mauritshuis was destroyed by fire. The building was restored between 1708 and 1718, in 1820, the Mauritshuis was bought by the Dutch state for the purpose of housing the Royal Cabinet of Paintings. In 1822, the Mauritshuis was opened to the public and housed the Royal Cabinet of Paintings, in 1875, the entire museum became available for paintings. The Mauritshuis was privatised in 1995, the foundation set up at that time took charge of both the building and the collection, which it was given on long-term loan. This building, which is the property of the state, is rented by the museum, in 2007, the museum announced its desire to expand. In 2010, the design was presented. The museum would occupy a part of the nearby Sociëteit de Witte building, the two buildings would be connected via an underground tunnel, running underneath the Korte Vijverberg. The renovation started in 2012 and finished in 2014, during the renovation, about 100 of the museums paintings were displayed in the Gemeentemuseum in the Highlights Mauritshuis exhibition. About 50 other paintings, including the Girl With the Pearl Earring, were on loan to exhibitions in the United States, the museum was reopened on 27 June 2014 by King Willem-Alexander. The collection of paintings of stadtholder William V, Prince of Orange was presented to the Dutch state by his son and this collection formed the basis of the Royal Cabinet of Paintings of around 200 paintings. The collection is called the Royal Picture Gallery. There are also works of Hans Holbein in the collection in the Mauritshuis, the Mauritshuis was state museum until 1995, when it became independent
Mauritshuis
–
Mauritshuis in 2005
Mauritshuis
–
Location in
South Holland in the
Netherlands
Mauritshuis
–
The Mauritshuis in 1825.
Mauritshuis
–
Prince John Maurice portrayed by
Jan de Baen.
22.
Louise de Coligny
–
Louise de Coligny was a Princess consort of Orange as the fourth and last spouse of William the Silent. She was the daughter of Gaspard II de Coligny and Charlotte de Laval and her parents saw to it that she received a humanist education. When she was seventeen, she married Charles de Teligny, both he and her father were murdered at the St. Bartholomews Day massacre. Like her murdered father, she was a French Huguenot and after the massacre and she then married William the Silent on 24 April 1583. She became the mother of Frederick Henry in 1584, Williams fourth legitimate son and it is said that she warned her husband about Balthasar Gérard, because she thought him sinister. After her husband was murdered, she raised both her son and his six daughters from his marriage to Charlotte of Bourbon. Womens letters across Europe, 1400-1700, form and persuasion, cS1 maint, Uses authors parameter Willem van Oranje, Biografie last accessed April 10,2007
Louise de Coligny
–
Louise de Coligny
23.
Paulus Moreelse
–
Paulus Moreelse was a Dutch painter, mainly of portraits. Moreelse was born and lived most of his life in Utrecht and he was a pupil of the Delft portrait painter Michiel Jansz. van Mierevelt, who had himself been a pupil of Anthonie van Blocklandt. He took a study-trip to Italy, where he received many portrait commissions, back in Utrecht, in 1596 he became a member of the zadelaarsgilde, which then embraced the painters as well. In 1611, along with Abraham Bloemaert, he was one of the founders of a new painters guild, called St. Lucas-gilde, Moreelse was a well known portrait painter who received commissions from right across the Dutch Republic. His earliest known work dates to 1606, other than portraits, he also painted a few history paintings in the Mannerist style and in the 1620s produced pastoral scenes of herders and shepherds. He belonged to the generation as Abraham Bloemaert and Joachim Wtewael. His version of Diana and Callisto was engraved by Jan Saenredam, in 1618, when the anti-remonstrants came to power in Utrecht, he was expelled from the council. Moreelse was also active as an architect, building Utrechts Catharijnepoort and he taught at Utrechts tekenacademie, and among his many pupils was Dirck van Baburen. On his death, he was buried in the Buurkerk in Utrecht
Paulus Moreelse
–
Self-portrait (c.1630)
Paulus Moreelse
–
Girl at a mirror, (1632)
Paulus Moreelse
–
Portrait of Maria van Utrecht, 1615, 109 x 80,5 cm (
Rijksmuseum, Amsterdam).
Paulus Moreelse
–
Venus and Cupid, 1617
24.
Jan Antonisz. van Ravesteyn
–
Jan Anthonisz van Ravesteyn was a successful portrait painter to the Dutch court in The Hague. Van Ravensteyn was born in The Hague and it is unknown who taught him how to paint, but he was a follower of the Delft portrait painter Michiel Jansz van Mierevelt. Van Ravesteyn is mentioned there in the city archives 1597, from 1598 until his death he lived in the Hague, where in 1598 he became a member of the Guild of St. Luke of the Hague. In 1604 he married Anna Arentsz van Berendrecht and in the year he was mentioned as a good painter by Karel van Mander. In 1608 he bought a house on the Molstraat and in 1628 he moved in the Molstraat, in 1640 his wife was buried and in the same year his daughter Marie married one of his pupils, the painter Adriaen Hanneman. In 1654 he moved to the Nobelstraat next to the house of his daughter, in 1656 he left the guild with a group of dissatisfied painter friends and was one of the founders of the Confrerie Pictura. He was a Catholic and his name occurs often as a witness in the records of the church in the Molstraat and his portrait was painted by Sir Anthony van Dyck and he produced Schutterstuk works. His workshop produced many portraits for the house of Nassau. Van Ravesteyn was in turn, the teacher of Dirck Abrahamsz, coeppier, Pieter Craen, Jacob Dirksz. van den Enden, Fransise de Goltz, Adriaen Hanneman, Barent Jansz. Thomas Ouwater, Clement Ram, Jan Rassenbourch, Frederick Sonnius, Dirck Verlaer, Jan Pous Voet, van Ravesteyn biography in the Rijksbureau voor Kunsthistorische Documentatie Works and literature on Jan Antonisz
Jan Antonisz. van Ravesteyn
–
Hugo Grotius at the age of sixteen (1599)
Jan Antonisz. van Ravesteyn
–
Self-portrait (1618)
Jan Antonisz. van Ravesteyn
–
Portrait of
Justinus of Nassau
Jan Antonisz. van Ravesteyn
–
Portrait of a Woman (1620)
25.
Daniel Mijtens
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Daniël Mijtens, known in England as Daniel Mytens the Elder, was a Dutch portrait painter who spent the central years of his career working in England. He was born in Delft into a family of artists and trained in The Hague and he was the nephew of the painter Aert Mijtens, the older brother of the painter Isaac Mijtens, and the father of the painter Daniel Mijtens the Younger. No known work survives from his first Dutch period, by 1618, he had moved to London, where his initial patron was the leading art collector Thomas Howard, 21st Earl of Arundel. Mijtens painted the Earl and his Countess, and was commissioned to paint King James I and his son Charles. In 1625 he became painter to Charles I, two of his finest portraits are of the same man, James Hamilton later 1st Duke of Hamilton, whom he painted as a seventeen-year-old in 1623 and again in 1629. Mijtens made visits to the Netherlands in 1626 and 1630, perhaps to study the latest developments in his field, more particularly the works of Rubens and Van Dyck. Van Dyck demonstrated his superiority over Mytens by painting a portrait of the King and Queen, based on Mytens original, around 1634 Mytens appears to have returned to the Netherlands permanently. He subsequently worked primarily as an art dealer in The Hague, only four paintings survive from this final period. Some of Mijtens works are owned by the Royal Family. Mijtens also made copies of old portraits of royal sitters, including, James IV of Scotland, his wife Margaret Tudor and he also made a copy of a Venus by Titian for £120 in 1625. Mijtens works at the National Portrait Gallery 100 Painting by or after Daniël Mijtens at the Art UK site artcyclopedia. com Works at various galleries
Daniel Mijtens
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Daniël Mijtens (by Paul Pontius, c. 1640, after Sir Anthony van Dyck)
Daniel Mijtens
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James Hamilton, Earl of Arran in 1623, aged 17
Daniel Mijtens
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James Hamilton, Marquess of Hamilton in 1629.
Daniel Mijtens
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Charles I by Mytens, 1631, National Portrait Gallery, London
26.
Anthonie Palamedesz
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Anthonie Palamedes, also Anthonie or Antonie Palamedesz. was a Dutch Golden Age portrait painter. According to Houbraken his father was a Flemish sculptor who carved semi-precious stone such as Jasper, Porphyry, and Agate into vases and other decorative art. His father had traveled to England in service of King James of Scotland, but after Anthonies older brother Palamedes was born, Anthonie survived his brother Palamedes who died young in 1638. He entered the Delft Guild of St. Luke in 1636 and was in 1673 hoofdman or deacon of that guild for the last time, Palamedes primarily painted portraits and genre works, while his brother Palamedes Palamedesz. I was a scene painter. According to the RKD, Anthonie was the oldest brother, taught by Michiel Jansz. van Mierevelt and he was married twice, and had four children in total. His pupils were his younger brother Palamedes, his own son Palamedes II, Anthonie died in Amsterdam in 1673. Anthonie Palamedesz on Artnet Vermeer and The Delft School, a full text exhibition catalog from The Metropolitan Museum of Art, which contains material on Anthonie Palamedes
Anthonie Palamedesz
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Anthonie Palamedesz - A Merry Company
Anthonie Palamedesz
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Anthonie Palamedes, Portrait of Woman from Grenoble,
Museum of Grenoble, 1671
27.
Hendrick Cornelisz. van Vliet
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Hendrick Corneliszoon van Vliet was a Dutch Golden Age painter remembered mostly for his church interiors. He studied under his uncle Willem van der Vliet and was admitted to the guild in Delft in 1632. He was good at perspective but later took up painting with Michiel Jansz van Mierevelt. Van Vliet started out with architectural painting, particularly the painting of church interiors, before him, architectural painting had been pioneered by Pieter Saenredam, who introduced innovative techniques of perspective. By mid century, architectural painting gained great popularity, among the churches painted by Van Vliet are the Pieterskerk in Leiden, the Nieuwe Kerk in Delft, and the Oude Kerk in Delft. Emanuel de Witte and Gerard Houckgeest, also painted these Delft church interiors, paintings of the tomb of William the Silent were quite popular
Hendrick Cornelisz. van Vliet
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Portrait of Michiel van der Dussen, his Wife, Wilhelmina van Setten and their Children 1640 Gemeente Musea Delft; Collection Stedelijk Museum Het Prinsenhof, Delft
Hendrick Cornelisz. van Vliet
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Nieuwe Kerk, Delft, c.1650 with tomb of William the Silent.
28.
Jacob Delff
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Jacob Willemszoon Delff the Elder, was a portrait painter active in Delft. He is known by a picture of an Archery-feast in the Hotel de Ville at Delft, dated 1592 and he also painted The Sportsmans Dinner, and a portrait group of his family. His works display good conception and execution, but are heavy in colouring. Jacob Delff had three sons, Cornelis, Rochus, and Willem, Cornelis Jacobsz Delff, was a pupil of his father and of Cornelis van Haarlem, and distinguished himself by very fine pictures of still life. Rochus Delff was a painter, and a pupil of his father. Vermeer and The Delft School, a full text exhibition catalog from The Metropolitan Museum of Art, which has material on Jacob Willemsz Delff
Jacob Delff
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Portrait of the artist and his family, ca. 1590, now at the
Rijksmuseum Amsterdam
29.
Anthony van Dyck
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Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England, after enjoying great success in Italy and Flanders. He also painted biblical and mythological subjects, displayed outstanding facility as a draughtsman, the Van Dyke beard is named after him. Antoon van Dyck was born to parents in Antwerp. By the age of fifteen he was already an accomplished artist, as his Self-portrait, 1613–14. He was admitted to the Antwerp painters Guild of Saint Luke as a master by February 1618. His influence on the young artist was immense, Rubens referred to the nineteen-year-old van Dyck as the best of my pupils. At the same time the dominance of Rubens in the small and declining city of Antwerp probably explains why, despite his periodic returns to the city, van Dyck spent most of his career abroad. In 1620, at the instigation of George Villiers, Marquess of Buckingham, van Dyck went to England for the first time where he worked for King James I of England, receiving £100. After about four months he returned to Flanders, but moved on in late 1621 to Italy and he was already presenting himself as a figure of consequence, annoying the rather bohemian Northern artists colony in Rome, says Giovan Pietro Bellori, by appearing with the pomp of Zeuxis. He was mostly based in Genoa, although he travelled extensively to other cities. In 1627, he went back to Antwerp where he remained for five years, a life-size group portrait of twenty-four City Councillors of Brussels he painted for the council-chamber was destroyed in 1695. He was evidently very charming to his patrons, and, like Rubens, well able to mix in aristocratic and court circles, by 1630 he was described as the court painter of the Habsburg Governor of Flanders, the Archduchess Isabella. In this period he produced many religious works, including large altarpieces. King Charles I was the most passionate and generous collector of art among the British monarchs, and saw art as a way of promoting his elevated view of the monarchy. In 1628, he bought the collection that the Gonzagas of Mantua were forced to dispose of. In 1626, he was able to persuade Orazio Gentileschi to settle in England, later to be joined by his daughter Artemisia and some of his sons. Rubens was a target, who eventually came on a diplomatic mission, which included painting, in 1630. He was very well-treated during his visit, during which he was knighted
Anthony van Dyck
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Self-Portrait With a Sunflower (after 1633),
Trinity College, Cambridge
Anthony van Dyck
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Self-portrait, 1613–14
Anthony van Dyck
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Anthony van Dyck, by
Peter Paul Rubens (1627–28) in
the Louvre
Anthony van Dyck
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The more intimate, but still elegant style he developed in England, ca 1638
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Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). "Mierevelt, Michiel Jansze". New International Encyclopedia. 13 (1st ed.). New York: Dodd, Mead. p. 469.
