1.
Museum of Fine Arts of Lyon
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The Museum of Fine Arts of Lyon is a municipal museum of fine arts in the French city of Lyon. It is housed near place des Terreaux in a former Benedictine convent of the 17th and 18th centuries and it was restored between 1988 and 1998, and despite these important restoration works it remained open to visitors. Its collections range from ancient Egypt antiquities to the Modern art period and it hosts important exhibitions of art, recently there have been exhibitions of works by Georges Braque and Henri Laurens, then one on the work of Théodore Géricault. It is one of the largest art museums in France, until 1792, the buildings belonged to the royal abbaye des Dames de Saint-Pierre, built in the 17th century. The abbess always came from the high French nobility and here received the personalities of the kingdom, the institution had a particularly aristocratic slant, as is shown by its renovation by Louis XIV of France in the 17th and 18th centuries. The rest of its current scheme was designed by Nicolas Bidaut, the expulsion of the nuns and the destruction of the église Saint-Saturnin date to the French Revolution, though the abbeys other church still exists and now houses 19th and 20th century sculptures. After the Revolution the remaining buildings housed the Palais du Commerce et des Arts, at first made up of works confiscated from the clergy and nobility, for example, it gained archaeology and natural history collections and those of the Académie des Sciences et des Lettres. The imperial drawing school was created in 1805 in the Palais du Commerce et des Arts to provide Lyons silk factories with designers and it gave birth to the famous Lyon School. In 1860, the Chambre de Commerce left the Palais Saint-Pierre, from 1875, the museums collections underwent a major expansion and had to be expanded - the staircase by Pierre Puvis de Chavannes dates to this era. The start of the 20th century was marked by a considerable opening-up of the collections, after several restoration projects, it was in the mid-1990s that the building acquired its present scheme. The paintings department has European paintings of 14th- to mid-20th-century paintings and they are arranged chronologically and by major schools in 35 rooms. The collection features, Ancient French painting, at the heart of the abbey, the former cloister is now a municipal garden, right in the centre of the town, on the peninsula. The highlights of the collection are its display of sarcophaguses and the gates of Ptolemy III, the rest of the objects throw light on everyday life in ancient Egypt. Room 2, The divine and its rites Along this rooms length a temples decoration is recreated, culminating with the gates of Ptolemy III, the other bas-reliefs in this room come from Koptos - eight are dated to the Middle Kingdom and come from a temple to Min. They were discovered by Adolphe Reinach in 1909 in the foundations of a late building,11 other fragments come from the end of the Ptolemaic era, and more precisely the reign of Cleopatra VII. Room 3, The cult of the divine Entered through the gate of Ptolemy IV, on the walls are shown 3 fragments of bas-reliefs from the 28th Dynasty, also found in Koptos. One whole case is devoted to representations of Osiris and another to those of the pharaoh, here can be seen a head of a pharaoh of the 30th Dynasty, attributed to Nectanebo II, a Middle Kingdom bust and a scarab with the name of Amenhotep II. Room 5, Pharaoh and his servants In one case are 18 wooden models of the 23rd Dynasty from Assiout from tombs, representing scenes from everyday life, in the opposite case are two with displays on writing and on the pharaohs servants respectively
2.
Thirtieth Dynasty of Egypt
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The Thirtieth Dynasty of Egypt is usually classified as the fifth Dynasty of the Ancient Egyptian Late Period. It was founded after the overthrow of Nefaarud II in 380 BC by Nectanebo I, Nectanebo I had gained control of all of Egypt by November of 380 BC, but spent much of his reign defending his kingdom from Persian reconquest with the occasional help of Sparta or Athens. In 365 BC, Nectanebo made his son Teos co-king and heir, tjahepimu took advantage of Teos unpopularity within Egypt by declaring his son—and Teos nephew, Nectanebo II—king. The Egyptian army rallied around Nectanebo which forced Teos to flee to the court of the king of Persia, Nectanebo IIs reign was dominated by the efforts of the Persian rulers to reconquer Egypt, which they considered a satrapy in revolt. For the first ten years, Nectanebo avoided the Persian reconquest because Artaxerxes III was forced to consolidate his control of the realm. Artaxerxes then attempted an invasion of Egypt in the winter of 351/350 BC, the repercussions of his defeat prompted revolts in Cyprus, Phoenicia. Although Nectanebo gave support to these revolts, Artaxerxes would eventually suppress these rebellions and was again able to invade Egypt in 343 BC. This second invasion proved successful, and Nectanebo was forced to withdraw from his defenses in the Nile Delta to Memphis and he thereupon fled south to Nubia, where he is assumed to have found refuge at the court of King Nastasen of Napata. Nectanebo, however, may have managed to some form of independent rule in the south of Egypt for 2 more years since a document from Edfu is dated to his eighteenth year. Although a shadowy figure named Khababash proclaimed himself king and led a rebellion against the Persians from about 338 to 335 BC and his flight marked the end of Egypt as an independent entity
3.
Ra
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Ra or Re is the ancient Egyptian sun god. By the Fifth Dynasty in the 25th and 24th centuries BC, he had become a god in ancient Egyptian religion. In later Egyptian dynastic times, Ra was merged with the god Horus and he was believed to rule in all parts of the created world, the sky, the earth, and the underworld. He was associated with the falcon or hawk, when in the New Kingdom the god Amun rose to prominence he was fused with Ra as Amun-Ra. During the Amarna Period, Akhenaten suppressed the cult of Ra in favor of another deity, the Aten, the deified solar disc. The cult of the Mnevis bull, an embodiment of Ra, had its center in Heliopolis, all forms of life were believed to have been created by Ra, who called each of them into existence by speaking their secret names. Alternatively man was created from Ras tears and sweat, hence the Egyptians call themselves the Cattle of Ra, in the myth of the Celestial Cow it is recounted how mankind plotted against Ra and how he sent his eye as the goddess Sekhmet to punish them. When she became bloodthirsty she was pacified by drinking beer mixed with red dye, to the Egyptians, the sun represented light, warmth, and growth. This made the sun deity very important, as the sun was seen as the ruler of all that he created, the sun disk was either seen as the body or eye of Ra. Ra was the father of Shu and Tefnut, whom he created, Shu was the god of the wind, and Tefnut was the goddess of the rain. Sekhmet was the Eye of Ra and was created by the fire in Ras eye, Ra was thought to travel on the Atet, two solar barks called the Mandjet or morning boat and the Mesektet or evening boat. These boats took him on his journey through the sky and the Duat, while Ra was on the Mesektet, he was in his ram-headed form. When Ra traveled in his sun boat, he was accompanied by other deities including Sia and Hu. Sometimes, members of the Ennead helped him on his journey, including Set, who overcame the serpent Apophis, and Mehen, when Ra was in the underworld, he would visit all of his various forms. Apophis, the god of chaos, was a serpent who attempted to stop the sun boats journey every night by consuming it or by stopping it in its tracks with a hypnotic stare. During the evening, the Egyptians believed that Ra set as Atum or in the form of a ram, the night boat would carry him through the underworld and back towards the east in preparation for his rebirth. When Ra was in the underworld, he merged with Osiris, the god of the dead, Ra was worshipped as the Creator god among some ancient Egyptians, specifically followers of his cult at Heliopolis. It was believed that Ra wept, and from his tears came man and these cult-followers believed that Ra was self-created, while followers of Ptah believed that Ra was created by Ptah
4.
Horus
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Horus is one of the most significant ancient Egyptian deities. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom, different forms of Horus are recorded in history and these are treated as distinct gods by Egyptologists. He was most often depicted as a falcon, most likely a falcon or peregrine falcon. In another tradition Hathor is regarded as his mother and sometimes as his wife, Horus served many functions, most notably being a god of the sky, war and hunting. Horus is recorded in Egyptian hieroglyphs as ḥr. w Falcon, additional meanings are thought to have been the distant one or one who is above, over. As the language changed over time, it appeared in Coptic dialects variously as hoːɾ or ħoːɾ and was adopted into ancient Greek as Ὧρος Hōros and it also survives in Late Egyptian and Coptic theophoric names such as Har-si-ese Horus, Son of Isis. Nekheny may have been another falcon god worshipped at Nekhen, city of the falcon, Horus may be shown as a falcon on the Narmer Palette, dating from about the 31st century BC. In early Egypt, Horus was the brother of Isis, Osiris, Set, as different cults formed, he became the son of Isis and Osiris. Isis remained the sister of Osiris, Set and Nephthys, the Pyramid Texts describe the nature of the pharaoh in different characters as both Horus and Osiris. The pharaoh as Horus in life became the pharaoh as Osiris in death, New incarnations of Horus succeeded the deceased pharaoh on earth in the form of new pharaohs. The lineage of Horus, the product of unions between the children of Atum, may have been a means to explain and justify pharaonic power. The gods produced by Atum were all representative of cosmic and terrestrial forces in Egyptian life, the notion of Horus as the pharaoh seems to have been superseded by the concept of the pharaoh as the son of Ra during the Fifth Dynasty. Once Isis knew she was pregnant with Horus, she fled to the Nile Delta marshlands to hide from her brother Set, who jealously killed Osiris, there Isis bore a divine son, Horus. Since Horus was said to be the sky, he was considered to contain the sun. It became said that the sun was his eye and the moon his left, and that they traversed the sky when he. Later, the reason that the moon was not as bright as the sun was explained by a tale, known as the The Contendings of Horus and Seth. As Horus was the victor he became known as ḥr. w wr Horus the Great. In the struggle, Set had lost a testicle, explaining why the desert, Horus left eye had also been gouged out, then a new eye was created by part of Khonsu, the moon god, and was replaced
5.
Hathor
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Hathor is an Ancient Egyptian goddess who personified the principles of joy, feminine love, and motherhood. She was one of the most important and popular throughout the history of Ancient Egypt. Hathor was worshipped by royalty and common people alike, in tomb paintings, she is often depicted as Mistress of the West, welcoming the dead into the next life. In other roles, she was a goddess of music, dance, foreign lands and she was believed to assist women in childbirth. She was also believed to be the goddess of miners. Hathor is commonly depicted as a cow goddess with horns in which is set a sun disk with Uraeus, twin feathers are also sometimes shown in later periods as well as a menat necklace. The Ancient Egyptians viewed reality as multi-layered in which deities who merge for various reasons, while retaining divergent attributes and myths, were not seen as contradictory but complementary. In a complicated relationship Hathor is at times the mother, daughter and wife of Ra and, like Isis, is at times described as the mother of Horus, the cult of Osiris promised eternal life to those deemed morally worthy. Originally the justified dead, male or female, became an Osiris but by early Roman times females became identified with Hathor, the Ancient Greeks sometimes identified Hathor with the goddess Aphrodite. Hathor is ambiguously depicted until the fourth dynasty, in the historical era Hathor is shown using the imagery of a cow deity. At times they are regarded as one and the goddess, though likely having separate origins. The evidence pointing to the deity being Hathor in particular is based on a passage from the Pyramid texts which states that the Kings apron comes from Hathor, from the Old Kingdom she was also called Lady of the Sycamore in her capacity as a tree deity. Hathor had a relationship with Ra. At times she is the eye of Ra and considered his daughter and she absorbed this role from another cow goddess Mehet-Weret who was the mother of Ra in a creation myth and carried him between her horns. As a mother she gave birth to Ra each morning on the eastern horizon, the Milky Way was seen as a waterway in the heavens, sailed upon by both the sun deity and the moon, leading the ancient Egyptians to describe it as The Nile in the Sky. Hathor also was favoured as a protector in desert regions, as Serabit el-Khadim was where turquoise was mined, Hathors titles included Lady of Turquoise, Mistress of Turquoise, and Lady of Turquoise Country. Hathors identity as a cow, perhaps depicted as such on the Narmer Palette, meant that she identified with another ancient cow-goddess of fertility. The assimilation of Bat, who was associated with the sistrum, in this later form, Hathors cult became centred in Dendera in Upper Egypt and it was led by priestesses and priests who also were dancers, singers and other entertainers
6.
Upper and Lower Egypt
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Upper and Lower Egypt also referred to as The Two Lands is a name used for Ancient Egypt. The concept appears in titles of Egyptian Kings and Queens and appears in scenes in temple, tombs, the concept also refers to an innate sense of duality in the Ancient Egyptian culture. The Egyptian expression sema-tawy is usually translated as The Uniter of the Two Lands and was depicted as a human trachea entwined with the papyrus, the trachea stood for unification, while the papyrus and lily plant represent Lower and Upper Egypt. Standard titles of a King of Egypt was King of Upper and Lower Egypt, similarly a Queen might use titles such as Lady of The Two Lands, Mistress of the Entire Two Lands, and Mistress of the Two Lands. Ancient Egypt was divided into two regions, namely Upper Egypt and Lower Egypt, to the north was Lower Egypt, where the Nile stretched out with its several branches to form the Nile Delta. To the south was Upper Egypt, stretching to Syene, Lower Egypt mostly consists of the Nile Delta. The two kingdoms of Upper and Lower Egypt were united c.3000 BC, but each maintained its own regalia, the hedjet or White Crown for Upper Egypt and the deshret or Red Crown for Lower Egypt. Thus, the pharaohs were known as the rulers of the Two Lands, and wore the pschent, Ancient Egyptian tradition credited Menes, now believed to be the same as Narmer, as the king who united Upper and Lower Egypt. On the Narmer Palette the king is depicted wearing the Red Crown in one scene and the White crown in another, the union of Upper and Lower Egypt is depicted by knotted papyrus and reed plants. The binding motif represents both harmony through linkage and domination through containment, the duality is an important part of royal iconography. Sometimes the duality is further extended by having the knotted plants extend and bind foreign foes as well, during the first dynasty dualistic royal titles emerge, including the King of Upper and Lower Egypt title which combines the plant representing Upper Egypt and a bee representing Lower Egypt. The other dualistic title is the Two Ladies name or Nebty name, the two ladies as Nekhbet, the vulture goddess associated with Hierakonpolis in Upper Egypt, and Wadjet, the cobra goddess associated with Buto in Lower Egypt. There are many depictions of the ritual unifications of the Two Lands and it is not known if this was perhaps a rite that would have been enacted at the beginning of a reign, or merely a symbolic representation. Many of the depictions of the show two gods binding the plants. Often the gods are Horus and Set, or on occasion Horus, there are several examples of Barque stands from the reigns of Amenhotep III, Taharqa, and Atlanersa that show two river gods performing the rite. This matches a scene from the Temple at Abu Simbel from the time of Ramesses II, there are only a handful of scenes that show the King himself performing the ritual. All of these are from barque stands and date to the reigns of Amenhotep III, Sety I, the latter two may be copies of the first one. Upper Egypt Lower Egypt Narmer History of ancient Egypt
7.
Ancient Egypt
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Ancient Egypt was a civilization of ancient Northeastern Africa, concentrated along the lower reaches of the Nile River in what is now the modern country of Egypt. It is one of six civilizations to arise independently, Egyptian civilization followed prehistoric Egypt and coalesced around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh Narmer. In the aftermath of Alexander the Greats death, one of his generals, Ptolemy Soter and this Greek Ptolemaic Kingdom ruled Egypt until 30 BC, when, under Cleopatra, it fell to the Roman Empire and became a Roman province. The success of ancient Egyptian civilization came partly from its ability to adapt to the conditions of the Nile River valley for agriculture, the predictable flooding and controlled irrigation of the fertile valley produced surplus crops, which supported a more dense population, and social development and culture. Its art and architecture were widely copied, and its antiquities carried off to far corners of the world and its monumental ruins have inspired the imaginations of travelers and writers for centuries. The Nile has been the lifeline of its region for much of human history, nomadic modern human hunter-gatherers began living in the Nile valley through the end of the Middle Pleistocene some 120,000 years ago. By the late Paleolithic period, the climate of Northern Africa became increasingly hot and dry. In Predynastic and Early Dynastic times, the Egyptian climate was less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates, foliage and fauna were far more prolific in all environs and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated. The largest of these cultures in upper Egypt was the Badari, which probably originated in the Western Desert, it was known for its high quality ceramics, stone tools. The Badari was followed by the Amratian and Gerzeh cultures, which brought a number of technological improvements, as early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan, establishing a power center at Hierakonpolis, and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the desert to the west. Royal Nubian burials at Qustul produced artifacts bearing the oldest-known examples of Egyptian dynastic symbols, such as the crown of Egypt. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a system of hieroglyphs for writing the ancient Egyptian language. The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilisation of Mesopotamia, the third-century BC Egyptian priest Manetho grouped the long line of pharaohs from Menes to his own time into 30 dynasties, a system still used today
8.
Relief
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Relief is a sculptural technique where the sculpted elements remain attached to a solid background of the same material. The term relief is from the Latin verb relevo, to raise, to create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. What is actually performed when a relief is cut in from a surface of stone or wood is a lowering of the field. The technique involves considerable chiselling away of the background, which is a time-consuming exercise. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be just added to or raised up from the background, and monumental bronze reliefs are made by casting. There are different degrees of relief depending on the degree of projection of the form from the field. There is also sunk relief, which was restricted to Ancient Egypt. However the distinction between high relief and low relief is the clearest and most important, and these two are generally the only used to discuss most work. Hyphens may or may not be used in all these terms, works in the technique are described as in relief, and, especially in monumental sculpture, the work itself is a relief. Reliefs are common throughout the world on the walls of buildings and a variety of settings. Relief is more suitable for depicting complicated subjects with figures and very active poses, such as battles. Most ancient architectural reliefs were painted, which helped to define forms in low relief. Rock reliefs are carved into solid rock in the open air. This type is found in cultures, in particular those of the Ancient Near East and Buddhist countries. A stele is a standing stone, many of these carry reliefs. The distinction between high and low relief is somewhat subjective, and the two are often combined in a single work. In particular, most later high reliefs contain sections in low relief, a low relief or bas-relief is a projecting image with a shallow overall depth, for example used on coins, on which all images are in low relief. Other versions distort depth much less and it is a technique which requires less work, and is therefore cheaper to produce, as less of the background needs to be removed in a carving, or less modelling is required
9.
Ptolemaic Kingdom
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The Ptolemaic Kingdom was a Hellenistic kingdom based in Egypt. Alexandria became the city and a major center of Greek culture. To gain recognition by the native Egyptian populace, they named themselves the successors to the Pharaohs, the later Ptolemies took on Egyptian traditions by marrying their siblings, had themselves portrayed on public monuments in Egyptian style and dress, and participated in Egyptian religious life. The Ptolemies had to fight native rebellions and were involved in foreign and civil wars led to the decline of the kingdom. Hellenistic culture continued to thrive in Egypt throughout the Roman and Byzantine periods until the Muslim conquest. The era of Ptolemaic reign in Egypt is one of the most well documented periods of the Hellenistic Era. In 332 BC, Alexander the Great, King of Macedon invaded the Achaemenid satrapy of Egypt and he visited Memphis, and traveled to the oracle of Amun at the Oasis of Siwa. The oracle declared him to be the son of Amun, the wealth of Egypt could now be harnessed for Alexanders conquest of the rest of the Persian Empire. Early in 331 BC he was ready to depart, and led his forces away to Phoenicia and he left Cleomenes as the ruling nomarch to control Egypt in his absence. Following Alexanders death in Babylon in 323 BC, a crisis erupted among his generals. Perdiccas appointed Ptolemy, one of Alexanders closest companions, to be satrap of Egypt, Ptolemy ruled Egypt from 323 BC, nominally in the name of the joint kings Philip III and Alexander IV. However, as Alexander the Greats empire disintegrated, Ptolemy soon established himself as ruler in his own right, Ptolemy successfully defended Egypt against an invasion by Perdiccas in 321 BC, and consolidated his position in Egypt and the surrounding areas during the Wars of the Diadochi. In 305 BC, Ptolemy took the title of King, as Ptolemy I Soter, he founded the Ptolemaic dynasty that was to rule Egypt for nearly 300 years. All the male rulers of the dynasty took the name Ptolemy, while princesses and queens preferred the names Cleopatra, Arsinoe and Berenice. Because the Ptolemaic kings adopted the Egyptian custom of marrying their sisters, many of the kings ruled jointly with their spouses and this custom made Ptolemaic politics confusingly incestuous, and the later Ptolemies were increasingly feeble. The only Ptolemaic Queens to officially rule on their own were Berenice III, Cleopatra V did co-rule, but it was with another female, Berenice IV. Cleopatra VII officially co-ruled with Ptolemy XIII Theos Philopator, Ptolemy XIV, and Ptolemy XV, upper Egypt, farthest from the centre of government, was less immediately affected, even though Ptolemy I established the Greek colony of Ptolemais Hermiou to be its capital. But within a century Greek influence had spread through the country, nevertheless, the Greeks always remained a privileged minority in Ptolemaic Egypt
10.
Ancient Egyptian religion
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Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals which were an integral part of ancient Egyptian society. It centered on the Egyptians interaction with many deities who were believed to be present in, and in control of, rituals such as prayers and offerings were efforts to provide for the gods and gain their favor. Formal religious practice centered on the pharaoh, the king of Egypt and he acted as the intermediary between his people and the gods and was obligated to sustain the gods through rituals and offerings so that they could maintain order in the universe. The state dedicated enormous resources to Egyptian rituals and to the construction of the temples, individuals could interact with the gods for their own purposes, appealing for their help through prayer or compelling them to act through magic. These practices were distinct from, but closely linked with, the formal rituals, the popular religious tradition grew more prominent in the course of Egyptian history as the status of the Pharaoh declined. Another important aspect was the belief in the afterlife and funerary practices, the Egyptians made great efforts to ensure the survival of their souls after death, providing tombs, grave goods, and offerings to preserve the bodies and spirits of the deceased. The religion had its roots in Egypts prehistory and lasted for more than 3,000 years, the details of religious belief changed over time as the importance of particular gods rose and declined, and their intricate relationships shifted. At various times, certain gods became preeminent over the others, including the sun god Ra, the creator god Amun, for a brief period, in the theology promulgated by the Pharaoh Akhenaten, a single god, the Aten, replaced the traditional pantheon. Ancient Egyptian religion and mythology left behind many writings and monuments, along with significant influences on ancient, the beliefs and rituals now referred to as ancient Egyptian religion were integral within every aspect of Egyptian culture. Their language possessed no single term corresponding to the modern European concept of religion, the characteristics of the gods who populated the divine realm were inextricably linked to the Egyptians understanding of the properties of the world in which they lived. The Egyptians believed that the phenomena of nature were divine forces in and these deified forces included the elements, animal characteristics, or abstract forces. The Egyptians believed in a pantheon of gods, which were involved in all aspects of nature and their religious practices were efforts to sustain and placate these phenomena and turn them to human advantage. This polytheistic system was complex, as some deities were believed to exist in many different manifestations. Conversely, many forces, such as the sun, were associated with multiple deities. The diverse pantheon ranged from gods with vital roles in the universe to minor deities or demons with very limited or localized functions. It could include gods adopted from foreign cultures, and sometimes humans, deceased Pharaohs were believed to be divine, and occasionally, distinguished commoners such as Imhotep also became deified. The depictions of the gods in art were not meant as representations of how the gods might appear if they were visible. Instead, these depictions gave recognizable forms to the deities by using symbolic imagery to indicate each gods role in nature
11.
Egyptian temple
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Egyptian temples were built for the official worship of the gods and in commemoration of the pharaohs in ancient Egypt and regions under Egyptian control. Temples were seen as houses for the gods or kings to whom they were dedicated and these rituals were seen as necessary for the gods to continue to uphold maat, the divine order of the universe. Housing and caring for the gods were the obligations of pharaohs, nevertheless, a temple was an important religious site for all classes of Egyptians, who went there to pray, give offerings, and seek oracular guidance from the god dwelling within. The most important part of the temple was the sanctuary, which contained a cult image. These edifices are among the largest and most enduring examples of Egyptian architecture and their typical design consisted of a series of enclosed halls, open courts, and massive entrance pylons aligned along the path used for festival processions. Beyond the temple proper was a wall enclosing a wide variety of secondary buildings. A large temple also owned sizable tracts of land and employed thousands of laymen to supply its needs, temples were therefore key economic as well as religious centers. The priests who managed these powerful institutions wielded considerable influence, temple-building in Egypt continued despite the nations decline and ultimate loss of independence to the Roman Empire. With the coming of Christianity, however, Egyptian religion faced increasing persecution, for centuries, the ancient buildings suffered destruction and neglect. Dozens of temples survive today, and some have become world-famous tourist attractions that contribute significantly to the modern Egyptian economy, Egyptologists continue to study the surviving temples and the remains of destroyed ones, as they are invaluable sources of information about ancient Egyptian society. Ancient Egyptian temples were meant as places for the gods to reside on earth, indeed, the term the Egyptians most commonly used to describe the temple building, ḥwt-nṯr, means mansion of a god. A gods presence in the temple linked the human and divine realms and these rituals, it was believed, sustained the god and allowed it to continue to play its proper role in nature. They were therefore a key part of the maintenance of maat, maintaining maat was the entire purpose of Egyptian religion, and it was the purpose of a temple as well. Because he was credited with divine power himself, the pharaoh, as a king, was regarded as Egypts representative to the gods. Thus, it was theoretically his duty to perform the temple rites, the pharaoh was nevertheless obligated to maintain, provide for, and expand the temples throughout his realm. Although the pharaoh delegated his authority, the performance of rituals was still an official duty. The participation of the populace in most ceremonies was prohibited. Much of the lay religious activity in Egypt instead took place in private and community shrines, however, as the primary link between the human and divine realms, temples attracted considerable veneration from ordinary Egyptians
12.
Isis
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Isis is a goddess from the polytheistic pantheon of Egypt. She was first worshiped in ancient Egyptian religion, and later her worship spread throughout the Roman Empire, Isis was worshipped as the ideal mother and wife as well as the patroness of nature and magic. She was the friend of slaves, sinners, artisans and the downtrodden, Isis is often depicted as the mother of Horus, the falcon-headed deity associated with king and kingship. Isis is also known as protector of the dead and goddess of children, as the personification of the throne, she was an important representation of the pharaohs power. The pharaoh was depicted as her child, who sat on the throne she provided. Her cult was popular throughout Egypt, but her most important temples were at Behbeit El Hagar in the Nile delta, and, beginning in the reign with Nectanebo I, on the island of Philae in Upper Egypt. In the typical form of her myth, Isis was the first daughter of Geb, god of the Earth, and Nut, goddess of the Sky and she married her brother, Osiris, and she conceived Horus with him. Isis was instrumental in the resurrection of Osiris when he was murdered by Set, using her magical skills, she restored his body to life after having gathered the body parts that had been strewn about the earth by Set. This myth became very important during the Greco-Roman period, for example, it was believed that the Nile River flooded every year because of the tears of sorrow which Isis wept for Osiris. Osiriss death and rebirth was relived each year through rituals, the worship of Isis eventually spread throughout the Greco-Roman world, continuing until the suppression of paganism in the Christian era. The popular motif of Isis suckling her son Horus, however, the Greek name version of Isis is close to her original, Egyptian name spelling. Isis name was written with the signs of a throne seat. The grammar, spelling and used signs of Isis name never changed during time in any way, however, the symbolic and metaphoric meaning of Isis name remains unclear. The throne seat sign in her name might point to a role as a goddess of kingship. Thus, her name could mean she of the kings throne, but all other Egyptian deities have names that point to clear cosmological or nature elemental roles, thus the name of Isis shouldnt be connected to the king himself. The throne seat symbol might alternatively point to a meaning as throne-mother of the gods and this in turn would supply a very old existence of Isis, long before her first mentioning during the late Old Kingdom, but this hypothesis remains unproven. A third possible meaning might be hidden in the egg-symbol, that was used in Isis name. The egg-symbol always represented motherhood, implying a role of Isis
