1.
Avatar
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An avatar is a concept in Hinduism and it means descent, and refers to the appearance or incarnation of a deity on earth. The term also refers to alight, to make ones appearance. The word avatar does not appear in the Vedic literature, but appears in verb forms in post-Vedic literature, the Rigveda describes Indra as endowed with a mysterious power of assuming any form at will. The Bhagavad Gita expounds the doctrine of Avatara but with other than avatar. Theologically, the term is most often associated with the Hindu god Vishnu, the avatars of Vishnu are important in Vaishnavism theology. In the goddess-based Shaktism tradition of Hinduism, avatars of the Devi in different appearances such as Tripura Sundari, Durga, while avatars of other deities such as Ganesha and Shiva are also mentioned in medieval Hindu texts, this is minor and occasional. The incarnation doctrine is one of the important differences between Vaishnavism and Shaivism traditions of Hinduism, Incarnation concepts similar to avatar are also found in Buddhism, Christianity and others. The Sanskrit noun is derived from the Sanskrit roots ava and tṛī and these roots trace back, states Monier-Williams, to -taritum, -tarati, -rītum. Avatar literally means descent, alight, to ones appearance. The word also implies to overcome, to remove, to bring down, an avatar, states Justin Edwards Abbott, is a saguna embodiment of the nirguna Brahman or Atman. Neither the Vedas nor the Principal Upanishads ever mention the word avatar as a noun, the verb roots and form, such as avatarana, do appear in ancient post-Vedic Hindu texts, but as action of descending, but not as an incarnated person. The related verb avatarana is, states Paul Hacker, used with double meaning, one as action of the divine descending, the term is most commonly found in the context of the Hindu god Vishnu. It is in medieval era texts, those composed after the sixth century CE, that the version of avatar appears. The idea proliferates thereafter, in the Puranic stories for many deities, the term avatar, in colloquial use, is also an epithet or a word of reverence for any extraordinary human being who is revered for his or her ideas. In some contexts, the term avatara just means a place, site of sacred pilgrimage, or just achieve ones goals after effort. The term avatar is not unique to Hinduism and it is found in the Trikaya doctrine of Mahayana Buddhism, in descriptions for the Dalai Lama in Tibetan Buddhism, and many ancient cultures. The manifest embodiment is sometimes referred to as an incarnation, the translation of avatar as incarnation has been questioned by Christian theologists, who state that an incarnation is in flesh and imperfect, while avatar is mythical and perfect. The theological concept of Christ as an incarnation, as found in Christology, according to Oduyoye and Vroom, this is different from the Hindu concept of avatar because avatars in Hinduism are unreal and is similar to Docetism
2.
Vishnu
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Vishnu is one of the principal deities of Hinduism, and the Supreme Being in its Vaishnavism tradition. Along with Brahma and Shiva, Vishnu forms a Hindu trinity, however and his avatars most notably include Krishna in the Mahabharata and Rama in the Ramayana. He is also known as Narayana, Jagannath, Vasudeva, Vithoba and he is one of the five equivalent deities worshipped in Panchayatana puja of the Smarta Tradition of Hinduism. In Hindu inconography, Vishnu is usually depicted as having a dark, or pale blue complexion and having four arms. He holds a padma in his left hand, Kaumodaki gada in his lower right hand, Panchajanya shankha in his upper left hand. A traditional depiction is Lord Vishnu reclining on the coils of Ananta, accompanied by his consort devi Lakshmi, yaska, the mid 1st-millennium BCE Vedanga scholar, in his Nirukta, defines Vishnu as viṣṇur viṣvater vā vyaśnoter vā, one who enters everywhere. He also writes, atha yad viṣito bhavati tad viṣnurbhavati, that which is free from fetters, the medieval Indian scholar Medhātithi suggested that the word Vishnu has etymological roots in viś, meaning to pervade, thereby connoting that Vishnu is one who is everything and inside everything. Vishnu is a Vedic deity, but not a prominent one when compared to Indra, Agni, just 5 out of 1028 hymns of the Rigveda, a 2nd millennium BCE Hindu text, are dedicated to Vishnu, and he finds minor mention in the other hymns. Though a minor mention and with overlapping attributes in the Vedas, he has important characteristics in various hymns of Rig Veda and he is also described in the Vedic literature as the one who supports heaven and earth. In the Vedic hymns, Vishnu is invoked alongside other deities, especially Indra and his distinguishing characteristic in Vedas is his association with light. Two Rigvedic hymns in Mandala 7 refer to Vishnu, in section 7.99 of the Rgveda, Vishnu is addressed as the god who separates heaven and earth, a characteristic he shares with Indra. In the Vedic texts, the deity or god referred to as Vishnu is Surya or Savitr, in hymn 7.99 of Rigveda, Indra-Vishnu are equivalent and produce the sun, with the verses asserting that this sun is the source of all energy and light for all. In other hymns of the Rigveda, Vishnu is a friend of Indra. In the Yajurveda, Taittiriya Aranyaka, Narayana sukta, Narayana is mentioned as the supreme being, the first verse of Narayana Suktam mentions the words paramam padam, which literally mean highest post and may be understood as the supreme abode for all souls. This is also known as Param Dhama, Paramapadam or Vaikuntha, Rig Veda 1.22.20 a also mentions the same paramam padam. In the Atharvaveda, the mythology of a boar who raises goddess earth from the depths of cosmic ocean appears, in post-Vedic mythology, this legend becomes one of the basis of many cosmogonic myth called the Varaha legend, with Varaha as an avatar of Vishnu. Several hymns of the Rigveda repeat the mighty deed of Vishnu called the Trivikrama and it is an inspiration for ancient artwork in numerous Hindu temples such as at the Ellora Caves, which depict the Trivikrama legend through the Vamana avatar of Vishnu. Trivikrama refers to the three steps or three strides of Vishnu
3.
Chakram
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The chakram is a throwing weapon from India. It is circular in shape with an outer edge and ranges in size from approximately 12–30 centimetres in diameter. It is also known as chalikar meaning circle, and was referred to in English writings as a war-quoit. The chakram is primarily a weapon but can also be used hand-to-hand. A smaller variant called chakri was worn on the wrist, a related weapon is the chakri dang, a bamboo staff with a chakri attached at one end. Chakradhaari is a name for Krishna, the chakram was later used extensively by the Sikhs as recently as the days of Ranjit Singh. It came to be associated with Sikhs because of the Nihang practice of wearing chakram on their arms, around the neck, the Portuguese chronicler Duarte Barbosa writes of the chakram being used in the Delhi Sultanate. The people of the kingdom. And with these they carry on fighting, and are very dexterous with them. From its native India, variations of the spread to other Asian countries. In Tibet, Malaysia, and Indonesia, the chakram was not flat, the Mongol cavalry used a similar throwing weapon with spiked edges. Chakram are traditionally made from steel or brass which is beaten into a circular shape against an anvil with an indentation for the curvature, two ends are connected with a piece of brass and then heated, forming a complete circle before the brass is removed. Some chakram, even used in combat, were ornately engraved, or inlaid with brass. The chakram is half an inch to one wide and is typically between 5-12 inches in diameter. The smaller variations are known as chakri while the ones are called vada chakra which were as large as a shield. The chakrams combat application is dependent on its size. Regular-sized steel chakram could be thrown 40–60 meters, while brass chakram, due to their better airfoil design, if properly constructed, it should be a perfect circle. Warriors trained by throwing chakram at lengths of green bamboo, in single combat, the chakram could be thrown underarm like a modern Aerobie. In battle, it was usually thrown vertically so as to avoid hitting an ally on the left or right side
4.
Kaumodaki
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Kaumodaki is the gada of the Hindu god Vishnu. Vishnu is often depicted holding the Kaumodaki in one of his four hands, the attributes are the chakra, the conch. The gada is also found in iconography of some of Vishnus avatars, the name Kaumodaki first appears in the Hindu epic Mahabharata, where it is associated with Vishnus avatar Krishna. The gada is depicted in images of Vishnu since c.200 BCE, while initially unadorned, the size and shape of Kaumodaki vary in depictions. More elaborate design features like flutes and segments were added in depictions of Vishnus gada, though the weapon may be depicted as an inanimate gada, Kaumodaki sometimes appears personified as a woman known as Gadadevi or Gadanari in sculptures of Vishnu. In depictions that use this version, Vishnu rests one of his hands on her head, the gada, regarded one of the oldest and strongest weapons, is a symbol of Vishnus powers. Various texts discuss the symbolism of Kaumodaki in Vishnus iconography, the etymology of Kaumodaki is unclear. According to an etymology, Kaumodaki derives its name from the Sanskrit word kumuda. Another theory suggests that the mace may derive its name from the epithet of Vishnu, the literal synonym of Kaumodaki, kaumudi is interpreted as joy on the earth. Based on the Vishnu Purana, Alain Daniélou translates Kaumodaki as stupefier of the mind, Vishnu is usually depicted as four-armed with the four attributes in his hands, the shankha, the Sudarshana chakra, the padma and the Kaumodaki gada. A popular epithet of Vishnu is Shankha-chakra-gada-pani, he who holds in his hands shankha, chakra, generally, the gada is held in the lower left hand of Vishnu in contemporary images. The gada sometimes also appears in the depictions of Vishnus avatars Matsya, Kurma, the gada appears as an attribute in the oldest known sculpture of Vishnu, dated to c.200 BCE. In another Kushan sculpture, the gada is depicted as a rod which is almost the height of Vishnu and is held in his upper right hand. It is depicted similar to a long pestle, a similar image found in Jhusi as well as early images from Western India depict Vishnu resting his upper right hand on the mace or holding the mace in this hand. Gupta images continue the trend of having upper right hand resting on or holding the gada, the gada started being depicted in other arms. Twenty-four configurations of Vishnu images are noted, where the order of the four attributes is changed, while the hand holding the gada changed, the design of the weapon transformed too. In late medieval art, especially Pala, the size of the handle of the gada is reduced to a flute, in Uttar Pradesh, the handle is tapered and expands at the top, sphere on the top also depicted with flutes. The Chalukyan gada is thick and barrel-shaped, while the Pallava gada is depicted thick throughout, the Cholas carve Kaumodaki thinner, but is ridged and segmented
5.
Nail (anatomy)
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A nail is a horn-like envelope covering the tips of the fingers and toes in humans, most non-human primates, and a few other mammals. Nails are similar to claws in other animals, fingernails and toenails are made of a tough protective protein called keratin. This protein is found in the hooves and horns of different animals. The nail consists of the plate, the nail matrix and the nail bed below it. The matrix, sometimes called the matrix unguis, keratogenous membrane, nail matrix and it is the part of the nail bed that is beneath the nail and contains nerves, lymph and blood vessels. The matrix is responsible for producing cells that become the nail plate. The width and thickness of the plate is determined by the size, length. The matrix will continue to grow as long as it receives nutrition, as new nail plate cells are made, they push older nail plate cells forward, and in this way older cells become compressed, flat, and translucent. This makes the capillaries in the nail bed below visible, resulting in a pink color, the lunula is the visible part of the matrix, the whitish crescent-shaped base of the visible nail. The lunula can best be seen in the thumb and may not be visible in the little finger, the nail bed is the skin beneath the nail plate. The epidermis is attached to the dermis by tiny longitudinal grooves called matrix crests, in old age, the nail plate becomes thinner, and these grooves become more visible. The nail sinus is where the root is, i. e. the base of the nail underneath the skin. It originates from the actively growing tissue below, the matrix, the nail plate is the hard part of the nail, made of translucent keratin protein. Several layers of dead, compacted cells cause the nail to be strong and its shape is determined by the form of the underlying bone. In common usage, the word often refers to this part only. The free margin or distal edge is the margin of the nail plate corresponding to the abrasive or cutting edge of the nail. The hyponychium is the epithelium located beneath the nail plate at the junction between the edge and the skin of the fingertip. It forms a seal that protects the nail bed, the onychodermal band is the seal between the nail plate and the hyponychium
6.
Jaw
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The jaw is any opposable articulated structure at the entrance of the mouth, typically used for grasping and manipulating food. In arthropods, the jaws are chitinous and oppose laterally, and these jaws are often composed of numerous mouthparts. Their function is fundamentally for food acquisition, conveyance to the mouth, many mouthparts and associate structures are modified legs. In most vertebrates, the jaws are bony or cartilaginous and oppose vertically, comprising an upper jaw, the vertebrate jaw is derived from the most anterior two pharyngeal arches supporting the gills, and usually bears numerous teeth. The vertebrate jaw probably originally evolved in the Silurian period and appeared in the Placoderm fish which further diversified in the Devonian, the two most anterior pharyngeal arches are thought to have become the jaw itself and the hyoid arch, respectively. The hyoid system suspends the jaw from the braincase of the skull and it is thought that the original selective advantage offered by the jaw was not related to feeding, but to increased respiration efficiency. The jaws were used in the pump that pumps water across the gills of fish or air into the lungs in the case of amphibians. Over evolutionary time the familiar use of jaws, in feeding, was selected for. Many teleost fish have substantially modified jaws for feeding and jaw protrusion. The jaw in tetrapods is substantially simplified compared to fish, most of the upper jaw bones have been fused to the braincase, while the lower jaw bones have been fused together into a unit called the mandible. The jaw articulates via a joint between the quadrate and articular. The jaws of tetrapods exhibit varying degrees of mobility between jaw bones, some species have jaw bones completely fused, while others may have joints allowing for mobility of the dentary, quadrate, or maxilla. The snake skull shows the greatest degree of cranial kinesis, which allows the snake to swallow large prey items. In the evolution of the jaw, two of the bones of the jaw structure were reduced in size and incorporated into the ear. As a result, mammals show little or no cranial kinesis, temporomandibular joint dysfunction is a common disorder of these joints, characterized by pain, clicking and limitation of mandibular movement. Sea urchins possess unique jaws which display five-part symmetry, termed the Aristotles lantern, each unit of the jaw holds a single, perpetually growing tooth composed of crystalline calcium carbonate. Gnathostomata – jawed vertebrates Muscles of mastication Otofacial syndrome Predentary Premaxilla Prognathism Rostral bone Tooth Jaw at the US National Library of Medicine Medical Subject Headings
7.
Sanskrit
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Sanskrit is the primary liturgical language of Hinduism, a philosophical language of Hinduism, Buddhism, and Jainism, and a literary language and lingua franca of ancient and medieval South Asia. As a result of transmission of Hindu and Buddhist culture to Southeast Asia and parts of Central Asia, as one of the oldest Indo-European languages for which substantial written documentation exists, Sanskrit holds a prominent position in Indo-European studies. The body of Sanskrit literature encompasses a rich tradition of poetry and drama as well as scientific, technical, philosophical, the compositions of Sanskrit were orally transmitted for much of its early history by methods of memorization of exceptional complexity, rigor, and fidelity. Thereafter, variants and derivatives of the Brahmi script came to be used, Sanskrit is today one of the 22 languages listed in the Eighth Schedule of the Constitution of India, which mandates the Indian government to develop the language. It continues to be used as a ceremonial language in Hindu religious rituals and Buddhist practice in the form of hymns. The Sanskrit verbal adjective sáṃskṛta- may be translated as refined, elaborated, as a term for refined or elaborated speech, the adjective appears only in Epic and Classical Sanskrit in the Manusmṛti and the Mahabharata. The pre-Classical form of Sanskrit is known as Vedic Sanskrit, with the language of the Rigveda being the oldest and most archaic stage preserved, Classical Sanskrit is the standard register as laid out in the grammar of Pāṇini, around the fourth century BCE. Sanskrit, as defined by Pāṇini, evolved out of the earlier Vedic form, the present form of Vedic Sanskrit can be traced back to as early as the second millennium BCE. Scholars often distinguish Vedic Sanskrit and Classical or Pāṇinian Sanskrit as separate dialects, although they are quite similar, they differ in a number of essential points of phonology, vocabulary, grammar and syntax. Vedic Sanskrit is the language of the Vedas, a collection of hymns, incantations and theological and religio-philosophical discussions in the Brahmanas. Modern linguists consider the metrical hymns of the Rigveda Samhita to be the earliest, for nearly 2000 years, Sanskrit was the language of a cultural order that exerted influence across South Asia, Inner Asia, Southeast Asia, and to a certain extent East Asia. A significant form of post-Vedic Sanskrit is found in the Sanskrit of Indian epic poetry—the Ramayana, the deviations from Pāṇini in the epics are generally considered to be on account of interference from Prakrits, or innovations, and not because they are pre-Paninian. Traditional Sanskrit scholars call such deviations ārṣa, meaning of the ṛṣis, in some contexts, there are also more prakritisms than in Classical Sanskrit proper. There were four principal dialects of classical Sanskrit, paścimottarī, madhyadeśī, pūrvi, the predecessors of the first three dialects are attested in Vedic Brāhmaṇas, of which the first one was regarded as the purest. In the 2001 Census of India,14,035 Indians reported Sanskrit to be their first language, in India, Sanskrit is among the 14 original languages of the Eighth Schedule to the Constitution. The state of Uttarakhand in India has ruled Sanskrit as its official language. In October 2012 social activist Hemant Goswami filed a petition in the Punjab. More than 3,000 Sanskrit works have been composed since Indias independence in 1947, much of this work has been judged of high quality, in comparison to both classical Sanskrit literature and modern literature in other Indian languages
8.
Dharma
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Dharma is a key concept with multiple meanings in the Indian religions — Hinduism, Buddhism, Sikhism and Jainism. There is no single word translation for dharma in western languages, in Buddhism dharma means cosmic law and order, but is also applied to the teachings of the Buddha. In Buddhist philosophy, dhamma/dharma is also the term for phenomena, Dharma in Jainism refers to the teachings of tirthankara and the body of doctrine pertaining to the purification and moral transformation of human beings. For Sikhs, the word means the path of righteousness. The Classical Sanskrit noun dharma is a derivation from the root dhṛ, the word dharma was already in use in the historical Vedic religion, and its meaning and conceptual scope has evolved over several millennia. The antonym of dharma is adharma, the Classical Sanskrit noun dharma is a derivation from the root dhṛ, which means to hold, maintain, keep, and takes a meaning of what is established or firm, and hence law. It is derived from an older Vedic Sanskrit n-stem dharman-, with a meaning of bearer, supporter. In the Rigveda, the word appears as an n-stem, dhárman-, figuratively, it means sustainer and supporter. It is semantically similar to the Greek Ethos, in Classical Sanskrit, the noun becomes thematic, dharma-. The word dharma derives from Proto-Indo-European root *dʰer-, which in Sanskrit is reflected as class-1 root √dhṛ, etymologically it is related to Avestan √dar-, Latin firmus, Lithuanian derė́ti, Lithuanian dermė and darna and Old Church Slavonic drъžati. Classical Sanskrit word dharmas would formally match with Latin o-stem firmus from Proto-Indo-European *dʰer-mo-s holding, were it not for its development from earlier Rigvedic n-stem. In Classical Sanskrit, and in the Vedic Sanskrit of the Atharvaveda, in Pāli, it is rendered dhamma. In some contemporary Indian languages and dialects it occurs as dharm. Dharma is a concept of central importance in Indian philosophy and religion and it has multiple meanings in Hinduism, Buddhism, and Jainism. It is difficult to provide a concise definition for dharma, as the word has a long and varied history and straddles a complex set of meanings. There is no equivalent single word translation for dharma in western languages, there have been numerous, conflicting attempts to translate ancient Sanskrit literature with the word dharma into German, English and French. The concept, claims Paul Horsch, has caused difficulties for modern commentators and translators. Dharma root is dhri, which means ‘to support, hold and it is the thing that regulates the course of change by not participating in change, but that principle which remains constant
9.
Hiranyakashipu
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Hiranyakashipu is an Asura from the Puranic scriptures of Hinduism. His younger brother, Hiranyaksha was slain by Varaha, one of the Avatars of Vishnu, angered by this, Hiranyakashipu decided to gain magical powers by performing a penance for Lord Brahma. He was subsequently killed by the Narasimha Avatara of Lord Vishnu and his tale depicts the futility of desiring power over others and the strength of Gods protection over his fully surrendered devotees. Hiranyakashipu, according to legend, was the king of the daityas and had earned a boon from Brahma that made him virtually indestructible and he grew arrogant, thought he was God, and demanded that everyone worship only him. The story of Hiranyakashipu is in three parts, the first has to do with the curse of the Four Kumaras on the gatekeepers of Vaikuntha, Jaya and Vijaya, which causes them to be born as the daityass Hiranyakashipu and Hiranyaksha. The second part deals with Hiranyakashipus penance to propitiate Brahma and gain a boon from him, the final part deals with his efforts to kill his son Prahlada and his subsequent death at the hands of Narasimha. According to a story from Bhagavata Purana, Hiranyakashipu and Hiranyaksha are Vishnus gatekeepers Jaya and Vijaya, in Satya Yuga, Hiranyakashipu and Hiranyaksha - together called the Hiranyas - were born to Diti and the sage Kashyapa. It is said that asuras were born to them as a result of their union at the time of dusk, after his elder Brother Hiranyakshas death at the hands of the Varaha avatar of Vishnu, Hiranyakashipu comes to hate Vishnu. This initially seemed to work as planned, with Brahma becoming pleased by Hiranyakashipus austerities, Brahma appears before Hiranyakashipu and offers him a boon of his choice. But when Hiranyakashipu asks for immortality, Brahma refuses, grant me that I not die within any residence or outside any residence, during the daytime or at night, nor on the ground or in the sky. Grant me that my death not be brought by any being other than those created by you, nor by any weapon, grant me that I not meet death from any entity, living or nonliving. Grant me, further, that I not be killed by any demigod or demon or by any great snake from the lower planets, since no one can kill you in the battlefield, you have no competitor. Therefore, grant me the benediction that I too may have no rival, give me sole lordship over all the living entities and presiding deities, and give me all the glories obtained by that position. Furthermore, give me all the mystic powers attained by long austerities, in other Puranas, many variations of the boon are given. The Shiva Purana mentions that Hiranyakashipu asked Brahma that he would be invulnerable to dry or wet weapons, thunderbolts, mountains, the Vayu Purana mentions that Hiranyakashipu asked to be so powerful, only Vishnu would slay him. Other variations include not being slain by any living being, not at daytime or nighttime, in section 14, the Anusasana Parva of the Mahabharata, the Sage Upamanyu briefly mentioned to Krishna that Hiranyakashipu also performed another penance to please Lord Shiva. In consequence of these two boons, Hiranyakashipu become so mighty that he was able to shake the very Himalayas down to their roots, ravana once tried to lift Hiranyakashipus earrings but he was unable to do so because they were very heavy. The Brahmanda Purana mentions that Hiranyakashipu ruled for 107,280,000 years, whilst Hiranyakashipu is performing the penance to be granted this boon, Indra and the other devas attack his home, seizing the opportunity in his absence
10.
Vaishnavism
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Vaishnavism is one of the major traditions within Hinduism along with Shaivism, Shaktism, and Smartism. It is also called Vishnuism, its followers are called Vaishnavas, the tradition is notable for its avatar doctrine, wherein Vishnu is revered in one of many distinct incarnations. Of these, ten avatars of Vishnu are the most studied, Krishna, Rama, Narayana, Vāsudeva, Hari, Vithoba, Kesava, Madhava, Govinda and Jagannath are among the popular names used for the same supreme. The tradition has traceable roots to the 1st millennium BCE, as Bhagavatism, later developments led by Ramananda created a Rama-oriented movement, now the largest monastic group in Asia. The Vaishnava tradition has many sampradayas ranging from the medieval era Dvaita school of Madhvacharya to Vishishtadvaita school of Ramanuja, new Vaishnavism movements have been founded in the modern era such as the ISKCON of Prabhupada. The tradition is known for the devotion to an avatar of Vishnu. Key texts in Vaishnavism include the Vedas, the Upanishads, the Bhagavad Gita, the Pancaratra texts, Krishnaism becomes associated with bhakti yoga in the medieval period. Although Vishnu was a Vedic solar deity, he is mentioned less often compared to Agni, Indra and other Vedic deities, other scholars state that there are other Vedic deities, such as water deity Nara, who together form the historical roots of Vaishnavism. The ancient emergence of Vaishnavism is unclear, the evidence inconsistent, according to Dalal, the origins may be in Vedic deity Bhaga, who gave rise to Bhagavatism. According to Preciado-Solís, the Vedic deities Nara and Narayana form one of the Vedic roots of Vaishnavism, according to Dandekar, Vaishnavism may have emerged from merger of several ancient theistic traditions, where the various deities were integrated as different avatars of the same god. In Dandekar theory, Vaishnavism emerged at the end of the Vedic period, closely before the urbanisation of northern India. This earliest phase was established the time of Pāṇini who, in his Astadhyayi and this was followed by a merger with the cult of Gopala-Krsna of the cowherd community of the Abhıras at the 4th century CE. The character of Gopala Krishna is often considered to be non-Vedic, according to Dandekar, such mergers consolidated the position of Krishnaism between the heterodox sramana movement and the orthodox Vedic religion. The Greater Krsnaism, states Dandekar, then merged with the Rigvedic Vishnu, syncretism of various traditions and Vedism resulted in Vaishnavism. At this stage that Vishnu of the Rig Veda was assimilated into non-Vedic Krishnaism, the appearance of Krishna as one of the Avatars of Vishnu dates to the period of the Sanskrit epics in the early centuries CE. The Bhagavad Gita was incorporated into the Mahabharata as a key text for Krishnaism, finally, the Narayana-cult was also included, which further brahmanized Vaishnavism. The Nara-Narayana cult may have originated in Badari, a ridge of the Hindu Kush. Purusa Narayana may have later turned into Arjuna and Krsna
11.
Shaivism
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Shaivism is one of the major traditions within Hinduism that reveres Shiva as the Supreme Being or its metaphysical concept of Brahman. The followers of Shaivism are called Shaivas or Saivas, like much of Hinduism, the Shaiva have many sub-traditions, ranging from devotional dualistic theism such as Shaiva Siddhanta to yoga-oriented monistic non-theism such as Kashmiri Shaivism. It considers both the Vedas and the Agama texts as important sources of theology, Shaivism has ancient roots, traceable in the Vedic literature of 2nd millennium BCE, but this is in the form of the Vedic deity Rudra. In the early centuries of the era is the first clear evidence of Pāśupata Shaivism. Both devotional and monistic Shaivism became popular in the 1st millennium CE and it arrived in Southeast Asia shortly thereafter, leading to thousands of Shaiva temples on the islands of Indonesia as well as Cambodia and Vietnam, co-evolving with Buddhism in these regions. In the contemporary era, Shaivism is one of the aspects of Hinduism. Shaivism theology ranges from Shiva being the creator, preserver, destroyer to being the same as the Atman within oneself and it is closely related to Shaktism, and some Shaiva worship in Shiva and Shakti temples. It is the Hindu tradition that most accepts ascetic life and emphasizes yoga, Shaivism is one of the largest traditions within Hinduism. Shiva literally means kind, friendly, gracious, or auspicious, as a proper name, it means The Auspicious One. The word Shiva is used as an adjective in the Rig Veda, as an epithet for several Rigvedic deities, the term Shiva also connotes liberation, final emancipation and the auspicious one, this adjective sense of usage is addressed to many deities in Vedic layers of literature. The term evolved from the Vedic Rudra-Shiva to the noun Shiva in the Epics, the Sanskrit word śaiva or Shaiva means relating to the god Shiva, while the related beliefs, practices, history, literature and sub-traditions constitute Shaivism. The reverence for Shiva is one of the traditions, found widely across India, Sri Lanka. While Shiva is revered broadly, Hinduism itself is a complex religion, Shaivism is a major tradition within Hinduism, with a theology that is predominantly related to the Hindu god Shiva. Shaivism has many different sub-traditions with regional variations and differences in philosophy, Shaivism has a vast literature with different philosophical schools, ranging from nondualism, dualism, and mixed schools. The origins of Shaivism are unclear and a matter of debate among scholars, some trace the origins to the Indus Valley civilization, which reached its peak around 2500–2000 BCE. Archeological discoveries show seals that suggest a deity that appears like Shiva. Of these is the Pashupati seal, which scholars interpreted as someone seated in a meditating yoga pose surrounded by animals. This Pashupati seal has been interpreted by scholars as a prototype of Shiva
12.
Holika
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Holika was a demoness in Hindu Vedic scriptures, who was burnt to death with the help of God Vishnu. She was the sister of King Hiranyakashipu and aunt of Prahlad, the story of Holika dahan signifies the triumph of good over evil. Holika is associated with the annual bonfire on the night before Holi, according to Bhagavat Purana, a king named Hiranyakashipu who, like many demons and Asuras, had the intense desire to be immortal. To fulfill this desire, he performed the required Tapas or penances until he was granted a boon by Brahma, since the Gods rarely granted immortality, he used his guile and cunning to get a boon that he thought made him immortal. As this wish was granted, Hiranyakashyapu felt invincible, which made him arrogant, Hiranyakashyapu decreed that only he be worshiped as a God, punished and killed anyone who did not accept his orders. His son Prahlad disagreed with his father, and refused to worship his father as a god and he continued believing and worshipping Lord Vishnu. This made Hiranyakashipu very angry and he made attempts to kill Prahlad. During a particular attempt on Prahlads life, King Hiranyakashyapu called upon his sister Holika for help, Holika had a special cloak garment that prevented her from being harmed by fire. Hiranyakashyapu asked her to sit on a bonfire with Prahlad, by tricking the boy to sit on her lap, however, as the fire roared, the garment flew from Holika and covered Prahlad. Holika burnt to death, Prahlad came out unharmed, Vishnu appeared in the form of Narasimha - half human and half lion, at dusk, took Hiranyakashyapu at a doorstep, placed him on his lap, and then eviscerated and killed the king with his lion claws. In this form, the boon of five special powers granted to Hiranyakashyapu were no longer useful, Prahlad and the kingdom of human beings were thus free from the compulsion and fear of Hiranyakashyapu, showing the victory of good over evil. This symbolic myth is common in parts of India, where Holi is also called Phagwah. Kansa, king and uncle of Krishna, sensed danger to his life from his infant nephew when he grows up, kansa sent the demon Putna, disguised as a woman, to poison the infant under the guise of breastfeeding. Baby Krishna sucks not only the milk but Putnas blood too. She runs and bursts into flames while the Infant Krishna transitions into his dark blue skin color. The day before Phagwah is celebrated by burning Putna, according to the myth, in his youth, Krishna despairs about fair skinned Radha and whether she or other Gopis will like him because of his skin color. His mother tired of the desperation, asks him to approach Radha and this he does, and Krishna and Radha became a couple. The playful coloring of face of Radha has henceforth been celebrated as Holi, for many traditions in Hinduism, Holi celebrates the death of Holika in order to save Prahlad and we see where Holi gets its name
13.
Holi
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Holi is a Hindu spring festival celebrated in India and Nepal, also known as the festival of colours or the festival of love. It is also celebrated as a thanksgiving for a good harvest, the first evening is known as Holika Dahan or Chhoti Holi and the following day as Holi, Rangwali Holi, Dhuleti, Dhulandi, or Phagwah. Holi is an ancient Hindu religious festival which has become popular with non-Hindus in many parts of South Asia, in recent years the festival has spread to parts of Europe and North America as a spring celebration of love, frolic, and colours. The next morning is celebrated as Rangwali Holi – a free-for-all festival of colours, water guns and water-filled balloons are also used to play and colour each other. Anyone and everyone is fair game, friend or stranger, rich or poor, man or woman, children, the frolic and fight with colours occurs in the open streets, open parks, outside temples and buildings. Groups carry drums and other instruments, go from place to place, sing. People visit family, friends and foes to throw coloured powders on each other, laugh and gossip, then share Holi delicacies, food, some customary drinks include bhang, which is intoxicating. In the evening, after sobering up, people dress up and visit friends, there is a symbolic legend to explain why Holi is celebrated as a festival of colours in the honor of Hindu god Vishnu and his follower Prahlada. Hiranyakashipu grew arrogant, thought he was God, and demanded that everyone worship only him, hiranyakashipus own son, Prahlada, however, disagreed. He was and remained devoted to Vishnu and he subjected Prahlada to cruel punishments, none of which affected the boy or his resolve to do what he thought was right. Finally, Holika, Prahladas evil aunt, tricked him into sitting on a pyre with her, Holika was wearing a cloak that made her immune to injury from fire, while Prahlada was not. As the fire roared, the cloak flew from Holika and encased Prahlada, the Holika bonfire and Holi signifies the celebration of the symbolic victory of good over evil, of Prahlada over Hiranyakashipu, and of the fire that burned Holika. In the Braj region of India, where the Hindu deity Krishna grew up, the festivities officially usher in spring, with Holi celebrated as a festival of love. There is a symbolic myth behind commemorating Krishna as well, as a baby, Krishna developed his characteristic dark blue skin colour because the she-demon Putana poisoned him with her breast milk. In his youth, Krishna despaired whether the fair-skinned Radha and other girls would like him because of his skin colour and his mother, tired of the desperation, asks him to approach Radha and colour her face in any colour he wanted. This he does, and Radha and Krishna became a couple, ever since, the playful colouring of Radhas face has been commemorated as Holi. Beyond India, these legends to explain the significance of Holi are common in some Caribbean and South American communities of Indian origin such as Guyana and Trinidad and it is also celebrated with great fervour in Mauritius. The love god shoots arrows at Shiva, the yogi opens his third eye and this upsets both Kamas wife Rati and his own wife Parvati
14.
Mathura
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Mathura is a city in the North Indian state of Uttar Pradesh. It is located approximately 50 kilometres north of Agra, and 145 kilometres south-east of Delhi, about 11 kilometres from the town of Vrindavan and it is the administrative centre of Mathura District of Uttar Pradesh. During the ancient period, Mathura was a hub, located at the junction of important caravan routes. The 2011 census of India estimated the population of Mathura to be 441,894, Mathura is believed to be the birthplace of Krishna which is located at the centre of Braj or Brij-bhoomi, called Shri Krishna Janma-Bhoomi, literally, Lord Krishnas birthplace. It is one of the seven cities considered holy by Hindus, the Keshav Dev Temple was built in ancient times on the site of Krishnas birthplace. Mathura was the capital of the Surasena Kingdom, ruled by Kansa the maternal uncle of Krishna, Mathura has been chosen as one of the heritage cities for HRIDAY - Heritage City Development and Augmentation Yojana scheme of Government of India. Mathura has an ancient history and also homeland and birthplace of Krishna who was born in Yadu dynasty, according to the Archaeological Survey of India plaque at the Mathura Museum, the city is mentioned in the oldest Indian epic, the Ramayana. In the epic, the Ikshwaku prince Shatrughna slays a demon called Lavanasura, afterwards, the place came to be known as Madhuvan as it was thickly wooded, then Madhupura and later Mathura. In the 6th century BCE Mathura became the capital of the Surasena mahajanapada, the city was later ruled by the Maurya empire. Megasthenes, writing in the early 3rd century BCE, mentions Mathura as a city under the name Μέθορα. It seems it never was under the control of the following Shunga dynasty as not a single archaeological remain of a Shunga presence were ever found in Mathura. However, this corresponds to the presence of the native Mitra dynasty, in Mathura. After a period of rule, Mathura was conquered by the Indo-Scythians during the 1st century BCE. The Indo-Scythian satraps of Mathura are sometimes called the Northern Satraps, as opposed to the Western Satraps ruling in Gujarat, mathuran art and culture reached its zenith under the Kushan dynasty which had Mathura as one of their capitals, the other being Purushapura. The city was sacked and many of its temples destroyed by Mahmud of Ghazni in 1018 CE and again by Sikandar Lodhi, sikander Lodhi earned the epithet of Butt Shikan, the Destroyer of Hindu deities. The Mughal Emperor Aurangzeb, built the Shahi-Eidgah Mosque during his rule, in 2016,24 people including 2 police officers were killed in the Jawahar Bagh clash, when the police tried to evict a large number of squatters from the public park. Mathura is located at 27. 28°N77. 41°E /27.28,77.41 and it has an average elevation of 174 metres. The 2011 census of India estimates the population of Mathura to be 441,894, males account for 54% and females for 46% of this population
15.
Chola dynasty
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The Chola dynasty was one of the longest-ruling dynasties in the history of southern India. The earliest datable references to this Tamil dynasty are in inscriptions from the 3rd century BCE left by Ashoka, as one of the Three Crowned Kings of Tamilakam, the dynasty continued to govern over varying territory until the 13th century CE. The whole country south of the Tungabhadra was united and held as one state for a period of two centuries and more, the Chola fleet represented the zenith of ancient Indian sea power. During the period 1010–1200, the Chola territories stretched from the islands of the Maldives in the south to as far north as the banks of the Godavari River in Andhra Pradesh. Rajaraja Chola conquered peninsular South India, annexed parts of which is now Sri Lanka, Rajendra Chola sent a victorious expedition to North India that touched the river Ganges and defeated the Pala ruler of Pataliputra, Mahipala. He also successfully invaded cities of Srivijaya of Malaysia and Indonesia, the Chola dynasty went into decline at the beginning of the 13th century with the rise of the Pandyan Dynasty, which ultimately caused their downfall. The Cholas left a lasting legacy and their patronage of Tamil literature and their zeal in the building of temples has resulted in some great works of Tamil literature and architecture. The Chola kings were avid builders and envisioned the temples in their kingdoms not only as places of worship and they pioneered a centralised form of government and established a disciplined bureaucracy. The Chola school of art spread to Southeast Asia and influenced the architecture, the Cholas are also known as the Choda. There is very little available in regarding their origin. Its antiquity is evident from the mentions in ancient Tamil literature, Later medieval Cholas also claimed a long and ancient lineage. Mentions in the early Sangam literature indicate that the earliest kings of the dynasty antedated 100 CE, Cholas were mentioned in Ashokan Edicts of 3rd Century BCE as one of the neighboring countries existing in the South. A commonly held view is that Chola is, like Chera and Pandya, the annotator Parimelazhagar said, The charity of people with ancient lineage are forever generous in spite of their reduced means. Other names in use for the Cholas are Killi, Valavan and Sembiyan. Killi perhaps comes from the Tamil kil meaning dig or cleave and this word often forms an integral part of early Chola names like Nedunkilli, Nalankilli and so on, but almost drops out of use in later times. Valavan is most probably connected with valam – fertility and means owner or ruler of a fertile country, in Tamil lexicon Chola means Soazhi or Saei denoting a newly formed kingdom, in the lines of Pandya or the old country. There is very little evidence available of the Cholas prior to the 7th century. Historic records exist thereafter, including inscriptions on temples, the main source for the available information of the early Cholas is the early Tamil literature of the Sangam Period
16.
Tamil Nadu
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Tamil Nadu is one of the 29 states of India. Its capital and largest city is Chennai, Tamil Nadu lies in the southernmost part of the Indian Peninsula and is bordered by the union territory of Puducherry and the South Indian states of Kerala, Karnataka, and Andhra Pradesh. The state shares a border with the nation of Sri Lanka. Tamil Nadu is the eleventh-largest state in India by area and the sixth-most populous, the state was ranked sixth among states in India according to the Human Development Index in 2011, with the second-largest state economy after Maharashtra. Tamil Nadu is the second largest state economy in India with ₹13,842 billion in gross domestic product after Maharashtra. Tamil Nadu was ranked as one of the top seven developed states in India based on a Multidimensional Development Index in a 2013 report published by the Reserve Bank of India and its official language is Tamil, which is one of the longest-surviving classical languages in the world. Tamil Nadu is home to natural resources. In addition, its people have developed and continue classical arts, classical music, historic buildings and religious sites include Hindu temples of Tamil architecture, hill stations, beach resorts, multi-religious pilgrimage sites, and eight UNESCO World Heritage Sites. Archaeological evidence points to this area being one of the longest continuous habitations in the Indian peninsula, the ASI archaeologists have proposed that the script used at that site is very rudimentary Tamil Brahmi. Adichanallur has been announced as a site for further excavation. About 60 per cent of the epigraphical inscriptions found by the ASI in India are from Tamil Nadu. A Neolithic stone celt with the Indus script on it was discovered at Sembian-Kandiyur near Mayiladuthurai in Tamil Nadu, according to epigraphist Iravatham Mahadevan, this was the first datable artefact bearing the Indus script to be found in Tamil Nadu. Mahadevan claimed that the find was evidence of the use of the Harappan language, the date of the celt was estimated at between 1500 BCE and 2000 BCE. The early history of the people and rulers of Tamil Nadu is a topic in Tamil literary sources known as Sangam literature, numismatic, archaeological and literary sources corroborate that the Sangam period lasted for about six centuries, from 300 BC to AD300. Three dynasties, namely the Chera, Chola and Pandya, ruled the area of present-day Tamil Nadu, the Chera ruled the whole of present-day Kerala and parts of western Tamil Nadu comprising Coimbatore, Dharmapuri, Karur, Salem and Erode districts from the capital of Vanchi Muthur. The Chola dynasty ruled the northern and central parts of Tamil Nadu from their capital, Uraiyur, All three dynasties had extensive trade relationships with Rome, Greece, Egypt, Ceylon, Phoenicia, Arabia, Mesopotamia and Persia. Trade flourished in commodities such as spices, ivory, pearls, beads, Chera traded extensively from Muziris on the west coast, Chola from Arikamedu and Puhar and Pandya through Korkai port. A Greco-Roman trade and travel document, the Periplus of the Erythraean Sea gives a description of the Tamil country, besides these three dynasties, the Sangam era Tamilakam was also divided into various provinces named nadu, meaning country
17.
Rigveda
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The Rigveda is an ancient Indian collection of Vedic Sanskrit hymns. It is one of the four sacred texts of Hinduism known as the Vedas. The text is a collection of 1,028 hymns and 10,600 verses, a good deal of the language is still obscure and many hymns as a consequence seem unintelligible. The hymns are dedicated to Rigvedic deities, for each deity series the hymns progress from longer to shorter ones, and the number of hymns per book increases. In the eight books that were composed the earliest, the hymns predominantly discuss cosmology, Rigveda is one of the oldest extant texts in any Indo-European language. 1700–1100 BC has also been given, some of its verses continue to be recited during Hindu rites of passage celebrations such as weddings and religious prayers, making it probably the worlds oldest religious text in continued use. This redaction also included some additions and orthoepic changes to the Vedic Sanskrit such as the regularization of sandhi, the Padapatha and the Pratisakhya anchor the texts fidelity and meaning, and the fixed text was preserved with unparalleled fidelity for more than a millennium by oral tradition alone. In order to achieve this the oral tradition prescribed very structured enunciation, involving breaking down the Sanskrit compounds into stems and inflections and this interplay with sounds gave rise to a scholarly tradition of morphology and phonetics. The Rigveda was probably not written down until the Gupta period, the oral tradition still continued into recent times. The text is organized in 10 books, known as Mandalas, of varying age, the family books, mandalas 2–7, are the oldest part of the Rigveda and the shortest books, they are arranged by length and account for 38% of the text. Within each book, the hymns are arranged in collections each dealing with a deity, Agni comes first, Indra comes second. They are attributed and dedicated to a rishi and his family of students, within each collection, the hymns are arranged in descending order of the number of stanzas per hymn. If two hymns in the collection have equal numbers of stanzas then they are arranged so that the number of syllables in the metre are in descending order. The second to seventh mandalas have a uniform format, the eighth and ninth mandalas, comprising hymns of mixed age, account for 15% and 9%, respectively. The first and the tenth mandalas are the youngest, they are also the longest books, of 191 suktas each, however, adds Witzel, some hymns in Mandala 8,1 and 10 may be as old as the earlier Mandalas. The first mandala has an arrangement not found in the other nine mandalas. The ninth mandala is arranged by both its structure and hymn length, while the first eighty four hymns of the tenth mandala have a structure different than the remaining hymns in it. Each mandala consists of hymns called sūkta intended for various rituals, the sūktas in turn consist of individual stanzas called ṛc, which are further analysed into units of verse called pada
18.
Yajurveda
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The Yajurveda is the Veda of prose mantras. An ancient Vedic Sanskrit text, it is a compilation of ritual offering formulas that were said by a priest while an individual performed ritual actions such as those before the yajna fire, Yajurveda is one of the four Vedas, and one of the scriptures of Hinduism. The exact century of Yajurvedas composition is unknown, and estimated by scholars to be around 1200 to 1000 BCE, the Yajurveda is broadly grouped into two – the black Yajurveda and the white Yajurveda. The term black implies the un-arranged, unclear, motley collection of verses in Yajurveda, in contrast to the white which implies the well arranged, the black Yajurveda has survived in four recensions, while two recensions of white Yajurveda have survived into the modern times. The earliest and most ancient layer of Yajurveda samhita includes about 1,875 verses, the middle layer includes the Satapatha Brahmana, one of the largest Brahmana texts in the Vedic collection. The youngest layer of Yajurveda text includes the largest collection of primary Upanishads and these include the Brihadaranyaka Upanishad, the Isha Upanishad, the Taittiriya Upanishad, the Katha Upanishad, the Shvetashvatara Upanishad and the Maitri Upanishad. Yajurveda is a compound Sanskrit word, composed of yajus and veda, monier-Williams translates yajus as religious reverence, veneration, worship, sacrifice, a sacrificial prayer, formula, particularly mantras muttered in a peculiar manner at a sacrifice. Johnson states yajus means prose formulae or mantras, contained in the Yajur Veda, michael Witzel interprets Yajurveda to mean a knowledge text of prose mantras used in Vedic rituals. Ralph Griffith interprets the name to mean knowledge of sacrifice or sacrificial texts, carl Olson states that Yajurveda is a text of mantras that are repeated and used in rituals. The Yajurveda text includes Shukla Yajurveda of which about 16 recensions are known, only two recensions of the Shukla Yajurveda have survived, Madhyandina and Kanva, and others are known by name only because they are mentioned in other texts. These two recensions are nearly the same, except for few differences, in contrast to Shukla Yajurveda, the four surviving recensions of Krishna Yajurveda are very different versions. The samhita in the Shukla Yajurveda is called the Vajasaneyi Samhita, the name Vajasaneyi is derived from Vajasaneya, patronymic of sage Yajnavalkya, and the founder of the Vajasaneyi branch. There are two surviving recensions of the Vajasaneyi Samhita, Vajasaneyi Madhyandina and Vajasaneyi Kanva, there are four surviving recensions of the Krishna Yajurveda – Taittirīya saṃhitā, Maitrayani saṃhitā, Kaṭha saṃhitā and Kapiṣṭhala saṃhitā. A total of eighty six recensions are mentioned to exist in Vayu Purana, the Katha school is referred to as a sub-school of Carakas in some ancient texts of India, because they did their scholarship as they wandered from place to place. The best known and best preserved of these recensions is the Taittirīya saṃhitā, some attribute it to Tittiri, a pupil of Yaksa and mentioned by Panini. The text is associated with the Taittiriya school of the Yajurveda, the Kāṭhaka saṃhitā or the Caraka-Kaṭha saṃhitā, according to tradition was compiled by Katha, a disciple of Vaisampayana. Like the Maitrayani Samhita, it offers more detailed discussion of some rituals than the younger Taittiriya samhita that frequently summarizes such accounts. The Kapiṣṭhala saṃhitā or the Kapiṣṭhala-Kaṭha saṃhitā, named after the sage Kapisthala is extant only in some large fragments and this text is practically a variant of the Kāṭhaka saṃhitā
19.
Indra
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Indra is a Vedic deity in Hinduism, a guardian deity in Buddhism, and the king of first heaven called Saudharmakalpa in Jainism. His mythologies and powers are similar, though not identical to those of the Indo-European deities such as Zeus, Jupiter, Perun, Thor, in the Vedas, Indra is the king of Svarga and the Devas. He is the god of lightning, thunder, storms, rains, Indra is the most referred to deity in the Rigveda. He is celebrated for his powers, and the one who kills the great symbolic evil named Vritra who obstructs human prosperity, Indra destroys Vritra and his deceiving forces, and thereby brings rains and the sunshine as the friend of mankind. In Buddhism, Indra has been a popular deity, referred by many names and he is featured in Buddhism somewhat differently than Hinduism, such as being shown as less war oriented and one paying homage to the Buddha. Indra rules over the much sought Devas realm of rebirth within the Samsara doctrine of Buddhist traditions, however, like the Hindu texts, Indra also is a subject of ridicule and reduced to a figurehead status in Buddhist texts, shown as a god that suffers rebirth and redeath. In the Jainism traditions, like Buddhism and Hinduism, Indra is the king of gods, Indras iconography shows him wielding a lightning thunderbolt known as Vajra, riding on a white elephant known as Airavata. In Buddhist iconography the elephant sometimes features three heads, while Jaina icons sometimes show the elephant with five heads, sometimes a single elephant is shown with four symbolic tusks. Indras heavenly home is on or near Mount Meru, the etymological roots of Indra are unclear, has been a contested topic among scholars since the 19th-century, one with many proposals. The significant proposals have been, root ind-u, or rain drop, based on the Vedic mythology that he conquered rain, root ind, or equipped with great power. Root idh or kindle, and ina or strong, root indha, or igniter, for his ability to bring light and power that ignites the vital forces of life. This is based on Shatapatha Brahmana, root idam-dra, or It seeing which is a reference to the one who first perceived the self-sufficient metaphysical Brahman. This is based on Aitareya Upanishad, roots in ancient Indo-European, Indo-Aryan deities. Later scholarship has linked Vedic Indra to the European Aynar, Abaza, Ubykh, colarusso suggests a Pontic origin and that both the phonology and the context of Indra in Indian religions is best explained from Indo-Aryan roots and a Circassian etymology. Indra is also called Śakra frequently in the Vedas and in Buddhism, Indra has many epithets in the Indian religions, notably Śakra, Vṛṣan, Vṛtrahan, Meghavāhana, Devarāja, Devendra, Surendra, Svargapati, Vajrapāṇī and Vāsava. Indra is of ancient but unclear origin, the similarities between Indra of Hindu mythologies and of Thor of Nordic and Germanic mythologies are significant states Max Muller. Michael Janda suggests that Indra has origins in the Indo-European *trigw-welumos smasher of the enclosure, brave and heroic Innara or Inra, which sounds like Indra, is mentioned among the gods of the Mitanni, a Hurrian-speaking people of Hittite region. Indra as a deity had a presence in northeastern Asia minor and this tablet mentions a treaty, but its significance is in four names it includes reverentially as Mi-it-ra, U-ru-w-na, In-da-ra and Na-sa-at-ti-ia
20.
Deva (Hinduism)
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Deva means heavenly, divine, anything of excellence, and is also one of the terms for a deity in Hinduism. Deva is masculine, and the feminine equivalent is devi. In the earliest Vedic literature, all beings are called Asuras. The concepts and legends evolve in ancient Indian literature, and by the late Vedic period, in post-Vedic texts, such as the Puranas and the Itihasas of Hinduism, the Devas represent the good, and the Asuras the bad. In some medieval Indian literature, Devas are also referred to as Suras and contrasted with their powerful but malevolent half-brothers. Devas along with Asuras, Yakshas and Rakshasas are part of Indian mythology, Deva is a Sanskrit word found in Vedic literature of 2nd millennium BCE. Monier Williams translates it as heavenly, divine, terrestrial things of excellence, exalted. The concept also is used to refer to deity or god, the feminine form of *deiwos is *deiwih2, which descends into Indic languages as devi, in that context meaning female deity. The bode of the Devas is Dyuloka, according to Douglas Harper, the etymological roots of Deva mean a shining one, from *div- to shine, and it is a cognate with Greek dios divine and Zeus, and Latin deus god. Deva is masculine, and the feminine equivalent is devi. Etymologically, the cognates of Devi are Latin dea and Greek thea, when capitalized, Devi or Mata refers to goddess as divine mother in Hinduism. Deva is also referred to as Devatā, while Devi as Devika, the word Deva is also a proper name or part of name in Indian culture, where it refers to one who wishes to excel, overcome or the seeker of, master of or a best among-. Savitr, Vishnu, Rudra, and Prajapati are gods and hence Devas, saraswati and Ushas are some Devis or goddesses. Many of the deities taken together are worshiped as the Vishvedevas, max Muller states that the Vedic hymns are remarkable in calling every single of different devas as the only one, the supreme, the greatest.163.3, Trita art thou by interior operation. All powerful beings, good or evil, are called Asuras in the oldest layer of Vedic texts, a much studied hymn of the Rigveda states Devav asura, and contrasts it with Asura adevah. They are born from the father, Prajapati, the primordial progenitor, the elder sons are envisioned as the Asuras. The oldest Upanishads mention Devas, and their struggle with the Asuras, the Kaushitaki Upanishad, for example, in Book 4 states that Indra was weaker than the Asuras when he did not know his own Atman. Chandogya Upanishad, in chapter 1.2, describes the battle between Devas and Asuras on various sensory powers, finally, the Deva-Asura battle targets the soul, where Asuras fail and Devas succeed, because soul-force is serene and inherently good, asserts Chandogya Upanishad
21.
Asura
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Asuras are mythological lord beings in Indian texts who compete for power with the more benevolent devas. Asuras are described in Indian texts as powerful superhuman demigods or demons with good or bad qualities, the good Asuras are called Adityas and are led by Varuna, while the malevolent ones are called Danavas and are led by Vritra. In the earliest layer of Vedic texts Agni, Indra and other gods are also called Asuras, in the sense of them being lords of their domains, knowledge. In later Vedic and post-Vedic texts, the benevolent gods are called Devas, Asuras are part of Indian mythology along with Devas, Yakshas and Rakshasas, and Asuras feature in one of many cosmological theories in Hinduism. Monier-Williams traces the roots of Asura to Asu, which means life of the spiritual world or departed spirits. In later verses of the Samhita layer of Vedic texts, Monier Williams states the Asuras are evil spirits, demons, Asuras connote the chaos-creating evil, in Hindu and Persian mythology about the battle between good and evil. In this, the form, asuryaa, is included twice. The word, asurya, has been used 19 times as a noun, while the abstract form asuratva occurs 24 times,22 times in each of the 22 times of one hymn. Asura is used as an adjective meaning powerful or mighty, in the Rigveda, two generous kings, as well as some priests, have been described as asuras. One hymn requests a son who is an asura, in nine hymns, Indra is described as asura. Five times, he is said to possess asurya, and once he is said to possess asuratva, Agni has total of 12 asura descriptions, Varuna has 10, Mitra has eight, and Rudra has six. Bhargava gives a count of the usage for every Vedic deity. The Book 1 of Rig Veda describes Savitr as an Asura who is a kind leader, in later texts, such as the Puranas and the Itihasas with the embedded Bhagavad Gita, the Devas represent the good, and the Asuras the bad. According to the Bhagavad Gita, all beings in the universe have both the qualities and the demonic qualities within each. Asko Parpola traces the etymological root of Asura to *asera- of Uralic languages, scholars have disagreed on the nature and evolution of the Asura concept in ancient Indian literature. Kuiper calls Asuras a special group of gods in one of major Vedic theories of creation of the universe and their role changes only during and after the earth, sky and living beings have been created. The sky world becomes that of Devas, the underworld becomes that of Asuras, deity Indra is the protagonist of the good and the Devas, while dragon Vrtra who is also one of asuras is the protagonist of the evil. This is the first major dualism to emerge in the nature of everything in the Universe, Hale, in his review, states that Kuiper theory on Asura is plausible but weak because the Vedas never call Vrtra an Asura as the texts describe many other powerful beings
22.
Saraswati
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Saraswati is the Hindu goddess of knowledge, music, arts, wisdom and learning worshipped throughout Nepal and India. She is a part of the trinity of Saraswati, Lakshmi, all the three forms help the trinity of Brahma, Vishnu and Shiva to create, maintain and regenerate-recycle the Universe respectively. The earliest known mention of Saraswati as a goddess is in the Rigveda and she has remained significant as a goddess from the Vedic period through modern times of Hindu traditions. Some Hindus celebrate the festival of Vasant Panchami in her honour, the Goddess is also revered by believers of the Jain religion of west and central India, as well as some Buddhist sects. Saraswati who is revered as a goddess of knowledge, music and arts is found outside Nepal and India, such as in Japan, Vietnam, Bali. It is also a Sanskrit composite word of surasa-vati which means one with plenty of water, the word Saraswati appears both as a reference to a river and as a significant deity in the Rigveda. In initial passages, the word refers to Sarasvati River and mentioned with other northwestern Indian rivers such as Drishadvati, Saraswati then connotes a river deity. In Book 2, Rigveda calls Saraswati as the best of mothers, of rivers, –Translated by John Muir In Vedic literature, Saraswati acquires the same significance for early Indians as that accredited to the river Ganges by their modern descendants. In hymns of Book 10 of Rigveda, she is declared to be the possessor of knowledge. In Upanishads and Dharma Sastras, Saraswati is invoked to remind the reader to meditate on virtue, virtuous emoluments, the meaning, Saraswati is known by many names in ancient Hindu literature. Some examples of synonyms for Saraswati include Brahmani, Brahmi, Bharadi, Vani and Vachi, Varnesvari, in Nepali language, her name is written Nepali, सरस्वती. In the Telugu, Sarasvati is also known as Chaduvula Thalli, in Konkani, she is referred to as Shārada, Veenapani, Pustaka dharini, Vidyadāyini. In Kannada, variants of her name include Sharade, Sharadamba, in Tamil, she is also known as Kalaimagal, Kalaivāni, Vāni, Bharathi. She is also addressed as Shāradā, Veenā pustaka dharani, Vākadevi, Vāni, Varadhanāyaki, in India she is locally spelled as Bengali, সরস্বতী, Saraswati. Malayalam, സരസ്വതി, Saraswati. and Tamil, சரஸ்வதி, Sarasvatī, outside Nepal and India, she is known in Burmese as Thurathadi or Tipitaka Medaw, in Chinese as Biàncáitiān, in Japanese as Benzaiten and in Thai as Suratsawadi or Saratsawadi. Saraswati is found in almost every major ancient and medieval Indian literature between 1000 BC to 1500 AD, in Hindu tradition, she has retained her significance as a goddess from the Vedic age up to the present day. In Shanti Parva of the Hindu epic Mahabharata, Saraswati is called the mother of the Vedas, in Book 2 of Taittiriya Brahmana, she is called the mother of eloquent speech and melodious music. Saraswati is the energy and power of Brahma
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