1.
Panepistimiou Street
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Its total length is about 1.2 km. The street was renamed as Eleftherios Venizelos Avenue in the 1980s but is still usually known by its historical name. It has six lanes, of five are for traffic. Most of the street runs almost diagonally from southeast to northwest, many buildings as high as ten to fifteen stories line this street. Old neoclassical buildings of no higher than two to three used to exist until the 1950s, when a construction spree, which lasted several decades, demolished all. Originally a two-way street until after the Greek Civil War with bus lanes, several classic films were shot in this street. The Athens Metro Red Line runs underneath with stations linking with this including the Panepistimiou station. Workers filled the hole with concrete so that traffic can resume, in the 2000s, the transit buses which can run eastbound can now run two way and is at the lower end of the street. The idea is part of a project held by the Onassis Foundation under the name Rethink Athens in an effort for a more allure, the project is scheduled to be completed in the next few years. Scholars are critical of the implications of the project. This will especially be the further down from the corner with Syntagma Square. Traffic congestion will also increase in all surrounding roads as it will be diverted from Panepistimiou, which will also be closed to buses
2.
Greece
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Greece, officially the Hellenic Republic, historically also known as Hellas, is a country in southeastern Europe, with a population of approximately 11 million as of 2015. Athens is the capital and largest city, followed by Thessaloniki. Greece is strategically located at the crossroads of Europe, Asia, situated on the southern tip of the Balkan peninsula, it shares land borders with Albania to the northwest, the Republic of Macedonia and Bulgaria to the north, and Turkey to the northeast. Greece consists of nine regions, Macedonia, Central Greece, the Peloponnese, Thessaly, Epirus, the Aegean Islands, Thrace, Crete. The Aegean Sea lies to the east of the mainland, the Ionian Sea to the west, the Cretan Sea and the Mediterranean Sea to the south. Greece has the longest coastline on the Mediterranean Basin and the 11th longest coastline in the world at 13,676 km in length, featuring a vast number of islands, eighty percent of Greece is mountainous, with Mount Olympus being the highest peak at 2,918 metres. From the eighth century BC, the Greeks were organised into various independent city-states, known as polis, which spanned the entire Mediterranean region and the Black Sea. Greece was annexed by Rome in the second century BC, becoming a part of the Roman Empire and its successor. The Greek Orthodox Church also shaped modern Greek identity and transmitted Greek traditions to the wider Orthodox World, falling under Ottoman dominion in the mid-15th century, the modern nation state of Greece emerged in 1830 following a war of independence. Greeces rich historical legacy is reflected by its 18 UNESCO World Heritage Sites, among the most in Europe, Greece is a democratic and developed country with an advanced high-income economy, a high quality of life, and a very high standard of living. A founding member of the United Nations, Greece was the member to join the European Communities and has been part of the Eurozone since 2001. Greeces unique cultural heritage, large industry, prominent shipping sector. It is the largest economy in the Balkans, where it is an important regional investor, the names for the nation of Greece and the Greek people differ from the names used in other languages, locations and cultures. The earliest evidence of the presence of human ancestors in the southern Balkans, dated to 270,000 BC, is to be found in the Petralona cave, all three stages of the stone age are represented in Greece, for example in the Franchthi Cave. Neolithic settlements in Greece, dating from the 7th millennium BC, are the oldest in Europe by several centuries and these civilizations possessed writing, the Minoans writing in an undeciphered script known as Linear A, and the Mycenaeans in Linear B, an early form of Greek. The Mycenaeans gradually absorbed the Minoans, but collapsed violently around 1200 BC and this ushered in a period known as the Greek Dark Ages, from which written records are absent. The end of the Dark Ages is traditionally dated to 776 BC, the Iliad and the Odyssey, the foundational texts of Western literature, are believed to have been composed by Homer in the 7th or 8th centuries BC. With the end of the Dark Ages, there emerged various kingdoms and city-states across the Greek peninsula, in 508 BC, Cleisthenes instituted the worlds first democratic system of government in Athens
3.
Athens Metro
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The Athens Metro is a rapid-transit system in Greece which serves the Athens conurbation and parts of East Attica. It incorporates the former Athens-Piraeus Electric Railways, which opened as a steam railway in 1869. Beginning in 1991, Attiko Metro constructed and extended Lines 2 and 3, the metro network merged in 2011 when the Greek government created the Urban Rail Transport Company, a subsidiary of the Athens Urban Transport Organisation. First Chairman and CEO of the company became Kostas Vassiliadis. The system is noted for being modern and efficient, in its own right and it has drastically changed Athens by providing a much-needed solution to the citys traffic and air pollution problem, as well as revitalising many of the areas it serves. An extension of Line 3 is under construction towards Piraeus and also extensions of existing lines. The Athens Metro is actively connected with the means of public transport, such as buses, trolleys, the Athens Tram. The Athens Metro is hailed for its modernity and many of its stations feature works of art, exhibitions, until 28 January 2000, Line 1 was the only rapid-transit line in Athens and Piraeus. The Athens and Piraeus Railway Company opened the line on 27 February 1869 as a railway between Piraeus and Thiseio. It was electrified in 1904, and extended in stages to Kifisia in 1957, from 1976 to 16 June 2011, the Athens-Piraeus Electric Railway Company operated Line 1 independently from the rest of the metro and tram networks. Unlike Lines 2 and 3, it runs almost entirely above ground, since the current Line 1 opened the government has proposed many expansions to the subway network, including a 1963 plan for a fourteen-line subway network. Construction of Lines 2 and 3 began in November 1992 to decrease traffic congestion, Lines 2 and 3, built by Attiko Metro and operated until 2011 by Attiko Metro Operations Company, are known respectively as the red and blue lines and were inaugurated in January 2000. Line 3 was extended to the Eleftherios Venizelos International Airport in summer 2004, the Greek government attempted to absorb ISAP into Attiko Metro under Law 2669/1998 so the latter would be responsible for the whole network, but this initiative failed. Athens Metro operations were consolidated when the Greek government enacted Law 3920/2011, replacing AMEL, ISAP and Athens Tram with Urban Rail Transport, the modern incarnation of Line 1 is 25. 6-kilometre long, and serves 24 stations. Together, Lines 2 and 3 are 58. 9-kilometre long, the three-line Athens Metro network serves 61 stations. It owns and operates 57 of them, and OSE owns the remainder on the airport section, the network has four metro interchanges, enabling the lines to interchange with each other at least once. Line 2 and the Attiko Metro portion of Line 3 is entirely underground, Line 1 is primarily in the open, with a tunnel section in central Athens. The airport section of Line 3, east of the tunnel portal near Doukissis Plakentias, is open, in the tunnel sections up and down lines share a common tunnel, except for approaches to stations with an island platform
4.
Line 2 (Athens Metro)
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Line 2 of the Athens Metro runs entirely underground from Anthoupoli in the northwest to Elliniko in the south, via Syntagma. It first opened, between Sepolia and Syntagma, on 28 January 2000, with Line 3, on 6 April 2013, Line 2 was extended to Anthoupoli in the north west, and on 26 July 2013 to Elliniko to the south. There are no currently extensions under construction, the New Regulatory Plan for Athens and Attica Prefecture envisages that Line 2 will eventually run from Ano Liosia to Glyfada
5.
Heinrich Schliemann
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Heinrich Schliemann was a German businessman and a pioneer in the field of archaeology. His work lent weight to the idea that Homers Iliad and Virgils Aeneid reflect historical events, along with Arthur Evans, Schliemann was a pioneer in the study of Aegean civilization in the Bronze Age. The two men knew of other, Evans having visited Schliemanns sites. Schliemann had planned to excavate at Knossos but died before fulfilling that dream, Evans bought the site and stepped in to take charge of the project, which was then still in its infancy. Schliemann was born in Neubukow, Mecklenburg-Schwerin in 1822 and his father, Ernst Schliemann, was a Lutheran minister. The family moved to Ankershagen in 1823, heinrichs Father was a poor Pastor. His mother, Luise Therese Sophie Schliemann, died in 1831, after his mothers death, his father sent Heinrich to live with his uncle. When he was years old, his father paid for him to enroll in the Gymnasium at Neustrelitz. Schliemann later claimed that at the age of 8, he had declared he would one day excavate the city of Troy. However, Heinrich had to transfer to the Realschule after his father was accused of embezzling funds and had to leave that institution in 1836 when his father was no longer able to pay for it. His familys poverty made a university education impossible, so it was Schliemanns early academic experiences that influenced the course of his education as an adult, in his archaeological career, however, there was often a division between Schliemann and the educated professionals. At age 14, after leaving Realschule, Heinrich became an apprentice at Herr Holtzs grocery in Fürstenberg and he later told that his passion for Homer was born when he heard a drunkard reciting it at the grocers. He laboured for five years, until he was forced to leave because he burst a blood vessel lifting a heavy barrel, in 1841, Schliemann moved to Hamburg and became a cabin boy on the Dorothea, a steamer bound for Venezuela. After twelve days at sea, the ship foundered in a gale, the survivors washed up on the shores of the Netherlands. Schliemann became a messenger, office attendant, and later, a bookkeeper in Amsterdam, on March 1,1844, 22-year-old Schliemann took a position with B. H. Schröder & Co. an import/export firm. In 1846, the firm sent him as a General Agent to St. Petersburg, in time, Schliemann represented a number of companies. By the end of his life, he could converse in English, French, Dutch, Spanish, Portuguese, Swedish, Polish, Italian, Greek, Latin, Russian, Arabic, and Turkish as well as German. Schliemanns ability with languages was an important part of his career as a businessman in the importing trade, in 1850, he learned of the death of his brother, Ludwig, who had become wealthy as a speculator in the California gold fields
6.
Troy
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The present-day location is known as Hisarlik. It was the setting of the Trojan War described in the Greek Epic Cycle, in particular in the Iliad, a new capital called Ilium was founded on the site in the reign of the Roman Emperor Augustus. It flourished until the establishment of Constantinople and declined gradually in the Byzantine era and these excavations revealed several cities built in succession. Troy VII has been identified with the city that the Hittites called Wilusa, the origin of the Greek Ἴλιον. Today, the hill at Hisarlık has given its name to a village near the ruins. It lies within the province of Çanakkale, some 30 km south-west of the provincial capital, the map here shows the adapted Scamander estuary with Ilium a little way inland across the Homeric plain. Troy was added to the UNESCO World Heritage list in 1998, Ancient Greek historians variously placed the Trojan War in the 12th, 13th, or 14th centuries BC, Eratosthenes to 1184 BC, Herodotus to 1250 BC, Duris of Samos to 1334 BC. Modern archaeologists associate Homeric Troy with archaeological Troy VII, in the Iliad, the Achaeans set up their camp near the mouth of the River Scamander, where they had beached their ships. The city of Troy itself stood on a hill, across the plain of Scamander, recent geological findings have permitted the identification of the ancient Trojan coastline, and the results largely confirm the accuracy of the Homeric geography of Troy. In November 2001, the geologist John C, kraft from the University of Delaware and the classicist John V. Luce from Trinity College, Dublin, presented the results of investigations, begun in 1977, into the geology of the region. Besides the Iliad, there are references to Troy in the major work attributed to Homer. The Homeric legend of Troy was elaborated by the Roman poet Virgil in his Aeneid, the Greeks and Romans took for a fact the historicity of the Trojan War and the identity of Homeric Troy with the site in Anatolia. Alexander the Great, for example, visited the site in 334 BC and there made sacrifices at tombs associated with the Homeric heroes Achilles and Patroclus. After the 1995 find of a Luwian biconvex seal at Troy VII, with the rise of critical history, Troy and the Trojan War were, for a long time, consigned to the realms of legend. However, the location of ancient Troy had from classical times remained the subject of interest. The Troad peninsula was anticipated to be the location, leChavaliers location, published in his Voyage de la Troade, was the most commonly accepted theory for almost a century. In 1822, the Scottish journalist Charles Maclaren was the first to identify with confidence the position of the city as it is now known, the hill, near the city of Çanakkale, was known as Hisarlık. In 1868, Heinrich Schliemann visited Calvert and secured permission to excavate Hisarlık, in 1871–73 and 1878–79, he excavated the hill and discovered the ruins of a series of ancient cities dating from the Bronze Age to the Roman period
7.
Aegina
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Aegina is one of the Saronic Islands of Greece in the Saronic Gulf,27 kilometres from Athens. Tradition derives the name from Aegina the mother of the hero Aeacus, during ancient times Aegina was a rival of Athens, the great sea power of the era. The municipality of Aegina consists of the island of Aegina and a few offshore islets and it is part of the Islands regional unit, Attica region. The municipality is subdivided into the five communities, Aegina Kypseli Mesagros Perdika Vathy The capital is the town of Aegina. Due to its proximity to Athens, it is a vacation place during the summer months. The province of Aegina was one of the provinces of the Piraeus Prefecture and its territory corresponded with that of the current municipalities Aegina and Agkistri. Aegina is roughly triangular in shape, approximately 15 km from east to west and 10 km from north to south, with an area of 87.41 km2, an extinct volcano constitutes two thirds of Aegina. Economically, the fisheries are of notable importance. The southern volcanic part of the island is rugged and mountainous and its highest rise is the conical Mount Oros in the south, and the Panhellenian ridge stretches northward with narrow fertile valleys on either side. The beaches are also a popular tourist attraction, hydrofoil ferries from Piraeus take only forty minutes to reach Aegina, the regular ferry takes about an hour, with ticket prices for adults within the 4–15 euro range. There are regular bus services from Aegina town to destinations throughout the island such as Agia Marina, portes is a fishing village on the east coast. Aegina, according to Herodotus, was a colony of Epidaurus and its placement between Attica and the Peloponnesus made it a site of trade even earlier, and its earliest inhabitants allegedly came from Asia Minor. Minoan ceramics have been found in contexts of ca.2000 BC, the famous Aegina Treasure, now in the British Museum is estimated to date between 1700 and 1500 BC. It is probable that the island was not doricised before the 9th century BC. e. not later than the half of the 7th century BC. Its early history reveals that the importance of the island dates back to pre-Dorian times. It is usually stated on the authority of Ephorus, that Pheidon of Argos established a mint in Aegina, the first city-state to issue coins in Europe, one stamped stater can be seen in the Bibliothèque Nationale of Paris. It is an electrum stater of a turtle, a sacred to Aphrodite. The fact that the Aeginetic standard of weights and measures was one of the two standards in use in the Greek world is sufficient evidence of the early commercial importance of the island
8.
National Archaeological Museum, Athens
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The National Archaeological Museum in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It is considered one of the greatest museums in the world, the first national archaeological museum in Greece was established by prime minister of Greece Ioannis Kapodistrias in Aigina in 1829. The initial name for the museum was The Central Museum and it was renamed to its current name in 1881 by Prime Minister of Greece Charilaos Trikoupis. In 1887 the important archaeologist Valerios Stais became the museums curator, during World War II the museum was closed and the antiquities were sealed in special protective boxes and buried, in order to avoid their destruction and looting. In 1945 exhibits were displayed under the direction of Christos Karouzos. The south wing of the houses the Epigraphic Museum with the richest collection of inscriptions in the world. The inscriptions museum expanded between 1953 and 1960 with the designs of Patroklos Karantinos. The museum has an imposing neo-classical design which was popular in Europe at the time and is in accordance with the classical style artifacts that it houses. The initial plan was conceived by the architect Ludwig Lange and it was modified by Panagis Kalkos who was the main architect, Armodios Vlachos. At the front of the museum there is a large neo-classic design garden which is decorated with sculptures, the building has undergone many expansions. These expansions were necessary to accommodate the growing collection of artifacts. The most recent refurbishment of the museum more than 1.5 years to complete. The Minoan frescoes rooms opened to the public in 2005, on May 2008 the Culture Minister Mihalis Liapis inaugurated the much anticipated collection of Egyptian antiquities and the collection of Eleni and Antonis Stathatos. Today, there is a discussion regarding the need to further expand the museum to adjacent areas. A new plan has made for a subterranean expansion at the front of the museum. The museums collections are organised in sections, The prehistoric collection displays objects from the Neolithic era, Early and Mid-Bronze age, objects classified as Cycladic and Mycenaean art. There are ceramic finds from various important Neolithic sites such as Dimini and Sesclo from middle Helladic ceramics from Boeotia, Attica, some objects from Heinrich Schliemann excavations in Troy are also on display. Cycladic collection features the famous marble figurines from the Aegean islands of Delos and Keros including the Lutist, of great interest are the two golden cups from Vafeio showing a scene of the capture of a bull
9.
Academy of Athens (modern)
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The Academy of Athens is Greeces national academy, and the highest research establishment in the country. It was established in 1926, and operates under the supervision of the Ministry of Education, the Academys main building is one of the major landmarks of Athens. The organization of the Academy of Athens, whose title hearkens back to the ancient Academy of Plato, was first established on 18 March 1926 and this charter, with subsequent amendments, is still valid and governs the Academys affairs. According to it, the Academy is divided into three Orders, Natural Sciences, Letters and Arts, Moral and Political Sciences, the Academy today, maintains 12 research centres,10 research offices and the Ioannis Sykoutris central library. In 2002, the Foundation for Biomedical Research of the Academy of Athens was established, the Hellenic Institute for Byzantine and Post-Byzantine Studies in Venice also functions under the supervision of the Academy. From its foundation, the Academy of Athens has been a member of the International Association of Academies, and it also participates in the following body, All European Academies, European Academies Science Advisory Council, Inter Academy Council, Inter Academy Medical Panel. The main building of the Academy is a building between Panepistimiou Street and Akadimias Street in the centre of Athens. The building was designed as part of a trilogy in 1859 by the Danish architect Theophil Hansen, along with the University. Funds had been provided by the magnate Simon Sinas specifically for the purpose, and the foundation stone was laid on 2 August 1859. Works resumed in 1868, but the building was not completed until 1885, at a total cost of 2,843,319 gold drachmas, most of it provided by Sinas, and, after his death, by his wife Ifigeneia. The Greek neo-classical sculptor Leonidas Drosis sculpted the principle multi-figure pediment sculpture, on the theme of the birth of Athena and this brought first prize at the Vienna Exhibition of 1873. The eight smaller pediments in the Academy complex are the work of Austrian sculptor Franz Melnitzky. Interior murals and paintings were done by the Austrian artist Christian Griepenkerl, on 20 March 1887, the building of the Sinaean Academy, as it was called, was delivered by Ziller to the Greek Prime Minister, Charilaos Trikoupis. In the absence of a national Academy, the building was used for housing the Numismatic Museum in 1890, and in 1914 the Byzantine Museum, finally, on 24 March 1926, the building was handed over to the newly established Academy of Athens. In the obverse of the coin, a view of the building is depicted. All three should be equivalent to the style and character of the city that was the birthplace, bibliotheca Alexandrina - a restored Library of Alexandria Academy of Athens website
10.
Renaissance Revival architecture
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The divergent forms of Renaissance architecture in different parts of Europe, particularly in France and Italy, has added to the difficulty of defining and recognizing Neo-Renaissance architecture. The movement grew from scientific observations of nature, in human anatomy. Neo-Renaissance architecture is formed by not only the original Italian architecture, in England the Renaissance tended to manifest itself in large square tall houses such as Longleat House. Often these buildings had symmetrical towers which hint at the evolution from medieval fortified architecture and this is particularly evident at Hatfield House built between 1607 and 1611, where medieval towers jostle with a large Italian cupola. If this were not confusing enough, the new Neo-Renaissance then frequently borrowed architectural elements from the succeeding Mannerist period, mannerism and Baroque being two very opposing styles of architecture. Mannerism was exemplified by the Palazzo del Te and Baroque by the Wurzburg Residenz, as a consequence a self-consciously Neo-Renaissance manner first began to appear circa 1840. By 1890 this movement was already in decline, the Hagues Peace Palace completed in 1913, in a heavy French Neo-Renaissance manner was one of the last notable buildings in this style. Charles Barry introduced the Neo-Renaissance to England with his design of the Travellers Club, the style is characterized by original Renaissance motifs, taken from such Quattrocento architects as Alberti. These motifs included rusticated masonry and quoins, windows framed by architraves and doors crowned by pediments, if a building were of several floors the uppermost floor usually had small square windows representing the minor mezzanine floor of the original Renaissance designs. However, the Neo-renaissance style later came to incorporate Romanesque and Baroque features not found in the original Renaissance architecture which was more severe in its design. Like all architectural styles the Neo-Renaissance did not appear overnight fully formed but evolved slowly, one of the very first signs of its emergence was the Würzburg Womens Prison, which was erected in 1809 designed by Peter Speeth. This building foreshadows similar effects in the work of the American architect Henry Hobson Richardson whose work in the Neo-Renaissance style was popular in the USA during the 1880s, richardsons style at the end or the revival era was a severe mix of both Romanesque and Renaissance features. This was exemplified by his Marshall Field Warehouse in Chicago, however, while the beginning of Neo-Renaissance period can be defined by its simplicity and severity, what came between was far more ornate in its design. This period can be defined by some of the opera houses of the Europe, such as Gottfried Sempers Burgtheater in Vienna. This ornate form of the Neo-Renaissance, originating from France, is known as the Second Empire style. By 1875 it had become the style in Europe for all public and bureaucratic buildings. In England, where Sir George Gilbert Scott designed the London Foreign Office in this style between 1860 and 1875, it also incorporated certain Palladian features. In Austria, it was pioneered by such names as Rudolf Eitelberger
11.
Neoclassicism
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The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th, European Neoclassicism in the visual arts began c.1760 in opposition to the then-dominant Baroque and Rococo styles. Each neo-classicism selects some models among the range of classics that are available to it. They ignored both Archaic Greek art and the works of Late Antiquity, the Rococo art of ancient Palmyra came as a revelation, through engravings in Woods The Ruins of Palmyra. While the movement is described as the opposed counterpart of Romanticism. The case of the main champion of late Neoclassicism, Ingres, demonstrates this especially well. The revival can be traced to the establishment of formal archaeology, the writings of Johann Joachim Winckelmann were important in shaping this movement in both architecture and the visual arts. With the advent of the Grand Tour, a fad of collecting antiquities began that laid the foundations of many great collections spreading a Neoclassical revival throughout Europe, Neoclassicism in each art implies a particular canon of a classical model. In English, the term Neoclassicism is used primarily of the arts, the similar movement in English literature. This, which had been dominant for decades, was beginning to decline by the time Neoclassicism in the visual arts became fashionable. Though terms differ, the situation in French literature was similar, in music, the period saw the rise of classical music, and Neoclassicism is used of 20th-century developments. Ingress coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, much Neoclassical painting is more classicizing in subject matter than in anything else. A fierce, but often very badly informed, dispute raged for decades over the merits of Greek and Roman art, with Winckelmann. The work of artists, who could not easily be described as insipid, combined aspects of Romanticism with a generally Neoclassical style. Unlike Carstens unrealized schemes, the etchings of Giovanni Battista Piranesi were numerous and profitable and his main subject matter was the buildings and ruins of Rome, and he was more stimulated by the ancient than the modern. Neoclassicism in painting gained a new sense of direction with the success of Jacques-Louis Davids Oath of the Horatii at the Paris Salon of 1785. Despite its evocation of republican virtues, this was a commission by the royal government, David managed to combine an idealist style with drama and forcefulness. David rapidly became the leader of French art, and after the French Revolution became a politician with control of government patronage in art
Syntagma station
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