1.
History of music
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Music is found in every known culture, past and present, varying widely between times and places. Consequently, music may have been in existence for at least 55,000 years, a cultures music is influenced by all other aspects of that culture, including social and economic organization and experience, climate, and access to technology. The emotions and ideas that music expresses, the situations in which music is played and listened to, Music history is the distinct subfield of musicology and history which studies music from a chronological perspective. Prehistoric music, once more commonly called music, is the name given to all music produced in preliterate cultures. Prehistoric music is followed by ancient music in most of Europe and later music in subsequent European-influenced areas, however, it is more common to refer to the prehistoric music of non-European continents – especially that which still survives – as folk, indigenous or traditional music. The origin of music is unknown as it occurred prior to recorded history, some suggest that the origin of music likely stems from naturally occurring sounds and rhythms. Human music may echo these phenomena using patterns, repetition and tonality, even today, some cultures have certain instances of their music intending to imitate natural sounds. In some instances, this feature is related to beliefs or practice. It may also serve entertainment or practical functions and it is probable that the first musical instrument was the human voice itself, which can make a vast array of sounds, from singing, humming and whistling through to clicking, coughing and yawning. In 2008 archaeologists discovered a bone flute in the Hohle Fels cave near Ulm, the five-holed flute has a V-shaped mouthpiece and is made from a vulture wing bone. The oldest known wooden pipes were discovered near Greystones, Ireland, a wood-lined pit contained a group of six flutes made from yew wood, between 30 and 50 cm long, tapered at one end, but without any finger holes. They may once have been strapped together, the prehistoric age is considered to have ended with the development of writing, and with it, by definition, prehistoric music. Ancient music is the given to the music that followed. The oldest known song was written in cuneiform, dating to 3400 years ago from Ugarit. It was deciphered by Anne Draffkorn Kilmer, and was demonstrated to be composed in harmonies of thirds, like ancient gymel, the oldest surviving example of a complete musical composition, including musical notation, from anywhere in the world, is the Seikilos epitaph. One pipe in the aulos pairs likely served as a drone or keynote, instruments, such as the seven holed flute and various types of stringed instruments have been recovered from the Indus valley civilization archaeological sites. Indian classical music can be found from the scriptures of the Hindu tradition, samaveda, one of the four vedas, describes music at length. Ravanahatha is a bowed fiddle popular in Western India and it is believed to have originated among the Hela civilization of Sri Lanka in the time of King Ravana
2.
Tang dynasty
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The Tang dynasty was an imperial dynasty of China preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period. It is generally regarded as a point in Chinese civilization. Its territory, acquired through the campaigns of its early rulers, rivaled that of the Han dynasty. The dynasty was founded by the Lǐ family, who seized power during the decline, the dynasty was briefly interrupted when Empress Wu Zetian seized the throne, proclaiming the Second Zhou dynasty and becoming the only Chinese empress regnant. In two censuses of the 7th and 8th centuries, the Tang records estimated the population by number of registered households at about 50 million people. Various kingdoms and states paid tribute to the Tang court, while the Tang also conquered or subdued several regions which it controlled through a protectorate system. Besides political hegemony, the Tang also exerted a powerful influence over neighboring states such as those in Korea, Japan. Like the previous Sui dynasty, the Tang dynasty maintained a service system by recruiting scholar-officials through standardized examinations and recommendations to office. This civil order was undermined by the rise of military governors known as jiedushi during the 9th century. Chinese culture flourished and further matured during the Tang era, it is considered the greatest age for Chinese poetry. Two of Chinas most famous poets, Li Bai and Du Fu, belonged to this age, as did many famous painters such as Han Gan, Zhang Xuan, there was a rich variety of historical literature compiled by scholars, as well as encyclopedias and geographical works. The adoption of the title Tängri Qaghan by the Tang Emperor Taizong in addition to his title as emperor was eastern Asias first simultaneous kingship, there were many notable innovations during the Tang, including the development of woodblock printing. Buddhism became an influence in Chinese culture, with native Chinese sects gaining prominence. However, Buddhism would later be persecuted by the state, subsequently declining in influence, although the dynasty and central government were in decline by the 9th century, art and culture continued to flourish. This family was known as the Longxi Li lineage, which includes the Tang poet Li Bai, the Tang Emperors also had Xianbei maternal ancestry, from Emperor Gaozu of Tangs Xianbei mother Duchess Dugu. He had prestige and military experience, and was a first cousin of Emperor Yang of Sui, Li Yuan rose in rebellion in 617, along with his son and his equally militant daughter Princess Pingyang, who raised and commanded her own troops. In winter 617, Li Yuan occupied Changan, relegated Emperor Yang to the position of Taishang Huang or retired emperor, and acted as regent to the puppet child-emperor, Emperor Gong of Sui. On the news of Emperor Yangs murder by General Yuwen Huaji on June 18,618, Li Yuan declared himself the emperor of a new dynasty, the Tang
3.
Guqin
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The guqin is a plucked seven-string Chinese musical instrument of the zither family. It is sometimes referred to by the Chinese as the father of Chinese music or the instrument of the sages, the guqin is not to be confused with the guzheng, another Chinese long zither also without frets, but with moveable bridges under each string. The prefix gu- was later added for clarification, thus, the instrument is called guqin today. It can also be called qixian-qin, because Robert Hans van Guliks book about the qin is called The Lore of the Chinese Lute, the guqin is sometimes inaccurately called a lute. Other incorrect classifications, mainly from music compact discs, include harp or table-harp, the guqin is a very quiet instrument, with a range of about four octaves, and its open strings are tuned in the bass register. Its lowest pitch is two octaves below middle C, or the lowest note on the cello. Sounds are produced by plucking open strings, stopped strings, the use of glissando—sliding tones—gives it a sound reminiscent of a pizzicato cello, fretless double bass or a slide guitar. The qin is also capable of a lot of harmonics, of which 91 are most commonly used and indicated by the dotted positions, by tradition the qin originally had five strings, but ancient qin-like instruments with 10 or more strings have been found. The modern form has been standardized for about two millennia, legend has it that the qin, the most revered of all Chinese musical instruments, has a history of about 5,000 years. This legend states that the figures of Chinas pre-history — Fuxi, Shennong and Huang Di. Nearly all qin books and tablature collections published prior to the twentieth century state this as the origins of the qin. It is mentioned in Chinese writings dating back nearly 3,000 years, the exact origins of the qin is still a very much continuing subject of debate over the past few decades. It is the longest excerpt included on the disc, in 2003, guqin music was proclaimed as one of the Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO. There are a number of ancient sources that discuss qin lore, qin theory, some of these books are available inserted into certain qinpu. The detail can be very concise to extremely detailed and thorough, some are mostly philosophical or artistic musings, others are scientific and technical. As with any other tradition, there are differences in ideals. Therefore, there exist different schools and societies which transmit these different ideas, many qin schools known as qin pai developed over the centuries. Such schools generally formed around areas where qin activity was greatest, some schools have come and gone, and some have offshoots
4.
Music of India
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The music of India includes multiple varieties of Indian classical music, folk music, Filmi and Indian pop. Indias classical music tradition, including Hindustani music and Carnatic, has a history spanning millennia, Music in India began as an integral part of socio-religious life. The basic concepts of music includes shruti, swaras, alankar, raga. Its tonal system divides the octave into 22 segments called shrutis, not all equal, the Hindustani music tradition diverged from Carnatic music around the 13th-14th centuries CE. The practice of singing based on notes was popular even from the Vedic times where the hymns in Sama Veda, developing a strong and diverse tradition over several centuries, it has contemporary traditions established primarily in India but also in Pakistan and Bangladesh. Classical genres are dhrupad, dhamar, khyal, tarana and sadra, the present of Carnatic music can be traced to the 14th - 15th centuries AD and thereafter. It originated in South India during the rule of Vijayanagar Empire, like Hindustani music, it is melodic, with improvised variations, but tends to have more fixed compositions. It consists of a composition with improvised embellishments added to the piece in the forms of Raga Alapana, Kalpanaswaram, Neraval and, in the case of advanced students, Raga, Tala. The main emphasis is on the vocals as most compositions are written to be sung, there are about 7.2 million ragas in Carnatic Music, with around 300 still in use today. Every December, the city of Chennai in India has its eight-week-long Music Season, Carnatic music has served as the foundation for most music in South India, including folk music, festival music and has also extended its influence to film music in the past 100–150 years or so. Light classical or semi-classical, among others, Thumri, Dadra, Ghazal, Chaiti, Kajri and Tappa, Rabindra Sangeet, also known as Tagore songs, are songs written and composed by Rabindranath Tagore. They have distinctive characteristics in the music of Bengal, popular in India, Sangeet means music, Rabindra Sangeet means music of Rabindra. Rabindra Sangeet used Indian classical music and traditional music as sources. Rabindranath Tagore was a figure in Indian music. Many singers in West Bengal and Bangladesh base their careers on the singing of Tagore musical masterpieces. The national anthem of India and national anthem of Bangladesh are Rabindra Sangeets, bihu is the festival of New Year of Assam falling on mid April. This is a festival of nature and mother earth where the first day is for the cows, second day is for the man. Bihu dances and songs accompanied by drums and wind instruments are essential part of this festival
5.
Rock music
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It has its roots in 1940s and 1950s rock and roll, itself heavily influenced by blues, rhythm and blues and country music. Rock music also drew strongly on a number of genres such as electric blues and folk. Musically, rock has centered on the guitar, usually as part of a rock group with electric bass guitar. Typically, rock is song-based music usually with a 4/4 time signature using a verse-chorus form, like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political in emphasis. Punk was an influence into the 1980s on the subsequent development of subgenres, including new wave, post-punk. From the 1990s alternative rock began to rock music and break through into the mainstream in the form of grunge, Britpop. Similarly, 1970s punk culture spawned the visually distinctive goth and emo subcultures and this trio of instruments has often been complemented by the inclusion of other instruments, particularly keyboards such as the piano, Hammond organ and synthesizers. The basic rock instrumentation was adapted from the blues band instrumentation. A group of musicians performing rock music is termed a rock band or rock group, Rock music is traditionally built on a foundation of simple unsyncopated rhythms in a 4/4 meter, with a repetitive snare drum back beat on beats two and four. Melodies are often derived from older musical modes, including the Dorian and Mixolydian, harmonies range from the common triad to parallel fourths and fifths and dissonant harmonic progressions. Critics have stressed the eclecticism and stylistic diversity of rock, because of its complex history and tendency to borrow from other musical and cultural forms, it has been argued that it is impossible to bind rock music to a rigidly delineated musical definition. These themes were inherited from a variety of sources, including the Tin Pan Alley pop tradition, folk music and rhythm, as a result, it has been seen as articulating the concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, rock and roll usually implies an identification of male sexuality, according to Simon Frith rock was something more than pop, something more than rock and roll. Rock musicians combined an emphasis on skill and technique with the concept of art as artistic expression, original. The foundations of music are in rock and roll, which originated in the United States during the late 1940s and early 1950s. Its immediate origins lay in a melding of various musical genres of the time, including rhythm and blues and gospel music, with country. In 1951, Cleveland, Ohio disc jockey Alan Freed began playing rhythm and blues music for a multi-racial audience, debate surrounds which record should be considered the first rock and roll record. Other artists with rock and roll hits included Chuck Berry, Bo Diddley, Fats Domino, Little Richard, Jerry Lee Lewis
6.
Ethnomusicology
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Ethnomusicology is the study of music from the cultural and social aspects of the people who make it. Stated broadly, ethnomusicology may be described as an investigation of music in its cultural contexts. When the field first came into existence, it was limited to the study of non-Western music—in contrast to the study of Western art music. Over time, the definition broadened to study of all the musics of the world according to certain approaches. While there is not a single, authoritative definition for ethnomusicology, Musical fieldworkers often also collect recordings and contextual information about the music of interest. Thus, ethnomusicological studies do not rely on printed or manuscript sources as the source of epistemic authority. Oskar Kolberg is regarded as one of the earliest European ethnomusicologists as he first began collecting Polish folk songs in 1839, comparative musicology, the primary precursor to ethnomusicology, emerged in the late 19th century and early 20th century. The International Musical Society in Berlin in 1899 acted as one of the first centers for ethnomusicology, the International Council for Traditional Music and the Society for Ethnomusicology are the primary international academic organizations for advancing the discipline of ethnomusicology. Ethnomusicologists have offered varying definitions of the field, more specifically, scholars debate what constitutes ethnomusicology. Bruno Nettl distinguishes between discipline and field, believing ethnomusicology is the latter, there are multiple approaches to and challenges of the field. Some approaches reference musical areas like musical synthesis in Ghana while others emphasize a study of culture through the avenue of music, the multifaceted and dynamic approaches to ethnomusicology allude to how the field has evolved. The primary element that distinguishes ethnomusicology from musicology is the expectation that ethnomusicologists engage in sustained, there are many individuals and groups who can be connected to ethnomusicology. Ethnomusicology has evolved both in terminology and ideology since its inception in the late 19th century. While studying in Berlin at Frederick William University and attending the International Music Society, in his notes, he emphasized cultural and religious elements as well as social aspects of music and poetry. Inspired by these thoughts, many Western European nations began to transcribe and categorize music based on ethnicity, inspired by these thoughts, many Western European nations began to put many ethnic and cultural pieces of music onto paper and separate them. In 1956 the hyphen was removed with ideological intent to signify the discipline’s validity and these changes to the field’s name paralleled its internal shifts in ideological and intellectual emphasis. Kolinski also urged the field to move beyond ethnocentrism even as the term grew in popularity as a replacement for what was once described by comparative musicology. In the 1970s, ethnomusicology was becoming well known outside of the small circle of scholars who had founded and fostered the early development of the field
7.
Ethnography
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Ethnography is the systematic study of people and cultures. It is designed to explore cultural phenomena where the researcher observes society from the point of view of the subject of the study, an ethnography is a means to represent graphically and in writing the culture of a group. The word can thus be said to have a double meaning, the resulting field study or a case report reflects the knowledge and the system of meanings in the lives of a cultural group. The typical ethnography is a study and so includes a brief history, and an analysis of the terrain, the climate. In all cases it should be reflexive, make a contribution toward the understanding of the social life of humans, have an aesthetic impact on the reader. An ethnography records all observed behavior and describes all symbol-meaning relations, the word ethnography is derived from the Greek ἔθνος, meaning a company, later a people, nation and -graphy meaning field of study. Ethnographic studies focus on large groups of people who interact over time. Ethnography is a design, where the researcher explains about shared learnt patterns of values, behaviour, beliefs. The field of anthropology originated from Europe and England designed in late 19th century and it spread its roots to the United States at the beginning of the 20th century. Some of the main contributors like EB Tylor from Britain and Lewis H Morgan, franz Boas, Bronislaw Malinowski, Ruth Benedict and Margaret Mead, were a group of researchers from United States who contributed the idea of cultural relativism to the literature. He gives the point of the native and this became the origin of field work. Since Malinowski was very firm with his approach he applied it practically and he was interested in learning the language of the islanders and stayed there for a long time doing his field work. The field of ethnography became very popular in the late 19th century, again, in the latter part of the 19th century, the field of anthropology became a good support for scientific formation. Though the field was flourishing it had a lot of threat to encounter, post colonialism, the research climate shifted towards post-modernism and feminism. Therefore, the field of anthropology moved into discipline of social science, gerhard Friedrich Müller developed the concept of ethnography as a separate discipline whilst participating in the Second Kamchatka Expedition as a professor of history and geography. Whilst involved in the expedition, he differentiated Völker-Beschreibung as an area of study. This became known as ethnography, following the introduction of the Greek neologism ethnographia by Johann Friedrich Schöpperlin, there are different forms of ethnography, confessional ethnography, life history, feminist ethnography etc. Two popular forms of ethnography are realist ethnography and critical ethnography, realist ethnography, is a traditional approach used by cultural anthropologists
8.
Manuscript
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A manuscript is any document written by hand or typewritten, as opposed to being mechanically printed or reproduced in some automated way. More recently, it is understood to be a written, typed, or word-processed copy of a work. Before the arrival of printing, all documents and books were manuscripts, manuscripts are not defined by their contents, which may combine writing with mathematical calculations, maps, explanatory figures or illustrations. Manuscripts may be in form, scrolls or in codex format. Illuminated manuscripts are enriched with pictures, border decorations, elaborately embossed initial letters or full-page illustrations. The traditional abbreviations are MS for manuscript and MSS for manuscripts, while the forms MS. ms or ms. for singular, and MSS. mss or mss. for plural are also accepted. The second s is not simply the plural, by an old convention, it doubles the last letter of the abbreviation to express the plural, just as pp. means pages. Before the invention of printing in China or by moveable type in a printing press in Europe. Historically, manuscripts were produced in form of scrolls or books, manuscripts were produced on vellum and other parchment, on papyrus, and on paper. In Russia birch bark documents as old as from the 11th century have survived, in India, the palm leaf manuscript, with a distinctive long rectangular shape, was used from ancient times until the 19th century. Paper spread from China via the Islamic world to Europe by the 14th century, when Greek or Latin works were published, numerous professional copies were made simultaneously by scribes in a scriptorium, each making a single copy from an original that was declaimed aloud. Manuscripts in Tocharian languages, written on leaves, survived in desert burials in the Tarim Basin of Central Asia. Volcanic ash preserved some of the Roman library of the Villa of the Papyri in Herculaneum, ironically, the manuscripts that were being most carefully preserved in the libraries of antiquity are virtually all lost. Originally, all books were in manuscript form, in China, and later other parts of East Asia, woodblock printing was used for books from about the 7th century. The earliest dated example is the Diamond Sutra of 868, in the Islamic world and the West, all books were in manuscript until the introduction of movable type printing in about 1450. Manuscript copying of books continued for a least a century, as printing remained expensive, private or government documents remained hand-written until the invention of the typewriter in the late 19th century. In the Philippines, for example, as early as 900AD, specimen documents were not inscribed by stylus and this type of document was rare compared to the usual leaves and bamboo staves that were inscribed. However, neither the leaves nor paper were as durable as the document in the hot
9.
Palaeography
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Palaeography or paleography is the study of ancient and historical handwriting. The discipline is important for understanding, authenticating, and dating ancient texts, however, it cannot in general be used to pinpoint dates with high precision. Palaeography can be a skill for historians and philologists, as it tackles two main difficulties. First, since the style of an alphabet in each given language has evolved constantly. Second, scribes often used many abbreviations, usually so as to more quickly and sometimes to save space. Knowledge of individual letter-forms, ligatures, punctuation, and abbreviations enables the palaeographer to read, the palaeographer must know, first, the language of the text, and second, the historical usages of various styles of handwriting, common writing customs, and scribal or notarial abbreviations. Philological knowledge of the language, vocabulary, and grammar generally used at a time or place can help palaeographers identify ancient or more recent forgeries versus authentic documents. Knowledge of writing materials is essential to the study of handwriting. Palaeography can be used to provide information about the date at which a document was written, scholars also tend to oversimplify diachronic development, assuming models of simplicity rather than complexity. It spread from the Mediterranean coast to the borders of India, becoming popular and being adopted by many people. The Aramaic script was written in a form with a direction from right to left. One innovation in Aramaic is the matres lectionis system to indicate certain vowels, Early Phoenician-derived scripts did not have letters for vowels, and so most texts recorded just consonants. Most likely as a consequence of changes in North Semitic languages. The letter aleph was employed to write /ā/, he for /ō/, yod for /ī/, Aramaic writing and language supplanted Babylonian cuneiform and Akkadian language, even in their homeland in Mesopotamia. The wide diffusion of Aramaic letters led to its writing being used not only in monumental inscriptions, Aramaic papyri have been found in large numbers in Egypt, especially at Elephantine – among them are official and private documents of the Jewish military settlement in 5 BC. In the Aramaic papyri and potsherds, words are separated usually by a small gap, at the turn of the 3rd to 2nd centuries BC, the heretofore uniform Aramaic letters developed new forms, as a result of dialectal and political fragmentation in several subgroups. The most important of these is the so-called square Hebrew block script, followed by Palmyrene, Nabataean, Aramaic is usually divided into three main parts, Old Aramaic Middle Aramaic, and Modern Aramaic of the present day. Old Aramaic appeared in the 11th century BC as the language of the first Aramaean states
10.
Philology
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Philology is the study of language in written historical sources, it is a combination of literary criticism, history, and linguistics. It is more defined as the study of literary texts and written records, the establishment of their authenticity and their original form. A person who pursues this kind of study is known as a philologist, in older usage, especially British, philology is more general, covering comparative and historical linguistics. Indo-European studies involves the comparative philology of all Indo-European languages, Philology, with its focus on historical development, is contrasted with linguistics due to Ferdinand de Saussures insistence on the importance of synchronic analysis. The contrast continued with the emergence of structuralism and Chomskyan linguistics alongside its emphasis on syntax, the term changed little with the Latin philologia, and later entered the English language in the 16th century, from the Middle French philologie, in the sense of love of literature. The adjective φιλόλογος meant fond of discussion or argument, talkative, in Hellenistic Greek also implying an excessive preference of argument over the love of true wisdom, as an allegory of literary erudition, Philologia appears in 5th-century post-classical literature, an idea revived in Late Medieval literature. The meaning of love of learning and literature was narrowed to the study of the development of languages in 19th-century usage of the term. Most continental European countries still maintain the term to designate departments, colleges, position titles, J. R. R. Tolkien opposed the nationalist reaction against philological practices, claiming that the philological instinct was universal as is the use of language. Based on the critique of Friedrich Nietzsche, US scholars since the 1980s have viewed philology as responsible for a narrowly scientistic study of language. The comparative linguistics branch of philology studies the relationship between languages, similarities between Sanskrit and European languages were first noted in the early 16th century and led to speculation of a common ancestor language from which all these descended. Philology also includes the study of texts and their history and it includes elements of textual criticism, trying to reconstruct an authors original text based on variant copies of manuscripts. Since that time, the principles of textual criticism have been improved and applied to other widely distributed texts such as the Bible. Scholars have tried to reconstruct the original readings of the Bible from the manuscript variants and this method was applied to Classical Studies and to medieval texts as a way to reconstruct the authors original work. A related study method known as higher criticism studies the authorship, date, as these philological issues are often inseparable from issues of interpretation, there is no clear-cut boundary between philology and hermeneutics. When text has a significant political or religious influence, scholars have difficulty reaching objective conclusions, some scholars avoid all critical methods of textual philology, especially in historical linguistics, where it is important to study the actual recorded materials. Supporters of New Philology insist on a diplomatic approach, a faithful rendering of the text exactly as found in the manuscript. Another branch of philology, cognitive philology, studies written and oral texts and this science compares the results of textual science with the results of experimental research of both psychology and artificial intelligence production systems. In the case of Bronze Age literature, philology includes the prior decipherment of the language under study and this has notably been the case with the Egyptian, Sumerian, Assyrian, Hittite, Ugaritic and Luwian languages
11.
Textual criticism
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Textual criticism is a branch of textual scholarship, philology, and literary criticism that is concerned with the identification of textual variants in either manuscripts or printed books. Ancient scribes made alterations when copying manuscripts by hand, given a manuscript copy, several or many copies, but not the original document, the textual critic might seek to reconstruct the original text as closely as possible. The same processes can be used to attempt to reconstruct intermediate versions, or recensions, the ultimate objective of the textual critics work is the production of a critical edition containing a scholarly curated text. There are three approaches to textual criticism, eclecticism, stemmatics, and copy-text editing. Techniques from the discipline of cladistics are currently also being used to determine the relationships between manuscripts. Textual criticism has been practiced for two thousand years. Early textual critics were concerned with preserving the works of antiquity, many ancient works, such as the Bible and the Greek tragedies, survive in hundreds of copies, and the relationship of each copy to the original may be unclear. Textual scholars have debated for centuries which sources are most closely derived from the original, hence which readings in those sources are correct. Although biblical books that are letters, like Greek plays, presumably had one original, interest in applying textual criticism to the Quran has also developed after the discovery of the Sanaa manuscripts in 1972, which possibly date back to the 7–8th centuries. However, the application of textual criticism to non-religious works does not antedate the invention of printing, while Christianity has been relatively receptive to textual criticism, application of it to the Jewish Torah and the Quran is, to the devout, taboo. The business of textual criticism is to produce a text as close as possible to the original, Maas comments further that A dictation revised by the author must be regarded as equivalent to an autograph manuscript. The lack of autograph manuscripts applies to many cultures other than Greek, in such a situation, a key objective becomes the identification of the first exemplar before any split in the tradition. That exemplar is known as the archetype, if we succeed in establishing the text of, the constitutio is considerably advanced. The textual critics ultimate objective is the production of a critical edition and this contains the text that the author has determined most closely approximates the original, and is accompanied by an apparatus criticus or critical apparatus. Before mechanical printing, literature was copied by hand, and many variations were introduced by copyists, the age of printing made the scribal profession effectively redundant. Printed editions, while less susceptible to the proliferation of variations likely to arise during manual transmission, are not immune to introducing variations from an authors autograph. Instead of a scribe miscopying his source, a compositor or a shop may read or typeset a work in a way that differs from the autograph. Since each scribe or printer commits different errors, reconstruction of the lost original is often aided by a selection of readings taken from many sources, an edited text that draws from multiple sources is said to be eclectic
12.
Musical analysis
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Musical analysis is the means of answering directly the question How does it work. The method employed to answer this question, and indeed exactly what is meant by the question, differs from analyst to analyst, according to Ian Bent, its emergence as an approach and method can be traced back to the 1750s. However it existed as a tool, albeit an auxiliary one. Adolf Bernhard Marx was influential in formalising concepts about composition and music understanding towards the half of the 19th century. The principle of analysis has been criticized, especially by composers, such as Edgard Varèses claim that, to explain by means of is to decompose. Some analysts, such as Donald Francis Tovey have presented their analyses in prose, others, such as Hans Keller used no prose commentary at all in some of their work. There have been many notable analysts other than Tovey and Keller, ernst Kurth coined the term of developmental motif. Rudolph Réti is notable for tracing the development of melodic motifs through a work. Insights from the social considerations may then yield insight into analysis methods, Edward Cone argues that musical analysis lies in between description and prescription. Analysis must, rather, provide insight into listening without forcing a description of a piece that cannot be heard, many techniques are used to analyze music. Even absolute music may be viewed as a, metaphor for the universe, or nature as, the process of analysis often involves breaking the piece down into relatively simpler and smaller parts. Often, the way these parts fit together and interact with other is then examined. This process of discretization or segmentation is often considered, as by Jean-Jacques Nattiez and we actually hear how these songs resonate with one another, comment upon and affect one another. in a way, the music speaks for itself. This analytic bent is most obvious in recomposition including the mash-ups of popular music, an analysis can be conducted on a single piece of music, on a portion or element of a piece or on a collection of pieces. A musicologists stance is his or her analytical situation. tackles only the immanent configuration of the work, allen Fortes musical set theory. proceed from an analysis of the neutral level to drawing conclusions about the poietic. Reti, analysis of Debussys la Cathédrale engloutie The reverse of the previous, taking a poietic document—letters, plans, and analyzes the work in the light of this information. Paul Mie, stylistic analysis of Beethoven in terms of the sketches The most common, grounded in perceptive introspection, obviously how experimental psychologists would work The case in which an immanent analysis is equally relevant to the poietic as to the esthesic. On the other hand, Fay argues that, analytic discussions of music are often concerned with processes that are not immediately perceivable and it may be that the analyst is concerned merely with applying a collection of rules concerning practice, or with the description of the compositional process
13.
Iconography
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The word iconography comes from the Greek εἰκών and γράφειν. A secondary meaning is the production of images, called icons, in the Byzantine and Orthodox Christian tradition. In art history, an iconography may also mean a depiction of a subject in terms of the content of the image, such as the number of figures used, their placing. Sometimes distinctions have been made between iconology and iconography, although the definitions, and so the distinction made, varies, when referring to movies, genres are immediately recognizable through their iconography, motifs that become associated with a specific genre through repetition. Gian Pietro Bellori, a 17th-century biographer of artists of his own time, describes and analyses, not always correctly, many works. Lessings study of the classical figure Amor with a torch was an early attempt to use a study of a type of image to explain the culture it originated in. These early contributions paved the way for encyclopedias, manuals, mâles lArt religieux du XIIIe siècle en France translated into English as The Gothic Image, Religious Art in France of the Thirteenth Century has remained continuously in print. In the United States, to which Panofsky immigrated in 1931, students such as Frederick Hartt, the period from 1940 can be seen as one where iconography was especially prominent in art history. These are now being digitised and made online, usually on a restricted basis. For example, the Iconclass code 71H7131 is for the subject of Bathsheba with Davids letter, whereas 71 is the whole Old Testament and 71H the story of David. A number of collections of different types have been classified using Iconclass, notably types of old master print, the collections of the Gemäldegalerie, Berlin. These are available, usually on-line or on DVD, the system can also be used outside pure art history, for example on sites like Flickr. Central to the iconography and hagiography of Indian religions are mudra or gestures with specific meanings, the symbolic use of colour to denote the Classical Elements or Mahabhuta and letters and bija syllables from sacred alphabetic scripts are other features. Under the influence of art developed esoteric meanings, accessible only to initiates. The art of Indian Religions esp, for example, Narasimha an incarnation of Vishnu though considered a wrathful deity but in few contexts is depicted in pacified mood. Conversely, in Hindu art, narrative scenes have become more common in recent centuries, especially in miniature paintings of the lives of Krishna. Eventually the Church would succeed in weeding most of these out, after the period of Byzantine iconoclasm iconographical innovation was regarded as unhealthy, if not heretical, in the Eastern Church, though it still continued at a glacial pace. More than in the West, traditional depictions were often considered to have authentic or miraculous origins, the Eastern church also never accepted the use of monumental high relief or free-standing sculpture, which it found too reminiscent of paganism
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Music theory
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Music theory is the study of the practices and possibilities of music. The term is used in three ways in music, though all three are interrelated. The first is what is otherwise called rudiments, currently taught as the elements of notation, of key signatures, of time signatures, of rhythmic notation, Theory in this sense is treated as the necessary preliminary to the study of harmony, counterpoint, and form. The second is the study of writings about music from ancient times onwards, Music theory is frequently concerned with describing how musicians and composers make music, including tuning systems and composition methods among other topics. However, this medieval discipline became the basis for tuning systems in later centuries, Music theory as a practical discipline encompasses the methods and concepts composers and other musicians use in creating music. The development, preservation, and transmission of music theory in this sense may be found in oral and written music-making traditions, musical instruments, and other artifacts. In ancient and living cultures around the world, the deep and long roots of music theory are clearly visible in instruments, oral traditions, and current music making. Many cultures, at least as far back as ancient Mesopotamia and ancient China, have also considered music theory in more formal ways such as written treatises, in modern academia, music theory is a subfield of musicology, the wider study of musical cultures and history. Etymologically, music theory is an act of contemplation of music, from the Greek θεωρία, a looking at, viewing, contemplation, speculation, theory, also a sight, a person who researches, teaches, or writes articles about music theory is a music theorist. University study, typically to the M. A. or Ph. D level, is required to teach as a music theorist in a US or Canadian university. Methods of analysis include mathematics, graphic analysis, and especially analysis enabled by Western music notation, comparative, descriptive, statistical, and other methods are also used. See for instance Paleolithic flutes, Gǔdí, and Anasazi flute, several surviving Sumerian and Akkadian clay tablets include musical information of a theoretical nature, mainly lists of intervals and tunings. The scholar Sam Mirelman reports that the earliest of these dates from before 1500 BCE. Further, All the Mesopotamian texts are united by the use of a terminology for music that, much of Chinese music history and theory remains unclear. The earliest texts about Chinese music theory are inscribed on the stone and they include more than 2800 words describing theories and practices of music pitches of the time. The bells produce two intertwined pentatonic scales three tones apart with additional pitches completing the chromatic scale, Chinese theory starts from numbers, the main musical numbers being twelve, five and eight. Twelve refers to the number of pitches on which the scales can be constructed, the Lüshi chunqiu from about 239 BCE recalls the legend of Ling Lun. On order of the Yellow Emperor, Ling Lun collected twelve bamboo lengths with thick, blowing on one of these like a pipe, he found its sound agreeable and named it huangzhong, the Yellow Bell
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Biography
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A biography, or simply bio, is a detailed description of a persons life. It involves more than just the basic facts like education, work, relationships, biographical works are usually non-fiction, but fiction can also be used to portray a persons life. One in-depth form of biographical coverage is called legacy writing, works in diverse media, from literature to film, form the genre known as biography. An authorized biography is written with the permission, cooperation, and at times, an autobiography is written by the person himself or herself, sometimes with the assistance of a collaborator or ghostwriter. At first, biographical writings were regarded merely as a subsection of history with a focus on an individual of historical importance. The independent genre of biography as distinct from general history writing, began to emerge in the 18th century, one of the earliest of the biographers was Plutarch, and his Parallel Lives, published about 80 A. D. covers prominent figures in the classical world. Cornelius Nepos published a work, his Excellentium Imperatorum Vitae. Perhaps the earliest extant biography that does not contain mythological material is The Lives of the Caesars by Suetonius, in the early Middle Ages, there was a decline in awareness of the classical culture in Europe. During this time, the only repositories of knowledge and records of the history in Europe were those of the Roman Catholic Church. Hermits, monks, and priests used this period to write biographies. Their subjects were usually restricted to the fathers, martyrs, popes. Their works were meant to be inspirational to the people and vehicles for conversion to Christianity, one significant secular example of a biography from this period is the life of Charlemagne by his courtier Einhard. Early biographical dictionaries were published as compendia of famous Islamic personalities from the 9th century onwards and they contained more social data for a large segment of the population than other works of that period. And then began the documentation of the lives of other historical figures who lived in the medieval Islamic world. By the late Middle Ages, biographies became less church-oriented in Europe as biographies of kings, knights, the most famous of such biographies was Le Morte dArthur by Sir Thomas Malory. The book was an account of the life of the fabled King Arthur, following Malory, the new emphasis on humanism during the Renaissance promoted a focus on secular subjects, such as artists and poets, and encouraged writing in the vernacular. Giorgio Vasaris Lives of the Artists was the landmark biography focusing on secular lives, vasari made celebrities of his subjects, as the Lives became an early bestseller. Two other developments are noteworthy, the development of the press in the 15th century
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Word
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In linguistics, a word is the smallest element that can be uttered in isolation with semantic or pragmatic content. This contrasts deeply with a morpheme, which is the smallest unit of meaning, a word may consist of a single morpheme, or several, whereas a morpheme may not be able to stand on its own as a word. A complex word will typically include a root and one or more affixes, words can be put together to build larger elements of language, such as phrases, clauses, and sentences. The term word may refer to a word or to a written word. Spoken words are made up of units of sound called phonemes, the difficulty of deciphering a word depends on the language. Dictionaries categorize a languages lexicon into lemmas and these can be taken as an indication of what constitutes a word in the opinion of the writers of that language. The most appropriate means of measuring the length of a word is by counting its syllables or morphemes, when a word has multiple definitions or multiple senses, it may result in confusion in a debate or discussion. Leonard Bloomfield introduced the concept of Minimal Free Forms in 1926, words are thought of as the smallest meaningful unit of speech that can stand by themselves. However, some words are not minimal free forms as they make no sense by themselves. Some semanticists have put forward a theory of so-called semantic primitives or semantic primes, according to this theory, semantic primes serve as the basis for describing the meaning, without circularity, of other words and their associated conceptual denotations. In the Minimalist school of theoretical syntax, words are construed as bundles of features that are united into a structure with form. For example, the word koalas has semantic features, category features, number features, phonological features, the task of defining what constitutes a word involves determining where one word ends and another word begins—in other words, identifying word boundaries. There are several ways to determine where the boundaries of spoken language should be placed, Potential pause, A speaker is told to repeat a given sentence slowly. The speaker will tend to insert pauses at the word boundaries, however, this method is not foolproof, the speaker could easily break up polysyllabic words, or fail to separate two or more closely linked words. Indivisibility, A speaker is told to say a sentence out loud, thus, I have lived in this village for ten years might become My family and I have lived in this little village for about ten or so years. These extra words will tend to be added in the boundaries of the original sentence. However, some languages have infixes, which are put inside a word, similarly, some have separable affixes, in the German sentence Ich komme gut zu Hause an, the verb ankommen is separated. Phonetic boundaries, Some languages have rules of pronunciation that make it easy to spot where a word boundary should be
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Society
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In the social sciences, a larger society often evinces stratification or dominance patterns in subgroups. A society can also consist of like-minded people governed by their own norms and values within a dominant and this is sometimes referred to as a subculture, a term used extensively within criminology. The term society came from the Latin word societas, which in turn was derived from the noun used to describe a bond or interaction between parties that are friendly, or at least civil. Without an article, the term can refer to the entirety of humanity, Society, in general, addresses the fact that an individual has rather limited means as an autonomous unit. Cultural relativism as an approach or ethic has largely replaced notions of primitive, better/worse. Societies may also be structured politically, in order of increasing size and complexity, there are bands, tribes, chiefdoms, and state societies. These structures may have varying degrees of power, depending on the cultural, geographical. Thus, an isolated society with the same level of technology. A society that is unable to offer a response to other societies it competes with will usually be subsumed into the culture of the competing society. Sociologist Peter L. Berger defines society as. a human product, and nothing but a human product, according to him, society was created by humans but this creation turns back and creates or molds humans every day. This is similar to the earlier developed by anthropologists Morton H. This system of classification contains four categories, Hunter-gatherer bands, tribal societies in which there are some limited instances of social rank and prestige. Civilizations, with complex social hierarchies and organized, institutional governments, in addition to this there are, Humanity, mankind, upon which rest all the elements of society, including societys beliefs. Virtual society, a society based on identity, which is evolving in the information age. Over time, some cultures have progressed toward more complex forms of organization and this cultural evolution has a profound effect on patterns of community. Hunter-gatherer tribes settled around seasonal food stocks to become agrarian villages, villages grew to become towns and cities. Cities turned into city-states and nation-states, many societies distribute largess at the behest of some individual or some larger group of people. This type of generosity can be seen in all cultures, typically
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College
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College is an educational institution or a constituent part of one. A college may be a tertiary educational institution, a part of a collegiate or federal university. In ancient Rome a collegium was a club or society, a group of living together under a common set of rules. Aside from the educational context - nowadays the most common use of college - there are various other meanings also derived from the original Latin term. In the United States, college can be a synonym for university, in Singapore and India, this is known as a junior college. The municipal government of the city of Paris uses the sixth form college as the English name for a lycée. In some national education systems, secondary schools may be called colleges or have college as part of their title, in Australia the term college is applied to any private or independent primary and, especially, secondary school as distinct from a state school. Melbourne Grammar School, Cranbrook School, Sydney and The Kings School, there has also been a recent trend to rename or create government secondary schools as colleges. In the state of Victoria, some high schools are referred to as secondary colleges. Interestingly, the pre-eminent government secondary school for boys in Melbourne is still named Melbourne High School, in Western Australia, South Australia and the Northern Territory, college is used in the name of all state high schools built since the late 1990s, and also some older ones. In New South Wales, some schools, especially multi-campus schools resulting from mergers, are known as secondary colleges. In Queensland some newer schools which accept primary and high school students are styled state college, in Tasmania and the Australian Capital Territory, college refers to the final two years of high school, and the institutions which provide this. In this context, college is an independent of the other years of high school. Here, the expression is a version of matriculation college. This is because these schools have traditionally focused on academic, rather than vocational, subjects. Some private secondary schools choose to use the college in their names nevertheless. Some secondary schools elsewhere in the country, particularly ones within the school system. In New Zealand the word normally refers to a secondary school for ages 13 to 17
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Baroque music
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Baroque music is a style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era, Baroque music forms a major portion of the classical music canon, being widely studied, performed, and listened to. The Baroque period saw the creation of tonality, an approach to writing music in which a song or piece is written in a particular key, during the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. A characteristic Baroque form was the dance suite, while the pieces in a dance suite were inspired by actual dance music, dance suites were designed for listening, not for accompanying dancers. During the period, composers and performers used more elaborate ornamentation, made changes in musical notation. Many musical terms and concepts from this era, such as toccata, fugue, dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously, was an important part of many Baroque choral and instrumental works. The word baroque comes from the Portuguese word barroco, meaning misshapen pearl, the term Baroque is generally used by music historians to describe a broad range of styles from a wide geographic region, mostly in Europe, composed over a period of approximately 150 years. The systematic application by historians of the baroque to music of this period is a relatively recent development. In 1919, Curt Sachs became the first to apply the five characteristics of Heinrich Wölfflins theory of the Baroque systematically to music, all of these efforts resulted in appreciable disagreement about time boundaries of the period, especially concerning when it began. In English the term acquired currency only in the 1940s, in the writings of Bukofzer, nevertheless, the term has become widely used and accepted for this broad range of music. It may be helpful to distinguish the Baroque from both the preceding and following periods of musical history, the Baroque period is divided into three major phases, early, middle, and late. Although they overlap in time, they are dated from 1580 to 1630, from 1630 to 1680. In reference to music, they based their ideals on a perception of Classical musical drama that valued discourse, the early realizations of these ideas, including Jacopo Peris Dafne and LEuridice, marked the beginning of opera, which were a catalyst for Baroque music. Concerning music theory, the widespread use of figured bass represents the developing importance of harmony as the linear underpinnings of polyphony. Harmony is the end result of counterpoint, and figured bass is a representation of those harmonies commonly employed in musical performance. With figured bass, numbers, accidentals or symbols were placed above the bassline that was read by keyboard instrument players such as players or pipe organists. The numbers, accidentals or symbols indicated to the player what intervals she should play above each bass note. The keyboard player would improvise a chord voicing for each bass note and this led to the idea that certain sequences of chords, rather than just notes, could provide a sense of closure at the end of a piece—one of the fundamental ideas that became known as tonality
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Classical period (music)
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The dates of the Classical period in Western music are generally accepted as being between about the year 1730 and the year 1820. This article is about the period in most of the 18th century to the early 19th century, though overlapping with the Baroque. The Classical period falls between the Baroque and the Romantic periods, Classical music has a lighter, clearer texture than Baroque music and is less complex. It is mainly homophonic, using a melody line over a subordinate chordal accompaniment. It also makes use of style galant which emphasized light elegance in place of the Baroques dignified seriousness, variety and contrast within a piece became more pronounced than before and the orchestra increased in size, range, and power. The harpsichord was replaced as the keyboard instrument by the piano. Instrumental music was considered important by Classical period composers, vocal music, such as songs for a singer and piano, choral works, and opera were also important during this period. Ludwig van Beethoven is regarded either as a Romantic composer or a Classical period composer who was part of the transition to the Romantic era, Franz Schubert is also a transitional figure, as were Johann Nepomuk Hummel, Luigi Cherubini, and Carl Maria von Weber. The period is referred to as the era of Viennese Classic or Classicism, since Gluck, Mozart, Haydn, Salieri. In the middle of the 18th century, Europe began to move toward a new style in architecture, literature, and this style sought to emulate the ideals of Classical antiquity, especially those of Classical Greece. Classical music was still linked to aristocratic Court culture and supported by absolute monarchies. Classical music used formality and emphasis on order and hierarchy, in contrast with the richly layered music of the Baroque era, Classical music moved towards simplicity rather than complexity. In addition, the size of orchestras began to increase. The remarkable development of ideas in natural philosophy had already established itself in the public consciousness, in particular, Newtons physics was taken as a paradigm, structures should be well-founded in axioms and be both well-articulated and orderly. This move meant that chords became a more prevalent feature of music. As a result, the structure of a piece of music became more audible. The new style was encouraged by changes in the economic order. As the 18th century progressed, the nobility became the patrons of instrumental music, while public taste increasingly preferred lighter
21.
World War II
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World War II, also known as the Second World War, was a global war that lasted from 1939 to 1945, although related conflicts began earlier. It involved the vast majority of the worlds countries—including all of the great powers—eventually forming two opposing alliances, the Allies and the Axis. It was the most widespread war in history, and directly involved more than 100 million people from over 30 countries. Marked by mass deaths of civilians, including the Holocaust and the bombing of industrial and population centres. These made World War II the deadliest conflict in human history, from late 1939 to early 1941, in a series of campaigns and treaties, Germany conquered or controlled much of continental Europe, and formed the Axis alliance with Italy and Japan. Under the Molotov–Ribbentrop Pact of August 1939, Germany and the Soviet Union partitioned and annexed territories of their European neighbours, Poland, Finland, Romania and the Baltic states. In December 1941, Japan attacked the United States and European colonies in the Pacific Ocean, and quickly conquered much of the Western Pacific. The Axis advance halted in 1942 when Japan lost the critical Battle of Midway, near Hawaii, in 1944, the Western Allies invaded German-occupied France, while the Soviet Union regained all of its territorial losses and invaded Germany and its allies. During 1944 and 1945 the Japanese suffered major reverses in mainland Asia in South Central China and Burma, while the Allies crippled the Japanese Navy, thus ended the war in Asia, cementing the total victory of the Allies. World War II altered the political alignment and social structure of the world, the United Nations was established to foster international co-operation and prevent future conflicts. The victorious great powers—the United States, the Soviet Union, China, the United Kingdom, the Soviet Union and the United States emerged as rival superpowers, setting the stage for the Cold War, which lasted for the next 46 years. Meanwhile, the influence of European great powers waned, while the decolonisation of Asia, most countries whose industries had been damaged moved towards economic recovery. Political integration, especially in Europe, emerged as an effort to end pre-war enmities, the start of the war in Europe is generally held to be 1 September 1939, beginning with the German invasion of Poland, Britain and France declared war on Germany two days later. The dates for the beginning of war in the Pacific include the start of the Second Sino-Japanese War on 7 July 1937, or even the Japanese invasion of Manchuria on 19 September 1931. Others follow the British historian A. J. P. Taylor, who held that the Sino-Japanese War and war in Europe and its colonies occurred simultaneously and this article uses the conventional dating. Other starting dates sometimes used for World War II include the Italian invasion of Abyssinia on 3 October 1935. The British historian Antony Beevor views the beginning of World War II as the Battles of Khalkhin Gol fought between Japan and the forces of Mongolia and the Soviet Union from May to September 1939, the exact date of the wars end is also not universally agreed upon. It was generally accepted at the time that the war ended with the armistice of 14 August 1945, rather than the formal surrender of Japan
22.
Medieval music
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Medieval music consists of songs and instrumental pieces from about 400 A. D. to 1400. Medieval music was an era of Western music, including music used for the church. Medieval music includes vocal music, such as Gregorian chant and choral music, solely instrumental music. Gregorian chant was sung by monks during Catholic Mass, the Mass is a reenactment of Christs Last Supper, intended to provide a spiritual connection between man and God. Part of this connection was established through music and this era begins with the fall of the Western Roman Empire in the fifth century and ends sometime in the early fifteenth century. Establishing the end of the era and the beginning of the Renaissance music era is difficult. The date range in this article is the one adopted by musicologists. S. Bach and Classical music period composers from the 1700s such as W. A. Mozart, the most obvious of these is the development of a comprehensive music notational system which enabled composers to write out their song melodies and instrumental pieces on parchment or paper. Prior to the development of musical notation, songs and pieces had to be learned by ear and this greatly limited how many people could be taught new music and how wide music could spread to other regions or countries. The development of music made it easier to disseminate songs and musical pieces to a larger number of people. Many instruments used to perform medieval music still exist in the 21st century, the flute was made of wood in the medieval era] rather than silver or other metal, and could be made as a side-blown or end-blown instrument. While modern orchestral flutes are made of metal and have complex key mechanisms and airtight pads. The recorder was made of wood during the Medieval era, and despite the fact that in the 2000s, it may be made of synthetic materials, it has more or less retained its past form. The gemshorn is similar to the recorder as it has holes on its front. One of the predecessors, the pan flute, was popular in medieval times. This instruments pipes were made of wood, and were graduated in length to produce different pitches, Medieval music used many plucked string instruments like the lute, a fretted instrument with a pear-shaped hollow body which is the predecessor to the modern guitar. Other plucked stringed instruments included the mandore, gittern, citole, the bowed lyra of the Byzantine Empire was the first recorded European bowed string instrument. Like the modern violin, a performer produced sound by moving a bow with tensioned hair over tensioned strings, the hurdy-gurdy was a mechanical violin using a rosined wooden wheel attached to a crank to bow its strings
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Music criticism
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In this sense, it is a branch of musical aesthetics. The musicologist Winton Dean has suggested that music is probably the most difficult of the arts to criticize, like dramatic art, music is recreated at every performance, and criticism may therefore be directed both at the text and the performance. The absence of a clearly evolved or consensual musical aesthetics has also tended to make music criticism a highly subjective issue, there is no counter-check outside the critics own personality. Critical references to music can be found in literature, including, for example, in Platos Laws. According to Richard Taruskin, the concert life of late 18th-century London meant that the role. In France in the 1750s, the Querelle des Bouffons generated essays from Jean-Jacques Rousseau and others, the English composer Charles Avison published the first work on musical criticism in the English language - an Essay on Musical Expression published in 1752. In it, Avison claims that since the time of Palestrina and Raphael, typically until the late eighteenth century music criticism centred on vocal rather than instrumental music - vocal music. Was the apex of aesthetic hierarchy, one knew what music was expressing. The last years of the century reflected both a change of patronage of music from the aristocracy to the rising middle-classes and the rise of Romanticism in the arts. At the same time the proportion of new music to music in concert programming began to decline. This was particularly the case in respect of the rise of Beethovens reputation in his last year and this gave rise both to writings on the value of the canon and also to writings by composers and their supporters defending newer music. M. Schlesinger and edited by A. B, marx, and the Neue Zeitschrift für Musik founded in 1834 in Leipzig by Robert Schumann and Friedrich Wieck, and later edited by Franz Brendel. In 1835 James William Davison began his career as a music critic. Music journalism for reporting on classical and popular music in the media Category, Music critics Avison, bujic, Bojan Criticism of Music in The Oxford Companion to Music, Oxford Music Online, accessed 1 January 2013. Hoffmann as a Writer on Music, in Hoffmann, 1-22, jewry in Music, Entry to the Profession from the Enlightenment to Richard Wagner. FromMendelssohnto Wagner, Memoirs of J. W. Davison, Criticism, in New Grove Dictionary of Music and Musicians vol. London, Macmillan ISBN 0-333-23111-2 Hoffmann, E. T. A. ed. David Charlton. E, ISBN0521235200 Taruskin, Richard. Music in the Seventeenth and Eighteenth Centuries, Oxford, Oxford University Press ISBN 978-0-19-538482-6 Weber, from Miscellany to Homogeneity in Concert Programming, in Poetics 29, 127-34
24.
World War I
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World War I, also known as the First World War, the Great War, or the War to End All Wars, was a global war originating in Europe that lasted from 28 July 1914 to 11 November 1918. More than 70 million military personnel, including 60 million Europeans, were mobilised in one of the largest wars in history and it was one of the deadliest conflicts in history, and paved the way for major political changes, including revolutions in many of the nations involved. The war drew in all the worlds great powers, assembled in two opposing alliances, the Allies versus the Central Powers of Germany and Austria-Hungary. These alliances were reorganised and expanded as more nations entered the war, Italy, Japan, the trigger for the war was the assassination of Archduke Franz Ferdinand of Austria, heir to the throne of Austria-Hungary, by Yugoslav nationalist Gavrilo Princip in Sarajevo on 28 June 1914. This set off a crisis when Austria-Hungary delivered an ultimatum to the Kingdom of Serbia. Within weeks, the powers were at war and the conflict soon spread around the world. On 25 July Russia began mobilisation and on 28 July, the Austro-Hungarians declared war on Serbia, Germany presented an ultimatum to Russia to demobilise, and when this was refused, declared war on Russia on 1 August. Germany then invaded neutral Belgium and Luxembourg before moving towards France, after the German march on Paris was halted, what became known as the Western Front settled into a battle of attrition, with a trench line that changed little until 1917. On the Eastern Front, the Russian army was successful against the Austro-Hungarians, in November 1914, the Ottoman Empire joined the Central Powers, opening fronts in the Caucasus, Mesopotamia and the Sinai. In 1915, Italy joined the Allies and Bulgaria joined the Central Powers, Romania joined the Allies in 1916, after a stunning German offensive along the Western Front in the spring of 1918, the Allies rallied and drove back the Germans in a series of successful offensives. By the end of the war or soon after, the German Empire, Russian Empire, Austro-Hungarian Empire, national borders were redrawn, with several independent nations restored or created, and Germanys colonies were parceled out among the victors. During the Paris Peace Conference of 1919, the Big Four imposed their terms in a series of treaties, the League of Nations was formed with the aim of preventing any repetition of such a conflict. This effort failed, and economic depression, renewed nationalism, weakened successor states, and feelings of humiliation eventually contributed to World War II. From the time of its start until the approach of World War II, at the time, it was also sometimes called the war to end war or the war to end all wars due to its then-unparalleled scale and devastation. In Canada, Macleans magazine in October 1914 wrote, Some wars name themselves, during the interwar period, the war was most often called the World War and the Great War in English-speaking countries. Will become the first world war in the sense of the word. These began in 1815, with the Holy Alliance between Prussia, Russia, and Austria, when Germany was united in 1871, Prussia became part of the new German nation. Soon after, in October 1873, German Chancellor Otto von Bismarck negotiated the League of the Three Emperors between the monarchs of Austria-Hungary, Russia and Germany
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Musical instrument
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A musical instrument is an instrument created or adapted to make musical sounds. In principle, any object that produces sound can be a musical instrument—it is through purpose that the object becomes a musical instrument, the history of musical instruments dates to the beginnings of human culture. Early musical instruments may have used for ritual, such as a trumpet to signal success on the hunt. Cultures eventually developed composition and performance of melodies for entertainment, Musical instruments evolved in step with changing applications. The date and origin of the first device considered an instrument is disputed. The oldest object that some refer to as a musical instrument. Some consensus dates early flutes to about 37,000 years ago, many early musical instruments were made from animal skins, bone, wood, and other non-durable materials. Musical instruments developed independently in many populated regions of the world, however, contact among civilizations caused rapid spread and adaptation of most instruments in places far from their origin. By the Middle Ages, instruments from Mesopotamia were in maritime Southeast Asia, development in the Americas occurred at a slower pace, but cultures of North, Central, and South America shared musical instruments. By 1400, musical instrument development slowed in areas and was dominated by the Occident. Musical instrument classification is a discipline in its own right, Instruments can be classified by their effective range, their material composition, their size, etc. However, the most common method, Hornbostel-Sachs, uses the means by which they produce sound. The academic study of instruments is called organology. Once humans moved from making sounds with their bodies—for example, by using objects to create music from sounds. Primitive instruments were designed to emulate natural sounds, and their purpose was ritual rather than entertainment. The concept of melody and the pursuit of musical composition were unknown to early players of musical instruments. A player sounding a flute to signal the start of a hunt does so without thought of the notion of making music. Musical instruments are constructed in an array of styles and shapes
26.
Wolfgang Amadeus Mozart
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Wolfgang Amadeus Mozart, baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era. Born in Salzburg, he showed prodigious ability from his earliest childhood, already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court, while visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame, during his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his death have been much mythologized. He was survived by his wife Constanze and two sons and he composed more than 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote, posterity will not see such a talent again in 100 years. Wolfgang Amadeus Mozart was born on 27 January 1756 to Leopold Mozart and Anna Maria, née Pertl and this was the capital of the Archbishopric of Salzburg, an ecclesiastic principality in what is now Austria, then part of the Holy Roman Empire. He was the youngest of seven children, five of whom died in infancy and his elder sister was Maria Anna Mozart, nicknamed Nannerl. Mozart was baptized the day after his birth, at St. Ruperts Cathedral in Salzburg, the baptismal record gives his name in Latinized form, as Joannes Chrysostomus Wolfgangus Theophilus Mozart. He generally called himself Wolfgang Amadè Mozart as an adult, Leopold Mozart, a native of Augsburg, Germany, was a minor composer and an experienced teacher. In 1743, he was appointed as fourth violinist in the establishment of Count Leopold Anton von Firmian. Four years later, he married Anna Maria in Salzburg, Leopold became the orchestras deputy Kapellmeister in 1763. During the year of his sons birth, Leopold published a textbook, Versuch einer gründlichen Violinschule. When Nannerl was 7, she began lessons with her father. Years later, after her brothers death, she reminisced, He often spent much time at the clavier, picking out thirds, which he was ever striking, and his pleasure showed that it sounded good. In the fourth year of his age his father, for a game as it were, began to teach him a few minuets and he could play it faultlessly and with the greatest delicacy, and keeping exactly in time. At the age of five, he was composing little pieces
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Vatican Secret Archives
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The Vatican Secret Archives is the central repository in the Vatican City for all of the acts promulgated by the Holy See. The Pope, as Sovereign of Vatican City and having primal incumbency, owns the archives until his death or resignation, the archives also contain the state papers, correspondence, papal account books, and many other documents which the church has accumulated over the centuries. The use of the secret in the title Vatican Secret Archives does not denote the modern meaning of confidentiality. Parts of the Secret Archives remain truly secret, however, some materials are prohibited for outside viewing, including everything dated after 1939. The Vatican Secret Archives have been estimated to contain 85 kilometres of shelving, indexes must be consulted in the Index Room and replaced in their original location. Publication of the indexes, in part or as a whole, is forbidden, the Archives support their own photographic and conservation studios. According to the website of the Archives, the oldest surviving document dates back to the end of the eighth century, transfers and political upheavals nearly caused the total loss of all the archival material preceding Innocent III. From 1198 onwards, complete archives exist, though documentation is scant before the 13th century, the entrance to the Archives, adjacent to the Vatican Library, is through the Porta di S. Anna in via di Porta Angelica. New underground storage space was added in 1980, qualified scholars from institutions of higher education pursuing scientific researches, with an adequate knowledge of archival research, may apply for an entry card. Scholars need a letter by either a recognized institute of research or by a suitably qualified person in the field of historical research. Applicants need to specify their personal data as well as the purpose of their research, There are strict limitations to what archive users are able to view and access. For example, no materials dated after 1939 are available for public viewing –, Pope Francis is considering when to open the full archives of Pope Pius XII. Customarily, documents are available to the public after a period of 75 years. 1817, Vatican Secret Archive brought back to the Vatican from France,1883, Pope Leo XIII opened archives dated 1815 or earlier. 1924, Documents up to the end of the pontificate of Gregory XVI were released,1966, Documents from the pontificate of Pius IX. 1978, Documents from the pontificate of Leo XIII,1985, Documents from the pontificates of Pius X and Benedict XV. 2002, Documents from the archives of the Secretariat of State pertaining to the Holy Sees relations with Germany during the pontificate of Pope Pius XI. The reason for this action was to put an end to unjust
28.
Archive
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An archive is an accumulation of historical records or the physical place they are located. Archives contain primary source documents that have accumulated over the course of an individual or organizations lifetime, in general, archives consist of records that have been selected for permanent or long-term preservation on grounds of their enduring cultural, historical, or evidentiary value. Archival records are normally unpublished and almost always unique, unlike books or magazines for which many copies exist. This means that archives are quite distinct from libraries with regard to their functions and organization, a person who works in archives is called an archivist. The study and practice of organizing, preserving, and providing access to information, the physical place of storage can be referred to as an archive, an archives, or a repository. When referring to historical records or the places they are kept, the computing use of the term archive should not be confused with the record-keeping meaning of the term. The adjective formed from archive is archival, the practice of keeping official documents is very old. Archaeologists have discovered archives of hundreds of clay tablets going back to the third and second millennia BC in sites like Ebla, Mari, Amarna, Hattusas, Ugarit and these discoveries have been fundamental to know ancient alphabets, languages, literature, and politics. Archives were well developed by the ancient Chinese, the ancient Greeks, however, they have been lost, since documents written on materials like papyrus and paper deteriorated at a faster pace, unlike their stone tablet counterparts. Archives of churches, kingdoms, and cities from the Middle Ages survive and have kept their official status uninterruptedly till now. They are the tool for historical research on these ages. Modern archival thinking has many roots from the French Revolution, historians, genealogists, lawyers, demographers, filmmakers, and others conduct research at archives. The research process at each archive is unique, and depends upon the institution that houses the archive. While there are kinds of archives, the most recent census of archivists in the United States identifies five major types, academic, business, government, non-profit. There are also four main areas of inquiry involved with archives, material technologies, organizing principles, geographic locations and these areas help to further categorize what kind of archive is being created. Archives in colleges, universities, and other facilities are typically housed within a library. Academic archives exist to preserve history and serve the academic community. Access to the collections in these archives is usually by prior appointment only, users of academic archives can be undergraduates, graduate students, faculty and staff, scholarly researchers, and the general public
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Arnold Schoenberg
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Arnold Franz Walter Schoenberg or Schönberg was an Austrian composer, music theorist, and painter. He was associated with the expressionist movement in German poetry and art, by 1938, with the rise of the Nazi Party, Schoenbergs works were labeled degenerate music, because he was Jewish. He moved to the United States in 1934, Schoenbergs approach, both in terms of harmony and development, has been one of the most influential of 20th-century musical thought. Many European and American composers from at least three generations have consciously extended his thinking, whereas others have reacted against it. Schoenberg was known early in his career for simultaneously extending the traditionally opposed German Romantic styles of Brahms, later, his name would come to personify innovations in atonality that would become the most polemical feature of 20th-century art music. In the 1920s, Schoenberg developed the technique, an influential compositional method of manipulating an ordered series of all twelve notes in the chromatic scale. He also coined the term developing variation and was the first modern composer to embrace ways of developing motifs without resorting to the dominance of a melodic idea. Schoenbergs archival legacy is collected at the Arnold Schönberg Center in Vienna, Arnold Schoenberg was born into a lower middle-class Jewish family in the Leopoldstadt district of Vienna, at Obere Donaustraße 5. His father Samuel, a native of Bratislava, was a shopkeeper and he took only counterpoint lessons with the composer Alexander Zemlinsky, who was to become his first brother-in-law. In his twenties, Schoenberg earned a living by orchestrating operettas, while composing his own works and he later made an orchestral version of this, which became one of his most popular pieces. Strauss turned to a more conservative idiom in his own work after 1909, Mahler adopted him as a protégé and continued to support him, even after Schoenbergs style reached a point Mahler could no longer understand. Mahler worried about who would look after him after his death, Schoenberg, who had initially despised and mocked Mahlers music, was converted by the thunderbolt of Mahlers Third Symphony, which he considered a work of genius. Afterward he spoke of Mahler as a saint, in 1898 Schoenberg converted to Christianity in the Lutheran church. According to MacDonald this was partly to strengthen his attachment to Western European cultural traditions and he would self-identify as a member of the Jewish religion later in life. In October 1901, he married Mathilde Zemlinsky, the sister of the conductor and composer Alexander von Zemlinsky and he and Mathilde had two children, Gertrud and Georg. Gertrud would marry Schoenbergs pupil Felix Greissle in 1921, during the summer of 1908, his wife Mathilde left him for several months for a young Austrian painter, Richard Gerstl. This period marked a change in Schoenbergs work. This was the first composition without any reference at all to a key, also in this year, he completed one of his most revolutionary compositions, the String Quartet No
30.
Historically informed performance
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Historically informed performance is an approach to the performance of Western music and theatre. Within this approach, the performance adheres to state-of-the-art knowledge of the criteria of the period in which the music or theatre work was conceived. Whenever this knowledge conflicts with current aesthetic criteria, the option of re-training the listener/viewer, Music is usually played on instruments corresponding to the period of the piece being played, such as period instruments for early music. Historical treatises, as well as historical evidence, are used to gain insight into the performance practice of a historic era. Corresponding types of acting and scenery are deployed, historically informed performance has originated in the performance of Medieval, Renaissance, and Baroque music, but has come to encompass music from the Classical and Romantic eras as well. Quite recently, the phenomenon has begun to affect the theatrical stage, historically informed performance needs to access musical instruments corresponding to the period of the music being played. This has led to the revival of musical instruments entirely gone out of practice, during the second half of the 18th century, the fortepiano gradually replaced the harpsichord. Many harpsichords were destroyed, indeed, the Paris Conservatory is notorious for having used harpsichords for firewood during the French Revolution, composers such as François Couperin, Domenico Scarlatti, Girolamo Frescobaldi, and Johann Sebastian Bach wrote for the harpsichord, clavichord, and organ. Among the foremost modern players of the harpsichord are Robert Hill, Igor Kipnis, Ton Koopman, Wanda Landowska, Gustav Leonhardt, Trevor Pinnock, Skip Sempé, Andreas Staier, Bach, Georg Philipp Telemann, Marin Marais, Antoine Forqueray, and Carl Frederick Abel. From largest to smallest, the family consists of, contrabass or violone bass viol tenor viol alto viol treble or descant viol. Among the foremost modern players of the viols are Paolo Pandolfo, Wieland Kuijken, Jordi Savall, John Hsu, there are many modern viol consorts. Recorders in multiple sizes are often played today in consorts of mixed size, handel and Telemann, among others, wrote solo works for the recorder. Arnold Dolmetsch did much to revive the recorder as a concert instrument, reconstructing a consort of recorders all at low pitch. A few of the singers who have contributed to the historically informed performance movement are Emma Kirkby, Max van Egmond, Julianne Baird, Nigel Rogers, historic pictures, layout sketches and sources give information about the layout of singers and instruments. Three main layouts are documented, Circle Choir in the front of the instruments Singers, Johann Mattheson, The singers must stand alltime in front. Some familiar difficult items are as follows, Early composers often wrote using the symbols as today, yet in a different meaning. For example, what is written as an appoggiatura is often meant to be longer or shorter than the notated length, E. g. the note durations may be omitted altogether, such as in unmeasured preludes, pieces written without rhythm or metre indications. The music may be written using alternative, non-modern notations, such as tablature, some tablature notations are only partially decoded, such as the notation in the harp manuscript by Robert ap Huw
31.
Klezmer
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Klezmer is a musical tradition of the Ashkenazi Jews of Eastern Europe. Played by professional musicians called klezmorim, the genre originally consisted largely of dance tunes and instrumental pieces for weddings. In the United States the genre evolved considerably as Yiddish-speaking Jewish immigrants from Eastern Europe, additionally, later immigrants from the Soviet Union, such as German Goldenshtayn, took their surviving repertoires to the United States and Israel in the 1980s. Compared with most other European folk-music styles, little is known about the history of klezmer music, originally, klezmer referred to musical instruments, and was later extended to refer, as a pejorative, to musicians themselves. From the 16th to 18th centuries, it replaced older terms such as leyts and it was not until the late 20th century that the word came to identify a musical genre. Early 20th century recordings and writings most often refer to the style as Yiddish music, Klezmer is easily identifiable by its characteristic expressive melodies, reminiscent of the human voice, complete with laughing and weeping. This is not a coincidence, the style is meant to imitate khazone, a number of dreydlekh, such as krekhts are used to produce this style. Various musical styles influenced traditional klezmer music, perhaps the strongest and most enduring is Romanian music. However, the importance of merrymaking at weddings was not diminished, the first klezmer known by name was Yakobius ben Yakobius, a player of the aulos in Samaria in the 2nd century CE. The earliest written record of the klezmorim is in the 15th century, Klezmorim based much of their secular instrumental music upon the devotional vocal music of the synagogue, in particular cantorial music. Even so, klezmorim—along with other entertainers—were typically looked down on by Rabbis because of their secular traveling lifestyle, Klezmorim often travelled and played with Romani musicians, because they occupied similar social strata. They had a influence on each other musically and linguistically. Klezmorim were respected for their abilities and diverse repertoire. They sometimes played for Christian churches and local aristocracy, and taught some Italian classical violin virtuosos, like other professional musicians, klezmorim were often limited by authorities. In Ukraine they were banned from playing instruments, until the 19th century. Hence musicians took up the violin, tsimbl, and other stringed instruments, the first musician to play klezmer in European concerts, Josef Gusikov, played a type of xylophone which he invented and called a wood and straw instrument. It was laid out like a cymbalom, and attracted comments from Felix Mendelssohn, later, around 1855 under the reign of Alexander II of Russia, Ukraine permitted loud instruments. The clarinet started to replace the violin as the instrument of choice, also, a shift towards brass and percussion happened when klezmorim were conscripted into military bands
32.
Giovanni Battista Martini
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Giovanni Battista or Giambattista Martini, O. F. M. Conv. also known as Padre Martini, was an Italian Conventual Franciscan friar, giovanni Battista Martini was born in Bologna, in that era part of the Papal States. In 1725, though only 19 years old, he received the appointment of chapel-master at the Basilica of San Francesco in Bologna, Martini was a zealous collector of musical literature, and possessed an extensive musical library. Burney estimated it at 17,000 volumes, after Martinis death a portion of it passed to the Imperial library at Vienna, most contemporary musicians speak of Martini with admiration, and Leopold Mozart consulted him with regard to the talents of his son, Wolfgang Amadeus Mozart. The latter went on to write the friar in very effusive terms after a visit to the city. The Abbé Vogler, however, makes reservations in his praise, condemning his philosophical principles as too much in sympathy with those of Fux and his Elogio was published by Pietro della Valle at Bologna in the same year. In 1758 Martini was invited to teach at the Accademia Filarmonica di Bologna, the greater number of Martinis mostly sacred compositions remain unprinted. Litaniae atque antiphonae finales B. V. Mariae were published at Bologna in 1734, as also twelve Sonate dintavolalura, six Sonate per lorgano ed il cembalo in 1747, Martinis most important works are his Storia della musica and his Esemplare di contrappunto. Some of these are difficult, but all were solved by Luigi Cherubini. The Esemplare is a learned and valuable work, containing an important collection of examples from the best masters of the old Italian and Spanish schools and it treats chiefly of the tonalities of the plain chant, and of counterpoints constructed upon them. His celebrated canons, published in London, about 1800, edited by Pio Cianchettini, professor Peter Schickele, in his satirical study of the life of the fictitious P. D. Q. Bachs second phase of life, the period, was shaped in part by Padre Martini. This article incorporates text from a now in the public domain, Chisholm, Hugh. The New Grove Dictionary of Music & Musicians
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Martin Gerbert
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Martin Gerbert, German theologian, historian and writer on music, belonged to the noble family of Gerbert von Hornau, and was born at Horb am Neckar, Württemberg, on 12 August 1720. He was educated at Freiburg im Breisgau, at Klingenau in Switzerland and at the Benedictine St. Blaises Abbey in the Black Forest, in 1744 he was ordained priest, and immediately afterwards appointed professor, first of philosophy and later of theology. In 1764 he was elected prince-abbot of St Blaises, and proved himself a model ruler both as abbot and prince and it was, however, in sacramental theology, liturgiology, and notably ecclesiastical music that Gerbert was mainly interested. His interest in music led to his acquaintance with the composer Gluck, as a prince of the Empire Gerbert was devoted to the interests of the house of Austria, as a Benedictine abbot he was opposed to Emperor Joseph IIs church policy. In the Febronian controversy he had taken a mediating attitude. It was at his request that it was made the mausoleum of all the Austrian princes buried outside Austria, in connexion with its consecration he published his Historia Nigrae Silvae, ordinis S. Benedicti coloniae. Gerbert, who was beloved and respected by Catholics and Protestants alike, Joseph Bader, Das ehemalige Kloster St Blasien and seine Gelehrtenakademie, contains a chronological list of Gerberts works. This article incorporates text from a now in the public domain, Chisholm, Hugh
34.
Ludwig van Beethoven
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Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he one of the most famous. His best-known compositions include 9 symphonies,5 piano concertos,1 violin concerto,32 piano sonatas,16 string quartets, his great Mass the Missa solemnis, and one opera, Fidelio. At the age of 21 he moved to Vienna, where he began studying composition with Joseph Haydn and he lived in Vienna until his death. By his late 20s his hearing began to deteriorate, and by the last decade of his life he was almost completely deaf. In 1811 he gave up conducting and performing in public but continued to compose, many of his most admired works come from these last 15 years of his life. Beethoven was the grandson of Ludwig van Beethoven, a musician from the town of Mechelen in the Duchy of Brabant in the Flemish region of what is now Belgium, who at the age of twenty moved to Bonn. Ludwig was employed as a singer at the court of the Elector of Cologne, eventually rising to become, in 1761. The portrait he commissioned of himself towards the end of his life remained proudly displayed in his grandsons rooms as a talisman of his musical heritage. Ludwig had one son, Johann, who worked as a tenor in the musical establishment and gave keyboard. Johann married Maria Magdalena Keverich in 1767, she was the daughter of Johann Heinrich Keverich, Beethoven was born of this marriage in Bonn. There is no record of the date of his birth, however. Of the seven children born to Johann van Beethoven, only Ludwig, the second-born, caspar Anton Carl was born on 8 April 1774, and Nikolaus Johann, the youngest, was born on 2 October 1776. Beethovens first music teacher was his father and he later had other local teachers, the court organist Gilles van den Eeden, Tobias Friedrich Pfeiffer, and Franz Rovantini. Beethovens musical talent was obvious at a young age, some time after 1779, Beethoven began his studies with his most important teacher in Bonn, Christian Gottlob Neefe, who was appointed the Courts Organist in that year. Neefe taught Beethoven composition, and by March 1783 had helped him write his first published composition, Beethoven soon began working with Neefe as assistant organist, at first unpaid, and then as a paid employee of the court chapel conducted by the Kapellmeister Andrea Luchesi. His first three piano sonatas, named Kurfürst for their dedication to the Elector Maximilian Friedrich, were published in 1783, Maximilian Frederick noticed Beethovens talent early, and subsidised and encouraged the young mans musical studies. Maximilian Fredericks successor as the Elector of Bonn was Maximilian Francis, the youngest son of Empress Maria Theresa of Austria, echoing changes made in Vienna by his brother Joseph, he introduced reforms based on Enlightenment philosophy, with increased support for education and the arts
35.
Piano Sonata No. 28 (Beethoven)
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Ludwig van Beethovens Piano Sonata No.28 in A major, Op.101, was written in 1816 and was dedicated to the pianist Baroness Dorothea Ertmann, née Graumen. Op.101 well exemplified this new style, and Beethoven exploits the newly expanded keyboard compass of the day and this piano sonata consists of four movements, As with the previous sonata, it is unclear why Beethoven wrote Op.101. The earliest known sketches are on leaves that once formed the parts of the Scheide Sketchbook of 1815–16 and it shows the first movement already well developed and notated as an extended draft in score, and there are also a few preliminary ideas for the final Allegro. Beethoven himself described this sonata, composed in the town of Baden, just south of Vienna, during the summer of 1816, as a series of impressions and reveries. Beethoven offered the sonata for publication in a letter to Breitkopf and Härtel on July 19,1816, eventually it was sold to the local Viennese publisher Sigmond Anton Steiner, after its completion. It was published in January 1817, and would appear in public the following month after delays, in this period he had achieved a complete mastery of form, texture and tonality and was subverting the very conventions he had mastered to create works of remarkable profundity and beauty. It is also characteristic of late works to incorporate contrapuntal techniques into the sonata form. For the first time Beethoven used the German term Hammerklavier to refer to the piano and this was the only one of his 32 sonatas that Beethoven ever saw played publicly, this was in 1816, and the performer was a bank official and musical dilettante. This movement is in A major,68 time, in sonata form, the tempo marking for the opening movement, Etwas Lebhaft und mit innigsten Empfindung is roughly translated as rather lively and with the warmest feeling. Four-part harmony and contrapuntal texture is used throughout the movement, though the sonata is marked as being in A major, Beethoven does not write any cadences on the tonic key, the exposition and development do not include a single root position A major chord. The first tonic chord in root position appears towards the end of the recapitulation and it appears once more at the end of the recapitulation, but even then is blunted by the omission of the fifth scale degree. The second movement is in F major,44 time and it takes the form of a march in ternary form, and is characterized by dotted rhythms, harmonic dislocation and alternation between static and accelerando. The slow movement is in A minor,24 time, the opening melody of the first movement is recalled just as the third movement nears its conclusion in original tempo and meter. A group of trills leads directly to the fourth movement and this movement is a grand contrapuntal movement in which Beethoven explored the newest keyboard set in his command, using the lowest E on the piano near the end. More than 330 measures in length, the movement is the longest. This piano sonata takes 20–22 minutes to perform, Piano history and musical performance – Beethovens unusual pedal direction in the third movement A lecture by András Schiff on Beethovens piano sonata op.101 Beethoven Piano Sonata No. 28, Op.101, Creation history and discussion of musical content at Raptus Association Piano Sonata No,28, Scores at the International Music Score Library Project
36.
Renaissance music
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Renaissance music is vocal and instrumental music written and performed in Europe during the Renaissance era. From this changing society emerged a common, unifying musical language, in particular the style of the Franco-Flemish school. The invention of the press in 1440 made it cheaper and easier to distribute music and musical theory texts on a wider geographic scale. Prior to the invention of printing, songs and music that were written down and music theory texts had to be hand-copied, demand for music as entertainment and as a leisure activity for educated amateurs increased with the emergence of a bourgeois class. These musicians were sought throughout Europe, particularly in Italy, where churches and aristocratic courts hired them as composers, performers. This reversed the situation from a hundred years earlier, opera, a dramatic staged genre in which singers are accompanied by instruments, arose at this time in Florence. Opera was developed as an attempt to resurrect the music of ancient Greece. Music was increasingly freed from constraints, and more variety was permitted in range, rhythm, harmony, form. In the Renaissance, music became a vehicle for personal expression, composers found ways to make vocal music more expressive of the texts they were setting. Secular music absorbed techniques from sacred music, and vice versa, popular secular forms such as the chanson and madrigal spread throughout Europe. Courts employed virtuoso performers, both singers and instrumentalists, Music also became more self-sufficient with its availability in printed form, existing for its own sake. Precursor versions of familiar modern instruments developed into new forms during the Renaissance. These instruments were modified to responding to the evolution of musical ideas, Early forms of modern woodwind and brass instruments like the bassoon and trombone also appeared, extending the range of sonic color and increasing the sound of instrumental ensembles. From the Renaissance era, notated secular and sacred music survives in quantity, including vocal and instrumental works, an enormous diversity of musical styles and genres flourished during the Renaissance. These can be heard on recordings made in the 20th and 21st century, including masses, motets, madrigals, chansons, accompanied songs, instrumental dances, beginning in the late 20th century, numerous early music ensembles were formed. One of the most pronounced features of early Renaissance European art music was the reliance on the interval of the third. Polyphony – the use of multiple, independent melodic lines, performed simultaneously – became increasingly elaborate throughout the 14th century, the beginning of the 15th century showed simplification, with the composers often striving for smoothness in the melodic parts. The modal characteristics of Renaissance music began to break down towards the end of the period with the use of root motions of fifths or fourths
37.
Funk
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Funk is a music genre that originated in the mid- 1960s when African American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues. Like much of African-inspired music, funk typically consists of a groove with rhythm instruments playing interlocking grooves. Funk uses the same richly-colored extended chords found in jazz, such as minor chords with added sevenths and elevenths. Other musical groups, including Sly and the Family Stone and Parliament-Funkadelic, soon began to adopt, Funk samples have been used extensively in genres including hip hop, house music, and drum and bass. It is also the influence of go-go, a subgenre associated with funk. The word funk initially referred to a strong odor and it is originally derived from Latin fumigare via Old French fungiere and, in this sense, it was first documented in English in 1620. In 1784 funky meaning musty was first documented, which, in turn, in early jam sessions, musicians would encourage one another to get down by telling one another, Now, put some stank on it. At least as early as 1907, jazz songs carried titles such as Funky, as late as the 1950s and early 1960s, when funk and funky were used increasingly in the context of jazz music, the terms still were considered indelicate and inappropriate for use in polite company. According to one source, New Orleans-born drummer Earl Palmer was the first to use the word funky to explain to other musicians that their music should be made more syncopated, the style later evolved into a rather hard-driving, insistent rhythm, implying a more carnal quality. This early form of the set the pattern for later musicians. The music was identified as slow, sexy, loose, riff-oriented, a great deal of funk is rhythmically based on a two-celled onbeat/offbeat structure, which originated in sub-Saharan African music traditions. New Orleans appropriated the bifurcated structure from the Afro-Cuban mambo and conga in the late 1940s, New Orleans funk, as it was called, gained international acclaim largely because James Browns rhythm section used it to great effect. Funk creates an intense groove by using strong guitar riffs and bass lines, like Motown recordings, funk songs used bass lines as the centerpiece of songs. Slap basss mixture of thumb-slapped low notes and finger popped high notes allowed the bass to have a rhythmic role. In funk bands, guitarists typically play in a style, often using the wah-wah sound effect. Guitarist Ernie Isley of The Isley Brothers and Eddie Hazel of Funkadelic were notably influenced by Jimi Hendrixs improvised solos, Eddie Hazel, who worked with George Clinton, is one of the most notable guitar soloists in funk. Ernie Isley was tutored at an age by Jimi Hendrix himself. Jimmy Nolen and Phelps Collins are famous funk rhythm guitarists who both worked with James Brown, on Browns Give It Up or Turnit a Loose, Jimmy Nolens guitar part has a bare bones tonal structure
38.
Lebanese Civil War
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The Lebanese Civil War was a multifaceted civil war in Lebanon, lasting from 1975 to 1990 and resulting in an estimated 120,000 fatalities. As of 2012, approximately 76,000 people remain displaced within Lebanon, there was also an exodus of almost one million people from Lebanon as a result of the war. The government of Lebanon had been run under a significant influence of the elites among the Maronite Christians, however, the country had a large Muslim population and many pan-Arabist and left-wing groups opposed the pro-western government. Fighting between Maronite and Palestinian forces began in 1975, then Leftist, pan-Arabist and Muslim Lebanese groups formed an alliance with the Palestinians, during the course of the fighting, alliances shifted rapidly and unpredictably. Furthermore, foreign powers, such as Israel and Syria, became involved in the war, Peace keeping forces, such as the Multinational Force in Lebanon & UNIFIL, were also stationed in Lebanon. The 1989 Taif Agreement marked the beginning of the end of the fighting, in January 1989, a committee appointed by the Arab League began to formulate solutions to the conflict. In March 1991, parliament passed an amnesty law that all political crimes prior to its enactment. In May 1991, the militias were dissolved, with the exception of Hezbollah, religious tensions between Sunnis and Shias remained after the war. An 1860 civil war between Druze and Maronites erupted in the Ottoman Mutasarrifate of Mount Lebanon, which had been divided between them in 1842 and it resulted in the massacre of about 10,000 Christians and at least 6,000 Druzes. The 1860 war was considered by the Druze as a military victory, World War I was hard for the Lebanese. While the rest of the world was occupied with the World War, with the defeat and dissolution of the Ottoman Empire, Turkish rule ended. France took control of the area under the French Mandate for Syria, the French created the state of Greater Lebanon as a safe haven for the Maronites, but included a large Muslim population within the borders. In 1926, Lebanon was declared a republic, and a constitution was adopted, however, the constitution was suspended in 1932. Various factions sought unity with Syria, or independence from the French, in 1934, the countrys first census was conducted. In 1936, the Maronite Phalange party was founded by Pierre Gemayel, World War II and the 1940s brought great change to Lebanon and the Middle East. Lebanon was promised independence and on 22 November 1943, during World War II, Free French troops, who had invaded Lebanon in 1941 to rid Beirut of the Vichy French forces, left the country in 1946. The Maronites assumed power over the country and economy, a parliament was created, in which both Muslims and Christians each had a set quota of seats. Accordingly, the President was to be a Maronite, the Prime Minister a Sunni Muslim, the United Nations Partition Plan for Palestine in late 1947 led to civil war in Palestine, the end of Mandatory Palestine, and the Israeli Declaration of Independence on 14 May 1948
39.
Lydia Canaan
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A mezzo-soprano that Billboard notes as having a three-octave range and perfect pitch, Canaans unique style fuses Middle-Eastern quarter notes and microtones with anglophone rock. Canaan began her career performing amid enemy military attacks in protest of the Lebanese Civil War, society writes that In a small country that was ripped by war, there was this young girl making a difference. Canaans unprecedented musical debut defied tradition, challenged convention, and transcended millennia-old gender barriers, according to Arabian Woman, As a girl who grew up in the midst of a bloody civil war, Canaan was breaking down seemingly insurmountable barriers. Born and raised in Brummana, Lebanon during the Lebanese Civil War to a prominent Greek Orthodox Christian family, Canaan studied at Brummana High School, from a young age, singing and dancing were Canaans essential outlet and catharsis. Raised in a family, Canaans parents forbid her artistry. In 1984 the teenaged Canaan under the stage name Angel joined heavy metal band Equation, Canaans talent, personality, and stage presence brought her to prominence among Lebanese youth. She first donned her trademark, trend-setting revealing leather outfits with studs and dramatic capes, off stage, Canaans Alma Mater, Brummana High School, voted her Best Dressed. On stage, her provocative costumes made her a sex symbol, the Daily Star wrote, On stage, with her daring looks and style, Canaan became a role model. At the height of their success the band drew a crowd of over 15,000. Canaans first original composition, Why All The Hurt, a tribute to a friend that she wrote as a teenager, was a No.1 hit on the radio charts in Lebanon. Concerning Canaans first concert with Equation, The Gulf Today writes, society magazine states, Tickets were sold out but more teenagers stormed in to see the young Angel perform. To accommodate the crowd, the organizers had to stamp on each fans hand as they ran out of tickets. Her last concert with Equation was in 1986, as Canaans music evolved, her fame grew. With Lebanon under Syrian occupation, Canaans concerts were held in East Beirut, Mount Lebanon, in Tripoli, the second largest city in Lebanon, Canaan performed a sell-out concert under tight security after receiving numerous death threats. In 1987 Canaan performed to a crowd of 20,000 at the Beirut Rock Festival. In 1988, she held concerts for three consecutive nights at Casino du Liban, the last performer to grace its stage until it resumed activity following the end of the Liberation War in 1990. Canaan received praise from prestigious international Arabic newspapers Asharq Al-Awsat, Al-Hayat, International Lebanese singer whose voice invaded the European market, making its mark. In 1989 Canaan left Lebanon and settled in Zurich, Switzerland, there she took vocal lessons with soprano Anita Monti
