The moving panorama was an innovation on panoramic painting in the mid-nineteenth century. It was among the most popular forms of entertainment in the world, with hundreds of panoramas constantly on tour in the United Kingdom, the United States, and many European countries. Moving panoramas were often seen in melodramatic plays. It became a new visual element to theatre and helped incorporate a more realistic quality. Not only was it a special effect on stage, but it also served as an ancestor and platform to early cinema.
1848 illustration of a moving panorama designed by John Banvard.
1891 poster for Poole's Myriorama featuring the meeting between Stanley and Emin Pasha
Poster for Fuller's Myriorama show about Ireland
Scene 25 from the Garibaldi Panorama (Brown University)
Illustrated handscrolls, emakimono , or emaki (絵巻) is an illustrated horizontal narration system of painted handscrolls that dates back to Nara-period Japan. Initially copying their much older Chinese counterparts in style, during the succeeding Heian (794–1185) and Kamakura periods (1185–1333), Japanese emakimono developed their own distinct style. The term therefore refers only to Japanese painted narrative scrolls.
Detail from the Genji Monogatari Emaki, a classic 12th century emakimono of the imperial court
Detail of calligraphy of the Genji Monogatari Emaki, on richly decorated paper
Example of a complete scroll of an emakimono, the Ippen Shōnin Eden (seventh scroll, 1299, Tokyo National Museum). Reading direction is from right to left. Traditionally, the reader never fully unwinds the roll, but unwinds it with one hand while rewinding it with the other, learning the story piecemeal.
Illustrated Sutra of Cause and Effect [fr], 8th century