Muhammad in Islam
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Muḥammad ibn ʿAbd Allāh ibn ʿAbd al-Muṭṭalib is believed to be the Seal of the Prophets in all of the main branches of Islam. Muslims believe that the Quran, the central religious text of Islam, was revealed to Muhammad by God, and that Muhammad was sent to restore Islam, which they believe did not originate with Muhammad but is the true unaltered original monotheistic faith of Adam, Abraham, Moses, Jesus, and other prophets. The religious, social, and political tenets that Muhammad established with the Quran became the foundation of Islam and the Muslim world.
"Muhammad, the Messenger of God" inscribed on the gates of the Prophet's Mosque in Medina
Bayt al-Mawlid, the birthplace of Muhammad. After his migration the house was taken and sold by Aqil ibn Abi Talib. The house was demolished and converted into the Makkah Al Mukarramah Library in 1951.
The birth of Muhammad in the Siyer-i-Nebi
A 16th-century Siyer-i Nebi image of angel Gabriel visiting Muhammad
Adam in Islam
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Adam, in Islamic theology, is believed to have been the first human being on Earth and the first prophet of Islam. Adam's role as the father of the human race is looked upon by Muslims with reverence. Muslims also refer to his wife, Ḥawwāʾ, as the "mother of mankind". Muslims see Adam as the first Muslim, as the Quran states that all the Prophets preached the same faith of Islam.
Adam honoured by angels – Persian miniature (c. 1560)
Adam and Eve with their thirteen twin children, miniature from Zubdat al-Tawarikh. As the text indicates, all of Adam's children were twins and each son had to marry the twin sister of a brother. Abel was asked by his father to wed Cane's twin sister, but Cane, whose twin happened to be the most beautiful wanted to keep her. This is how the dispute started between the two brothers. To end the dispute Adam asked both sons to make an offering to God and Abel's was accepted. This interesting version of the story is depicted in the lower left hand corner, where Cane is shown pulling the arm of his twin sister. The bushes, the symbol of Cane's offering, rest above the figures of Cane and his sister. Earlier Islamic artists, when illustrating the story of Adam and Eve, usually showed the couple in paradise but never placed them with their children, nor represented this version of the dispute between Cane and Abel. The Ottoman artist's narrative intent comes in here when he describes the story in the minutest detail and dresses his figures in sixteenth century Ottoman garments as if the theme was a local event.