The Mourners of Dijon are tomb sculptures made in Burgundy during the late fourteenth and early fifteenth centuries. They are part of a new iconographical tradition led by Claus Sluter that continued until the end of the fifteenth century. In this tradition, free-standing sculptures depict mourners who stand next to a bier or platform that holds a body in state. The figures are cloaked in robes which mostly hide their faces.
Claus Sluter, Pleurant nr 39
Mourner 54
Mourner 55
Mourner 56
Pleurants or weepers are anonymous sculpted figures representing mourners, used to decorate elaborate tomb monuments, mostly in the late Middle Ages in Western Europe. Typically they are relatively small, and a group were placed around the sides of a raised tomb monument, perhaps interspersed with armorial decoration, or carrying shields with this. They may be in relief or free-standing. In English usage the term "weepers" is sometimes extended to cover the small figures of the deceased's children often seen kneeling underneath the tomb effigy in Tudor tomb monuments.
Pleurants of Margaret of Bourbon (1438–1483) in the Royal Monastery of Brou, in Bourg-en-Bresse, France, by Conrad Meit
Effigy of Richard Beauchamp, 13th Earl of Warwick at the Collegiate Church of St Mary, Warwick
Life-sized pleurants from the tomb of Philippe Pot, Louvre, Paris
Pleurants from the Tomb of Isabella of Bourbon, Rijksmuseum, Amsterdam