1.
Art museum
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An art museum or art gallery is a building or space for the exhibition of art, usually visual art. Museums can be public or private, but what distinguishes a museum is the ownership of a collection, the term is used for both public galleries, which are non-profit or publicly owned museums that display selected collections of art. On the other hand, private galleries refers to the commercial enterprises for the sale of art, however, both types of gallery may host traveling exhibits or temporary exhibitions including art borrowed from elsewhere. In broad terms, in North American usage, the word gallery alone often implies a private gallery, the term contemporary art gallery refers usually to a privately owned for-profit commercial gallery. These galleries are found clustered together in large urban centers. Smaller cities are home to at least one gallery, but they may also be found in towns or villages. Contemporary art galleries are open to the general public without charge, however. They usually profit by taking a portion of art sales, from 25% to 50% is typical, there are also many non-profit or collective galleries. Some galleries in cities like Tokyo charge the artists a flat rate per day, curators often create group shows that say something about a certain theme, trend in art, or group of associated artists. Galleries sometimes choose to represent artists exclusively, giving them the opportunity to show regularly, a gallerys definition can also include the artist cooperative or artist-run space, which often operates as a space with a more democratic mission and selection process. A vanity gallery is an art gallery that charges fees from artists in order to show their work, the shows are not legitimately curated and will frequently or usually include as many artists as possible. Most art professionals are able to identify them on an artists resume, University art museums and galleries constitute collections of art that are developed, owned, and maintained by all kinds of schools, community colleges, colleges, and universities. This phenomenon exists in both the West and East, making it a global practice, although largely overlooked, there are over 700 university art museums in America alone. This number, in comparison to other kinds of art museums, throughout history, large and expensive works of art have generally been commissioned by religious institutions and monarchs and been displayed in temples, churches, and palaces. Although these collections of art were private, they were made available for viewing for a portion of the public. In classical times, religious institutions began to function as a form of art gallery. Wealthy Roman collectors of engraved gems and other precious objects often donated their collections to temples and it is unclear how easy it was in practice for the public to view these items. At the Palace of Versailles, entrance was restricted to wearing the proper apparel – the appropriate accessories could be hired from shops outside
2.
Munich
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Munich is the capital and largest city of the German state of Bavaria, on the banks of River Isar north of the Bavarian Alps. Munich is the third largest city in Germany, after Berlin and Hamburg, the Munich Metropolitan Region is home to 5.8 million people. According to the Globalization and World Rankings Research Institute Munich is considered an alpha-world city, the name of the city is derived from the Old/Middle High German term Munichen, meaning by the monks. It derives from the monks of the Benedictine order who ran a monastery at the place that was later to become the Old Town of Munich, Munich was first mentioned in 1158. From 1255 the city was seat of the Bavarian Dukes, black and gold—the colours of the Holy Roman Empire—have been the citys official colours since the time of Ludwig the Bavarian, when it was an imperial residence. Following a final reunification of the Wittelsbachian Duchy of Bavaria, previously divided and sub-divided for more than 200 years, like wide parts of the Holy Roman Empire, the area recovered slowly economically. In 1918, during the German Revolution, the house of Wittelsbach, which governed Bavaria since 1180, was forced to abdicate in Munich. In the 1920s, Munich became home to political factions, among them the NSDAP. During World War II, Munich was heavily bombed and more than 50% of the entire city, the postwar period was characterised by American occupation until 1949 and a strong increase of population and economic power during the years of the Wirtschaftswunder after 1949. The city is home to corporations like BMW, Siemens, MAN, Linde, Allianz and MunichRE as well as many small. Munich is home to national and international authorities, major universities, major museums. Its numerous architectural attractions, international events, exhibitions and conferences. Munich is one of the most prosperous and fastest growing cities in Germany and it is a top-ranked destination for migration and expatriate location, despite being the municipality with the highest density of population in Germany. Munich nowadays hosts more than 530,000 people of foreign background, the year 1158 is assumed to be the foundation date, which is the earliest date the city is mentioned in a document. The document was signed in Augsburg, by that time the Guelph Henry the Lion, Duke of Saxony and Bavaria, had built a bridge over the river Isar next to a settlement of Benedictine monks—this was on the Old Salt Route and a toll bridge. In 1175, Munich was officially granted city status and received fortification, in 1180, with the trial of Henry the Lion, Otto I Wittelsbach became Duke of Bavaria and Munich was handed over to the Bishop of Freising. In 1240, Munich was transferred to Otto II Wittelsbach and in 1255, Duke Louis IV, a native of Munich, was elected German king in 1314 and crowned as Holy Roman Emperor in 1328. He strengthened the position by granting it the salt monopoly
3.
Germany
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Germany, officially the Federal Republic of Germany, is a federal parliamentary republic in central-western Europe. It includes 16 constituent states, covers an area of 357,021 square kilometres, with about 82 million inhabitants, Germany is the most populous member state of the European Union. After the United States, it is the second most popular destination in the world. Germanys capital and largest metropolis is Berlin, while its largest conurbation is the Ruhr, other major cities include Hamburg, Munich, Cologne, Frankfurt, Stuttgart, Düsseldorf and Leipzig. Various Germanic tribes have inhabited the northern parts of modern Germany since classical antiquity, a region named Germania was documented before 100 AD. During the Migration Period the Germanic tribes expanded southward, beginning in the 10th century, German territories formed a central part of the Holy Roman Empire. During the 16th century, northern German regions became the centre of the Protestant Reformation, in 1871, Germany became a nation state when most of the German states unified into the Prussian-dominated German Empire. After World War I and the German Revolution of 1918–1919, the Empire was replaced by the parliamentary Weimar Republic, the establishment of the national socialist dictatorship in 1933 led to World War II and the Holocaust. After a period of Allied occupation, two German states were founded, the Federal Republic of Germany and the German Democratic Republic, in 1990, the country was reunified. In the 21st century, Germany is a power and has the worlds fourth-largest economy by nominal GDP. As a global leader in industrial and technological sectors, it is both the worlds third-largest exporter and importer of goods. Germany is a country with a very high standard of living sustained by a skilled. It upholds a social security and universal health system, environmental protection. Germany was a member of the European Economic Community in 1957. It is part of the Schengen Area, and became a co-founder of the Eurozone in 1999, Germany is a member of the United Nations, NATO, the G8, the G20, and the OECD. The national military expenditure is the 9th highest in the world, the English word Germany derives from the Latin Germania, which came into use after Julius Caesar adopted it for the peoples east of the Rhine. This in turn descends from Proto-Germanic *þiudiskaz popular, derived from *þeudō, descended from Proto-Indo-European *tewtéh₂- people, the discovery of the Mauer 1 mandible shows that ancient humans were present in Germany at least 600,000 years ago. The oldest complete hunting weapons found anywhere in the world were discovered in a mine in Schöningen where three 380, 000-year-old wooden javelins were unearthed
4.
Art of Europe
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The art of Europe encompasses the history of visual art in Europe. European prehistoric art started as mobile rock, and cave painting art, written histories of European art often begin with the art of the Ancient Middle East, and the Ancient Aegean civilisations, dating from the 3rd millennium BC. Parallel with these significant cultures, art of one form or another existed all over Europe, wherever there were people, leaving signs such as carvings, decorated artifacts and huge standing stones. Before the 1800s, the Christian church was an influence upon European art. The history of the Church was very much reflected in the history of art, in the same period of time there was renewed interest in heroes and heroines, tales of mythological gods and goddesses, great wars, and bizarre creatures which were not connected to religion. Secularism has influenced European art since the Classical period, while most art of the last 200 years has produced without reference to religion. On the other hand, European art has often influenced by politics of one kind or another, of the state, of the patron. European art is arranged into a number of periods, which, historically. Broadly the periods are, Classical, Byzantine, Medieval, Gothic, Renaissance, Baroque, Rococo, Neoclassical, European prehistoric art is an important part of the European cultural heritage. Prehistoric art history is divided into four main periods, Stone age, Neolithic, Bronze age. Most of the artifacts of this period are small sculptures. The oldest European cave art dates back 40,800, rock painting was also performed on cliff faces, but fewer of those have survived because of erosion. One well-known example is the paintings of Astuvansalmi in the Saimaa area of Finland. When Marcelino Sanz de Sautuola first encountered the Magdalenian paintings of the Altamira cave, Cantabria, Spain in 1879, recent reappraisals and numerous additional discoveries have since demonstrated their authenticity, while at the same time stimulating interest in the artistry of Upper Palaeolithic peoples. Cave paintings, undertaken with only the most rudimentary tools, can also furnish valuable insight into the culture, the figures are generally rather sketchily depicted in thin paint, with the relationships between the groups of humans and animals more carefully depicted than individual figures. Other less numerous groups of art, many engraved rather than painted. The Iberian examples are believed to date from a period perhaps covering the Upper Paleolithic, Mesolithic. There are human heads and some fully represented animals, but full-length human figures at any size are so rare that their absence may represent a religious taboo, the Minoan culture is regarded as the oldest civilization in Europe
5.
Alte Pinakothek
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The Alte Pinakothek is an art museum located in the Kunstareal area in Munich, Germany. It is one of the oldest galleries in the world and houses one of the most famous collections of Old Master paintings, the name Alte Pinakothek refers to the time period covered by the collection—from the fourteenth to the eighteenth century. The Neue Pinakothek covers nineteenth-century art, and the recently opened Pinakothek der Moderne exhibits modern art, all three galleries are part of the Bavarian State Picture Collection, an organization of the Free state of Bavaria. King Ludwig I of Bavaria ordered Leo von Klenze to erect a new building for the gallery for the Wittelsbach collection in 1826, even the neo-renaissance exterior of the Pinakothek clearly stands out from the castle-like museum type usual in the early 19th Century. It is closely associated with the function and structure of the building as a museum, the museum galleries were designed to display Rubenss Last Judgment, one of the largest canvasses ever painted. The museum building was damaged by bombing in World War II but was reconstructed and reopened to the public in the late 1950s. The ornate, pre-war interior including the large loggia facing the south façade in the floor were not restored. A new wall covering was created in 2008 for the rooms on the floor of the Alte Pinakothek with a woven. The new color scheme of green and red draws on the design of the rooms, Elector Maximilian I commissioned in 1616 four hunt paintings from Peter Paul Rubens and acquired many other paintings, especially the work of Albrecht Dürer. He even obtained The Four Apostles in the year 1627 due to pressure on the Nuremberg city fathers, a few years later however 21 paintings were confiscated and moved to Sweden during the occupation of Munich in the Thirty Years war. Maximilians grandson Maximilian II Emanuel purchased a number of Dutch. Under Max Emanuels successors, the purchases were discontinued due to the tight budget. Also Max Emanuels cousin Johann Wilhelm, Elector Palatine collected Netherlandish paintings and he ordered from Peter Paul Rubens the The Big Last Judgment and received Raphaels Canigiani Holy Family as a dowry of his wife. Charles Theodore, Elector of Bavaria had a preference for Netherlandish paintings as well. By the late 18th century a number of the paintings were already displayed in Schleissheim Palace. Even though 72 paintings including The Battle of Alexander at Issus were taken to Paris in 1800 by the armies of Napoleon I. The Louvre held it until 1804, when Napoleon declared himself Emperor of France, when the Prussians captured the Château de Saint-Cloud in 1814 as part of the War of the Sixth Coalition, they supposedly found the painting hanging in Napoleons bathroom. Most of the paintings have not been returned, with the secularisation many paintings from churches and former monasteries entered into state hands
6.
Pinakothek der Moderne
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The Pinakothek der Moderne is a modern art museum, situated in the city centre of Munich, Germany. It is one of the worlds largest museums for modern and contemporary art, designed by German architect Stephan Braunfels, the Pinakothek der Moderne was inaugurated in September 2002 after seven years of construction. The $120 million,22, 000-square-meter building took a decade to finish because of objections to design and cost. The rectilinear facade, dominated by white and grey concrete, is interrupted by windows and high rise columns. Each of the four corners of the building, connected by a domed rotunda, is dedicated to a special collection. The Museum is thus divided into Art, Architecture, Design, meaner tongues in Munich, whose inhabitants often express a certain loathing for what they regard as faceless modernism lacking any local and / or regional roots, denounce it as the cardboard box. Before the opening of the Pinakothek der Moderne, art of the 20th century was largely relegated to the Haus der Kunst, or occasional contemporary exhibits in the Lenbachhaus. Since 1945, however, the collection, previously exhibited in the Haus der Kunst, has grown quickly by purchase, as well as donations by individuals, recent enrichment in the year 2006, the collection Eleanor and Michael Stoffel. Very comprehensive are the works of Pablo Picasso and Max Beckmann. Contemporary Art since the 1960s The museum also gives very profound insights into contemporary art. The Collection of applied modernist art was founded in 1925, parts of the expanded collection are exhibited in the basement of the Pinakothek der Moderne. Among others objects about motor vehicle design, computer culture, design of artistic jewelry, the Bavarian State collection of work on paper has its origin in the Wittelsbach collections, especially in the print room collection of Charles Theodore, Elector of Bavaria. g. From Paul Cézanne, Henri Matisse, Paul Klee and David Hockney, the museum of the Technical University of Munich started with a donation of King Ludwig II of Bavaria for the newly founded university in 1868 and is today the largest one in Germany. The museum shows altering exhibitions in the ground floor, official website Panorama Pinakothek der Moderne Architekturmuseum - Homepage Design Collection - Homepage Article about the Pinakothek der Moderne
7.
Kunstareal
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The Kunstareal is a museum quarter in the city centre of Munich, Germany. It consists of the three Pinakotheken galleries, the Glyptothek, the Staatliche Antikensammlung, the Lenbachhaus, the Museum Brandhorst, also the Staatliche Sammlung für Ägyptische Kunst was moved to the Kunstareal in 2013. As of 2009 a general plan is under discussion to ensure the integration of the different museum buildings. The Alte Pinakotheks rather monolithic structure contains a trove of the works of European masters between the 14th and 18th centuries. The collection reflects the tastes of the Wittelsbachs over four centuries. The gallery houses one of the worlds most comprehensive Rubens collections, the Madonna of the Carnation is the only painting of Leonardo da Vinci in a German gallery. It houses indeed the largest collection of industrial design, the Collection of Works on Paper ranges from masterpieces of Albrecht Dürer, Rembrandt, Michelangelo and Leonardo da Vinci to Paul Cézanne, Henri Matisse, Paul Klee and David Hockney. It is owned by the nearby Staatliche Graphische Sammlung München, a collection of 400,000 prints. The Collection of Modern Art keeps a collection of paintings of Pablo Picasso, Max Beckmann. Before World War I, the Blaue Reiter group of artists worked in Munich, many of their works can now be seen at the Lenbachhaus. The modern Museum Brandhorst focus on the work of Andy Warhol, an important collection of Greek and Roman art is held in the Glyptothek and the Staatliche Antikensammlung. King Ludwig I managed to such famous pieces as the Medusa Rondanini, the Barberini Faun. The internationally renowned collection of pottery is outstanding. The Museum für Abgüsse klassischer Bildwerke displays the worlds most famous ancient Greek, the Kunstareal was further augmented by the completion of the Staatliche Sammlung für Ägyptische Kunst. This museum displays exhibits from all periods of Ancient Egypts history but also reliefs from Assyria and a lion from the Ishtar Gate of Babylon
8.
Ludwig I of Bavaria
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Ludwig I was king of Bavaria from 1825 until the 1848 revolutions in the German states. Born in the Hôtel des Deux-Ponts in Strasbourg, he was the son of Count Palatine Maximilian Joseph of Zweibrücken by his first wife Augusta Wilhelmine of Hesse-Darmstadt, at the time of his birth, his father was an officer in the French army stationed at Strasbourg. He was the godson and namesake of Louis XVI of France and his father assumed the title of King of Bavaria on 1 January 1806. Starting in 1803 Ludwig studied in Landshut where he was taught by Johann Michael Sailer, on 12 October 1810 he married Therese of Saxe-Hildburghausen, the daughter of Frederick, Duke of Saxe-Hildburghausen. The wedding was the occasion of the first-ever Oktoberfest, as commander of the 1st Bavarian Division in VII Corps, he served under Marshal François Joseph Lefebvre in 1809. He led his division in action at the Battle of Abensberg on 20 April, on 14 October, Bavaria made a formal declaration of war against Napoleonic France. The treaty was passionately backed by Crown Prince Ludwig and by Marshal von Wrede, already at the 1815 Congress of Vienna, Ludwig advocated a German national policy. Until 1816 the crown prince served as governor-general of the Duchy of Salzburg and his second son Otto, the later King of Greece, was born there. Between 1816 and 1825, he spent his years in Würzburg and he also made numerous trips to Italy and stayed often in the Villa Malta in Rome, which he later also bought. Ludwig supported generously as a Philhellene the Greek War of Independence, in 1817 Ludwig was also involved in the fall of Prime Minister Count Max Josef von Montgelas whose policies he had opposed. He succeeded his father on the throne in 1825, Ludwigs rule was strongly affected by his enthusiasm for the arts and women and by his overreaching royal assertiveness. An enthusiast for the German Middle Ages, Ludwig ordered the re-erection of several monasteries in Bavaria which had closed during the German Mediatisation. He reorganized the regions of Bavaria in 1837 and re-introduced the old names Upper Bavaria, Lower Bavaria, Franconia, Swabia. He changed his royal titles to Ludwig, King of Bavaria, Duke of Franconia, Duke in Swabia, Ludwigs plan to reunite the eastern part of the Palatinate with Bavaria could not be realized. In 1815, Badens possession of Manheim and Heidelberg was confirmed, Ludwig founded the city of Ludwigshafen there as a Bavarian rival to Mannheim. Ludwig moved the Ludwig-Maximilians-Universität from Landshut to Munich in 1826, the king also encouraged Bavarias industrialization. He initiated the Ludwig Canal between the rivers Main and the Danube, in 1835 the first German railway was constructed in his domain, between the cities of Fürth and Nuremberg. Bavaria joined the Zollverein in 1834, as Ludwig had supported the Greek fight of independence his second son Otto was elected king of Greece in 1832
9.
Bavaria
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Bavaria is a free state and one of 16 federal states of Germany. Located in the German southeast with an area of 70,548 square kilometres and its territory comprises roughly a fifth of the total land area of Germany, and, with 12.9 million inhabitants, it is Germanys second most populous state. Munich, Bavarias capital and largest city, is the third largest city in Germany, the Duchy of Bavaria dates back to the year 555. In the 17th century CE, the Duke of Bavaria became a Prince-elector of the Holy Roman Empire, the Kingdom of Bavaria existed from 1806 to 1918, when Bavaria became a republic. In 1946, the Free State of Bavaria re-organised itself on democratic lines after the Second World War, Bavaria has a unique culture, largely because of the states Catholic majority and conservative traditions. Bavarians have traditionally been proud of their culture, which includes such as Oktoberfest. The state also has the second largest economy among the German states by GDP figures, modern Bavaria also includes parts of the historical regions of Franconia, Upper Palatinate and Swabia. The Bavarians emerged in a north of the Alps, previously inhabited by Celts. The Bavarians spoke Old High German but, unlike other Germanic groups, rather, they seem to have coalesced out of other groups left behind by Roman withdrawal late in the 5th century. These peoples may have included the Celtic Boii, some remaining Romans, Marcomanni, Allemanni, Quadi, Thuringians, Goths, Scirians, Rugians, the name Bavarian means Men of Baia which may indicate Bohemia, the homeland of the Celtic Boii and later of the Marcomanni. They first appear in written sources circa 520, a 17th century Jewish chronicler David Solomon Ganz, citing Cyriacus Spangenberg, claimed that the diocese was named after an ancient Bohemian king, Boiia, in the 14th century BCE. From about 554 to 788, the house of Agilolfing ruled the Duchy of Bavaria and their daughter, Theodelinde, became Queen of the Lombards in northern Italy and Garibald was forced to flee to her when he fell out with his Frankish overlords. Garibalds successor, Tassilo I, tried unsuccessfully to hold the frontier against the expansion of Slavs. Tassilos son Garibald II seems to have achieved a balance of power between 610 and 616, after Garibald II little is known of the Bavarians until Duke Theodo I, whose reign may have begun as early as 680. From 696 onwards he invited churchmen from the west to organize churches and his son, Theudebert, led a decisive Bavarian campaign to intervene in a succession dispute in the Lombard Kingdom in 714, and married his sister Guntrud to the Lombard King Liutprand. At Theodos death the duchy was divided among his sons, at Hugberts death the duchy passed to a distant relative named Odilo, from neighbouring Alemannia. He was defeated near Augsburg in 743 but continued to rule until his death in 748, saint Boniface completed the peoples conversion to Christianity in the early 8th century. Bavaria was in ways affected by the Protestant Reformation in the 16th century
10.
Postmodernism
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Postmodernism describes a broad movement that developed in the mid to late 20th century across philosophy, the arts, architecture and criticism which marked a departure from modernism. Accordingly, postmodern thought is characterized by tendencies to epistemological and moral relativism, pluralism, irreverence. The term postmodernism has been applied both to the era following modernity, and to a host of movements within that era that reacted against tendencies in modernism. Postmodernism includes skeptical critical interpretations of culture, literature, art, philosophy, history, linguistics, economics, architecture, fiction, feminist theory, and literary criticism. Postmodernism is often associated with schools of such as deconstruction and post-structuralism, as well as philosophers such as Jean-François Lyotard. The term postmodern was first used around the 1880s, John Watkins Chapman suggested a Postmodern style of painting as a way to depart from French Impressionism. In 1921 and 1925, postmodernism had been used to new forms of art. In 1942 H. R. Hays described it as a new literary form, however, as a general theory for a historical movement it was first used in 1939 by Arnold J. Toynbee, Our own Post-Modern Age has been inaugurated by the general war of 1914–1918. Peter Drucker suggested the transformation into a post modern world happened between 1937 and 1957, post-structuralism resulted similarly to postmodernism by following a time of structuralism. It is characterized by new ways of thinking through structuralism, contrary to the original form, postmodernist describes part of a movement, Postmodern places it in the period of time since the 1950s, making it a part of contemporary history. Martin Heidegger rejected the philosophical basis of the concepts of subjectivity and objectivity, instead of resisting the admission of this paradox in the search for understanding, Heidegger requires that we embrace it through an active process of elucidation he called the hermeneutic circle. He stressed the historicity and cultural construction of concepts while simultaneously advocating the necessity of an atemporal, in this latter premise, Heidegger shares an affinity with the late Romantic philosopher, Friedrich Nietzsche, another principal forerunner of post-structuralist and postmodernist thought. Instead, Foucault focused on the ways in which such constructs can foster cultural hegemony, violence and his writings have had a major influence on the larger body of postmodern academic literature. These metanarratives still remain in Western society but are now being undermined by rapid Informatization, Richard Rorty argues in Philosophy and the Mirror of Nature that contemporary analytic philosophy mistakenly imitates scientific methods. For Baudrillard, “simulation is no longer that of a territory and it is the generation by models of a real without origin or a reality, a hyperreal. In Analysis of the Journey, a journal birthed from postmodernism, Douglas Kellner insists that the assumptions and his terms defined in the depth of postmodernism are based on advancement, innovation, and adaptation. Extensively, Kellner analyzes the terms of theory in real-life experiences and examples. Kellner used science and technology studies as a part of his analysis
11.
Old Master
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In art history, Old Master refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An old master print is a print made by an artist in the same period. The term old master drawing is used in the same way, therefore, beyond a certain level of competence, date rather than quality is the criterion for using the term. The Oxford English Dictionary defines the term as A pre-eminent artist of the period before the modern, a pre-eminent western European painter of the 13th to 18th centuries. The term is used to refer to a painting or sculpture made by an Old Master. Les Maitres dautrefois of 1876 by Eugene Fromentin may have helped to popularize the concept, the collection in the Dresden museum essentially stops at the Baroque period. The end date is necessarily vague – for example, Goya is certainly an Old Master, the term might also be used for John Constable or Eugène Delacroix, but usually is not. The term tends to be avoided by art historians as too vague, especially when discussing paintings, although the terms Old Master Prints and it remains current in the art trade. Auction houses still usually divide their sales between, for example, Old Master Paintings, Nineteenth-century paintings and Modern paintings, christies defines the term as ranging from the 14th to the early 19th century. S. Master of Flémalle, Master of Mary of Burgundy, Master of Latin 757, Master of the Brunswick Diptych or Master of Schloss Lichtenstein
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