New Objectivity (architecture)
The New Objectivity is a name often given to the Modern architecture that emerged in Europe, primarily German-speaking Europe, in the 1920s and 30s. It is also frequently called Neues Bauen. The New Objectivity remodeled many German cities in this period.
The student accommodation wing, Bauhaus Dessau building by Walter Gropius (1925–26)
Gropius and Meyer's Fagus Factory
Bruno Taut, Onkel-Toms-Hütte, Wilskistrasse, Berlin
Ernst May, 'Zig-Zag Houses' in Frankfurt
The Deutscher Werkbund is a German association of artists, architects, designers and industrialists established in 1907. The Werkbund became an important element in the development of modern architecture and industrial design, particularly in the later creation of the Bauhaus school of design. Its initial purpose was to establish a partnership of product manufacturers with design professionals to improve the competitiveness of German companies in global markets. The Werkbund was less an artistic movement than a state-sponsored effort to integrate traditional crafts and industrial mass production techniques, to put Germany on a competitive footing with England and the United States. Its motto Vom Sofakissen zum Städtebau indicates its range of interest.
Building by Mies van der Rohe in the Weissenhof Estate (1927)
1914 exhibition poster
"Weißenhof chair", by Mies van der Rohe with canework upholstery by Lilly Reich (ca. 1927)