Museo del Prado

The Prado Museum known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It is considered to have one of the world's finest collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish Royal Collection, the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it contains important collections of other types of works; the Prado Museum is one of the most visited sites in the world, it is considered one of the greatest art museums in the world. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens and Diego Velázquez, are some of the highlights of the collection; the collection comprises around 8,200 drawings, 7,600 paintings, 4,800 prints, 1,000 sculptures, in addition to many other works of art and historic documents. As of 2012, the museum displayed about 1,300 works in the main buildings, while around 3,100 works were on temporary loan to various museums and official institutions.

The remainder were in storage. The museum received 2.8 million visitors in 2012. It is one of the largest museums in Spain; the best-known work on display at the museum is Las Meninas by Velázquez. Velázquez and his keen eye and sensibility were responsible for bringing much of the museum's fine collection of Italian masters to Spain, now the largest outside Italy; the building, now the home of the Museo Nacional del Prado was designed in 1785 by architect of the Enlightenment in Spain Juan de Villanueva on the orders of Charles III to house the Natural History Cabinet. Nonetheless, the building's final function was not decided until the monarch's grandson, Ferdinand VII, encouraged by his wife, Queen María Isabel de Braganza, decided to use it as a new Royal Museum of Paintings and Sculptures; the Royal Museum, which would soon become known as the National Museum of Painting and Sculpture, subsequently the Museo Nacional del Prado, opened to the public for the first time in November 1819. It was created with the double aim of showing the works of art belonging to the Spanish Crown and to demonstrate to the rest of Europe that Spanish art was of equal merit to any other national school.

The first catalogue of the Museum, published in 1819 and devoted to Spanish painting, included 311 paintings, although at that time the Museum housed 1,510 from the various royal residences, the Reales Sitios, including works from other schools. The exceptionally important royal collection, which forms the nucleus of the present-day Museo del Prado, started to increase in the 16th century during the time of Charles V and continued under the succeeding Habsburg and Bourbon monarchs, their efforts and determination led to the Royal Collection being enriched by some of the masterpieces now to be seen in the Prado. These include The Descent from the Cross by Rogier van der Weyden, The Garden of Earthly Delights by Hieronymous Bosch, Knight with his Hand on his Breast by El Greco, The Death of the Virgin by Mantegna, The Holy Family, known as "La Perla", by Raphael, Charles V at Mülhberg by Titian, Christ Washing the Disciples’ Feet by Tintoretto, Dürer's Self-portrait, Las Meninas by Velázquez, The Three Graces by Rubens, The Family of Charles IV by Goya.

In addition to works from the Spanish royal collection, other holdings increased and enriched the Museum with further masterpieces, such as the two Majas by Goya. Among the now closed museums whose collections have been added to that of the Prado were the Museo de la Trinidad in 1872, the Museo de Arte Moderno in 1971. In addition, numerous legacies and purchases have been of crucial importance for the growth of the collection. Various works entered the Prado from the Museo de la Trinidad, including The Fountain of Grace by the School of Van Eyck, the Santo Domingo and San Pedro Martír altarpieces painted for the monastery of Santo Tomás in Ávila by Pedro Berruguete, the five canvases by El Greco executed for the Colegio de doña María de Aragón. Most of the Museum's 19th-century paintings come from the former Museo de Arte Moderno, including works by the Madrazos, José de Madrazo y Agudo and Federico de Madrazo, Vicente López, Carlos de Haes, Eduardo Rosales and Sorolla. Upon the deposition of Isabella II in 1868, the museum was nationalized and acquired the new name of "Museo del Prado".

The building housed the royal collection of arts, it proved too small. The first enlargement to the museum took place in 1918. Since the creation of the Museo del Prado more than 2,300 paintings have been incorporated into its collection, as well as numerous sculptures, prints and works of art through bequests and purchases, which account for most of the New Acquisitions. Numerous bequests have enriched the Museum's holdings, such as the outstanding collection of medals left to the Museum by Pablo Bosch. Important donations include Barón Emile d'Erlanger's gift of Goya's Black Paintings in 1881. Among the numerous works that have entered the collection through purchase are some outstanding ones acquired in recent years including two works by El Greco, The Fable and The Flight into Egypt acquired in 1993 and 2001, Goya's The Countess of Chinchon bought in 2000, Velázquez's portrait of The Pope's Barber, acquired in 2003 and Fra Angelico's Madonna of the Pomegranate purchased in 2016. Between 1873 and 1900, the Prado helped decorate city halls, new universities, an

Race the Sun

Race the Sun is a 1996 American comedy-drama film directed by Charles T. Kanganis and starring Halle Berry and James Belushi; the plot is loosely based on the true story of the Konawaena High School Solar Car Team, which finished 18th in the 1990 World Solar Challenge and first place among high school entries. A new science teacher, Miss Sandra Beecher, at Kona Pali High School in Hawaii pushes a group of students to come up with a science project. With a combination of design vision, mechanical skills, knowledge of batteries, lightweight drivers, the students design and build a solar-powered car they name "Cockroach." Their team manages to outperform a corporate-sponsored car and win the local Big Island competition by predicting cloudy weather based on the surfing experience of the student captain, Daniel. Cloudy weather would make their vehicle's battery capacity a more important factor than its weight. With the shop teacher as chaperone, the students travel to Australia to compete in the World Solar Challenge.

To the relief of their corporate sponsor, still bitter over the loss of his company-built vehicle in Hawaii, their car is delayed at the start of the race. However, the students choose to remain in the race. A sand storm and other difficulties provide occasions for heroism. Uni Kakamura pilots the car through difficult terrain, but has an accident and is rescued by Gilbert. After Cindy is disqualified from driving for drinking alcohol, Eduardo puts aside his "lolo-haole" conflict with Daniel and reduces the car to allow the overweight Gilbert to drive so that the team can finish the race; the film was written and co-produced by Barry Morrow, who had shared the 1988 Academy Award for Writing Original Screenplay for Rain Man. The story was based on the solar car team from Konawaena High School, which finished 18th overall in the 1990 World Solar Challenge and first place among high school entries, was the first high school team to finish the Challenge. Stephen Holden of The New York Times said the "movie doesn't waste time admiring the technology at the expense of human drama, of which there is plenty, none of it overblown".

Peter Stack of the San Francisco Chronicle compared Race the Sun to Cool Runnings for solar cars, saying it "boasts not only the lively spectacle of the race but the kids learning to set aside their differences and insecurities to bond as a team. It's not a soaring, transcendent film experience – it's corny and predictable, but it has a certain sunny charm and a few winning gags to keep it in the winning column." Carole Glines of Box Office Magazine mentions the film's predictability, saying the student characters "all receive about a minute of screen time for character development as the plot paces through its predictable course." Hollis Chacona of the Austin Chronicle said "you might as well call this movie Hot Runnings", notes that J. Moki Cho's character Gilbert gives this film substance and a "sweet quality that makes it easier to swallow than you might expect"; the film grossed $1.1 million on its opening weekend and grossed a total of $1.9 million in the U. S. Cinema of Australia Race the Sun on IMDb Race the Sun at Rotten Tomatoes

So Long, Marianne (album)

So Long, Marianne is a compilation album by Leonard Cohen, issued in 1989 and in 1995. It features songs from his first four albums covered by his 1975 best of album. Although not authorized by the artist, the album is an official release, as Cohen's label issued it; the CD was available in several countries with different art covers and in different cheap CD series, as audio cassette with four extra songs. All songs written by Leonard Cohen except. "Who by Fire" – 2:30 "So Long, Marianne" – 5:37 "Chelsea Hotel #2" – 3:04 "Lady Midnight" – 2:55 "Sisters of Mercy" – 3:34 "Bird on the Wire" – 3:24 "Suzanne" – 3:46 "Lover Lover Lover" – 3:19 "Winter Lady" – 2:15 "Tonight Will Be Fine" – 3:47 "The Partisan" – 3:23 "Diamonds in the Mine" – 3:48 CD Compilations of Leonard Cohen