1.
Nefertiti
–
Neferneferuaten Nefertiti was an Egyptian queen and the Great Royal Wife of Akhenaten, an Egyptian Pharaoh. Nefertiti and her husband were known for a revolution, in which they worshiped one god only, Aten. Together Akhenaten and Nefertiti were responsible for the creation of a new monotheistic religion which changed the ways of religion within Egypt. With her husband, she reigned at what was arguably the wealthiest period of Ancient Egyptian history, some scholars believe that Nefertiti ruled briefly as Neferneferuaten after her husbands death and before the accession of Tutankhamun, although this identification is a matter of ongoing debate. She was made famous by her bust, now in Berlins Neues Museum, the bust is one of the most copied works of ancient Egypt. It was attributed to the sculptor Thutmose, and it was found in his workshop, the bust is notable for exemplifying the understanding Ancient Egyptians had regarding realistic facial proportions. Nefertiti, Egyptian Nfr. t-jy. tj, original pronunciation approximately Nafteta, Nefertitis parentage is not known with certainty, but one often cited theory is that she was the daughter of Ay, later to be pharaoh. Nefertitis Scenes in the tombs of the nobles in Amarna mention the queens sister who is named Mutbenret, another theory that gained some support identified Nefertiti with the Mitanni princess Tadukhipa. The exact dates when Nefertiti married Akhenaten and became the great royal wife of Egypt are uncertain. Their six known daughters were, Meritaten, No later than year 1, ankhesenpaaten, also known as Ankhesenamen, later queen of Tutankhamun Neferneferuaten Tasherit, Year 8, possibly later became Pharaoh Neferneferuaten. Nefertiti first appears in scenes in Thebes, in the damaged tomb of the royal butler Parennefer, the new king Amenhotep IV is accompanied by a royal woman, and this lady is thought to be an early depiction of Nefertiti. The king and queen are shown worshiping the Aten, in the tomb of the vizier Ramose, Nefertiti is shown standing behind Amenhotep IV in the Window of Appearance during the reward ceremony for the vizier. During the early years in Thebes, Akhenaten had several temples erected at Karnak, one of the structures, the Mansion of the Benben, was dedicated to Nefertiti. She is depicted with her daughter Meritaten and in some scenes the princess Meketaten participates as well, in scenes found on the talatat, Nefertiti appears almost twice as often as her husband. She is shown smiting the enemy, and captive enemies decorate her throne, in the fourth year of his reign, Amenhotep IV decided to move the capital to Akhetaten. In his fifth year, Amenhotep IV officially changed his name to Akhenaten, the name change was a sign of the ever-increasing importance of the cult of the Aten. It changed Egypts religion from a religion to a religion which may have been better described as a monolatry or henotheism. The boundary stelae of years 4 and 5 mark the boundaries of the new city, the new city contained several large open-air temples dedicated to the Aten
2.
Egyptian Museum of Berlin
–
The Egyptian Museum of Berlin is home to one of the worlds most important collections of Ancient Egyptian artifacts, including the iconic Nefertiti Bust. Since October 2009, the collection is part of the reopened Neues Museum on Berlins Museum Island, the museum originated in the 18th century from the royal art collection of the Hohenzollern kings of Prussia. Alexander von Humboldt had recommended that an Egyptian section be created, initially housed in Monbijou Palace, the department was headed by the Trieste merchant Giuseppe Passalacqua, whose extensive collections formed the basis. A Prussian expedition to Egypt and Nubia led by Karl Richard Lepsius in 1842–45 brought additional pieces to Berlin, in 1850, the collections moved to its present-day home in the Neues Museum, built according to plans designed by Friedrich August Stüler. The Nefertiti Bust, discovered during the excavations by Ludwig Borchardt in Amarna, was donated to the museum by the entrepreneur Henri James Simon in 1920, it quickly became its best-known exhibit. After World War II, during which the Neues Museum was heavily damaged by strategic bombing, the main part remained in East Berlin and was displayed at the Bode Museum, while those artifacts evacuated to West Germany, including the Nefetiti Bust, returned to West Berlin. From 1967 to 2005, these items were housed vis-à-vis Charlottenburg Palace, the whole collection was reunited again after the Reunification of Germany, when it returned to Museum Island. The collection contains artefacts dating from between 4000BC to the period of Roman rule, though most date from the rule of Akhenaten, the most famous piece on display is the exceptionally well preserved and vividly coloured bust of Queen Nefertiti. The collection was moved from Charlottenburg to the Altes Museum in 2005 and was rehoused within the newly reconstructed Neues Museum on Berlins Museum Island in October 2009
3.
Neues Museum
–
The Neues Museum is a museum in Berlin, Germany, located to the north of the Altes Museum on Museum Island. It was built between 1843 and 1855 according to plans by Friedrich August Stüler, a student of Karl Friedrich Schinkel, the museum was closed at the beginning of World War II in 1939, and was heavily damaged during the bombing of Berlin. The rebuilding was overseen by the English architect David Chipperfield, the museum officially reopened in October 2009 and received a 2010 RIBA European Award and the 2011 European Union Prize for Contemporary Architecture. Exhibits include the Egyptian and Prehistory and Early History collections, as it did before the war, the artifacts it houses include the iconic bust of the Egyptian queen Nefertiti. Both as a part of the Museum Island complex and as an individual building, with its new industrialized building procedures and its use of iron construction, the museum plays an important role in the history of technology. The Neues Museum was the museum to be built on Museum Island and was intended as an extension to house collections which could not be accommodated in the Altes Museum. Among these were collections of plaster casts, ancient Egyptian artifacts, the prehistoric and early historic collections, the collection. It is thus the source of the collections in the Egyptian Museum of Berlin. Moreover, the Neues Museum is an important monument in the history of construction, with its various iron constructions, it is the first monumental building of Prussia to consistently apply new techniques made possible by industrialization. As a further innovation, an engine was used for the first time in construction in Berlin. Among other things, it was used to ram pilings into the building ground, the soft, spongy soil around the River Spree means that buildings in the central area of Berlin require deep foundations. The king, with his cabinet, had ordered that the construction project be assigned to Stüler on 8 March 1841. The poor quality of the ground at the site became apparent quickly. Therefore, a structure was necessary under the whole building, consisting of 2344 wooden foundation piles between 6.9 and 18.2 meters long. To ram the piles in, a 5-horsepower steam engine was used and it drove the pumps that drained the building site, the elevators, and the mortar mixing machines. The newsletter of the Berlin Architecture Association reported on the building site, on 6 April 1843 when the ceremony of laying the cornerstone took place, the foundations, including the cellars, were already built. Construction of the walls was completed at the end of 1843, so that by 1844, in 1845, iron constructions, the construction of flat vaulted ceilings and brick-lining of the connecting gallery to the Altes Museum were completed. An auxiliary railway transported building materials from the street just west across the River Spree, Am Kupfergraben, on the individual floors of the museum, rails were also used to transport construction materials
4.
Limestone
–
Limestone is a sedimentary rock, composed mainly of skeletal fragments of marine organisms such as coral, forams and molluscs. Its major materials are the minerals calcite and aragonite, which are different crystal forms of calcium carbonate, about 10% of sedimentary rocks are limestones. The solubility of limestone in water and weak acid solutions leads to karst landscapes, most cave systems are through limestone bedrock. The first geologist to distinguish limestone from dolomite was Belsazar Hacquet in 1778, like most other sedimentary rocks, most limestone is composed of grains. Most grains in limestone are skeletal fragments of organisms such as coral or foraminifera. Other carbonate grains comprising limestones are ooids, peloids, intraclasts and these organisms secrete shells made of aragonite or calcite, and leave these shells behind when they die. Limestone often contains variable amounts of silica in the form of chert or siliceous skeletal fragment, some limestones do not consist of grains at all, and are formed completely by the chemical precipitation of calcite or aragonite, i. e. travertine. Secondary calcite may be deposited by supersaturated meteoric waters and this produces speleothems, such as stalagmites and stalactites. Another form taken by calcite is oolitic limestone, which can be recognized by its granular appearance, the primary source of the calcite in limestone is most commonly marine organisms. Some of these organisms can construct mounds of rock known as reefs, below about 3,000 meters, water pressure and temperature conditions cause the dissolution of calcite to increase nonlinearly, so limestone typically does not form in deeper waters. Limestones may also form in lacustrine and evaporite depositional environments, calcite can be dissolved or precipitated by groundwater, depending on several factors, including the water temperature, pH, and dissolved ion concentrations. Calcite exhibits a characteristic called retrograde solubility, in which it becomes less soluble in water as the temperature increases. Impurities will cause limestones to exhibit different colors, especially with weathered surfaces, Limestone may be crystalline, clastic, granular, or massive, depending on the method of formation. Crystals of calcite, quartz, dolomite or barite may line small cavities in the rock, when conditions are right for precipitation, calcite forms mineral coatings that cement the existing rock grains together, or it can fill fractures. Travertine is a banded, compact variety of limestone formed along streams, particularly there are waterfalls. Calcium carbonate is deposited where evaporation of the leaves a solution supersaturated with the chemical constituents of calcite. Tufa, a porous or cellular variety of travertine, is found near waterfalls, coquina is a poorly consolidated limestone composed of pieces of coral or shells. During regional metamorphism that occurs during the building process, limestone recrystallizes into marble
5.
Stucco
–
Stucco or render is a material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a dense solid. It is used as coating for walls and ceilings and as a sculptural. Stucco may be used to cover less visually appealing construction materials such as metal, concrete, cinder block, or clay brick and adobe. In English, stucco usually means a coating for the outside of a building, and plaster one for interiors, as described below, but other European languages, importantly including Italian, do not have the same distinction, stucco means plaster in Italian and serves for both. This has led to English often using stucco for interior decorative plasterwork in relief, especially in art history, the difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. Animal or plant fibers were often added for additional strength, in the latter nineteenth century, Portland cement was added with increasing frequency in an attempt to improve the durability of stucco. At the same time, traditional lime plasters were being replaced by gypsum plaster, traditional stucco is made of lime, sand, and water. Modern stucco is made of Portland cement, sand, and water, lime is added to increase the permeability and workability of modern stucco. Sometimes additives such as acrylics and glass fibers are added to improve the properties of the stucco. This is usually done with what is considered a one-coat stucco system, lime stucco is a relatively hard material that can be broken or chipped by hand without too much difficulty. The lime itself is white, color comes from the aggregate or any added pigments. Lime stucco has the property of being self-healing to a degree because of the slight water solubility of lime. Portland cement stucco is very hard and brittle and can easily crack if the base on which it is applied is not stable, typically its color was gray, from the innate color of most Portland cement, but white Portland cement is also used. Todays stucco manufacturers offer a wide range of colors that can be mixed integrally in the finish coat. As a building material, stucco is a durable, attractive and it was traditionally used as both an interior and exterior finish applied in one or two thin layers directly over a solid masonry, brick or stone surface. The finish coat usually contained a color and was typically textured for appearance. The lath added support for the wet plaster and tensile strength to the brittle, cured stucco, while the increased thickness, the traditional application of stucco and lath occurs in three coats — the scratch coat, the brown coat and the finish coat
6.
Thutmose (sculptor)
–
Since it gave his occupation as sculptor and the building was clearly a sculpture workshop, it seemed a logical connection. Among many other sculptural items recovered at the time was the polychrome bust of Nefertiti, apparently a master study for others to copy. Eight of these have been identified as members of the royal family including Akhenaten, his other wife Kiya, his late father Amenhotep III. The rest represent unknown individuals, presumably residents of Amarna. One of the plaster faces depicts a woman, with wrinkles at the corner of her eyes and bags under them. This piece has been described as showing a variety of wrinkles than any other depiction of an elite woman from ancient Egypt It is thought to represent the image of a wise. Examples of his work recovered from his abandoned studio can be viewed at the Ägyptisches Museum Berlin, the Cairo Museum, in 1996 the French Egyptologist Alain Zivie discovered at Saqqara the decorated rock cut tomb of the head of the painters in the place of truth, Thutmose. The tomb dates to the time shortly after the Amarna Period, Amarna Sunset, Nefertiti, Tutankhamun, Ay, Horemheb, and the Egyptian Counter-Reformation. The American University in Cairo Press, chronicle of the Queens of Egypt. The Representation of Older and Ageing Women in Ancient Egyptian Art, journal of the American Research Center in Egypt. Cyril Aldred, Akhenaten, King of Egypt, pp.59, rita E. Freed, Yvonne J. Markowitz, Sue H. DAuria, Pharaohs of the Sun, Akhenaten - Nefertiti - Tutankhamen, pp. 123–126. Sculptor Thutmose’s Complex – image comparisons, Rifkinds World
7.
Ancient Egypt
–
Ancient Egypt was a civilization of ancient Northeastern Africa, concentrated along the lower reaches of the Nile River in what is now the modern country of Egypt. It is one of six civilizations to arise independently, Egyptian civilization followed prehistoric Egypt and coalesced around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh Narmer. In the aftermath of Alexander the Greats death, one of his generals, Ptolemy Soter and this Greek Ptolemaic Kingdom ruled Egypt until 30 BC, when, under Cleopatra, it fell to the Roman Empire and became a Roman province. The success of ancient Egyptian civilization came partly from its ability to adapt to the conditions of the Nile River valley for agriculture, the predictable flooding and controlled irrigation of the fertile valley produced surplus crops, which supported a more dense population, and social development and culture. Its art and architecture were widely copied, and its antiquities carried off to far corners of the world and its monumental ruins have inspired the imaginations of travelers and writers for centuries. The Nile has been the lifeline of its region for much of human history, nomadic modern human hunter-gatherers began living in the Nile valley through the end of the Middle Pleistocene some 120,000 years ago. By the late Paleolithic period, the climate of Northern Africa became increasingly hot and dry. In Predynastic and Early Dynastic times, the Egyptian climate was less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates, foliage and fauna were far more prolific in all environs and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated. The largest of these cultures in upper Egypt was the Badari, which probably originated in the Western Desert, it was known for its high quality ceramics, stone tools. The Badari was followed by the Amratian and Gerzeh cultures, which brought a number of technological improvements, as early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan, establishing a power center at Hierakonpolis, and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the desert to the west. Royal Nubian burials at Qustul produced artifacts bearing the oldest-known examples of Egyptian dynastic symbols, such as the crown of Egypt. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a system of hieroglyphs for writing the ancient Egyptian language. The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilisation of Mesopotamia, the third-century BC Egyptian priest Manetho grouped the long line of pharaohs from Menes to his own time into 30 dynasties, a system still used today
8.
Amarna
–
The name for the city employed by the ancient Egyptians is written as Akhetaten in English transliteration. Akhetaten means Horizon of the Aten, the city of Deir Mawas lies directly west across from the site of Amarna. Amarna, on the east side, includes several villages, chief of which are el-Till in the north. The area was occupied during later Roman and early Christian times. The name Amarna comes from the Beni Amran tribe that lived in the region, the ancient Egyptian name was Akhetaten. It may be that the Royal Wadis resemblance to the hieroglyph for horizon showed that this was the place to found the city, the city was built as the new capital of the Pharaoh Akhenaten, dedicated to his new religion of worship to the Aten. Construction started in or around Year 5 of his reign and was completed by Year 9. To speed up construction of the city most of the buildings were constructed out of mud-brick, the most important buildings were faced with local stone. Once it was abandoned it remained uninhabited until Roman settlement began along the edge of the Nile, however, due to the unique circumstances of its creation and abandonment, it is questionable how representative of ancient Egyptian cities it actually is. The entire city was encircled with a total of 14 boundary stelae detailing Akhenatens conditions for the establishment of new capital city of Egypt. The earliest dated stele from Akhenatens new city is known to be Boundary stele K which is dated to Year 5, IV Peret and it preserves an account of Akhenatens foundation of this city. Located on the east bank of the Nile, the ruins of the city are laid out north to south along a Royal Road. The Royal residences are generally to the north, in what is known as the North City, with an administration and religious area. If one approached the city of Amarna from the north by river the first buildings past the boundary stele would be the North Riverside Palace. This building ran all the way up to the waterfront and was likely the residence of the Royal Family. Located within the North City area is the Northern Palace, the residence of the Royal Family. Between this and the city, the Northern Suburb was initially a prosperous area with large houses. Most of the important ceremonial and administrative buildings were located in the central city, located behind the Royal Residence was the Bureau of Correspondence of Pharaoh, where the Amarna Letters were found
9.
Berlin
–
Berlin is the capital and the largest city of Germany as well as one of its constituent 16 states. With a population of approximately 3.5 million, Berlin is the second most populous city proper, due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. Around one-third of the area is composed of forests, parks, gardens, rivers. Berlin in the 1920s was the third largest municipality in the world, following German reunification in 1990, Berlin once again became the capital of all-Germany. Berlin is a city of culture, politics, media. Its economy is based on high-tech firms and the sector, encompassing a diverse range of creative industries, research facilities, media corporations. Berlin serves as a hub for air and rail traffic and has a highly complex public transportation network. The metropolis is a popular tourist destination, significant industries also include IT, pharmaceuticals, biomedical engineering, clean tech, biotechnology, construction and electronics. Modern Berlin is home to world renowned universities, orchestras, museums and its urban setting has made it a sought-after location for international film productions. The city is known for its festivals, diverse architecture, nightlife, contemporary arts. Since 2000 Berlin has seen the emergence of a cosmopolitan entrepreneurial scene, the name Berlin has its roots in the language of West Slavic inhabitants of the area of todays Berlin, and may be related to the Old Polabian stem berl-/birl-. All German place names ending on -ow, -itz and -in, since the Ber- at the beginning sounds like the German word Bär, a bear appears in the coat of arms of the city. It is therefore a canting arm, the first written records of towns in the area of present-day Berlin date from the late 12th century. Spandau is first mentioned in 1197 and Köpenick in 1209, although these areas did not join Berlin until 1920, the central part of Berlin can be traced back to two towns. Cölln on the Fischerinsel is first mentioned in a 1237 document,1237 is considered the founding date of the city. The two towns over time formed close economic and social ties, and profited from the right on the two important trade routes Via Imperii and from Bruges to Novgorod. In 1307, they formed an alliance with a common external policy, in 1415 Frederick I became the elector of the Margraviate of Brandenburg, which he ruled until 1440. In 1443 Frederick II Irontooth started the construction of a new palace in the twin city Berlin-Cölln
10.
Bust (sculpture)
–
A bust is a sculpted or cast representation of the upper part of the human figure, depicting a persons head and neck, and a variable portion of the chest and shoulders. The piece is supported by a plinth. These forms recreate the likeness of an individual and these may be of any medium used for sculpture, such as marble, bronze, terracotta or wood. A parallel term, aust, is a representation of the part of an animal or mythical creature. Sculptural portrait heads from classical antiquity are sometimes displayed as busts, however, these are often fragments from full-body statues, or were created to be inserted into an existing body, these portrait heads are not included in this article. Herma Portraiture Livius. org, Bust gallery of famous ancient Greeks Oxford definition Dictionary. com definition
11.
Great Royal Wife
–
Great Royal Wife, or alternatively Chief Kings Wife, is the term that was used to refer to the principal wife of the pharaoh of Ancient Egypt. The former is also, in the form of the simplification Great Wife, while most Ancient Egyptians were monogamous, the pharaoh would have had other, lesser wives and concubines in addition to the Great Royal Wife. This arrangement would allow the pharaoh to enter into marriages with the daughters of allies. In the past the order of succession in Ancient Egypt was thought to pass through the royal women and this theory, referred to as the Heiress Theory, has been rejected ever since the 1980s and is now not accepted by Egyptologists. The throne likely just passed to the eldest living son of the pharaoh, examples include Iset, the mother of Thutmose III, Tiaa, the mother of Thutmose IV and Mutemwia, the mother of Amenhotep III. Meretseger, the wife of Senusret III, is the earliest queen whose name appears with this title. However, she is attested in the New Kingdom so the title might be an anachronism. Perhaps the first holder of its title was Nubkhaes of the Second Intermediate Period, a special place in the history of great royal wives was taken by Hatshepsut. She was Great Royal Wife to her half-brother Thutmose II, during this time Hatshepsut also became a Gods Wife of Amun. After the death of her husband, she became regent because of the minority of her stepson, the male heir. While he was very young, however, Hatshepsut was crowned as pharaoh. When she became pharaoh, she designated her daughter, Neferure and her daughter may have been the great royal wife of Thutmose III but there is no clear evidence for this proposed marriage. Elsewhere, in Kush and other states of ancient Africa. The practice of creating great wives has continued to the present day, in addition to the said queen of the Zulus, contemporary holders of the title include the numerous bearers of the Iyaafin chieftaincy of Yorubaland and the future Ndlovukati of Swaziland. List of consorts of the Muhammad Ali Dynasty, for the modern queens and sultanas of Egypt Gods Wife of Amun Divine Adoratrice of Amun Interregnum queen
12.
Pharaoh
–
The word pharaoh ultimately derive from the Egyptian compound pr-ˤ3 great house, written with the two biliteral hieroglyphs pr house and ˤ3 column, here meaning great or high. It was used only in larger phrases such as smr pr-ˤ3 Courtier of the High House, with specific reference to the buildings of the court or palace. From the twelfth dynasty onward, the word appears in a wish formula Great House, may it live, prosper, and be in health, but again only with reference to the royal palace and not the person. During the reign of Thutmose III in the New Kingdom, after the rule of the Hyksos during the Second Intermediate Period. During the eighteenth dynasty the title pharaoh was employed as a designation of the ruler. From the nineteenth dynasty onward pr-ˤ3 on its own was used as regularly as hm. f, the term, therefore, evolved from a word specifically referring to a building to a respectful designation for the ruler, particularly by the twenty-second dynasty and twenty-third dynasty. For instance, the first dated appearance of the pharaoh being attached to a rulers name occurs in Year 17 of Siamun on a fragment from the Karnak Priestly Annals. Here, an induction of an individual to the Amun priesthood is dated specifically to the reign of Pharaoh Siamun and this new practice was continued under his successor Psusennes II and the twenty-second dynasty kings. Shoshenq I was the successor of Siamun. Meanwhile, the old custom of referring to the sovereign simply as pr-ˤ3 continued in traditional Egyptian narratives, by this time, the Late Egyptian word is reconstructed to have been pronounced *par-ʕoʔ whence Herodotus derived the name of one of the Egyptian kings, Φερων. In the Bible, the title also occurs as פרעה, from that, Septuagint φαραώ pharaō and then Late Latin pharaō, both -n stem nouns. The Quran likewise spells it فرعون firawn with n, interestingly, the Arabic combines the original pharyngeal ayin sound from Egyptian, along with the -n ending from Greek. English at first spelt it Pharao, but the King James Bible revived Pharaoh with h from the Hebrew, meanwhile in Egypt itself, *par-ʕoʔ evolved into Sahidic Coptic ⲡⲣ̅ⲣⲟ prro and then rro. Scepters and staves were a sign of authority in ancient Egypt. One of the earliest royal scepters was discovered in the tomb of Khasekhemwy in Abydos, kings were also known to carry a staff, and Pharaoh Anedjib is shown on stone vessels carrying a so-called mks-staff. The scepter with the longest history seems to be the heqa-scepter, the earliest examples of this piece of regalia dates to pre-dynastic times. A scepter was found in a tomb at Abydos that dates to the late Naqada period, another scepter associated with the king is the was-scepter. This is a long staff mounted with an animal head, the earliest known depictions of the was-scepter date to the first dynasty
13.
Akhenaten
–
Akhenaten known before the fifth year of his reign as Amenhotep IV, was an Ancient Egyptian pharaoh of the 18th Dynasty who ruled for 17 years and died perhaps in 1336 BC or 1334 BC. An early inscription likens the Aten to the sun as compared to stars, Akhenaten tried to bring about a departure from traditional religion, yet in the end it would not be accepted. After his death, his monuments were dismantled and hidden, his statues were terminated and he was all but lost from history until the discovery during the 19th century of the site of Akhetaten, the city he built and designed for the worship of Aten, at Amarna. DNA analysis has determined that the man buried in KV55 is the father of King Tutankhamun, the future Akhenaten was a younger son of Amenhotep III and Chief Queen Tiye. The eldest son Crown Prince Thutmose was recognized as the heir of Amenhotep III but he died relatively young, there is much controversy around whether Amenhotep IV succeeded to the throne on the death of his father Amenhotep III or whether there was a coregency. Other literature by Donald Redford, William Murnane, Alan Gardiner, in February 2014, the Egyptian Ministry for Antiquities announced what it called conclusive evidence that Akhenaten shared power with his father for at least 8 years. The evidence came from the found in the Luxor tomb of Vizier Amenhotep-Huy. A team of Spanish archeologists have been working at this tomb, Amenhotep IV was crowned in Thebes and there he started a building program. He decorated the entrance to the precincts of the temple of Amun-Re with scenes of his worshiping Re-Harakhti. He soon decreed the construction of a dedicated to the Aten in Eastern Karnak. This Temple of Amenhotep IV was called the Gempaaten, the Gempaaten consisted of a series of buildings, including a palace and a structure called the Hwt Benben which was dedicated to Queen Nefertiti. Other Aten temples constructed at Karnak during this time include the Rud-menu, during this time he did not repress the worship of Amun, and the High Priest of Amun was still active in the fourth year of his reign. The king appears as Amenhotep IV in the tombs of some of the nobles in Thebes, Kheruef, Ramose, in the tomb of Ramose, Amenhotep IV appears on the west wall in the traditional style, seated on a throne with Ramose appearing before the king. On the other side of the doorway, Amenhotep IV and Nefertiti are shown in the window of appearance with the Aten depicted as the sun disc. In the Theban tomb of Parennefer, Amenhotep IV and Nefertiti are seated on a throne with the sun disk depicted over the king, among the latter-known documents referring to Amenhotep IV are two copies of a letter from the Steward Of Memphis Apy to the pharaoh. The documents were found in Gurob and are dated to regnal year 5, third month of the Growing Season, on day 13, Month 8, in the fifth year of his reign, the king arrived at the site of the new city Akhetaten. A month before that Amenhotep IV had officially changed his name to Akhenaten, Amenhotep IV changed most of his 5 fold titulary in year 5 of his reign. The only name he kept was his prenomen or throne name of Neferkheperure, some recent debate has focused on the extent to which Akhenaten forced his religious reforms on his people
14.
Egypt
–
Egypt, officially the Arab Republic of Egypt, is a transcontinental country spanning the northeast corner of Africa and southwest corner of Asia by a land bridge formed by the Sinai Peninsula. Egypt is a Mediterranean country bordered by the Gaza Strip and Israel to the northeast, the Gulf of Aqaba to the east, the Red Sea to the east and south, Sudan to the south, and Libya to the west. Across the Gulf of Aqaba lies Jordan, and across from the Sinai Peninsula lies Saudi Arabia, although Jordan and it is the worlds only contiguous Afrasian nation. Egypt has among the longest histories of any country, emerging as one of the worlds first nation states in the tenth millennium BC. Considered a cradle of civilisation, Ancient Egypt experienced some of the earliest developments of writing, agriculture, urbanisation, organised religion and central government. One of the earliest centres of Christianity, Egypt was Islamised in the century and remains a predominantly Muslim country. With over 92 million inhabitants, Egypt is the most populous country in North Africa and the Arab world, the third-most populous in Africa, and the fifteenth-most populous in the world. The great majority of its people live near the banks of the Nile River, an area of about 40,000 square kilometres, the large regions of the Sahara desert, which constitute most of Egypts territory, are sparsely inhabited. About half of Egypts residents live in areas, with most spread across the densely populated centres of greater Cairo, Alexandria. Modern Egypt is considered to be a regional and middle power, with significant cultural, political, and military influence in North Africa, the Middle East and the Muslim world. Egypts economy is one of the largest and most diversified in the Middle East, Egypt is a member of the United Nations, Non-Aligned Movement, Arab League, African Union, and Organisation of Islamic Cooperation. Miṣr is the Classical Quranic Arabic and modern name of Egypt. The name is of Semitic origin, directly cognate with other Semitic words for Egypt such as the Hebrew מִצְרַיִם, the oldest attestation of this name for Egypt is the Akkadian
15.
Feminine beauty ideal
–
The feminine beauty ideal is the socially constructed notion that physical attractiveness is one of womens most important assets, and something all women should strive to achieve and maintain. Feminine beauty ideals are rooted in beliefs, and heavily influence women of all sexual orientations. Beauty ideals vary from culture to culture, pressure to conform to a certain definition of beautiful can have drastic psychological effects. These ideals have been correlated with depression, eating disorders, and low self-esteem, starting from an adolescent age, the feminine beauty ideal is portrayed in many childrens fairy tales. It has been common for physical attractiveness in female characters to be rewarded, in fairy tales, beauty is often associated with being white, economically privileged, and virtuous. The Brothers Grimm fairy tales usually involve a beautiful heroine, in the story Snow White, the protagonist Snow White is described as being white as snow, as red as blood, and as black as ebony wood and as beautiful as the light of day. This fairy tale is defining beauty as being Caucasian with rosy cheeks, on the other hand, the antagonist of Brothers Grimm fairy tales is frequently described as ugly, relating beauty with goodness and ugliness with evil. Ultimately, this puts an emphasis on the virtue of being beautiful. Starting almost 100 years after the Grimm Brothers wrote their fairy tales, about 40 percent of Disney movies made from 1937-2000 had only dominant cultural themes portrayed. Because the majority of characters are white, the expectation that all people are or should be like this, other common traits of female Disney characters are thin bodies with impossible bodily proportions, long, flowing hair, and large round eyes. The constant emphasis on beauty and what constitutes as being beautiful contributes to the overall feminine beauty ideal. Mass media is one of the most powerful tools for young girls and women to learn, as mass media develops, the way people see feminine beauty ideals changes, as does how females view themselves. In most advertisements, female models are typically homogeneous in appearance, girls today are swamped by ideals not only in the form of dolls but also in comics, cartoons, TV, and advertising along with all the associated merchandising. In addition to this, the beauty ideal in the mass media is manipulated by technology. Images of women can be virtually manipulated creating an ideal that is not only rare, with a focus on an ideal physical appearance, the feminine beauty ideal distracts from female competency by prioritizing and valuing superficial characteristics related to beauty and appearance. When physical beauty is idealized and featured in the media, it reduces women to sexualized objects and this creates the message across mass media that ones body is inadequate apart from sex appeal and connects concepts of beauty and sex. Feminine beauty ideals have shown correlations to many disorders, including lowered self-esteem. Western cultural standards of beauty and attractiveness promote unhealthy and unattainable body ideals that motivate women to seek perfection, since 1972, there has been a dramatic increase in the percentage of women in the United States who experience dissatisfaction with their bodies
16.
Ludwig Borchardt
–
Ludwig Borchardt was a German Egyptologist who was born in Berlin. Also known as Herbert, Borchardt initially studied Architecture and later Egyptology under Adolf Erman, in 1895 he journeyed to Cairo and produced, with Gaston Maspero, the Catalogue of the Egyptian Museum. In 1907 he founded the German Archaeological Institute in Cairo, and his main focus was Ancient Egyptian architecture. He began excavations in Amarna, where he discovered the workshop of the sculptor Thutmose, amongst its contents was the famous bust of Nefertiti. From 1902 until 1908, he undertook excavations of the Pyramid of Sahure. He published his discoveries in a two-volume study Das Grabdenkmal des Konigs Sahure, The Funerary Monument of the King Sahure and he also directed the excavations in Heliopolis and the tombs of Old Kingdom nobles in Abu Gorab. He died in Zurich, on 12 August 1938, recently, controversy has arisen with the assertion he smuggled the bust of Nefertiti out of Egypt by reporting it as an artifact made of gypsum. It has also claimed by Swiss art historian Henri Stierlin that the bust is a copy dating from 1912
17.
Merkers-Kieselbach
–
Merkers-Kieselbach is a former municipality in the Wartburgkreis district of Thuringia, Germany. Since 31 December 2013, it is part of the municipality Krayenberggemeinde, merkers-Kieselbach lies on either side of the River Werra near the Thüringer Wald and Rhön hills. It contains the settlements of Merkers, Kieselbach and Kambachsmühle, Kieselbach was first mentioned 1155 in a deed from Kloster Hersfeld, and Merkers in 1308. Merkers-Kieselbach was formed in 1994 by merging the two village councils, but didnt last long, as in 2013 it too merged with the neighbouring Dorndorf forming Krayenberggemeinde. The ceremonial coat-of arms of the authority was designed in 1994 by the heraldic designer Uwe Reipert, the Wellenbalken or silver fess wavy with Kieseln- golden stones symbolises the word Kieselbach, the castle symbolises the Krayenburg Crossed miners hammers and a green hill are included. The last elected Bürgermeister, Inka Sollmann, taking 91% of the popular vote, wehrkirche im Ortsteil Kieselbach - This was built in 1563, though the oldest of its three bronze bells dates from 1462 probaby coming the Kapelle auf der Krayenburg. Vier-Seiten-Hof- in Kieselbach is the oldest and still inhabited, regionalmuseum Krayenbergregion - is an Heimatmuseum in Kieselbach. Andreas-Fack-Haus - There is small museum in the home of the Rhönlied-Dichters. Here large amounts of Nazi gold, and many works of art were discovered by the United States Army in 1945. General Dwight D. Eisenhower himself went into the mine in April 1945 in order to examine the find. Though this is the worlds largest Potash mine, thousands of visitors visit the World of White Gold Merkers was captured by the advancing Third Army in the Spring of 1945. Ignorant of the German determination to hold at all costs, however, the 90th advanced, smashed the line, vacha was taken with stiff opposition, Dippach and Oberzella and Merkers. One regiment was detailed to guard the treasure at Merkers, allied prisoners of war were liberated in increasingly large numbers, American, British, Canadian, French and Russians. The German Army was dissolving into a hodge-podge of Volksturm, Hitler Jugend, highly disorganized veterans, as usual, resistance was encountered at only infrequent intervals, and as usual, it was quickly overwhelmed. We, in the 357th, were laboring over small roads and paths, taking village after village, many of which had names with the syllable “roda” which we later learned meant “mine. ”Battle History, 3rd Bn. 358th lnf. All the Battalion knew at the time, however, was that the mine contained some German equipment and this much the troops knew from the slave laborers as they passed through. It was not until later that Division MPs discovered the mine contained the largest treasure hoard ever found. Everyone in Co I is still sorry they did not have time to spare in Merkers
18.
Berlin State Museums
–
The Berlin State Museums are a group of institutions in Berlin, Germany, comprising seventeen museums in five clusters, several research institutes, libraries, and supporting facilities. They are overseen by the Prussian Cultural Heritage Foundation and funded by the German federal government in collaboration with Germanys federal states, the central complex on Museum Island was added to the UNESCO list of World Heritage Sites in 1999. By 2007 the Berlin State Museums had grown into the largest complex of museums in Europe, director-general of the Berlin State Museums is Michael Eissenhauer. Museum Island Altes Museum, Roman and Greek Classical Antiquities Alte Nationalgalerie, 19th century sculptures and paintings
19.
Charlottenburg
–
Charlottenburg is an affluent locality of Berlin within the borough of Charlottenburg-Wilmersdorf. Charlottenburg was an independent city to the west of Berlin until 1920 when it was incorporated into Groß-Berlin, in the course of Berlins 2001 administrative reform it was merged with the former borough of Wilmersdorf becoming a part of a new borough called Charlottenburg-Wilmersdorf. Later, in 2004, the new districts were rearranged, dividing the former borough of Charlottenburg into the localities of Charlottenburg proper, Westend. Charlottenburg is located in Berlins inner city, west of the Großer Tiergarten park and its historic core, the former village green of Alt Lietzow, is situated on the southern shore of the Spree River running through the Berlin glacial valley. In the north and west, the Berlin Ringbahn and the Bundesautobahn 100 mark the border with the Charlottenburg-Nord, adjacent in the south is the territory of Wilmersdorf. Charlottenburg also borders on the district of Halensee in the southwest, as well as on Moabit, Hansaviertel and Tiergarten in the east, archaeological findings in the area date back to the Neolithic era. Although these names are of Slavic origin, the settlements are likely to have had a mixed Slavic, Lietzow is first documented in a 1239 deed. In 1315, Lietzow and Casow became the property of the Sankt Marien nunnery in nearby Spandau, as a result, the Lietzow farmstead probably was expanded to a village. In the course of the Protestant Reformation, Elector Joachim II Hector of Brandenburg confiscated the estates, while the Lietzow area has been populated continuously, Casow and Glienicke were abandoned. From old field names it is believed that Glienicke lay in the area of the present day streets Kantstraße, Fasanenstraße, Kurfürstendamm, the development of Lietzow is well documented. For more than four hundred years, members of the Berendt family were mayors, in 1695, Sophia Charlotte of Hanover received Lietzow from her husband, Elector Frederick III of Brandenburg, in exchange for her estates in Caputh and Langerwisch near Potsdam. Frederick had a residence built there for Sophie Charlotte by the architect Johann Arnold Nering between 1695 and 1699. After he had crowned himself Frederick I, King in Prussia, the Swedish master builder Johann Friedrich Eosander supervised this work. The king served as the mayor until the historic village of Lietzow was incorporated into Charlottenburg in 1720. Fredericks successor as king, Frederick William I of Prussia, rarely stayed at the palace, Frederick William even tried to revoke the towns privileges. With the coronation of his successor Frederick II inl 1740 the towns significance increased, between 1740 and 1747 Georg Wenzeslaus von Knobelsdorff built the eastern New Wing as Fredericks residence. Later, Frederick II preferred the palace of Sanssouci, which he had designed himself. After the defeat of the Prussian army at Jena in 1806, napoleon took over the palace, while his troops made a camp nearby
20.
Altes Museum
–
The Altes Museum is a museum building on Museum Island in Berlin, Germany. Since restoration work in 2010-11, it houses the Antikensammlung of the Berlin State Museums, the museum building was built between 1823 and 1830 by the architect Karl Friedrich Schinkel in the neoclassical style to house the Prussian royal familys art collection. The historic, protected building counts among the most distinguished in neoclassicism and is a point of Schinkels career. Until 1845, it was called the Königliches Museum, along with the other museums and historic buildings on Museum Island, the Altes Museum was designated a UNESCO World Heritage Site in 1999. In the early century, Germanys bourgeoisie had become increasingly self-aware. King Friedrich Wilhelm III of Prussia was a proponent of this humboldtian ideal for education. The crown prince even sent Schinkel a pencil sketch of a large hall adorned with a classical portico, Schinkels plans incorporated the Königliches Museum into an ensemble of buildings, which surround the Berliner Lustgarten. The Stadtschloss in the south was a symbol of power, the Zeughaus in the west represented military might. The museum to the north of the garden, which was to provide for the education of the people, stood as a symbol for science and art—and not least for their torchbearer, the self-aware bourgeoisie. Schinkel had developed plans for the Königliches Museum as early as 1822/23, construction was completed in 1828 and the museum was inaugurated on 3 August 1830. In 1841, King Friedrich Wilhelm IV announced in a royal decree, in 1845, the Königliches Museum was renamed the Altes Museum, the name it holds to this day. The royally appointed commission, which was responsible for the conception of the museum and this precluded the incorporation of ethnography, prehistory and the excavated treasures of the Near East, instead, these artifacts were primarily housed in Schloss Monbijou. With the completion of the Neues Museum by Friedrich August Stüler in 1855 and this was followed by the Nationalgalerie by Johann Heinrich Strack, the Kaiser-Friedrich-Museum by Ernst von Ihne after plans by Stüler, and the Pergamonmuseum by Alfred Messel and Ludwig Hoffmann. Thus Museum Island evolved into the institution it is today, during National Socialism, the Altes Museum was used as the backdrop for propaganda, both in the museum itself and upon the parade grounds of the redesigned Lustgarten. Following Schinkels designs, the murals of the rotunda were restored in 1982, however, neither the ornate ceilings of the ground floor exhibition rooms nor the pairs of columns under the girders were reconstructed. The Altes Museum was originally constructed to house all of the collections of fine arts. However, since 1904, the museum has housed the Antikensammlung, since 1998, the Collection of Classical Antiquities has displayed its Greek collection, including the treasury, on the ground floor of the Altes Museum. Special exhibitions are displayed on the floor of the museum
21.
World War II
–
World War II, also known as the Second World War, was a global war that lasted from 1939 to 1945, although related conflicts began earlier. It involved the vast majority of the worlds countries—including all of the great powers—eventually forming two opposing alliances, the Allies and the Axis. It was the most widespread war in history, and directly involved more than 100 million people from over 30 countries. Marked by mass deaths of civilians, including the Holocaust and the bombing of industrial and population centres. These made World War II the deadliest conflict in human history, from late 1939 to early 1941, in a series of campaigns and treaties, Germany conquered or controlled much of continental Europe, and formed the Axis alliance with Italy and Japan. Under the Molotov–Ribbentrop Pact of August 1939, Germany and the Soviet Union partitioned and annexed territories of their European neighbours, Poland, Finland, Romania and the Baltic states. In December 1941, Japan attacked the United States and European colonies in the Pacific Ocean, and quickly conquered much of the Western Pacific. The Axis advance halted in 1942 when Japan lost the critical Battle of Midway, near Hawaii, in 1944, the Western Allies invaded German-occupied France, while the Soviet Union regained all of its territorial losses and invaded Germany and its allies. During 1944 and 1945 the Japanese suffered major reverses in mainland Asia in South Central China and Burma, while the Allies crippled the Japanese Navy, thus ended the war in Asia, cementing the total victory of the Allies. World War II altered the political alignment and social structure of the world, the United Nations was established to foster international co-operation and prevent future conflicts. The victorious great powers—the United States, the Soviet Union, China, the United Kingdom, the Soviet Union and the United States emerged as rival superpowers, setting the stage for the Cold War, which lasted for the next 46 years. Meanwhile, the influence of European great powers waned, while the decolonisation of Asia, most countries whose industries had been damaged moved towards economic recovery. Political integration, especially in Europe, emerged as an effort to end pre-war enmities, the start of the war in Europe is generally held to be 1 September 1939, beginning with the German invasion of Poland, Britain and France declared war on Germany two days later. The dates for the beginning of war in the Pacific include the start of the Second Sino-Japanese War on 7 July 1937, or even the Japanese invasion of Manchuria on 19 September 1931. Others follow the British historian A. J. P. Taylor, who held that the Sino-Japanese War and war in Europe and its colonies occurred simultaneously and this article uses the conventional dating. Other starting dates sometimes used for World War II include the Italian invasion of Abyssinia on 3 October 1935. The British historian Antony Beevor views the beginning of World War II as the Battles of Khalkhin Gol fought between Japan and the forces of Mongolia and the Soviet Union from May to September 1939, the exact date of the wars end is also not universally agreed upon. It was generally accepted at the time that the war ended with the armistice of 14 August 1945, rather than the formal surrender of Japan
22.
Eighteenth Dynasty of Egypt
–
The eighteenth dynasty of ancient Egypt is the best known ancient Egyptian dynasty. It boasts several of Egypts most famous pharaohs, including Tutankhamun, the dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmosis. Famous pharaohs of Dynasty XVIII include Hatshepsut, longest-reigning woman-pharaoh of a dynasty, and Akhenaten. Dynasty XVIII is the first of the three dynasties of the Egyptian New Kingdom, the period in which ancient Egypt reached the peak of its power, radiocarbon dating suggests that Dynasty XVIII may have started a few years earlier than the conventional date of 1550 BC. The radiocarbon date range for its beginning is 1570–1544 BC, the point of which is 1557 BC. The pharaohs of Dynasty XVIII ruled for two hundred and fifty years. The dates and names in the table are taken from Dodson and Hilton, many of the pharaohs were buried in the Valley of the Kings in Thebes. More information can be found on the Theban Mapping Project website, several diplomatic marriages are known for the New Kingdom. These daughters of kings are often only mentioned in cuneiform texts and are not known from other sources. The marriages were likely a way to confirm good relations between these states, Dynasty XVIII was founded by Ahmose I, the brother or son of Kamose, the last ruler of the Dynasty XVII. Ahmose finished the campaign to expel the Hyksos rulers and his reign is seen as the end of the Second Intermediate Period and the start of the New Kingdom. Ahmose was succeeded by his son, Amenhotep I, whose reign was relatively uneventful, Amenhotep I probably left no male heir and the next pharaoh, Thutmose I, seems to have been related to the royal family through marriage. During his reign the borders of Egypts empire reached their greatest expanse, extending in the north to Carchemish on the Euphrates, Thutmose I was succeeded by Thutmose II and his queen, Hatshepsut. Thutmose III who later became known as the greatest military pharaoh ever and he had a second co-regency in his old age with his son Amenhotep II. Amenhotep II was succeeded by Thutmose IV, who in his turn was followed by his son Amenhotep III, the reign of Amenhotep III is seen as a high point in this dynasty. Amenhotep III undertook large scale building programmes, the extent of which can only be compared with those of the much longer reign of Ramesses II during Dynasty XIX. Amenhotep III may have shared the throne for up to twelve years with his son Amenhotep IV, there is much debate about this proposed co-regency. Some experts believe there was a lengthy co-regency, while others prefer to see a short one, there are also many experts who believe no such co-regency existed at all
23.
Atenism
–
Atenism, or the Amarna heresy, refers to the religious changes associated with the eighteenth dynasty Pharaoh Amenhotep IV, better known under his adopted name, Akhenaten. Aten, the god of Atenism, first appears in texts dating to the 12th dynasty, during the Middle Kingdom, Aten as the sun disk. was merely one aspect of the sun god Re. It was a relatively obscure sun god, without the Atenist period, during the reign of Thutmosis IV, it was identified as a distinct solar god, and his son Amenhotep III established and promoted a separate cult for the Aten. There is no evidence that Amenhotep III neglected the other gods or attempted to promote the Aten as an exclusive deity. Amenhotep initially introduced Atenism in the year of his reign, raising Aten to the status of supreme god. To emphasise the change, Atens name was written in the form normally reserved for Pharaohs. The religious reformation appears to coincide with the proclamation of a Sed festival, traditionally held in the thirtieth year of the Pharaohs reign, it possibly was a festival in honour of Amenhotep III. Some Egyptologists think that he had a coregency with Amenhotep IV of 2-12 years, the fifth year is believed to mark the beginning of Amenhotep IVs construction of a new capital, Akhetaten, at the site known today as Amarna. Evidence appears on three of the boundary stelae used to mark the boundaries of new capital. Then, Amenhotep IV officially changed his name to Akhenaten as evidence of his new worship, the date given for the event has been estimated to fall around January 2 of that year. In the seventh year of his reign, the capital was moved from Thebes to Akhetaten, in shifting his court from the traditional ceremonial centres, he was signalling a dramatic transformation in the focus of religious and political power. The move separated the Pharaoh and his court from the influence of the priesthood and from the centres of worship. Taken in conjunction with his change, it is possible that the move to Amarna was also meant as a signal of Akhenatens symbolic death and rebirth. It may also have coincided with the death of his father, key features of Atenism included a ban on idols and other images of the Aten, with the exception of a rayed solar disc in which the rays appear to represent the unseen spirit of Aten. Aten was addressed by Akhenaten in prayers, such as the Great Hymn to the Aten, Atens name is also written differently after the ninth year of the Pharaohs rule to emphasise the radicalism of the new regime. Aten, instead of being written with the symbol of a solar disc. The details of Atenist theology are still unclear and he simply refrained from worshiping any but Aten. It is known that Atenism did not attribute divinity only to Aten, Akhenaten continued the cult of the Pharaoh, proclaiming himself the son of Aten and encouraging the Egyptian people to worship him
24.
Aten
–
Aten is the disk of the sun in ancient Egyptian mythology, and originally an aspect of the god Ra. The deified Aten is the focus of the religion of Atenism established by Amenhotep IV, in his poem Great Hymn to the Aten, Akhenaten praises Aten as the creator, giver of life, and nurturing spirit of the world. Aten does not have a Creation Myth or family, but is mentioned in the Book of the Dead, the worship of Aten was eradicated by Horemheb. By analogy, the term silver aten was sometimes used to refer to the moon, the solar Aten was extensively worshipped as a god in the reign of Amenhotep III, when it was depicted as a falcon-headed man much like Ra. The full title of Akhenatens god was Ra-Horakhty who rejoices in the horizon, the god is also considered to be both masculine and feminine simultaneously. All creation was thought to emanate from the god and to exist within the god, in particular, the god was not depicted in anthropomorphic form, but as rays of light extending from the suns disk. Furthermore, the name came to be written within a cartouche, along with the titles normally given to a Pharaoh. Ra-Horus, more usually referred to as Ra-Horakhty, is a synthesis of two gods, both of which are attested from very early on. During the Amarna period, this synthesis was seen as the source of energy of the sun god, of which the visible manifestation was the Aten. Thus Ra-Horus-Aten was a development of old ideas which came gradually, the real change, as some see it, was the apparent abandonment of all other gods, especially Amun-Ra, prohibition of idolatry, and the debatable introduction of quasi-monotheism by Akhenaten. The syncretism is readily apparent in the Great Hymn to the Aten in which Re-Herakhty, Shu, others see Akhenaten as a practitioner of an Aten monolatry, as he did not actively deny the existence of other gods, he simply refrained from worshipping any but the Aten. Other scholars call the religion henotheistic, principles of Atens religion were recorded on the rock tomb walls of Akhetaten. In the religion of Aten, night is a time to fear, work is done best when the sun, Aten, is present. Aten cares for every creature, and created a Nile river in the sky for the Syrians, Aten created all countries and people. The rays of the sun disk only holds out life to the family, everyone else receives life from Akhenaten. When a good person dies, he/she continues to live in the City of Light for the dead in Akhetaten, the conditions are the same after death. Akhenaten judged whether someone should be granted an afterlife, and operated the scale of justice, the explanation as to why Aten could not be fully represented was that the god has gone beyond creation. The cult centre of Aten was at the new city Akhetaten, some other cities include Thebes
25.
Ay
–
Ay was the penultimate Pharaoh of Ancient Egypts 18th dynasty. Ays prenomen or royal name—Kheperkheperure—means Everlasting are the Manifestations of Ra while his birth name Ay it-netjer reads as Ay, Ay is usually believed to be a native Egyptian from Akhmim. During his short reign, he built a rock cut chapel in Akhmim and dedicated it to the deity there. He may have been the son of Yuya, who served as a member of the priesthood of Min at Akhmim as well as superintendent of herds in this city, and wife Tjuyu. If so, Ay could have been of partial non-Egyptian, perhaps Syrian, there are also noted similarities in the physical likenesses of monuments attributed to Ay and those of the mummy of Yuya, and both held similar names and titles. Other titles listed in this tomb include Fan-bearer on the Right Side of the King, Acting Scribe of the King, beloved by him, and Gods Father. The Fan-bearer on the Right Side of the King was an important position. The final Gods Father title is the one most associated with Ay, alternatively, it could also mean that he may have had a daughter that married the pharaoh Akhenaten, possibly being the father of Akhenatens chief wife Nefertiti. Ultimately there is no evidence to prove either hypothesis. The Great Hymn to the Aten is also found in his Amarna tomb which was built during his service under Akhenaten and it is likely that this was required by Akhenaten, though not evidence that Ay agreed with Akhenatens decision to promote the Aten above all other gods. It suggests that he did believe in Akhenatens religious revolution and his wife Tey was born a commoner but was given the title Nurse of the Pharaohs Great Wife. In several Amarna tomb chapels there is a woman whose name begins with Mut who had the title Sister of the Pharaohs Great Wife. This could also be a daughter of Ays by his wife Tey, Ays reign was preceded by that of King Tutankhamun, who ascended to the throne at the age of eight or nine, at a time of great tension between the new monotheism and the old polytheism. He was assisted in his duties by his predecessors two closest advisors, Grand Vizier Ay and General of the Armies Horemheb. Egyptologist Bob Brier suggested that Ay murdered Tutankhamun in order to usurp the throne and he also alleged that Ankhesenamun and the Hittite Prince she was about to marry were also murdered at his orders. However, Brier has stated that the fragment in the skull is not relevant to the issue of whether Tutankhamun was murdered. The evidence Brier presents for the murder is a spot on the base of the skull. Dr. Gerald Irwin agrees with Brier on this point, Tutankhamun could very well have died from this, combined with the infection in his knee
26.
Tutankhamun
–
Tutankhamun was an Egyptian pharaoh of the 18th dynasty, during the period of Egyptian history known as the New Kingdom or sometimes the New Empire Period. He has, since his discovery, been referred to as King Tut. His original name, Tutankhaten, means Living Image of Aten, in hieroglyphs, the name Tutankhamun was typically written Amen-tut-ankh, because of a scribal custom that placed a divine name at the beginning of a phrase to show appropriate reverence. The 1922 discovery by Howard Carter and Lord Carnarvon of Tutankhamuns nearly intact tomb received worldwide press coverage and it sparked a renewed public interest in ancient Egypt, for which Tutankhamuns mask, now in the Egyptian Museum, remains the popular symbol. Exhibits of artifacts from his tomb have toured the world, in February 2010, the results of DNA tests confirmed that he was the son of Akhenaten. His mother was Akhenatens sister and wife, whose name is unknown, the mysterious deaths of a few of those who excavated Tutankhamuns tomb has been popularly attributed to the curse of the pharaohs. Tutankhamun was the son of Akhenaten and one of Akhenatens sisters, as a prince, he was known as Tutankhaten. He ascended to the throne in 1333 BC, at the age of nine or ten and his wet nurse was a woman called Maia, known from her tomb at Saqqara. His teacher was most likely Sennedjem, when he became king, he married his half-sister, Ankhesenpaaten, who later changed her name to Ankhesenamun. They had two daughters, both stillborn, computed tomography studies released in 2011 revealed that one daughter died at 5–6 months of pregnancy and the other at 9 months of pregnancy. No evidence was found in either mummy of congenital anomalies or an apparent cause of death, given his age, the king probably had very powerful advisers, presumably including General Horemheb and Grand Vizier Ay. Horemheb records that the king appointed him lord of the land as hereditary prince to maintain law and he also noted his ability to calm the young king when his temper flared. In his third year, under the influence of his advisors. He ended the worship of the god Aten and restored the god Amun to supremacy, the ban on the cult of Amun was lifted and traditional privileges were restored to its priesthood. The capital was moved back to Thebes and the city of Akhetaten abandoned and this is when he changed his name to Tutankhamun, Living image of Amun, reinforcing the restoration of Amun. As part of his restoration, the king initiated building projects, in particular at Karnak in Thebes, many monuments were erected, and an inscription on his tomb door declares the king had spent his life in fashioning the images of the gods. The traditional festivals were now celebrated again, including those related to the Apis Bull, Horemakhet and his restoration stela says, The temples of the gods and goddesses. Their shrines were deserted and overgrown and their sanctuaries were as non-existent and their courts were used as roads
27.
Ankhesenamun
–
Ankhesenamun was a queen of the Eighteenth Dynasty of Egypt. Born as Ankhesenpaaten, she was the third of six daughters of the Egyptian Pharaoh Akhenaten and his Great Royal Wife Nefertiti. The change in her name reflects the changes in Ancient Egyptian religion during her lifetime after her fathers death and her youth is well documented in the ancient reliefs and paintings of the reign of her parents. Tutankhamun and Ankhesenamun shared the same father but Tutankhamuns mother has recently established by genetic evidence as one of Akhenatens sisters. She was most likely born in year 4 of Akhenatens reign and he possibly made his wife his co-regent and had his family portrayed in a realistic style in all official artwork. Ankhesenamun was definitely married to one king, she was the Great Royal Wife of Pharaoh Tutankhamun and it is also possible that she was briefly married to Tutankhamuns successor, Ay, believed by some to be her maternal grandfather. It has also been posited that she may have been the Great Royal Wife of her father, Akhenaten, after the death of her mother. Recent DNA tests released in February 2010 have also speculated that one of two late 18th dynasty queens buried in KV21 could be her mummy, both mummies are thought, because of DNA, to be members of the ruling house. Ankhesenpaaten was born in a time when Egypt was in the midst of a religious revolution. Her father had abandoned the old deities of Egypt in favor of the Aten, hitherto a minor aspect of the sun-god and she is believed to have been born in Waset, but probably grew up in her fathers new capital city of Akhetaten. The three eldest daughters – Meritaten, Meketaten, and Ankhesenpaaten – became the Senior Princesses and participated in many functions of the government and she is believed to have been married first to her own father. This was not unusual for Egyptian royal families and she is thought to have been the mother of the princess Ankhesenpaaten Tasherit when she was twelve, although the parentage is unclear. After her fathers death and the reigns of Smenkhkare and Neferneferuaten. Following their marriage, the couple honored the deities of the religion by changing their names to Tutankhamun and Ankhesenamun. The couple appear to have had two stillborn daughters, as Tutankhamuns only known wife was Ankhesenamun, it is highly likely the fetuses found in Tutankhamuns tomb are her daughters. Some time in the year of his reign, at about the age of eighteen, Tutankhamun died suddenly. A ring discovered is thought to show that Ankhesenamun married Ay shortly before she disappeared from history, on the walls of Ays tomb it is Tey, not Ankhesenamun, who appears as queen. She probably died during or shortly after his reign and no burial has been found for her yet, a document was found in the ancient Hittite capital of Hattusa which dates to the Amarna period, the so-called Deeds of Suppiluliuma I
28.
Time (magazine)
–
Time is an American weekly news magazine published in New York City. It was founded in 1923 and for decades was dominated by Henry Luce, a European edition is published in London and also covers the Middle East, Africa and, since 2003, Latin America. An Asian edition is based in Hong Kong, the South Pacific edition, which covers Australia, New Zealand and the Pacific Islands, is based in Sydney, Australia. In December 2008, Time discontinued publishing a Canadian advertiser edition, Time has the worlds largest circulation for a weekly news magazine, and has a readership of 26 million,20 million of which are based in the United States. As of 2012, it had a circulation of 3.3 million making it the eleventh most circulated magazine in the United States reception room circuit, as of 2015, its circulation was 3,036,602. Richard Stengel was the editor from May 2006 to October 2013. Nancy Gibbs has been the editor since October 2013. Time magazine was created in 1923 by Briton Hadden and Henry Luce, the two had previously worked together as chairman and managing editor respectively of the Yale Daily News. They first called the proposed magazine Facts and they wanted to emphasize brevity, so that a busy man could read it in an hour. They changed the name to Time and used the slogan Take Time–Its Brief and it set out to tell the news through people, and for many decades the magazines cover depicted a single person. More recently, Time has incorporated People of the Year issues which grew in popularity over the years, notable mentions of them were Barack Obama, Steve Jobs, Matej Turk, etc. The first issue of Time was published on March 3,1923, featuring Joseph G. Cannon, the retired Speaker of the House of Representatives, on its cover, a facsimile reprint of Issue No. 1, including all of the articles and advertisements contained in the original, was included with copies of the February 28,1938 issue as a commemoration of the magazines 15th anniversary. The cover price was 15¢ On Haddens death in 1929, Luce became the dominant man at Time, the Intimate History of a Publishing Enterprise 1923–1941. In 1929, Roy Larsen was also named a Time Inc. director, J. P. Morgan retained a certain control through two directorates and a share of stocks, both over Time and Fortune. Other shareholders were Brown Brothers W. A. Harriman & Co. the Intimate History of a Changing Enterprise 1957–1983. According to the September 10,1979 issue of The New York Times, after Time magazine began publishing its weekly issues in March 1923, Roy Larsen was able to increase its circulation by utilizing U. S. radio and movie theaters around the world. It often promoted both Time magazine and U. S. political and corporate interests, Larsen next arranged for a 30-minute radio program, The March of Time, to be broadcast over CBS, beginning on March 6,1931
29.
Gypsum
–
Gypsum is a soft sulfate mineral composed of calcium sulfate dihydrate, with the chemical formula CaSO4·2H2O. It is widely mined and is used as a fertilizer, and as the constituent in many forms of plaster, blackboard chalk. Mohs scale of hardness, based on scratch Hardness comparison. It forms as a mineral and as a hydration product of anhydrite. The word gypsum is derived from the Greek word γύψος, plaster, because the quarries of the Montmartre district of Paris have long furnished burnt gypsum used for various purposes, this dehydrated gypsum became known as plaster of Paris. Upon addition of water, after a few tens of minutes plaster of Paris becomes regular gypsum again, causing the material to harden or set in ways that are useful for casting, Gypsum was known in Old English as spærstān, spear stone, referring to its crystalline projections. Gypsum may act as a source of sulfur for plant growth, which was discovered by J. M. Mayer, american farmers were so anxious to acquire it that a lively smuggling trade with Nova Scotia evolved, resulting in the so-called Plaster War of 1820. In the 19th century, it was known as lime sulfate or sulfate of lime. Gypsum is moderately water-soluble and, in contrast to most other salts, it exhibits retrograde solubility, when gypsum is heated in air it loses water and converts first to calcium sulfate hemihydrate, and, if heated further, to anhydrous calcium sulfate. As for anhydrite, its solubility in saline solutions and in brines is also dependent on NaCl concentration. Gypsum crystals are found to contain water and hydrogen bonding. Gypsum occurs in nature as flattened and often twinned crystals, and transparent, selenite contains no significant selenium, rather, both substances were named for the ancient Greek word for the Moon. Selenite may also occur in a silky, fibrous form, in case it is commonly called satin spar. Finally, it may also be granular or quite compact, in hand-sized samples, it can be anywhere from transparent to opaque. A very fine-grained white or lightly tinted variety of gypsum, called alabaster, is prized for ornamental work of various sorts, in arid areas, gypsum can occur in a flower-like form, typically opaque, with embedded sand grains called desert rose. It also forms some of the largest crystals found in nature, up to 12 m long, Gypsum is a common mineral, with thick and extensive evaporite beds in association with sedimentary rocks. Deposits are known to occur in strata from as far back as the Archaean eon, Gypsum is deposited from lake and sea water, as well as in hot springs, from volcanic vapors, and sulfate solutions in veins. Hydrothermal anhydrite in veins is commonly hydrated to gypsum by groundwater in near-surface exposures and it is often associated with the minerals halite and sulfur
30.
Quartz
–
Quartz is the second most abundant mineral in Earths continental crust, behind feldspar. There are many different varieties of quartz, several of which are semi-precious gemstones, since antiquity, varieties of quartz have been the most commonly used minerals in the making of jewelry and hardstone carvings, especially in Eurasia. The word quartz is derived from the German word Quarz and its Middle High German ancestor twarc, the Ancient Greeks referred to quartz as κρύσταλλος derived from the Ancient Greek κρύος meaning icy cold, because some philosophers apparently believed the mineral to be a form of supercooled ice. Today, the rock crystal is sometimes used as an alternative name for the purest form of quartz. Quartz belongs to the crystal system. The ideal crystal shape is a six-sided prism terminating with six-sided pyramids at each end, well-formed crystals typically form in a bed that has unconstrained growth into a void, usually the crystals are attached at the other end to a matrix and only one termination pyramid is present. However, doubly terminated crystals do occur where they develop freely without attachment, a quartz geode is such a situation where the void is approximately spherical in shape, lined with a bed of crystals pointing inward. α-quartz crystallizes in the crystal system, space group P3121 and P3221 respectively. β-quartz belongs to the system, space group P6222 and P6422. These space groups are truly chiral, both α-quartz and β-quartz are examples of chiral crystal structures composed of achiral building blocks. The transformation between α- and β-quartz only involves a comparatively minor rotation of the tetrahedra with respect to one another, although many of the varietal names historically arose from the color of the mineral, current scientific naming schemes refer primarily to the microstructure of the mineral. Color is an identifier for the cryptocrystalline minerals, although it is a primary identifier for the macrocrystalline varieties. Pure quartz, traditionally called rock crystal or clear quartz, is colorless and transparent or translucent, common colored varieties include citrine, rose quartz, amethyst, smoky quartz, milky quartz, and others. The most important distinction between types of quartz is that of macrocrystalline and the microcrystalline or cryptocrystalline varieties, the cryptocrystalline varieties are either translucent or mostly opaque, while the transparent varieties tend to be macrocrystalline. Chalcedony is a form of silica consisting of fine intergrowths of both quartz, and its monoclinic polymorph moganite. Other opaque gemstone varieties of quartz, or mixed rocks including quartz, often including contrasting bands or patterns of color, are agate, carnelian or sard, onyx, heliotrope, amethyst is a form of quartz that ranges from a bright to dark or dull purple color. The worlds largest deposits of amethysts can be found in Brazil, Mexico, Uruguay, Russia, France, Namibia, sometimes amethyst and citrine are found growing in the same crystal. It is then referred to as ametrine, an amethyst is formed when there is iron in the area where it was formed
31.
Uraeus
–
The Uraeus is the stylized, upright form of an Egyptian cobra, used as a symbol of sovereignty, royalty, deity and divine authority in ancient Egypt. The Uraeus is a symbol for the goddess Wadjet and she was one of the earliest Egyptian deities and who often was depicted as a cobra. The center of her cult was in Per-Wadjet, later called Buto by the Greeks and she became the patroness of the Nile Delta and the protector of all of Lower Egypt. In whatever manner that the Uraeus was displayed upon the head, it was, in effect. The pharaoh was recognized only by wearing the Uraeus, which conveyed legitimacy to the ruler, there is evidence for this tradition even in the Old Kingdom during the third millennium BCE. Several goddesses associated with or being considered aspects of Wadjet are depicted wearing the Uraeus also, the importance of their separate cults kept them from becoming merged as with so many Egyptian deities. Together, they were known as The Two Ladies, who became the joint protectors and patrons of the unified Egypt. Later, the pharaohs were seen as a manifestation of the sun god Ra, in some mythological works, the eyes of Ra are said to be uraei. As the Uraeus was seen as a symbol, the deities Horus. In early ancient Egyptian mythology, Horus would have been the given to any king as part of the many titles taken. According to the mythology of Re, the first Uraeus was said to have been created by the goddess Isis, who formed it from the dust of the earth. In this version of the mythology, the Uraeus was the instrument with which Isis gained the throne of Egypt for Osiris, Isis is associated with and may be considered an aspect of Wadjet. In 1919, after only a half-hour of excavation, the Qufti worker Hosni Ibrahim held in his hands the solid-gold Golden Uraeus of Senusret II and it had been decided to make a complete clearance of the El-Lahun Pyramids rooms at Saqqara. The start in the offering chamber, leading from the tomb, on the south, immediately revealed in the turnover of the six inches of debris. Prior to the 1922 find of Tutankhamuns tomb, this Golden Uraeus was the only ornament ever known to be worn by an entombed pharaoh, and it was thought that it was passed to the next pharaoh. The Golden Uraeus is of gold,6.7 cm, black eyes of granite, a snake head of deep ultramarine lapis lazuli, the flared cobra hood of dark carnelian inlays. For mounting on the crown, two loops in the rear-supporting tail of the cobra provide the attachment points. Besides the Uraeus being used as an ornament for statuary or as an adornment on the pharaoh, it also was used for jewellery, however, another important use is as the hieroglyph
32.
Gardner's Art Through the Ages
–
Gardners Art Through the Ages is an American textbook on the history of art, with the 2004 edition by Fred S. Kleiner and Christin J. Mamiya. The 2001 edition was awarded both a McGuffey award for longevity and the Texty Award for current editions by the Text, No other book has received both awards in the same year. The first edition published in 1926 was written by Helen Gardner and it, like all following editions, was organized chronologically beginning with The Birth of Art in the Upper Paleolithic and progressing in a mainly chronological sequence to the contemporary period. Gardners initial edition was ahead of its time in that along with the Western canon of European art, it examined the art of other cultures. This broader view has influenced artists like Roy Lichtenstein as a student with its coverage not only of China, Japan, and Africa, but The Americas and it continues to be a required text for introductory classes in art history for American students to this day. The book is now published in a number of different formats, with a version. There are also enhanced editions with additional material, and versions in one to four volumes. ^2001, San Antonio, Past Texty Winners, Text, ^ Grace Glueck, Lichtenstein meets the American Indian, International Herald Tribune, January 10,2006. ^ Required text, History of Art, Wittenberg University, the Bible of Art History, Gardners Art Through the Ages, Studies in Art Education, Vol.41, No
33.
Art of ancient Egypt
–
Ancient Egyptian art is the painting, sculpture, architecture and other arts produced by the civilization of ancient Egypt in the lower Nile Valley from about 3000 BC to 30 AD. Ancient Egyptian art reached a level in painting and sculpture. It was famously conservative, and Egyptian styles changed remarkably little over more than three thousand years, much of the surviving art comes from tombs and monuments and thus there is an emphasis on life after death and the preservation of knowledge of the past. Ancient Egyptian art included paintings, sculpture in wood, stone and ceramics, drawings on papyrus, faience, jewelry, ivories and it displays an extraordinarily vivid representation of the ancient Egyptians socioeconomic status and belief systems. This appears as early as the Narmer Palette from Dynasty I, other conventions make statues of males darker than females ones. Egyptian art uses hierarchical proportion, where the size of figures indicates their relative importance, symbolism can be observed throughout Egyptian art and played an important role in establishing a sense of order. The pharaohs regalia, for example, represented his power to maintain order, animals were also highly symbolic figures in Egyptian art. Not all Egyptian reliefs were painted, and less prestigious works in tombs, Stone surfaces were prepared by whitewash, or if rough, a layer of coarse mud plaster, with a smoother gesso layer above, some finer limestones could take paint directly. Pigments were mostly mineral, chosen to withstand sunlight without fading. The binding medium used in painting remains unclear, egg tempera and various gums and it is clear that true fresco, painted into a thin layer of wet plaster, was not used. Instead the paint was applied to dried plaster, in what is called fresco a secco in Italian, small objects including wooden statuettes were often painted using similar techniques. Many ancient Egyptian paintings have survived in tombs, and sometimes temples, the paintings were often made with the intent of making a pleasant afterlife for the deceased. The themes included journey through the afterworld or protective deities introducing the deceased to the gods of the underworld, some tomb paintings show activities that the deceased were involved in when they were alive and wished to carry on doing for eternity. In the New Kingdom and later, the Book of the Dead was buried with the entombed person and it was considered important for an introduction to the afterlife. Egyptian paintings are painted in such a way to show a profile view, for example, the painting to the right shows the head from a profile view and the body from a frontal view. Their main colors were red, blue, green, gold, black, the monumental sculpture of ancient Egypts temples and tombs is world-famous, but refined and delicate small works exist in much greater numbers. The Egyptians used the technique of sunk relief, which is well suited to very bright sunlight. The distinctive pose of standing statues facing forward with one foot in front of the other was helpful for the balance and it was adopted very early and remained unchanged until the arrival of the Greeks
34.
Amarna art
–
Amarna art, or the Amarna style, is a style which was adopted in the Amarna Period, that is to say during and just after the reign of Akhenaten in the late Eighteenth Dynasty in the New Kingdom. It is characterized by a sense of movement and activity in images, with figures having raised heads, many figures overlapping and many scenes busy, the human body is portrayed differently, figures, always shown in profile on reliefs, are slender, swaying, with exaggerated extremities. In particular depictions of Akhenatens body give him distinctly feminine qualities such as hips, prominent breasts. Other pieces, such as the most famous of all Amarna works, Amenhotep IV was one of the first to practice monotheism, the belief in just one god. Shortly after claiming the throne, he declared the god Aten, to pay homage to his chosen god, Amenhotep IV changed his name to Akenaten. Throughout his rule, Akenaten tried to change aspects of Egyptian culture to celebrate or praise his god, especially the style. The illustration of figures hands and feet are apparently important, fingers and toes are depicted as long and slender and are carefully detailed to show nails. Artists also showed subjects with elongated facial structures accompanied by folds within the skin as well as lowered eyelids, the figure was also illustrated with a more elongated body than the previous representation. In the new form, the subject had more fat in the stomach, thigh, and breast region, while the torso, arm. The skin color of male and female is generally dark brown. This could merely be convention, or it may depict the ‘life’ blood, figures in this style are shown with both a left and a right foot, contrasting the traditional style of being shown with either two left or two right feet. Akenaten moved the capital to the city now known as Amarna. After his death, conservative forces led by the temple priests reimposed the old religion, the new capital was abandoned, and traces of his monuments elsewhere defaced. These were only rediscovered in recent decades and it is now also thought that several of the objects in the tomb of Akenatens son Tutankhamun were originally made for his father, for example, the relief on his throne. The decoration of the tombs of non-royals is quite different from previous eras and these tombs do not feature any funerary or agricultural scenes, nor do they include the tomb occupant unless he or she is depicted with a member of the royal family. There is an absence of gods and goddesses, apart from the Aten, however, the Aten does not shine its rays on the tomb owner, only on members of the royal family. There is neither a mention of Osiris nor other funerary figures, there is also no mention of a journey through the underworld. Instead, excerpts from the Hymn to the Aten are generally present, sculptures from the Amarna period are set apart from other periods of Egyptian art
35.
Modello
–
A modello, from Italian, is a preparatory study or model, usually at a smaller scale, for a work of art or architecture, especially one produced for the approval of the commissioning patron. The term gained currency in art circles in Tuscany in the fourteenth century, modern definitions in reference works vary somewhat. Alternative and overlapping terms are oil sketch and cartoon for paintings or stained glass, maquette, plastico or bozzetto for sculpture or architecture, the less frequently found term ricordo means a similar piece produced as a small copy after completion of the work as a record for the workshop. The National Gallery still describe it as probably a modello, presumably produced after work had already begun, the diminutive term modeletto will always be used of small-scale versions. As an Italian word, modello may be printed in italics, the French version of the word, modèle, may be used of French works, and is normally italicised. Earlier stages of the process may be recorded in preparatory drawings or studies, either for the whole composition, or a part of it. Famous examples are the designs produced for the competition in 1401 to design the North doors of the Florence Baptistry. Lorenzo Ghiberti won, beating six other artists, including Filippo Brunelleschi, Donatello and Jacopo della Quercia, the modelli survive, for a single panel, of the first two named
36.
Frit
–
A frit is a ceramic composition that has been fused in a special fusing oven, quenched to form a glass, and granulated. However, not all glass that is fused and quenched in water is frit, according to the OED, the origin of the word frit dates back to 1662 and is a calcinated mixture of sand and fluxes ready to be melted in a crucible to make glass. Nowadays, the raw materials of glass making are more commonly called glass batch. In antiquity, frit could be crushed to make pigments or shaped to create objects and it may also have served as an intermediate material in the manufacture of raw glass. The definition of frit tends to be variable and has proved an issue for scholars. In recent centuries, frits have taken on a number of roles, such as biomaterials, frit in the form of alumino-silicate can be used in glaze-free continuous casting refractories. Archaeologists have found evidence of frit in Egypt, Mesopotamia, Europe, the definition of frit as a sintered, polycrystalline, unglazed material can be applied to these archaeological contexts. It is typically colored blue or green, Blue frit, also known as Egyptian blue, was made from quartz, lime, a copper compound, and an alkali flux, all heated to a temperature between 850 and 1000°C. Quartz sand may have used to contribute silica to the frit. The copper content must be greater than the content in order to create a blue frit. Ultimately the frit consists of crystals and “partially reacted quartz particles bonded together” by interstitial glass. Despite an argument to the contrary, scientists have found that, regardless of alkali content, high alkali content will yield “a large proportion of glass, ” thereby diluting the cuprorivaite crystals and producing lighter shades of blue. Regrinding and resintering the frit will create finer cuprorivaite crystals, also producing lighter shades, the earliest appearance of blue frit is as a pigment on a tomb painting at Saqqara dated to 2900 BC, though its use became more popular in Egypt around 2600 BC. Blue frit has also uncovered in the royal tombs at Ur from the Early Dynastic III period. Its use in the Mediterranean dates to the Thera frescoes from the Late Middle Bronze Age, while the glass phase is present in blue frits from Egypt, scientists have not detected it in blue frits from the Near East, Europe, and the Aegean. Natural weathering, which is responsible for the corrosion of glasses and glazes from these three regions, is the likely reason for this absence. At Amarna, archaeologists have found blue frit in the form of cakes, powder residues. Analysis of the microstructures and crystal sizes of these frits has allowed Hatton, Shortland, the cakes were produced by heating the raw materials for frit, then they were ground to make powders, and finally, the powders were molded and refired to create vessels
37.
Copper(II) oxide
–
Copper oxide or cupric oxide is the inorganic compound with the formula CuO. A black solid, it is one of the two stable oxides of copper, the other being Cu2O or cuprous oxide, as a mineral, it is known as tenorite and paramelaconite. It is a product of copper mining and the precursor to many other copper-containing products and it is produced on a large scale by pyrometallurgy used to extract copper from ores. The ores are treated with a mixture of ammonium carbonate, ammonia, and oxygen to give copper and copper ammine complexes. These complexes are decomposed with steam to give CuO, Copper oxide belongs to the monoclinic crystal system. The copper atom is coordinated by 4 oxygen atoms in a square planar configuration. The work function of bulk CuO is 5. 3eV Copper oxide is a p-type semiconductor, cupric oxide can be used to produce dry cell batteries. As a significant product of copper mining, copper oxide is the point for the production of other copper salts. For example, many wood preservatives are produced from copper oxide, cupric oxide is used as a pigment in ceramics to produce blue, red, and green, and sometimes gray, pink, or black glazes. It is also used as a dietary supplement in animal feed. Due to low bioactivity, negligible copper is absorbed and it is also used when welding with copper alloys. Cupric oxide can be used to dispose of hazardous materials such as cyanide, hydrocarbons, halogenated hydrocarbons and dioxins
38.
Iron oxide
–
Iron oxides are chemical compounds composed of iron and oxygen. All together, there are sixteen known iron oxides and oxyhydroxides, common rust is a form of iron oxide. Iron oxides are used as inexpensive, durable pigments in paints, coatings. Colors commonly available are in the end of the yellow/orange/red/brown/black range. When used as a coloring, it has E number E172. Limonite Iron oxide nanoparticles List of inorganic pigments Information from Nano-Oxides, http, //chemed. chem. purdue. edu/demos/demosheets/12.3. html http, //minerals. usgs. gov/minerals/pubs/commodity/iron_oxide/ CDC - NIOSH Pocket Guide to Chemical Hazards de
39.
Orpiment
–
Orpiment is a deep orange-yellow colored arsenic sulfide mineral with formula As 2S3. It is found in volcanic fumaroles, low temperature hydrothermal veins and it takes its name from the Latin auripigmentum because of its deep-yellow color. Orpiment was traded in the Roman Empire and was used as a medicine in China even though it is very toxic and it has been used as a fly poison and to tip arrows with poison. Because of its color, it was of interest to alchemists. For centuries, orpiment was ground down and used as a pigment in painting and for sealing wax and it was one of the few clear, bright-yellow pigments available to artists until the 19th century. Orpiment, as the Latin Auripigmentum, is mentioned by Robert Hooke in Micrographia for the manufacture of shot in the 17th century. Orpiment is used in the production of infrared-transmitting glass, oil cloth, linoleum, semiconductors, photoconductors, pigments, mixed with two parts of slaked lime, orpiment is still commonly used in rural India as a depilatory. It is used in the industry to remove hair from hides. Orpiment is a common monoclinic arsenic sulfide mineral and it has a Mohs hardness of 1.5 to 2 and a specific gravity of 3.49. It melts at 300 °C to 325 °C, optically it is biaxial with refractive indices of a =2.4, b =2.81, g =3.02. List of inorganic pigments The Merck Index, An Encyclopedia of Chemicals, Drugs, a Text Book of Notes on China and the Chinese. Vol. III, p.251, Vol. IV, pp.26
40.
Arsenic trisulfide
–
Arsenic trisulfide is the inorganic compound with the formula As2S3. It is a yellow solid that is insoluble in water. It also occurs as the mineral orpiment, which has used as a pigment called Kings yellow. It is produced in the analysis of arsenic compounds and it is a group V/VI, intrinsic p-type semiconductor and exhibits photo-induced phase-change properties. The other principal arsenic sulfide is As4S4, a red-orange solid known as the mineral realgar, As2S3 occurs both in crystalline and amorphous forms. Both forms feature polymeric structures consisting of trigonal pyramidal As centres linked by sulfide centres, the sulfide centres are two-fold coordinated to two arsenic atoms. In the crystalline form, the compound adopts a ruffled sheet structure, the bonding between the sheets consists of van der Waals forces. The crystalline form is found in geological samples. Amorphous As2S3 does not possess a structure but is more highly cross-linked. Like other glasses, there is no medium or long-range order, As2S3 is a good glass former and exhibits a wide glass-forming region in its phase diagram. Amorphous As2S3 is obtained via the fusion of the elements at 390 °C, rapid cooling of the reaction melt gives a glass. The reaction can be represented with the equation,2 As +3 S → As2S3 As2S3 forms when aqueous solutions containing As are treated with H2S. Arsenic was in the past analyzed and assayed by this reaction, which results in the precipitation of As2S3, As2S3 can even be precipitated in 6M HCl. As2S3 is so insoluble that it is not toxic, upon heating in a vacuum, polymeric As2S3 cracks to give a mixture of molecular species, including molecular As4S6. As4S6 adopts the adamantane geometry, like that observed for P4O6 and As4O6, the dissolved arsenic species is the pyramidal trianion AsS3−3, As2S3 +6 NaSH →2 AsS3−3 +3 H2S As2S3 is the anhydride of the hypothetical thioarsenous acid, As3. Upon treatment with polysulfide ions, As2S3 dissolves to give a variety of species containing both S-S and As-S bonds, one derivative is S7As-S−, a ring that contains an exocyclic sulfido center attached to the As atom. As2S3 has been investigated for use as a high resolution photoreist material since the early 1970s, although these aqueous etchants allowed for low-aspect ratio 2-D structures to be fabricated, they do not allow for the etching of high aspect ratio structures with 3-D periodicity. Certain organic reagents, used in organic solvents, permit the high-etch selectivity required to produce high-aspect ratio structures with 3-D periodicity, As2S3 and As4S4 have been investigated as treatments for acute promyelocytic leukemia
41.
Copper
–
Copper is a chemical element with symbol Cu and atomic number 29. It is a soft, malleable, and ductile metal with high thermal and electrical conductivity. A freshly exposed surface of copper has a reddish-orange color. Copper is one of the few metals that occur in nature in directly usable metallic form as opposed to needing extraction from an ore and this led to very early human use, from c.8000 BC. Copper used in buildings, usually for roofing, oxidizes to form a green verdigris, Copper is sometimes used in decorative art, both in its elemental metal form and in compounds as pigments. Copper compounds are used as agents, fungicides, and wood preservatives. Copper is essential to all living organisms as a trace dietary mineral because it is a key constituent of the enzyme complex cytochrome c oxidase. In molluscs and crustaceans, copper is a constituent of the blood pigment hemocyanin, replaced by the hemoglobin in fish. In humans, copper is found mainly in the liver, muscle, the adult body contains between 1.4 and 2.1 mg of copper per kilogram of body weight. The filled d-shells in these elements contribute little to interatomic interactions, unlike metals with incomplete d-shells, metallic bonds in copper are lacking a covalent character and are relatively weak. This observation explains the low hardness and high ductility of single crystals of copper, at the macroscopic scale, introduction of extended defects to the crystal lattice, such as grain boundaries, hinders flow of the material under applied stress, thereby increasing its hardness. For this reason, copper is supplied in a fine-grained polycrystalline form. The softness of copper partly explains its high conductivity and high thermal conductivity. The maximum permissible current density of copper in open air is approximately 3. 1×106 A/m2 of cross-sectional area, Copper is one of a few metallic elements with a natural color other than gray or silver. Pure copper is orange-red and acquires a reddish tarnish when exposed to air, as with other metals, if copper is put in contact with another metal, galvanic corrosion will occur. A green layer of verdigris can often be seen on old structures, such as the roofing of many older buildings. Copper tarnishes when exposed to sulfur compounds, with which it reacts to form various copper sulfides. There are 29 isotopes of copper, 63Cu and 65Cu are stable, with 63Cu comprising approximately 69% of naturally occurring copper, both have a spin of 3⁄2
42.
Coal
–
Coal is a combustible black or brownish-black sedimentary rock usually occurring in rock strata in layers or veins called coal beds or coal seams. The harder forms, such as coal, can be regarded as metamorphic rock because of later exposure to elevated temperature and pressure. Coal is composed primarily of carbon, along with quantities of other elements, chiefly hydrogen, sulfur, oxygen. A fossil fuel, coal forms when plant matter is converted into peat, which in turn is converted into lignite, then sub-bituminous coal, after that bituminous coal. This involves biological and geological processes that take place over time, throughout history, coal has been used as an energy resource, primarily burned for the production of electricity and heat, and is also used for industrial purposes, such as refining metals. Coal is the largest source of energy for the generation of electricity worldwide, the extraction of coal, its use in energy production and its byproducts are all associated with environmental and health effects including climate change. Coal is extracted from the ground by coal mining, since 1983, the worlds top coal producer has been China. In 2015 China produced 3,747 million tonnes of coal –47. 7% of 7,861 million tonnes world coal production, in 2015 other large producers were United States, India, European Union and Australia. The word originally took the col in Old English, from Proto-Germanic *kula. In Old Turkic languages, kül is ash, cinders, öčür is quench, the compound charcoal in Turkic is öčür kül, literally quenched ashes, cinders, coals with elided anlaut ö- and inflection affixes -ülmüş. At various times in the geologic past, the Earth had dense forests in low-lying wetland areas, due to natural processes such as flooding, these forests were buried underneath soil. As more and more soil deposited over them, they were compressed, the temperature also rose as they sank deeper and deeper. As the process continued the plant matter was protected from biodegradation and oxidation and this trapped the carbon in immense peat bogs that were eventually covered and deeply buried by sediments. Under high pressure and high temperature, dead vegetation was slowly converted to coal, as coal contains mainly carbon, the conversion of dead vegetation into coal is called carbonization. The wide, shallow seas of the Carboniferous Period provided ideal conditions for coal formation, the exception is the coal gap in the Permian–Triassic extinction event, where coal is rare. Coal is known from Precambrian strata, which predate land plants — this coal is presumed to have originated from residues of algae, in its dehydrated form, peat is a highly effective absorbent for fuel and oil spills on land and water. It is also used as a conditioner for soil to make it able to retain. Lignite, or brown coal, is the lowest rank of coal, jet, a compact form of lignite, is sometimes polished and has been used as an ornamental stone since the Upper Palaeolithic
43.
Chalk
–
Chalk is a soft, white, porous, sedimentary carbonate rock, a form of limestone composed of the mineral calcite. Calcite is a salt called calcium carbonate or CaCO3. It forms under reasonably deep marine conditions from the accumulation of minute calcite shells shed from micro-organisms called coccolithophores. Flint is very common as bands parallel to the bedding or as embedded in chalk. It is probably derived from sponge spicules or other organisms as water is expelled upwards during compaction. Flint is often deposited around larger fossils such as Echinoidea which may be silicified, Chalk as seen in Cretaceous deposits of Western Europe is unusual among sedimentary limestones in the thickness of the beds. Most cliffs of chalk have very few obvious bedding planes unlike most thick sequences of such as the Carboniferous Limestone or the Jurassic oolitic limestones. This presumably indicates very stable conditions over tens of millions of years, Chalk has greater resistance to weathering and slumping than the clays with which it is usually associated, thus forming tall steep cliffs where chalk ridges meet the sea. Chalk hills, known as chalk downland, usually form where bands of chalk reach the surface at an angle, because chalk is well jointed it can hold a large volume of ground water, providing a natural reservoir that releases water slowly through dry seasons. Chalk is mined from chalk deposits both above ground and underground, Chalk mining boomed during the Industrial Revolution, due to the need for chalk products such as quicklime and bricks. Abandoned chalk mines remain a popular tourist attraction due to their massive expanse, the Chalk Group is a European stratigraphic unit deposited during the late Cretaceous Period. It forms the famous White Cliffs of Dover in Kent, England, the Champagne region of France is mostly underlain by chalk deposits, which contain artificial caves used for wine storage. Some of the highest chalk cliffs in the occur at Jasmund National Park in Germany. Ninety million years ago what is now the chalk downland of Northern Europe was ooze accumulating at the bottom of a great sea. Chalk was one of the earliest rocks made up of particles to be studied under the electron microscope. Their shells were made of calcite extracted from the rich sea-water, as they died, a substantial layer gradually built up over millions of years and, through the weight of overlying sediments, eventually became consolidated into rock. Later earth movements related to the formation of the Alps raised these former sea-floor deposits above sea level, the chemical composition of chalk is calcium carbonate, with minor amounts of silt and clay. It is formed in the sea by plankton, which fall to the sea floor and are then consolidated and compressed during diagenesis into chalk rock
44.
Henri James Simon
–
James Simon was a German entrepreneur, philanthropist and patron of the arts during the Wilhelmine period. He donated most of his significant collections to the Berlin State Museums, though a reserved man, he played an influential role in the German society, especially by his participation at a regular roundtable with Emperor Wilhelm II. Their close relationship with the ruler was seen critical by Zionist contemporaries. He added them to his collections at his villa on Tiergartenstraße No. James Simon died in Berlin and is buried at the Jewish cemetery on Schönhauser Allee in Prenzlauer Berg, Wilhelm II sent a wreath from his Dutch exile. James Simon Gallery James Simon Foundation James Simon memorial Das Herrenzimmer als Museumsraum in Tagesspiegel,18 October 2006
.jpg)
.jpg)
.jpg)
Thutmose's Bust of Nefertiti (Amarna Period), Smarthistory[45]_1988,_MiNr_814.jpg)
Media related to Nefertiti Bust at Wikimedia Commons