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A frame from a 35 mm film print. Here, the picture is framed for the intended theatrical aspect ratio (inside the yellow box). The picture outside of
A frame from a 35 mm film print. Here, the picture is framed for the intended theatrical aspect ratio (inside the yellow box). The picture outside of the yellow box is matted out when the film is shown in widescreen. For 4:3 television and home media versions, a large portion of the picture can be used (inside the red box) with an open matte.
Open matte example with a slight shift of the image section upwards.
Open matte example with a slight shift of the image section upwards.
Aspect ratio 2.35:1 versus 1.85:1
Aspect ratio 2.35:1 versus 1.85:1
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Widescreen in a control room
Widescreen in a control room
Conrad Luperti, J. Marvin Spoor, and William S. Adams with the Natural Vision camera
Conrad Luperti, J. Marvin Spoor, and William S. Adams with the Natural Vision camera
An early (1994) Sony Widescreen Television
An early (1994) Sony Widescreen Television