1.
Guqin
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The guqin is a plucked seven-string Chinese musical instrument of the zither family. It is sometimes referred to by the Chinese as the father of Chinese music or the instrument of the sages, the guqin is not to be confused with the guzheng, another Chinese long zither also without frets, but with moveable bridges under each string. The prefix gu- was later added for clarification, thus, the instrument is called guqin today. It can also be called qixian-qin, because Robert Hans van Guliks book about the qin is called The Lore of the Chinese Lute, the guqin is sometimes inaccurately called a lute. Other incorrect classifications, mainly from music compact discs, include harp or table-harp, the guqin is a very quiet instrument, with a range of about four octaves, and its open strings are tuned in the bass register. Its lowest pitch is two octaves below middle C, or the lowest note on the cello. Sounds are produced by plucking open strings, stopped strings, the use of glissando—sliding tones—gives it a sound reminiscent of a pizzicato cello, fretless double bass or a slide guitar. The qin is also capable of a lot of harmonics, of which 91 are most commonly used and indicated by the dotted positions, by tradition the qin originally had five strings, but ancient qin-like instruments with 10 or more strings have been found. The modern form has been standardized for about two millennia, legend has it that the qin, the most revered of all Chinese musical instruments, has a history of about 5,000 years. This legend states that the figures of Chinas pre-history — Fuxi, Shennong and Huang Di. Nearly all qin books and tablature collections published prior to the twentieth century state this as the origins of the qin. It is mentioned in Chinese writings dating back nearly 3,000 years, the exact origins of the qin is still a very much continuing subject of debate over the past few decades. It is the longest excerpt included on the disc, in 2003, guqin music was proclaimed as one of the Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO. There are a number of ancient sources that discuss qin lore, qin theory, some of these books are available inserted into certain qinpu. The detail can be very concise to extremely detailed and thorough, some are mostly philosophical or artistic musings, others are scientific and technical. As with any other tradition, there are differences in ideals. Therefore, there exist different schools and societies which transmit these different ideas, many qin schools known as qin pai developed over the centuries. Such schools generally formed around areas where qin activity was greatest, some schools have come and gone, and some have offshoots
2.
Music of India
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The music of India includes multiple varieties of Indian classical music, folk music, Filmi and Indian pop. Indias classical music tradition, including Hindustani music and Carnatic, has a history spanning millennia, Music in India began as an integral part of socio-religious life. The basic concepts of music includes shruti, swaras, alankar, raga. Its tonal system divides the octave into 22 segments called shrutis, not all equal, the Hindustani music tradition diverged from Carnatic music around the 13th-14th centuries CE. The practice of singing based on notes was popular even from the Vedic times where the hymns in Sama Veda, developing a strong and diverse tradition over several centuries, it has contemporary traditions established primarily in India but also in Pakistan and Bangladesh. Classical genres are dhrupad, dhamar, khyal, tarana and sadra, the present of Carnatic music can be traced to the 14th - 15th centuries AD and thereafter. It originated in South India during the rule of Vijayanagar Empire, like Hindustani music, it is melodic, with improvised variations, but tends to have more fixed compositions. It consists of a composition with improvised embellishments added to the piece in the forms of Raga Alapana, Kalpanaswaram, Neraval and, in the case of advanced students, Raga, Tala. The main emphasis is on the vocals as most compositions are written to be sung, there are about 7.2 million ragas in Carnatic Music, with around 300 still in use today. Every December, the city of Chennai in India has its eight-week-long Music Season, Carnatic music has served as the foundation for most music in South India, including folk music, festival music and has also extended its influence to film music in the past 100–150 years or so. Light classical or semi-classical, among others, Thumri, Dadra, Ghazal, Chaiti, Kajri and Tappa, Rabindra Sangeet, also known as Tagore songs, are songs written and composed by Rabindranath Tagore. They have distinctive characteristics in the music of Bengal, popular in India, Sangeet means music, Rabindra Sangeet means music of Rabindra. Rabindra Sangeet used Indian classical music and traditional music as sources. Rabindranath Tagore was a figure in Indian music. Many singers in West Bengal and Bangladesh base their careers on the singing of Tagore musical masterpieces. The national anthem of India and national anthem of Bangladesh are Rabindra Sangeets, bihu is the festival of New Year of Assam falling on mid April. This is a festival of nature and mother earth where the first day is for the cows, second day is for the man. Bihu dances and songs accompanied by drums and wind instruments are essential part of this festival
3.
Rock music
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It has its roots in 1940s and 1950s rock and roll, itself heavily influenced by blues, rhythm and blues and country music. Rock music also drew strongly on a number of genres such as electric blues and folk. Musically, rock has centered on the guitar, usually as part of a rock group with electric bass guitar. Typically, rock is song-based music usually with a 4/4 time signature using a verse-chorus form, like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political in emphasis. Punk was an influence into the 1980s on the subsequent development of subgenres, including new wave, post-punk. From the 1990s alternative rock began to rock music and break through into the mainstream in the form of grunge, Britpop. Similarly, 1970s punk culture spawned the visually distinctive goth and emo subcultures and this trio of instruments has often been complemented by the inclusion of other instruments, particularly keyboards such as the piano, Hammond organ and synthesizers. The basic rock instrumentation was adapted from the blues band instrumentation. A group of musicians performing rock music is termed a rock band or rock group, Rock music is traditionally built on a foundation of simple unsyncopated rhythms in a 4/4 meter, with a repetitive snare drum back beat on beats two and four. Melodies are often derived from older musical modes, including the Dorian and Mixolydian, harmonies range from the common triad to parallel fourths and fifths and dissonant harmonic progressions. Critics have stressed the eclecticism and stylistic diversity of rock, because of its complex history and tendency to borrow from other musical and cultural forms, it has been argued that it is impossible to bind rock music to a rigidly delineated musical definition. These themes were inherited from a variety of sources, including the Tin Pan Alley pop tradition, folk music and rhythm, as a result, it has been seen as articulating the concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, rock and roll usually implies an identification of male sexuality, according to Simon Frith rock was something more than pop, something more than rock and roll. Rock musicians combined an emphasis on skill and technique with the concept of art as artistic expression, original. The foundations of music are in rock and roll, which originated in the United States during the late 1940s and early 1950s. Its immediate origins lay in a melding of various musical genres of the time, including rhythm and blues and gospel music, with country. In 1951, Cleveland, Ohio disc jockey Alan Freed began playing rhythm and blues music for a multi-racial audience, debate surrounds which record should be considered the first rock and roll record. Other artists with rock and roll hits included Chuck Berry, Bo Diddley, Fats Domino, Little Richard, Jerry Lee Lewis
4.
Ethnography
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Ethnography is the systematic study of people and cultures. It is designed to explore cultural phenomena where the researcher observes society from the point of view of the subject of the study, an ethnography is a means to represent graphically and in writing the culture of a group. The word can thus be said to have a double meaning, the resulting field study or a case report reflects the knowledge and the system of meanings in the lives of a cultural group. The typical ethnography is a study and so includes a brief history, and an analysis of the terrain, the climate. In all cases it should be reflexive, make a contribution toward the understanding of the social life of humans, have an aesthetic impact on the reader. An ethnography records all observed behavior and describes all symbol-meaning relations, the word ethnography is derived from the Greek ἔθνος, meaning a company, later a people, nation and -graphy meaning field of study. Ethnographic studies focus on large groups of people who interact over time. Ethnography is a design, where the researcher explains about shared learnt patterns of values, behaviour, beliefs. The field of anthropology originated from Europe and England designed in late 19th century and it spread its roots to the United States at the beginning of the 20th century. Some of the main contributors like EB Tylor from Britain and Lewis H Morgan, franz Boas, Bronislaw Malinowski, Ruth Benedict and Margaret Mead, were a group of researchers from United States who contributed the idea of cultural relativism to the literature. He gives the point of the native and this became the origin of field work. Since Malinowski was very firm with his approach he applied it practically and he was interested in learning the language of the islanders and stayed there for a long time doing his field work. The field of ethnography became very popular in the late 19th century, again, in the latter part of the 19th century, the field of anthropology became a good support for scientific formation. Though the field was flourishing it had a lot of threat to encounter, post colonialism, the research climate shifted towards post-modernism and feminism. Therefore, the field of anthropology moved into discipline of social science, gerhard Friedrich Müller developed the concept of ethnography as a separate discipline whilst participating in the Second Kamchatka Expedition as a professor of history and geography. Whilst involved in the expedition, he differentiated Völker-Beschreibung as an area of study. This became known as ethnography, following the introduction of the Greek neologism ethnographia by Johann Friedrich Schöpperlin, there are different forms of ethnography, confessional ethnography, life history, feminist ethnography etc. Two popular forms of ethnography are realist ethnography and critical ethnography, realist ethnography, is a traditional approach used by cultural anthropologists
5.
Manuscript
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A manuscript is any document written by hand or typewritten, as opposed to being mechanically printed or reproduced in some automated way. More recently, it is understood to be a written, typed, or word-processed copy of a work. Before the arrival of printing, all documents and books were manuscripts, manuscripts are not defined by their contents, which may combine writing with mathematical calculations, maps, explanatory figures or illustrations. Manuscripts may be in form, scrolls or in codex format. Illuminated manuscripts are enriched with pictures, border decorations, elaborately embossed initial letters or full-page illustrations. The traditional abbreviations are MS for manuscript and MSS for manuscripts, while the forms MS. ms or ms. for singular, and MSS. mss or mss. for plural are also accepted. The second s is not simply the plural, by an old convention, it doubles the last letter of the abbreviation to express the plural, just as pp. means pages. Before the invention of printing in China or by moveable type in a printing press in Europe. Historically, manuscripts were produced in form of scrolls or books, manuscripts were produced on vellum and other parchment, on papyrus, and on paper. In Russia birch bark documents as old as from the 11th century have survived, in India, the palm leaf manuscript, with a distinctive long rectangular shape, was used from ancient times until the 19th century. Paper spread from China via the Islamic world to Europe by the 14th century, when Greek or Latin works were published, numerous professional copies were made simultaneously by scribes in a scriptorium, each making a single copy from an original that was declaimed aloud. Manuscripts in Tocharian languages, written on leaves, survived in desert burials in the Tarim Basin of Central Asia. Volcanic ash preserved some of the Roman library of the Villa of the Papyri in Herculaneum, ironically, the manuscripts that were being most carefully preserved in the libraries of antiquity are virtually all lost. Originally, all books were in manuscript form, in China, and later other parts of East Asia, woodblock printing was used for books from about the 7th century. The earliest dated example is the Diamond Sutra of 868, in the Islamic world and the West, all books were in manuscript until the introduction of movable type printing in about 1450. Manuscript copying of books continued for a least a century, as printing remained expensive, private or government documents remained hand-written until the invention of the typewriter in the late 19th century. In the Philippines, for example, as early as 900AD, specimen documents were not inscribed by stylus and this type of document was rare compared to the usual leaves and bamboo staves that were inscribed. However, neither the leaves nor paper were as durable as the document in the hot
6.
Palaeography
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Palaeography or paleography is the study of ancient and historical handwriting. The discipline is important for understanding, authenticating, and dating ancient texts, however, it cannot in general be used to pinpoint dates with high precision. Palaeography can be a skill for historians and philologists, as it tackles two main difficulties. First, since the style of an alphabet in each given language has evolved constantly. Second, scribes often used many abbreviations, usually so as to more quickly and sometimes to save space. Knowledge of individual letter-forms, ligatures, punctuation, and abbreviations enables the palaeographer to read, the palaeographer must know, first, the language of the text, and second, the historical usages of various styles of handwriting, common writing customs, and scribal or notarial abbreviations. Philological knowledge of the language, vocabulary, and grammar generally used at a time or place can help palaeographers identify ancient or more recent forgeries versus authentic documents. Knowledge of writing materials is essential to the study of handwriting. Palaeography can be used to provide information about the date at which a document was written, scholars also tend to oversimplify diachronic development, assuming models of simplicity rather than complexity. It spread from the Mediterranean coast to the borders of India, becoming popular and being adopted by many people. The Aramaic script was written in a form with a direction from right to left. One innovation in Aramaic is the matres lectionis system to indicate certain vowels, Early Phoenician-derived scripts did not have letters for vowels, and so most texts recorded just consonants. Most likely as a consequence of changes in North Semitic languages. The letter aleph was employed to write /ā/, he for /ō/, yod for /ī/, Aramaic writing and language supplanted Babylonian cuneiform and Akkadian language, even in their homeland in Mesopotamia. The wide diffusion of Aramaic letters led to its writing being used not only in monumental inscriptions, Aramaic papyri have been found in large numbers in Egypt, especially at Elephantine – among them are official and private documents of the Jewish military settlement in 5 BC. In the Aramaic papyri and potsherds, words are separated usually by a small gap, at the turn of the 3rd to 2nd centuries BC, the heretofore uniform Aramaic letters developed new forms, as a result of dialectal and political fragmentation in several subgroups. The most important of these is the so-called square Hebrew block script, followed by Palmyrene, Nabataean, Aramaic is usually divided into three main parts, Old Aramaic Middle Aramaic, and Modern Aramaic of the present day. Old Aramaic appeared in the 11th century BC as the language of the first Aramaean states
7.
Textual criticism
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Textual criticism is a branch of textual scholarship, philology, and literary criticism that is concerned with the identification of textual variants in either manuscripts or printed books. Ancient scribes made alterations when copying manuscripts by hand, given a manuscript copy, several or many copies, but not the original document, the textual critic might seek to reconstruct the original text as closely as possible. The same processes can be used to attempt to reconstruct intermediate versions, or recensions, the ultimate objective of the textual critics work is the production of a critical edition containing a scholarly curated text. There are three approaches to textual criticism, eclecticism, stemmatics, and copy-text editing. Techniques from the discipline of cladistics are currently also being used to determine the relationships between manuscripts. Textual criticism has been practiced for two thousand years. Early textual critics were concerned with preserving the works of antiquity, many ancient works, such as the Bible and the Greek tragedies, survive in hundreds of copies, and the relationship of each copy to the original may be unclear. Textual scholars have debated for centuries which sources are most closely derived from the original, hence which readings in those sources are correct. Although biblical books that are letters, like Greek plays, presumably had one original, interest in applying textual criticism to the Quran has also developed after the discovery of the Sanaa manuscripts in 1972, which possibly date back to the 7–8th centuries. However, the application of textual criticism to non-religious works does not antedate the invention of printing, while Christianity has been relatively receptive to textual criticism, application of it to the Jewish Torah and the Quran is, to the devout, taboo. The business of textual criticism is to produce a text as close as possible to the original, Maas comments further that A dictation revised by the author must be regarded as equivalent to an autograph manuscript. The lack of autograph manuscripts applies to many cultures other than Greek, in such a situation, a key objective becomes the identification of the first exemplar before any split in the tradition. That exemplar is known as the archetype, if we succeed in establishing the text of, the constitutio is considerably advanced. The textual critics ultimate objective is the production of a critical edition and this contains the text that the author has determined most closely approximates the original, and is accompanied by an apparatus criticus or critical apparatus. Before mechanical printing, literature was copied by hand, and many variations were introduced by copyists, the age of printing made the scribal profession effectively redundant. Printed editions, while less susceptible to the proliferation of variations likely to arise during manual transmission, are not immune to introducing variations from an authors autograph. Instead of a scribe miscopying his source, a compositor or a shop may read or typeset a work in a way that differs from the autograph. Since each scribe or printer commits different errors, reconstruction of the lost original is often aided by a selection of readings taken from many sources, an edited text that draws from multiple sources is said to be eclectic
8.
Iconography
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The word iconography comes from the Greek εἰκών and γράφειν. A secondary meaning is the production of images, called icons, in the Byzantine and Orthodox Christian tradition. In art history, an iconography may also mean a depiction of a subject in terms of the content of the image, such as the number of figures used, their placing. Sometimes distinctions have been made between iconology and iconography, although the definitions, and so the distinction made, varies, when referring to movies, genres are immediately recognizable through their iconography, motifs that become associated with a specific genre through repetition. Gian Pietro Bellori, a 17th-century biographer of artists of his own time, describes and analyses, not always correctly, many works. Lessings study of the classical figure Amor with a torch was an early attempt to use a study of a type of image to explain the culture it originated in. These early contributions paved the way for encyclopedias, manuals, mâles lArt religieux du XIIIe siècle en France translated into English as The Gothic Image, Religious Art in France of the Thirteenth Century has remained continuously in print. In the United States, to which Panofsky immigrated in 1931, students such as Frederick Hartt, the period from 1940 can be seen as one where iconography was especially prominent in art history. These are now being digitised and made online, usually on a restricted basis. For example, the Iconclass code 71H7131 is for the subject of Bathsheba with Davids letter, whereas 71 is the whole Old Testament and 71H the story of David. A number of collections of different types have been classified using Iconclass, notably types of old master print, the collections of the Gemäldegalerie, Berlin. These are available, usually on-line or on DVD, the system can also be used outside pure art history, for example on sites like Flickr. Central to the iconography and hagiography of Indian religions are mudra or gestures with specific meanings, the symbolic use of colour to denote the Classical Elements or Mahabhuta and letters and bija syllables from sacred alphabetic scripts are other features. Under the influence of art developed esoteric meanings, accessible only to initiates. The art of Indian Religions esp, for example, Narasimha an incarnation of Vishnu though considered a wrathful deity but in few contexts is depicted in pacified mood. Conversely, in Hindu art, narrative scenes have become more common in recent centuries, especially in miniature paintings of the lives of Krishna. Eventually the Church would succeed in weeding most of these out, after the period of Byzantine iconoclasm iconographical innovation was regarded as unhealthy, if not heretical, in the Eastern Church, though it still continued at a glacial pace. More than in the West, traditional depictions were often considered to have authentic or miraculous origins, the Eastern church also never accepted the use of monumental high relief or free-standing sculpture, which it found too reminiscent of paganism
9.
Biography
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A biography, or simply bio, is a detailed description of a persons life. It involves more than just the basic facts like education, work, relationships, biographical works are usually non-fiction, but fiction can also be used to portray a persons life. One in-depth form of biographical coverage is called legacy writing, works in diverse media, from literature to film, form the genre known as biography. An authorized biography is written with the permission, cooperation, and at times, an autobiography is written by the person himself or herself, sometimes with the assistance of a collaborator or ghostwriter. At first, biographical writings were regarded merely as a subsection of history with a focus on an individual of historical importance. The independent genre of biography as distinct from general history writing, began to emerge in the 18th century, one of the earliest of the biographers was Plutarch, and his Parallel Lives, published about 80 A. D. covers prominent figures in the classical world. Cornelius Nepos published a work, his Excellentium Imperatorum Vitae. Perhaps the earliest extant biography that does not contain mythological material is The Lives of the Caesars by Suetonius, in the early Middle Ages, there was a decline in awareness of the classical culture in Europe. During this time, the only repositories of knowledge and records of the history in Europe were those of the Roman Catholic Church. Hermits, monks, and priests used this period to write biographies. Their subjects were usually restricted to the fathers, martyrs, popes. Their works were meant to be inspirational to the people and vehicles for conversion to Christianity, one significant secular example of a biography from this period is the life of Charlemagne by his courtier Einhard. Early biographical dictionaries were published as compendia of famous Islamic personalities from the 9th century onwards and they contained more social data for a large segment of the population than other works of that period. And then began the documentation of the lives of other historical figures who lived in the medieval Islamic world. By the late Middle Ages, biographies became less church-oriented in Europe as biographies of kings, knights, the most famous of such biographies was Le Morte dArthur by Sir Thomas Malory. The book was an account of the life of the fabled King Arthur, following Malory, the new emphasis on humanism during the Renaissance promoted a focus on secular subjects, such as artists and poets, and encouraged writing in the vernacular. Giorgio Vasaris Lives of the Artists was the landmark biography focusing on secular lives, vasari made celebrities of his subjects, as the Lives became an early bestseller. Two other developments are noteworthy, the development of the press in the 15th century
10.
Society
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In the social sciences, a larger society often evinces stratification or dominance patterns in subgroups. A society can also consist of like-minded people governed by their own norms and values within a dominant and this is sometimes referred to as a subculture, a term used extensively within criminology. The term society came from the Latin word societas, which in turn was derived from the noun used to describe a bond or interaction between parties that are friendly, or at least civil. Without an article, the term can refer to the entirety of humanity, Society, in general, addresses the fact that an individual has rather limited means as an autonomous unit. Cultural relativism as an approach or ethic has largely replaced notions of primitive, better/worse. Societies may also be structured politically, in order of increasing size and complexity, there are bands, tribes, chiefdoms, and state societies. These structures may have varying degrees of power, depending on the cultural, geographical. Thus, an isolated society with the same level of technology. A society that is unable to offer a response to other societies it competes with will usually be subsumed into the culture of the competing society. Sociologist Peter L. Berger defines society as. a human product, and nothing but a human product, according to him, society was created by humans but this creation turns back and creates or molds humans every day. This is similar to the earlier developed by anthropologists Morton H. This system of classification contains four categories, Hunter-gatherer bands, tribal societies in which there are some limited instances of social rank and prestige. Civilizations, with complex social hierarchies and organized, institutional governments, in addition to this there are, Humanity, mankind, upon which rest all the elements of society, including societys beliefs. Virtual society, a society based on identity, which is evolving in the information age. Over time, some cultures have progressed toward more complex forms of organization and this cultural evolution has a profound effect on patterns of community. Hunter-gatherer tribes settled around seasonal food stocks to become agrarian villages, villages grew to become towns and cities. Cities turned into city-states and nation-states, many societies distribute largess at the behest of some individual or some larger group of people. This type of generosity can be seen in all cultures, typically
11.
College
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College is an educational institution or a constituent part of one. A college may be a tertiary educational institution, a part of a collegiate or federal university. In ancient Rome a collegium was a club or society, a group of living together under a common set of rules. Aside from the educational context - nowadays the most common use of college - there are various other meanings also derived from the original Latin term. In the United States, college can be a synonym for university, in Singapore and India, this is known as a junior college. The municipal government of the city of Paris uses the sixth form college as the English name for a lycée. In some national education systems, secondary schools may be called colleges or have college as part of their title, in Australia the term college is applied to any private or independent primary and, especially, secondary school as distinct from a state school. Melbourne Grammar School, Cranbrook School, Sydney and The Kings School, there has also been a recent trend to rename or create government secondary schools as colleges. In the state of Victoria, some high schools are referred to as secondary colleges. Interestingly, the pre-eminent government secondary school for boys in Melbourne is still named Melbourne High School, in Western Australia, South Australia and the Northern Territory, college is used in the name of all state high schools built since the late 1990s, and also some older ones. In New South Wales, some schools, especially multi-campus schools resulting from mergers, are known as secondary colleges. In Queensland some newer schools which accept primary and high school students are styled state college, in Tasmania and the Australian Capital Territory, college refers to the final two years of high school, and the institutions which provide this. In this context, college is an independent of the other years of high school. Here, the expression is a version of matriculation college. This is because these schools have traditionally focused on academic, rather than vocational, subjects. Some private secondary schools choose to use the college in their names nevertheless. Some secondary schools elsewhere in the country, particularly ones within the school system. In New Zealand the word normally refers to a secondary school for ages 13 to 17
12.
Baroque music
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Baroque music is a style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era, Baroque music forms a major portion of the classical music canon, being widely studied, performed, and listened to. The Baroque period saw the creation of tonality, an approach to writing music in which a song or piece is written in a particular key, during the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. A characteristic Baroque form was the dance suite, while the pieces in a dance suite were inspired by actual dance music, dance suites were designed for listening, not for accompanying dancers. During the period, composers and performers used more elaborate ornamentation, made changes in musical notation. Many musical terms and concepts from this era, such as toccata, fugue, dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously, was an important part of many Baroque choral and instrumental works. The word baroque comes from the Portuguese word barroco, meaning misshapen pearl, the term Baroque is generally used by music historians to describe a broad range of styles from a wide geographic region, mostly in Europe, composed over a period of approximately 150 years. The systematic application by historians of the baroque to music of this period is a relatively recent development. In 1919, Curt Sachs became the first to apply the five characteristics of Heinrich Wölfflins theory of the Baroque systematically to music, all of these efforts resulted in appreciable disagreement about time boundaries of the period, especially concerning when it began. In English the term acquired currency only in the 1940s, in the writings of Bukofzer, nevertheless, the term has become widely used and accepted for this broad range of music. It may be helpful to distinguish the Baroque from both the preceding and following periods of musical history, the Baroque period is divided into three major phases, early, middle, and late. Although they overlap in time, they are dated from 1580 to 1630, from 1630 to 1680. In reference to music, they based their ideals on a perception of Classical musical drama that valued discourse, the early realizations of these ideas, including Jacopo Peris Dafne and LEuridice, marked the beginning of opera, which were a catalyst for Baroque music. Concerning music theory, the widespread use of figured bass represents the developing importance of harmony as the linear underpinnings of polyphony. Harmony is the end result of counterpoint, and figured bass is a representation of those harmonies commonly employed in musical performance. With figured bass, numbers, accidentals or symbols were placed above the bassline that was read by keyboard instrument players such as players or pipe organists. The numbers, accidentals or symbols indicated to the player what intervals she should play above each bass note. The keyboard player would improvise a chord voicing for each bass note and this led to the idea that certain sequences of chords, rather than just notes, could provide a sense of closure at the end of a piece—one of the fundamental ideas that became known as tonality
