1.
Alexandre Dumas, fils
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Dumas, fils was the son of Alexandre Dumas, père, also a well-known playwright and author of classics such as The Three Musketeers. Dumas, fils was admitted to the Académie française in 1874, Dumas was born in Paris, France, the illegitimate child of Marie-Laure-Catherine Labay, a dressmaker, and novelist Alexandre Dumas. In 1831 his father recognized him and ensured that the young Dumas received the best education possible at the Institution Goubaux. At that time, the law allowed the elder Dumas to take the child away from his mother and her agony inspired the younger Dumas to write about tragic female characters. At boarding schools, he was taunted by his classmates because of his family situation. These issues profoundly influenced his thoughts, behaviour, and writing, in 1844, Dumas moved to Saint-Germain-en-Laye to live with his father. There he met Marie Duplessis, a courtesan who would be the inspiration for the character Marguerite Gauthier in his romantic novel La Dame aux camélias. Adapted into a play, it was titled Camille in English and became the basis for Verdis 1853 opera, La Traviata, Duplessis undergoing yet another name change, this time to Violetta Valéry. Although he admitted that he had done the adaptation because he needed the money, he had success with the play. He was not only more renowned than his father during his lifetime, after this, he virtually abandoned writing novels. On 31 December 1864, in Moscow, Dumas married Nadezhda von Knorring, daughter of Johan Reinhold von Knorring, after Nadezhdas death, Dumas married Henriette Régnier de La Brière in June 1895, without issue. In 1874, he was admitted to the Académie française and in 1894 he was awarded the Légion dhonneur, Dumas died at Marly-le-Roi, Yvelines, on 27 November 1895, and was interred in the Montmartre Cemetery in Paris. His grave is, perhaps coincidentally, only some 100 metres away from that of Marie Duplessis, aventures de quatre femmes et d’un perroquet Césarine La Dame aux camélias. Texte online ), with an illustrated by Albert Besnard English titled as Camellias Le Docteur Servan Antonine Le Roman d’une femme Les Quatre Restaurations. Vivier LAmi des femmes Le Supplice dune femme coll, emile de Girardin Héloïse Paranquet coll. Durentin Les Idées de Madame Aubray Le Filleul de Pompignac coll, francois Une Visite de noces La Princesse Georges La Femme de Claude Monsieur Alphonse LÉtrangère Les Danicheff coll. de Corvin La Comtesse Romani coll. Gustave Fould La Princesse de Bagdad Denise Francillon La Route de Thèbes Illegitimacy in fiction Legitimacy Maurois, the Titans, a three-generation biography of the Dumas. New York, Harper & Brothers Publishers, a Critical Edition of the Manuscripts of La Route de Thebes by Alexandre Dumas fils
2.
Montparnasse Cemetery
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Montparnasse Cemetery is a cemetery in the Montparnasse quarter of Paris, part of the citys 14th arrondissement. Created from three farms in 1824, the cemetery at Montparnasse was originally known as Le Cimetière du Sud, cemeteries had been banned from Paris since the closure, owing to health concerns, of the Cimetière des Innocents in 1786. At the heart of the city, and today sitting in the shadow of the Eiffel Tower, is Passy Cemetery, Montparnasse Cemetery is the resting place of many of Frances intellectual and artistic elite as well as publishers and others who promoted the works of authors and artists. There are also graves of foreigners who have made France their home, as well as monuments to police. The cemetery is divided by Rue Émile Richard, the small section is usually referred to as the small cemetery and the large section as the big cemetery. Although Baudelaire is buried in this cemetery, there is also a cenotaph to him, because of the many notable people buried there, it is a highly popular tourist attraction. Divisions 5 and 30 were originally Jewish enclosures and contain many Jewish graves, the main entrance to the cemetery is on Boulevard Edgar Quinet which leads to the big cemetery. There are smaller entrances to both the big and small cemeteries on Rue Émile Richard, list of burials at Montparnasse Cemetery A list of many buried at the cemetery Montparnasse Cemetery at Find a Grave Information and help in touring Montparnasse cemetery In English
3.
Passy Cemetery
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Passy Cemetery is a cemetery in Passy, in the 16th arrondissement of Paris, France. The current cemetery replaced the old cemetery, which was closed in 1802, in the early 19th century, on the orders of Napoleon I, Emperor of the French, all the cemeteries in Paris were replaced by several large new ones outside the precincts of the capital. Montmartre Cemetery was built in the north, Père Lachaise Cemetery in the east, Passy Cemetery was a later addition, but has its origins in the same edict. The current entrance was built in 1934, the retaining wall of the cemetery is adorned with a bas relief commemorating the soldiers who fell in World War I. Opened in 1820 in the residential and commercial districts of the Right Bank near the Champs-Élysées. It is the cemetery in Paris to have a heated waiting-room. Sheltered by a bower of trees, the cemetery is in the shadow of the Eiffel Tower. The cemetery was once the home of a statue by Dunikowski titled The Soul Escaping the Body and it was on top of the ceremonial grave of Antoni Cierplikowski. The statue was known by many but was removed when the grave was cleared in 2004 and it is known as a small but well visited cemetery. Natalie Clifford Barney, Notable author, salonist and lesbian socialite of the Belle Époque, the entrance of the cemetery is located at 2, Rue du Commandant Schlœsing. The street in which it is situated is named for a Free French pilot, Squadron Leader Jacques-Henri Schlœsing, who flew with the wartime RAF until killed in action, the cemetery is behind the Trocadéro. Passy Cemetery on the Mairie de Paris website Passy Cemetery on the Cimetiéres de France et dAilleurs website Information, photographs of Passy cemetery Documenting funerary statuary in Paris cemeteries, on pariscemeteries. com
4.
French Revolution
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Through the Revolutionary Wars, it unleashed a wave of global conflicts that extended from the Caribbean to the Middle East. Historians widely regard the Revolution as one of the most important events in human history, the causes of the French Revolution are complex and are still debated among historians. Following the Seven Years War and the American Revolutionary War, the French government was deeply in debt, Years of bad harvests leading up to the Revolution also inflamed popular resentment of the privileges enjoyed by the clergy and the aristocracy. Demands for change were formulated in terms of Enlightenment ideals and contributed to the convocation of the Estates-General in May 1789, a central event of the first stage, in August 1789, was the abolition of feudalism and the old rules and privileges left over from the Ancien Régime. The next few years featured political struggles between various liberal assemblies and right-wing supporters of the intent on thwarting major reforms. The Republic was proclaimed in September 1792 after the French victory at Valmy, in a momentous event that led to international condemnation, Louis XVI was executed in January 1793. External threats closely shaped the course of the Revolution, internally, popular agitation radicalised the Revolution significantly, culminating in the rise of Maximilien Robespierre and the Jacobins. Large numbers of civilians were executed by revolutionary tribunals during the Terror, after the Thermidorian Reaction, an executive council known as the Directory assumed control of the French state in 1795. The rule of the Directory was characterised by suspended elections, debt repudiations, financial instability, persecutions against the Catholic clergy, dogged by charges of corruption, the Directory collapsed in a coup led by Napoleon Bonaparte in 1799. The modern era has unfolded in the shadow of the French Revolution, almost all future revolutionary movements looked back to the Revolution as their predecessor. The values and institutions of the Revolution dominate French politics to this day, the French Revolution differed from other revolutions in being not merely national, for it aimed at benefiting all humanity. Globally, the Revolution accelerated the rise of republics and democracies and it became the focal point for the development of all modern political ideologies, leading to the spread of liberalism, radicalism, nationalism, socialism, feminism, and secularism, among many others. The Revolution also witnessed the birth of total war by organising the resources of France, historians have pointed to many events and factors within the Ancien Régime that led to the Revolution. Over the course of the 18th century, there emerged what the philosopher Jürgen Habermas called the idea of the sphere in France. A perfect example would be the Palace of Versailles which was meant to overwhelm the senses of the visitor and convince one of the greatness of the French state and Louis XIV. Starting in the early 18th century saw the appearance of the sphere which was critical in that both sides were active. In France, the emergence of the public sphere outside of the control of the saw the shift from Versailles to Paris as the cultural capital of France. In the 1750s, during the querelle des bouffons over the question of the quality of Italian vs, in 1782, Louis-Sébastien Mercier wrote, The word court no longer inspires awe amongst us as in the time of Louis XIV
5.
Montmartre
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Montmartre is a large hill in Pariss 18th arrondissement. It is 130 m high and gives its name to the surrounding district, Montmartre is primarily known for the white-domed Basilica of the Sacré-Cœur on its summit and as a nightclub district. The other, older, church on the hill is Saint Pierre de Montmartre, Montmartre is also the setting for several hit films. This site is served by metro, with line 2 stations at Anvers, Pigalle, and Blanche and line 12 stations at Pigalle, Abbesses, Lamarck - Caulaincourt, texts from the 8th century cite the name of mons Mercori, and a 9th-century text speaks of Mount Mars. Excavations in 1975 north of the Church of Saint-Pierre found coins from the 3rd century, earlier excavations in the 17th century at the Fontaine-du-But found vestiges of Roman baths from the 2nd century. According to Hilduin, Denis collected his head and carried it as far as the fontaine Saint-Denis, then descended the slope of the hill. Hilduin wrote that a church had built in the place formerly called Mont de Mars. In 1134, king Louis VI purchased the Merovingian chapel and built on the site the church of Saint-Pierre de Montmartre and he also founded The Royal Abbey of Montmartre, a monastery of the Benedictine order, whose buildings, gardens and fields occupied most of Montmartre. He also built a chapel, called the Martyrium, at the site where it was believed that Saint Denis had been decapitated. It became a pilgrimage site. In the 17th century, a priory called abbaye den bas was built at that site, the abbey was destroyed in 1790 during the French Revolution, and the convent demolished to make place for gypsum mines. The church of Saint-Pierre was saved, at the place where the chapel of the Martyrs was located, an oratory was built in 1855. By the 15th century, the north and northeast slopes of the hill were the site of a surrounded by vineyards, gardens and orchards of peach. The first mills were built on the slope in 1529, grinding wheat, barley. The siege eventually failed when a relief force approached and forced Henry to withdraw. In 1790, Montmartre was located just outside the limits of Paris and that year, under the revolutionary government of the National Constituent Assembly, it became the commune of Montmartre, with its town hall located on place du Tertre, site of the former abbey. The main businesses of the commune were wine making, stone quarries, the mining of gypsum had begun in the Gallo-Roman period, first in open air mines and then underground, and continued until 1860. The gypsum was cut into blocks, baked, then ground, sold as montmartarite, it was used for plaster, because of its resistance to fire and water
6.
Hector Berlioz
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Hector Berlioz was a French Romantic composer, best known for his compositions Symphonie fantastique and Grande messe des morts. Berlioz made significant contributions to the orchestra with his Treatise on Instrumentation. He specified huge orchestral forces for some of his works, and he also composed around 50 songs. His influence was critical for the development of Romanticism, especially in composers like Richard Wagner, Nikolai Rimsky-Korsakov, Franz Liszt, Richard Strauss. Hector Berlioz was born in France at La Côte-Saint-André in the département of Isère, Louis was an agnostic, with a liberal outlook, his mother, Marie-Antoinette, was a devout Roman Catholic. He had five siblings in all, three of whom did not survive to adulthood, the other two, Nanci and Adèle, remained close to Berlioz throughout his life. Berlioz was not a prodigy, unlike some other famous composers of the time, he began studying music at age 12, writing small compositions. As a result of his fathers discouragement, he never learned to play the piano and he became proficient at guitar, flageolet and flute. He learned harmony from textbooks alone—he was not formally trained, the majority of his early compositions were romances and chamber pieces. While yet at age twelve, as recalled in his Mémoires, he experienced his first passion for a woman and he also began to visit the Paris Conservatoire library, seeking out scores of Glucks operas and making personal copies of parts of them. He recalled in his Mémoires his first encounter with Luigi Cherubini, Cherubini attempted to throw the impetuous Berlioz out of the library since he was not a formal music student at that time. Berlioz also heard two operas by Gaspare Spontini, a composer who influenced him through their friendship, and whom he later championed when working as a critic, from then on, he devoted himself to composition. He was encouraged in his endeavors by Jean-François Le Sueur, director of the Royal Chapel, in 1823, he wrote his first article—a letter to the journal Le corsaire defending Spontinis La vestale. Despite his parents disapproval, in 1824 he formally abandoned his studies to pursue a career in music. This work was rehearsed and revised after the rehearsal but not performed until the following year, Berlioz later claimed to have burnt the score, but it was re-discovered in 1991. Later that year or in 1825, he began to compose the opera Les francs-juges, the work survives only in fragments, the overture has been much recorded and is sometimes played in concert. In 1826 he began attending the Conservatoire to study composition under Jean-François Le Sueur and he also submitted a fugue to the Prix de Rome, but was eliminated in the primary round. Winning the prize would become an obsession until he won it in 1830
7.
La Marseillaise
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La Marseillaise is the national anthem of France. The song was written in 1792 by Claude Joseph Rouget de Lisle in Strasbourg after the declaration of war by France against Austria, and was originally titled Chant de guerre pour lArmée du Rhin. The Marseillaise was a song, an anthem to freedom, a patriotic call to mobilize all the citizens. The French National Convention adopted it as the Republics anthem in 1795 and it acquired its nickname after being sung in Paris by volunteers from Marseille marching to the capital. The song is the first example of the European march anthemic style, the anthems evocative melody and lyrics have led to its widespread use as a song of revolution and its incorporation into many pieces of classical and popular music. As the French Revolution continued, the monarchies of Europe became concerned that revolutionary fervor would spread to their countries, the War of the First Coalition was an effort to stop the revolution, or at least contain it to France. Initially, the French army did not distinguish itself, and Coalition armies invaded France and that evening, Rouget de Lisle wrote Chant de guerre pour lArmée du Rhin, and dedicated the song to Marshal Nicolas Luckner, a Bavarian in French service from Cham. A plaque on the building on Place Broglie where De Dietrichs house once stood commemorates the event. The melody soon became the call to the French Revolution and was adopted as La Marseillaise after the melody was first sung on the streets by volunteers from Marseille by the end of May. A newly graduated medical doctor, Mireur later became a general under Napoléon Bonaparte, the songs lyric reflects the invasion of France by foreign armies that were under way when it was written. Strasbourg itself was attacked just a few days later, the invading forces were repulsed from France following their defeat in the Battle of Valmy. As the vast majority of Alsatians did not speak French, a German version was published in October 1792 in Colmar, the Convention accepted it as the French national anthem in a decree passed on 14 July 1795, making it Frances first anthem. It later lost this status under Napoleon I, and the song was banned outright by Louis XVIII and Charles X, only being re-instated briefly after the July Revolution of 1830. During Napoleon Is reign, Veillons au Salut de lEmpire was the anthem of the regime. Eight years later, in 1879, it was restored as Frances national anthem, several musical antecedents have been cited for the melody, Mozarts Allegro maestoso of Piano Concerto No. Only the first verse and the first chorus are sung today in France, there are some slight historical variations in the lyrics of the song, the following is the version listed at the official website of the French Presidency. Verses sung in the version of the anthem are in bold. The United States Library of Congress holds the following English translation and these verses were omitted from the national anthem
8.
Nadia Boulanger
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Juliette Nadia Boulanger was a French composer, conductor, and teacher. She is notable for having many of the leading composers. She also performed occasionally as a pianist and organist, in that capacity, she influenced generations of young composers, especially those from the United States and other English-speaking countries. Boulanger was the first woman to conduct major orchestras in America and Europe, including the BBC Symphony, Boston Symphony, Hallé, New York Philharmonic. She conducted several premieres, including works by Copland and Stravinsky. Nadia Boulanger was born in Paris on 16 September 1887, to French composer and pianist Ernest Boulanger and his wife Raissa Myshetskaya and they had a daughter who died as an infant before Nadia was born. Nadia was born on her fathers 72nd birthday, Ernest had studied at the Paris Conservatoire and, in 1835 at the age of 20, won the coveted Prix de Rome for composition. He wrote comic operas and incidental music for plays, but was most widely known for his choral music and he achieved distinction as a director of choral groups, teacher of voice, and a member of choral competition juries. After years of rejection, in 1872 he was appointed to the Paris Conservatoire as professor of singing, Raissa qualified as a home tutor in 1873. According to Ernest, he and Raissa met in Russia in 1873 and she joined his voice class at the Conservatoire in 1876, and they were married in Russia in 1877. Through Nadias early years, although both parents were very active musically, the girl would get upset by hearing music and hide until it stopped, when Boulanger was five, Raissa became pregnant again. During the pregnancy, Boulangers response to music changed drastically, one day I heard a fire bell. Instead of crying out and hiding, I rushed to the piano, after this, Boulanger paid great attention to the singing lessons her father gave, and began to study the rudiments of music. Her sister, named Marie-Juliette Olga but known as Lili, was born in 1893, when Ernest brought Nadia home from their friends house, before she was allowed to see her mother or Lili, he made her promise solemnly to be responsible for the new babys welfare. He urged her to part in her sisters care. From the age of seven, Nadia Boulanger studied hard in preparation for her Conservatoire entrance exams, sitting in on their classes, Lili often stayed in the room for these lessons, sitting quietly and listening. Boulanger entered the Conservatoire in 1896 at the age of nine and she came third in the 1897 solfège competition, and subsequently worked hard to win first prize in 1898. She took private lessons from Vierne and Guilmant, during this period, she also received religious instruction to become an observant Catholic, taking her First Communion on 4 May 1899
9.
Victor Brauner
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Victor Brauner was a French Romanian sculptor and painter of surrealistic images. He was born in Piatra Neamț, Romania, the son of a Jewish timber manufacturer who subsequently settled in Vienna with his family for a few years and it is there that young Victor attended elementary school. When his family returned to Romania in 1914, he continued his studies at the Evangelical school in Brăila and his interests revolved around zoology during that period. He attended the National School of Fine Arts in Bucharest and Horia Igiroşanu private school of painting and he visited Fălticeni and Balcic, and started painting landscapes in the manner of Paul Cézanne. Then, as he testified himself, he went through all the stages, on 26 September 1924, the Mozart Galleries in Bucharest hosted his first personal exhibition. In that period he met poet Ilarie Voronca, together with whom he founded the 75HP magazine and it was in this magazine that Brauner published the manifesto The Pictopoetry and the article The Surrationalism. He painted and exhibited Christ at the Cabaret and The Girl in the Factory and he participated to the Contimporanul exhibition in November 1924. In 1925, he undertook his first journey to Paris, from where he returned in 1927, in 1930, he settled in Paris, where he met Constantin Brâncuși, who instructed him in methods of art photography. In that same period he became a friend of the Romanian poet Benjamin Fondane and met Yves Tanguy and he lived on Moulin Vert Street, in the same building as Alberto Giacometti and Tanguy. He painted Self-portrait with enucleated eye, a premonitory theme, in 1934 André Breton wrote an introduction to the catalogue for Brauner’s first Parisian solo exhibition at the Pierre Gallery. In 1935, Brauner returned to Bucharest and he joined the ranks of the Romanian Communist Party for a short while, without a very firm conviction. On 7 April 1935, he opened a new exhibition at the Mozart Galleries. They are written in French, but their taste is kept in their Romanian language translation. The exhibition brought about many interesting articles and takings of position regarding Surrealism in arts, another remark about Brauner’s participation to Surrealist exhibitions, Despite its appearance of abstract formula … this trend is a point of transition to the art that is to come. For V. Brauner takes attitude through the character and ideology of his art. On 27 April, he created the illustrations for Gellu Naum’s poetry collections – The Incendiary Traveler, in 1938, he returned to France. On 28 August, he lost his eye in a violent argument between Oscar Domínguez and Esteban Francés. Brauner attempted to protect Esteban and was hit by a glass thrown by Domínguez and that same year, he met Jaqueline Abraham, who was to become his wife
10.
Czechs
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Ethnic Czechs were called Bohemians in English until the early 20th century, referring to the late Iron Age tribe of Celtic Boii and the land Bohemia. The Czech diaspora is found in numbers in the United States, Canada, Israel, Austria, Germany, Slovakia, Switzerland, Italy. The Czech ethnic group is part of the West Slavic subgroup of the larger Slavic ethno-linguistical group, the West Slavs have origin in early Slavic tribes which settled in Central Europe after East Germanic tribes had left this area during the migration period. The West Slavic tribe of Bohemians settled in the area of Bohemia during the migration period and they formed an independent principality in the 9th century, the Duchy of Bohemia, under the Přemyslid dynasty. According to mythology, the father of the Czech people were Forefather Čech. The Czech are closely related to the neighbouring Slovaks, the Czech–Slovak languages form a dialect continuum rather than being two clearly distinct languages. Czech cultural influence in Slovak culture is noted as having much higher than the other way around. Czech people have a history of coexistence with Germanic people. The Czech National Revival took place in the 18th and 19th centuries aiming to revive Czech language, culture, the Czech were the initiators of Pan-Slavism. The Czech ethnonym was the name of a Slavic tribe in central Bohemia that subdued the tribes in the late 9th century. The origin of the name of the tribe itself is unknown, according to legend, it comes from their leader Čech, who brought them to Bohemia. Research regards Čech as a derivative of the root čel-, the Czech ethnonym was adopted by the Moravians in the 19th century. The name Bohemia is Germanic, English used that name until after the establishment of Czechoslovakia, the population of the Czech lands has been influenced by different human migrations that wide-crossed Europe over time. In their Y-DNA haplogroups, which are inherited along the male line,34. 2% of Czech males belong to R1a, which is particularly common in a large region extending from South Asia and Southern Siberia to Central Europe and Scandinavia. The population of the Czech Republic descends from diverse peoples of Slavic, Celtic and Germanic origin, presence of West Slavs in the 6th century during the Migration Period has been documented on the Czech territory. Slavs settled in Bohemia, Moravia and Austria sometime during the 6th or 7th centuries, according to a popular myth, the Slavs came with Forefather Čech who settled at the Říp Mountain. The Duchy of Bohemia emerged in the late 9th century, in 880, Prague Castle was constructed by Prince Bořivoj, founder of the Přemyslid dynasty and the city of Prague was established. Vratislav II was the first Czech king in 1085 and the duchy was raised to a kingdom under Ottokar I in 1198
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