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Designated one of the One Hundred Poets, Murasaki is shown dressed in a violet kimono, the color associated with her name, in this Edo period illustration.
Designated one of the One Hundred Poets, Murasaki is shown dressed in a violet kimono, the color associated with her name, in this Edo period illustra
Fujiwara no Michinaga (19th century monochrome illustration by Kikuchi Yōsai) became extremely powerful during Murasaki's lifetime.
Fujiwara no Michinaga (19th century monochrome illustration by Kikuchi Yōsai) became extremely powerful during Murasaki's lifetime.
A Tosa-school mid- to late 17th century yamato-e of Heian courtiers by Tosa Mitsuoki, shows women dressed in jūnihitoe and with floor-length hair.
A Tosa-school mid- to late 17th century yamato-e of Heian courtiers by Tosa Mitsuoki, shows women dressed in jūnihitoe and with floor-length hair.
A Tosa Mitsuoki illustration of Heian court women in the winter, late 17th century
A Tosa Mitsuoki illustration of Heian court women in the winter, late 17th century
Written text from the earliest illustrated handscroll (12th century)
Written text from the earliest illustrated handscroll (12th century)
Murasaki Shikibu, illustration by Tosa Mitsuoki who created a series of illustrations of The Tale of Genji (17th century)
Murasaki Shikibu, illustration by Tosa Mitsuoki who created a series of illustrations of The Tale of Genji (17th century)
Chapter 15 – Yomogiu (蓬生, "Waste of Weeds"). Scene from the 12th-century illustrated handscroll Genji Monogatari Emaki kept at the Tokugawa Art Museum
Chapter 15 – Yomogiu (蓬生, "Waste of Weeds"). Scene from the 12th-century illustrated handscroll Genji Monogatari Emaki kept at the Tokugawa Art Museum.
Chapter 16 – Sekiya (関屋, "At The Pass")
Chapter 16 – Sekiya (関屋, "At The Pass")