1.
Pamplona
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Pamplona or Iruña is the historical capital city of Navarre, in Spain, and of the former Kingdom of Navarre. The city is famous worldwide for the running of the bulls during the San Fermín festival and this festival was brought to literary renown with the 1926 publication of Ernest Hemingways novel The Sun Also Rises. Pamplona is located in the middle of Navarre in a valley, known as the Basin of Pamplona. It is 92 km from the city of San Sebastián,117 km from Bilbao,735 km from Paris and 407 km from Madrid, the climate and landscape of the basin is a transition between those two main Navarrese geographical regions. Its central position at crossroads has served as a link between those very different natural parts of Navarre. The historical centre of Angelo is on the bank of the Arga. The city has developed on both sides of the river, the climate of Pamplona is normally classified as oceanic with influences of a semi-continental mediterranean climate. In the winter of 75–74 BC, the served as a camp for the Roman general Pompey in the war against Sertorius. He is considered to be the founder of Pompaelo, which became Pamplona, actually it was the chief town of the Vascones, and they called it Iruña, the city. During the Visigothic period, Pamplona alternated between self-rule, Visigoth domination or Frankish suzerainty in the Duchy of Vasconia. During the beginning of the 6th century, Pamplona probably stuck to an unstable self-rule, circa 581, the Visigoth king Liuvigild overcame the Basques, seized Pamplona, and founded in the town of Victoriacum. After 684 and 693, a bishop called Opilano is mentioned again in 829, followed by Wiliesind, even in the 10th century, important gaps are found in bishop succession, which is recorded unbroken only after 1005. At the time of the Umayyad invasion in 711, the Visigothic king Roderic was fighting the Basques in Pamplona and had to turn his attention to the new enemy coming from the south. By 714-16, the Umayyad troops had reached the Basque-held Pamplona, the position was then garrisoned by Berbers, who were stationed on the outside of the actual fortress, and established the cemetery unearthed not long ago at the Castle Square. In 740, the Wali Uqba ibn al-Hayyay imposed direct central Cordovan discipline on the city, however, in 755 the last governor of Al-Andalus, Yusuf al Fihri, sent an expedition north to quash Basque unrest near Pamplona, resulting in the defeat of the Arab army. From 755 until 781, Pamplona remained autonomous, probably relying on regional alliances, to a considerable extent, that alternation reflected the internal struggles of the Basque warrior nobility. After the Frankish defeat at Roncevaux, Pamplona switched again to Cordovan rule, a Wali or governor was imposed, Mutarrif ibn-Musa up to the 799 rebellion. In that year, the Pamplonese-—possibly led by a certain Velasko-—stirred against their governor, following a failed expedition to the town led by Louis the Pious around 812, allegiance to the Franks collapsed after Enecco Arista rose to prominence
2.
Spain
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By population, Spain is the sixth largest in Europe and the fifth in the European Union. Spains capital and largest city is Madrid, other urban areas include Barcelona, Valencia, Seville, Bilbao. Modern humans first arrived in the Iberian Peninsula around 35,000 years ago, in the Middle Ages, the area was conquered by Germanic tribes and later by the Moors. Spain is a democracy organised in the form of a government under a constitutional monarchy. It is a power and a major developed country with the worlds fourteenth largest economy by nominal GDP. Jesús Luis Cunchillos argues that the root of the span is the Phoenician word spy. Therefore, i-spn-ya would mean the land where metals are forged, two 15th-century Spanish Jewish scholars, Don Isaac Abravanel and Solomon ibn Verga, gave an explanation now considered folkloric. Both men wrote in two different published works that the first Jews to reach Spain were brought by ship by Phiros who was confederate with the king of Babylon when he laid siege to Jerusalem. This man was a Grecian by birth, but who had given a kingdom in Spain. He became related by marriage to Espan, the nephew of king Heracles, Heracles later renounced his throne in preference for his native Greece, leaving his kingdom to his nephew, Espan, from whom the country of España took its name. Based upon their testimonies, this eponym would have already been in use in Spain by c.350 BCE, Iberia enters written records as a land populated largely by the Iberians, Basques and Celts. Early on its coastal areas were settled by Phoenicians who founded Western Europe´s most ancient cities Cadiz, Phoenician influence expanded as much of the Peninsula was eventually incorporated into the Carthaginian Empire, becoming a major theater of the Punic Wars against the expanding Roman Empire. After an arduous conquest, the peninsula came fully under Roman Rule, during the early Middle Ages it came under Germanic rule but later, much of it was conquered by Moorish invaders from North Africa. In a process took centuries, the small Christian kingdoms in the north gradually regained control of the peninsula. The last Moorish kingdom fell in the same year Columbus reached the Americas, a global empire began which saw Spain become the strongest kingdom in Europe, the leading world power for a century and a half, and the largest overseas empire for three centuries. Continued wars and other problems led to a diminished status. The Napoleonic invasions of Spain led to chaos, triggering independence movements that tore apart most of the empire, eventually democracy was peacefully restored in the form of a parliamentary constitutional monarchy. Spain joined the European Union, experiencing a renaissance and steady economic growth
3.
Geographic coordinate system
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A geographic coordinate system is a coordinate system used in geography that enables every location on Earth to be specified by a set of numbers, letters or symbols. The coordinates are chosen such that one of the numbers represents a vertical position. A common choice of coordinates is latitude, longitude and elevation, to specify a location on a two-dimensional map requires a map projection. The invention of a coordinate system is generally credited to Eratosthenes of Cyrene. Ptolemy credited him with the adoption of longitude and latitude. Ptolemys 2nd-century Geography used the prime meridian but measured latitude from the equator instead. Mathematical cartography resumed in Europe following Maximus Planudes recovery of Ptolemys text a little before 1300, in 1884, the United States hosted the International Meridian Conference, attended by representatives from twenty-five nations. Twenty-two of them agreed to adopt the longitude of the Royal Observatory in Greenwich, the Dominican Republic voted against the motion, while France and Brazil abstained. France adopted Greenwich Mean Time in place of local determinations by the Paris Observatory in 1911, the latitude of a point on Earths surface is the angle between the equatorial plane and the straight line that passes through that point and through the center of the Earth. Lines joining points of the same latitude trace circles on the surface of Earth called parallels, as they are parallel to the equator, the north pole is 90° N, the south pole is 90° S. The 0° parallel of latitude is designated the equator, the plane of all geographic coordinate systems. The equator divides the globe into Northern and Southern Hemispheres, the longitude of a point on Earths surface is the angle east or west of a reference meridian to another meridian that passes through that point. All meridians are halves of great ellipses, which converge at the north and south poles, the prime meridian determines the proper Eastern and Western Hemispheres, although maps often divide these hemispheres further west in order to keep the Old World on a single side. The antipodal meridian of Greenwich is both 180°W and 180°E, the combination of these two components specifies the position of any location on the surface of Earth, without consideration of altitude or depth. The grid formed by lines of latitude and longitude is known as a graticule, the origin/zero point of this system is located in the Gulf of Guinea about 625 km south of Tema, Ghana. To completely specify a location of a feature on, in, or above Earth. Earth is not a sphere, but a shape approximating a biaxial ellipsoid. It is nearly spherical, but has an equatorial bulge making the radius at the equator about 0. 3% larger than the radius measured through the poles, the shorter axis approximately coincides with the axis of rotation
4.
Rite
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A rite or ritual is an established, ceremonial, usually religious, act. Within Christianity, rite often refers to what is called a sacrament. In Roman Catholicism, for example, the sacrament of Anointing of the Sick is one of the three that are referred to as the last rites, because they are administered to someone who was dying. The other two are Penance and Eucharist, since the Second Vatican Council, Anointing of the Sick is administered to those who are seriously ill but not necessarily in immediate danger of death. The term rite became widely used after the Second Vatican Council when the traditional sacraments were done away with, while rite is often used synonymously with sacrament, it is technically incorrect to say that one received a rite because the sacrament is what is received. The ritual consists of the prayers and actions that the minister of the sacrament performs when administering a sacrament. Therefore, it is incorrect to say one has received the last rites as that person has really received the last sacraments by a minister following a ritual that has performed the sacramental rite. The word rite is often applied to what are sometimes known as the five lesser sacraments, confirmation, reconciliation, matrimony, holy orders. The term rite refers to a body of liturgical tradition usually emanating from a specific center. Examples include the Roman Rite, the Byzantine Rite, and the Sarum Rite, such rites may include various sub-rites. For example, the Byzantine Rite has Greek, Russian, for a full list of Christian liturgical rites, see Christian liturgy. Of these, the largest is the Latin Rite or Western Church, there are also several Eastern Catholic Churches or Rites. For a full list of Catholic liturgical rites, see List of Catholic rites and churches, in North America, Freemasons have the option of joining the Scottish Rite and/or the York Rite, two appendant bodies that offer additional degrees to those who have taken the basic three. Ambrosian Rite Ceremony Chaldean rite Process Art Rites, a Confucian philosophical concept Ritual Primitive Scottish Rite Rite of Spring
5.
Roman Rite
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The Roman Rite is the most widespread liturgical rite in the Catholic Church and is one of the Latin rites used in the Western or Latin Church. The Roman Rite has been adapted over the centuries and its Eucharistic liturgy can be divided into three stages, the Pre-Tridentine Mass, Tridentine Mass and Mass of Paul VI. The 2007 motu proprio Summorum Pontificum specifies the circumstances in which priests of the Latin Church may continue to use the form of the Roman Rite in the 1962 Roman Missal. While other rites use more poetic language, the Roman Rite is noted for its sobriety of expression, as each is shown, a bell is rung and, if incense is used, the host and chalice are incensed. Sometimes the external bells of the church are rung as well, other characteristics that distinguish the Roman Rite from the rites of the Eastern Catholic Churches are frequent genuflections, kneeling for long periods, and keeping both hands joined together. We find the prayers of our Canon in the treatise de Sacramentis, so our Mass goes back, without essential change, to the age when it first developed out of the oldest liturgy of all. The final result of our inquiry is that, in spite of unsolved problems, in spite of later changes, in a footnote he added, The prejudice that imagines that everything Eastern must be old is a mistake. Eastern rites have been modified too, some of them quite late. No Eastern Rite now used is as archaic as the Roman Mass, in the same book, Fortescue acknowledged that the Roman Rite underwent profound changes in the course of its development. In the interval, there was what Fortescue called a radical change and he quoted the theory of A. Leo, I began to make these changes, Gregory I finished the process and finally recast the Canon in the form it still has. We must then admit that between the years 400 and 500 a great transformation was made in the Roman Canon and this infusion Fortescue called the last change since Gregory the Great. The Eucharistic Prayer normally used in the Byzantine Rite is attributed to Saint John Chrysostom, the East Syrian Eucharistic Prayer of Addai and Mari, which is still in use, is certainly much older. However, by about 1800 the Roman Rite had quite abandoned rood screens, however, when Western Europe adopted polyphony, the music of the Roman Rite did become very elaborate and lengthy. Latin liturgical rites List of Catholic rites and churches Liturgical books of the Roman rite Pre-Tridentine Mass Mass of Paul VI Mass Tridentine Mass Baldovin, John F. Reforming the Liturgy, A Response to the Critics. The Reform of the Liturgy 1948-1975, a Short History of the Roman Mass. By Michael Davies, said to be based on Adrian Fortescues The Mass, A Study of the Roman Liturgy Metzger, History of the Liturgy, The Major Stages. Bodies of Worship, Explorations in Theory and Practice, a Challenging Reform, Realizing the Vision of the Liturgical Renewal. Johnson, Lawrence, J. Worship in the Early Church, foley, Edward, Mitchell, Nathan D. and Pierce, Joanne M
6.
Ecclesiastical district
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The particular churches and liturgical rites of the Catholic Church are closely related yet distinct. The term church refers to an ordered assembly of the faithful, whereas the term rite refers to a liturgical, theological. Therefore, even though particular churches and liturgical rites are often closely interrelated, in Catholic canon law, a particular church is an ecclesiastical community headed by a bishop or someone recognised as the equivalent of a bishop. There are two kinds of churches, Autonomous particular church or Church sui iuris, In this context the descriptors autonomous and sui iuris are synonymous. These are aggregations of local churches that share a specific liturgical, theological and canonical tradition. They have also called particular Churches or rites. The largest such autonomous particular church is the Latin Church, the other 23 are referred to collectively as the Eastern Catholic Churches, headed by bishops who have the title and rank of Patriarch or Major Archbishop. In Catholic ecclesiology, a church is an assembly of the faithful, hierarchically ordered, to be a sacrament of the Mystical Body of Christ in the world, a church must have both a head and members. The sacramental sign of Christ the head is the sacred hierarchy – the bishops, priests, more specifically, it is the local bishop, with his priests and deacons gathered around and assisting him in his office of teaching, sanctifying and governing. Thus, the church is fully present sacramentally wherever there is a sign of Christ the head, a bishop and those who assist him, each diocese is therefore considered a particular church. In this sense of church, the list of churches in the Catholic Church has only one member, within the Catholic Church there are local particular churches, of which dioceses are the most familiar form. Other forms include territorial abbacies, apostolic vicariates and apostolic prefectures, the Code of Canon Law states, Particular Churches, in which and from which the one and only Catholic Church exists, are principally dioceses. A list of Catholic dioceses, of which on 31 December 2011 there were 2,834, is given at List of Catholic dioceses and these are known as autonomous churches. There are 24 such autonomous Catholic churches, One Latin Church and 23 Eastern Catholic Churches, although each of them has its own specific heritage, they are all in full communion with the Pope in Rome. For the particular churches within the Catholic Church, whether autonomous ritual churches or dioceses, are seen as not simply branches, theologically, each is considered to be the embodiment in a particular place or for a particular community of the one, whole Catholic Church. It is in these and formed out of them that the one, there are 24 autonomous churches, one Latin Church and twenty-three Eastern Catholic Churches, a distinction by now more historical than geographical. The term sui iuris means, literally, of its own law, although all of the particular churches espouse the same beliefs and faith, their distinction lies in their varied expression of that faith through their traditions, disciplines, and canon law. All are in communion with the Holy See, for this kind of particular church, the 1983 Code of Canon Law uses the unambiguous phrase autonomous ritual Church
7.
Cathedral
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A cathedral is a Christian church which contains the seat of a bishop, thus serving as the central church of a diocese, conference, or episcopate. The counterpart term for such a church in German is Dom from Latin domus ecclesiae or domus episcopalis, also Italian Duomo, Dutch Domkerk, when the church at which an archbishop or metropolitan presides is specifically intended, the term kathedrikos naos is used. In addition, both the Catholic Church and Orthodox churches have formed new dioceses within formerly Protestant lands for converts, consequently, it is not uncommon to find Christians in a single city being served by three or more cathedrals of differing denominations. In the Catholic tradition, the term cathedral correctly applies only to a church houses the seat of the bishop of a diocese. The abbey church of a territorial abbacy serves the same function, the Catholic Church also uses the following terms. A pro-cathedral is a parish or other church used temporarily as a cathedral, usually while the cathedral of a diocese is under construction, renovation and this designation applies only as long as the temporary use continues. A co-cathedral is a cathedral in a diocese that has two sees. A proto-cathedral is the cathedral of a transferred see. The cathedral church of a bishop is called the metropolitan cathedral. The term cathedral actually carries no implication as to the size or ornateness of the building, nevertheless, most cathedrals are particularly impressive edifices. The building is now under renovation and restoration for solemn dedication under the title Christ Cathedral in 2018, in the ancient world the chair, on a raised dais, was the distinctive mark of a teacher or rhetor and thus symbolises the bishops role as teacher. A raised throne within a hall was also definitive for a Late Antique presiding magistrate. The history of cathedrals starts in the year 313, when the emperor Constantine the Great personally adopted Christianity, in the third century, the phrase ascending the platform, ad pulpitum venire, becomes the standard term for Christian ordination. During the siege of Dura Europos in 256, a complete Christian house church, or domus ecclesiae was entombed in a bank, surviving when excavated. Otherwise the large room had no decoration or distinctive features at all, in 269, soon after Dura fell to the Persian army, a body of clerics assembled a charge sheet against the bishop of Antioch, Paul of Samosata, in the form of an open letter. Characteristically a Roman magistrate presided from a throne in a large, richly decorated and aisled rectangular hall called a basilica. The earliest of these new basilican cathedrals of which remains are still visible is below the Cathedral of Aquileia on the northern tip of the Adriatic sea. The three halls create a courtyard, in which was originally located a separate baptistery
8.
Church architecture
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Church architecture refers to the architecture of buildings of Christian churches. These large, often ornate and architecturally prestigious buildings were dominant features of the towns, however, far more numerous were the parish churches in Christendom, the focus of Christian devotion in every town and village. In the 20th century, the use of new materials, such as steel, the history of church architecture divides itself into periods, and into countries or regions and by religious affiliation. The simplest church building comprises a single meeting space, built of locally available material, such churches are generally rectangular, but in African countries where circular dwellings are the norm, vernacular churches may be circular as well. A simple church may be built of mud brick, wattle and daub and it may be roofed with thatch, shingles, corrugated iron or banana leaves. However, church congregations, from the 4th century onwards, have sought to construct buildings that were both permanent and aesthetically pleasing. This had led to a tradition in which congregations and local leaders have invested time, money and personal prestige into the building, within any parish, the local church is often the oldest building, and is larger than any pre-19th-century structure except perhaps a barn. The church is built of the most durable material available. To the two-room structure is often added aisles, a tower, chapels, in the first three centuries of the Early Christian Church, the practice of Christianity was illegal and few churches were constructed. In the beginning Christians worshipped along with Jews in synagogues and in private houses, after the separation of Jews and Christians the latter continued to worship in peoples houses, known as house churches. These were often the homes of the members of the faith. Saint Paul, in his first letter to the Corinthians writes, aquila and Prisca, together with the church in their house, greet you warmly in the Lord. Some domestic buildings were adapted to function as churches, one of the earliest of adapted residences is at Dura Europos church, built shortly after 200 AD, where two rooms were made into one, by removing a wall, and a dais was set up. To the right of the entrance a small room was made into a baptistry, some church buildings were specifically built as church assemblies, such as that opposite the emperor Diocletians palace in Nicomedia. The books of the Holy Scriptures were found, and they were committed to the flames, the utensils and furniture of the church were abandoned to pillage, all was rapine, confusion, tumult. That church, situated on rising ground, was within view of the palace, and Diocletian and Galerius stood, as if on a watchtower, disputing long whether it ought to be set on fire. The sentiment of Diocletian prevailed, who dreaded lest, so great a fire being once kindled, some part of the city might he burnt, for there were many and large buildings that surrounded the church. Then the Pretorian Guards came in battle array, with axes and other iron instruments, from the first to the early fourth centuries most Christian communities worshipped in private homes, often secretly
9.
Architectural style
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An architectural style is characterized by the features that make a building or other structure notable or historically identifiable. A style may include such elements as form, method of construction, building materials, styles therefore emerge from the history of a society. They are documented in the subject of architectural history, at any time several styles may be fashionable, and when a style changes it usually does so gradually, as architects learn and adapt to new ideas. Styles often spread to places, so that the style at its source continues to develop in new ways while other countries follow with their own twist. A style may also spread through colonialism, either by foreign colonies learning from their home country, one example is the Spanish missions in California, brought by Spanish priests in the late 18th century and built in a unique style. After a style has gone out of fashion, revivals and re-interpretations may occur, for instance, classicism has been revived many times and found new life as neoclassicism. Each time it is revived, it is different, the Spanish mission style was revived 100 years later as the Mission Revival, and that soon evolved into the Spanish Colonial Revival. Vernacular architecture works slightly differently and is listed separately and it is the native method of construction used by local people, usually using labour-intensive methods and local materials, and usually for small structures such as rural cottages. It varies from region to region even within a country, as western society has developed, vernacular styles have mostly become outmoded due to new technology and to national building standards. Paul Jacobsthal and Josef Strzygowski are among the art historians who followed Riegl in proposing grand schemes tracing the transmission of elements of styles across great ranges in time and this type of art history is also known as formalism, or the study of forms or shapes in art. Terms originated to describe architectural periods were often applied to other areas of the visual arts, and then more widely still to music, literature. In architecture stylistic change often follows, and is possible by. While many architectural styles explore harmonious ideals, Mannerism wants to take style a step further and explores the aesthetics of hyperbole, Mannerism is notable for its intellectual sophistication as well as its artificial qualities. Mannerism favours compositional tension and instability rather than balance and clarity, the definition of Mannerism, and the phases within it, continues to be the subject of debate among art historians. An example of mannerist architecture is the Villa Farnese at Caprarola. in the country side outside of Rome. The proliferation of engravers during the 16th century spread Mannerist styles more quickly than any previous styles, a center of Mannerist design was Antwerp during its 16th-century boom. Through Antwerp, Renaissance and Mannerist styles were introduced in England, Germany. During the Mannerist Renaissance period, architects experimented with using architectural forms to emphasize solid, the Renaissance ideal of harmony gave way to freer and more imaginative rhythms
10.
Neoclassical architecture
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Neoclassical architecture is an architectural style produced by the neoclassical movement that began in the mid-18th century. In its purest form, it is a style derived from the architecture of classical antiquity, the Vitruvian principles. In form, Neoclassical architecture emphasizes the wall rather than chiaroscuro, Neoclassical architecture is still designed today, but may be labelled New Classical Architecture for contemporary buildings. In Central and Eastern Europe, the style is referred to as Classicism. Many early 19th-century neoclassical architects were influenced by the drawings and projects of Étienne-Louis Boullée, the many graphite drawings of Boullée and his students depict spare geometrical architecture that emulates the eternality of the universe. There are links between Boullées ideas and Edmund Burkes conception of the sublime, the baroque style had never truly been to the English taste. The most popular was the four-volume Vitruvius Britannicus by Colen Campbell, the book contained architectural prints of famous British buildings that had been inspired by the great architects from Vitruvius to Palladio. At first the book featured the work of Inigo Jones. Palladian architecture became well established in 18th-century Britain, at the forefront of the new school of design was the aristocratic architect earl, Richard Boyle, 3rd Earl of Burlington, in 1729, he and William Kent, designed Chiswick House. This House was a reinterpretation of Palladios Villa Capra, but purified of 16th century elements and this severe lack of ornamentation was to be a feature of the Palladianism. In 1734 William Kent and Lord Burlington designed one of Englands finest examples of Palladian architecture with Holkham Hall in Norfolk, the main block of this house followed Palladios dictates quite closely, but Palladios low, often detached, wings of farm buildings were elevated in significance. This classicising vein was also detectable, to a degree, in the Late Baroque architecture in Paris. This shift was even visible in Rome at the redesigned façade for S, by the mid 18th century, the movement broadened to incorporate a greater range of Classical influences, including those from Ancient Greece. The shift to neoclassical architecture is conventionally dated to the 1750s, in France, the movement was propelled by a generation of French art students trained in Rome, and was influenced by the writings of Johann Joachim Winckelmann. The style was adopted by progressive circles in other countries such as Sweden. A second neoclassic wave, more severe, more studied and more consciously archaeological, is associated with the height of the Napoleonic Empire, in France, the first phase of neoclassicism was expressed in the Louis XVI style, and the second in the styles called Directoire or Empire. The Scottish architect Charles Cameron created palatial Italianate interiors for the German-born Catherine II the Great in St. Petersburg, indoors, neoclassicism made a discovery of the genuine classic interior, inspired by the rediscoveries at Pompeii and Herculaneum. These had begun in the late 1740s, but only achieved an audience in the 1760s
11.
Gothic architecture
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Gothic architecture is a style of architecture that flourished in Europe during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture and its characteristics include the pointed arch, the ribbed vault and the flying buttress. Gothic architecture is most familiar as the architecture of many of the cathedrals, abbeys. It is also the architecture of many castles, palaces, town halls, guild halls, universities and to a less prominent extent, private dwellings, for this reason a study of Gothic architecture is largely a study of cathedrals and churches. A series of Gothic revivals began in mid-18th-century England, spread through 19th-century Europe and continued, largely for ecclesiastical and university structures, the term Gothic architecture originated as a pejorative description. Hence, François Rabelais, also of the 16th century, imagines an inscription over the door of his utopian Abbey of Thélème, Here enter no hypocrites, slipping in a slighting reference to Gotz and Ostrogotz. Authorities such as Christopher Wren lent their aid in deprecating the old medieval style, the Company disapproved of several of these new manners, which are defective and which belong for the most part to the Gothic. Gothic architecture is the architecture of the medieval period, characterised by use of the pointed arch. As an architectural style, Gothic developed primarily in ecclesiastical architecture, the greatest number of surviving Gothic buildings are churches. The Gothic style is most particularly associated with the cathedrals of Northern France. At the end of the 12th century, Europe was divided into a multitude of city states, norway came under the influence of England, while the other Scandinavian countries and Poland were influenced by trading contacts with the Hanseatic League. Angevin kings brought the Gothic tradition from France to Southern Italy, throughout Europe at this time there was a rapid growth in trade and an associated growth in towns. Germany and the Lowlands had large flourishing towns that grew in comparative peace, in trade and competition with other, or united for mutual weal. Civic building was of importance to these towns as a sign of wealth. England and France remained largely feudal and produced grand domestic architecture for their kings, dukes and bishops, the Catholic Church prevailed across Europe at this time, influencing not only faith but also wealth and power. Bishops were appointed by the lords and they often ruled as virtual princes over large estates. The early Medieval periods had seen a growth in monasticism, with several different orders being prevalent. Foremost were the Benedictines whose great abbey churches vastly outnumbered any others in France, a part of their influence was that towns developed around them and they became centers of culture, learning and commerce
12.
Romanesque architecture
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Romanesque Architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the date of the Romanesque style, with proposals ranging from the 6th to the late 10th century. It developed in the 12th century into the Gothic style, marked by pointed arches, examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman Architecture. The Romanesque style in England is traditionally referred to as Norman architecture, each building has clearly defined forms, frequently of very regular, symmetrical plan, the overall appearance is one of simplicity when compared with the Gothic buildings that were to follow. The style can be identified right across Europe, despite regional characteristics, Many castles were built during this period, but they are greatly outnumbered by churches. The most significant are the great churches, many of which are still standing, more or less complete. The largest groups of Romanesque survivors are in areas that were less prosperous in subsequent periods, including parts of southern France, northern Spain and rural Italy. According to the Oxford English Dictionary, the word Romanesque means descended from Roman and was first used in English to designate what are now called Romance languages, Romance language is not degenerated Latin language. Latin language is degenerated Romance language, Romanesque architecture is not debased Roman architecture. Roman architecture is debased Romanesque architecture, the first use in a published work is in William Gunns An Inquiry into the Origin and Influence of Gothic Architecture. The term is now used for the more restricted period from the late 10th to 12th centuries, Many castles exist, the foundations of which date from the Romanesque period. Most have been altered, and many are in ruins. By far the greatest number of surviving Romanesque buildings are churches, the scope of Romanesque architecture Romanesque architecture was the first distinctive style to spread across Europe since the Roman Empire. In the more northern countries Roman building styles and techniques had never been adopted except for official buildings, although the round arch continued in use, the engineering skills required to vault large spaces and build large domes were lost. There was a loss of continuity, particularly apparent in the decline of the formal vocabulary of the Classical Orders. In Rome several great Constantinian basilicas continued in use as an inspiration to later builders, the largest building is the church, the plan of which is distinctly Germanic, having an apse at both ends, an arrangement not generally seen elsewhere. Another feature of the church is its regular proportion, the plan of the crossing tower providing a module for the rest of the plan. These features can both be seen at the Proto-Romanesque St. Michaels Church, Hildesheim, 1001–1030, the style, sometimes called First Romanesque or Lombard Romanesque, is characterised by thick walls, lack of sculpture and the presence of rhythmic ornamental arches known as a Lombard band
13.
Baroque architecture
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It was characterized by new explorations of form, light and shadow, and dramatic intensity. Baroque architecture and its embellishments were on the one hand more accessible to the emotions and on the other hand, the new style manifested itself in particular in the context of the new religious orders, like the Theatines and the Jesuits who aimed to improve popular piety. The architecture of the High Roman Baroque can be assigned to the reigns of Urban VIII, Innocent X and Alexander VII. Dissemination of Baroque architecture to the south of Italy resulted in variations such as Sicilian Baroque architecture or that of Naples. To the north, the Theatine architect Camillo-Guarino Guarini, Bernardo Vittone and Sicilian born Filippo Juvarra contributed Baroque buildings to the city of Turin and the Piedmont region. A synthesis of Bernini, Borromini and Cortona’s architecture can be seen in the late Baroque architecture of northern Europe which paved the way for the more decorative Rococo style. During the 17th century, Baroque architecture spread through Europe and Latin America, michelangelos late Roman buildings, particularly St. Peters Basilica, may be considered precursors to Baroque architecture. Colonialism required the development of centralized and powerful governments with Spain and France, the initial mismanagement of colonial wealth by the Spaniards bankrupted them in the 16th century, recovering only slowly in the following century. While this was good for the industries and the arts, the new wealth created an inflation. Rome was known just as much for its new sumptuous churches as for its vagabonds, one of the first Roman structures to break with the Mannerist conventions exemplified in the Gesù, was the church of Santa Susanna, designed by Carlo Maderno. The dynamic rhythm of columns and pilasters, central massing, there is an incipient playfulness with the rules of classic design, but it still maintains rigor. These concerns are more evident in his reworking of Santa Maria della Pace. Probably the most well known example of such an approach is Saint Peters Square, the piazza, designed by Gian Lorenzo Bernini, is formed principally by two colonnades of free standing columns centred on an Egyptian obelisk. Berninis own favourite design was his church of SantAndrea al Quirinale decorated with polychome marbles. His secular architecture included the Palazzo Barberini based on plans by Maderno, Berninis rival, the architect Francesco Borromini, produced designs that deviated dramatically from the regular compositions of the ancient world and Renaissance. His building plans were based on geometric figures, his architectural forms were unusual and inventive. Borrominis architectural spaces seem to expand and contract when needed, showing some affinity with the style of Michelangelo. A later work, the church of SantIvo alla Sapienza, displays the same playful inventiveness and antipathy to the flat surface, following the death of Bernini in 1680, Carlo Fontana emerged as the most influential architect working in Rome
14.
Renaissance architecture
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Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the style was carried to France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Italy of the 15th century, and the city of Florence in particular, was home to the Renaissance, the scholarly approach to the architecture of the ancient coincided with the general revival of learning. A number of factors were influential in bringing this about, Italian architects had always preferred forms that were clearly defined and structural members that expressed their purpose. Many Tuscan Romanesque buildings demonstrate these characteristics, as seen in the Florence Baptistery, Italy had never fully adopted the Gothic style of architecture. In the 15th century, Florence, Venice and Naples extended their power through much of the area that surrounded them and this enabled Florence to have significant artistic influence in Milan, and through Milan, France. Successive Popes, especially Julius II, 1503–13, sought to extend the Pope’s temporal power throughout Italy, in the early Renaissance, Venice controlled sea trade over goods from the East. Trade brought wool from England to Florence, ideally located on the river for the production of fine cloth, by dominating Pisa, Florence gained a seaport, and also maintained dominance of Genoa. In this commercial climate, one family in particular turned their attention from trade to the business of money-lending. The Medici became the chief bankers to the princes of Europe, becoming virtually princes themselves as they did so, along the trade routes, and thus offered some protection by commercial interest, moved not only goods but also artists, scientists and philosophers. This commenced in the mid 15th century and gained momentum in the 16th century, the construction of the Sistine Chapel with its uniquely important decorations and the entire rebuilding of St Peters, one of Christendoms most significant churches, were part of this process. In wealthy republican Florence, the impetus for church-building was more civic than spiritual, the unfinished state of the enormous cathedral dedicated to the Blessed Virgin Mary did no honour to the city under her patronage. The dome inspired further religious works in Florence, through Humanism, civic pride and the promotion of civil peace and order were seen as the marks of citizenship. Some major ecclesiastical building works were commissioned, not by the church. During the Renaissance, architecture became not only a question of practice, printing played a large role in the dissemination of ideas. The first treatise on architecture was De re aedificatoria by Leon Battista Alberti in 1450 and it was to some degree dependent on Vitruviuss De architectura, a manuscript of which was discovered in 1414 in a library in Switzerland. De re aedificatoria in 1485 became the first printed book on architecture, Sebastiano Serlio produced the next important text, the first volume of which appeared in Venice in 1537, it was entitled Regole generali darchitettura. It is known as Serlios Fourth Book since it was the fourth in Serlios original plan of a treatise in seven books, in all, five books were published
15.
Mary, mother of Jesus
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Mary, also known by various titles, styles and honorifics, was a 1st-century Galilean Jewish woman of Nazareth and the mother of Jesus, according to the New Testament and the Quran. The gospels of Matthew and Luke in the New Testament and the Quran describe Mary as a virgin, the miraculous birth took place when she was already betrothed to Joseph and was awaiting the concluding rite of marriage, the formal home-taking ceremony. She married Joseph and accompanied him to Bethlehem, where Jesus was born, the Gospel of Luke begins its account of Marys life with the Annunciation, when the angel Gabriel appeared to her and announced her divine selection to be the mother of Jesus. According to canonical gospel accounts, Mary was present at the crucifixion and is depicted as a member of the early Christian community in Jerusalem. According to the Catholic and Orthodox teaching, at the end of her life her body was assumed directly into Heaven. Mary has been venerated since Early Christianity, and is considered by millions to be the most meritorious saint of the religion and she is claimed to have miraculously appeared to believers many times over the centuries. The Eastern and Oriental Orthodox, Roman Catholic, Anglican, and Lutheran churches believe that Mary, there is significant diversity in the Marian beliefs and devotional practices of major Christian traditions. The Roman Catholic Church holds distinctive Marian dogmas, namely her status as the Mother of God, her Immaculate Conception, her perpetual virginity, many Protestants minimize Marys role within Christianity, based on the argued brevity of biblical references. Mary also has a position in Islam, where one of the longer chapters of the Quran is devoted to her. Marys name in the manuscripts of the New Testament was based on her original Aramaic name ܡܪܝܡ. The English name Mary comes from the Greek Μαρία, which is a form of Μαριάμ. Both Μαρία and Μαριάμ appear in the New Testament, in Christianity, Mary is commonly referred to as the Virgin Mary, in accordance with the belief that she conceived Jesus miraculously through the Holy Spirit without her husbands involvement. The three main titles for Mary used by the Orthodox are Theotokos, Aeiparthenos as confirmed in the Second Council of Constantinople in 553, Catholics use a wide variety of titles for Mary, and these titles have in turn given rise to many artistic depictions. For example, the title Our Lady of Sorrows has inspired such masterpieces as Michelangelos Pietà, the title Theotokos was recognized at the Council of Ephesus in 431. However, this phrase in Greek, in the abbreviated form ΜΡ ΘΥ, is an indication commonly attached to her image in Byzantine icons. The Council stated that the Church Fathers did not hesitate to speak of the holy Virgin as the Mother of God, some Marian titles have a direct scriptural basis. For instance, the title Queen Mother has been given to Mary since she was the mother of Jesus, the scriptural basis for the term Queen can be seen in Luke 1,32 and the Isaiah 9,6. Queen Mother can be found in 1 Kings 2, 19-20 and Jeremiah 13, other titles have arisen from reported miracles, special appeals or occasions for calling on Mary
16.
Roman Catholic
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The Catholic Church, also known as the Roman Catholic Church or the Universal Church, is the largest Christian church, with more than 1.28 billion members worldwide. As one of the oldest religious institutions in the world, it has played a prominent role in the history, headed by the Bishop of Rome, known as the Pope, the churchs doctrines are summarised in the Nicene Creed and the Apostles Creed. Its central administration is located in Vatican City, enclaved within Rome, the Catholic Church is notable within Western Christianity for its sacred tradition and seven sacraments. It teaches that it is the one church founded by Jesus Christ, that its bishops are the successors of Christs apostles. The Catholic Church maintains that the doctrine on faith and morals that it declares as definitive is infallible. The Latin Church, the Eastern Catholic Churches, as well as such as mendicant orders and enclosed monastic orders. Among the sacraments, the one is the Eucharist, celebrated liturgically in the Mass. The church teaches that through consecration by a priest the sacrificial bread and wine become the body, the Catholic Church practises closed communion, with only baptised members in a state of grace ordinarily permitted to receive the Eucharist. The Virgin Mary is venerated in the Catholic Church as Queen of Heaven and is honoured in numerous Marian devotions. The Catholic Church has influenced Western philosophy, science, art and culture, Catholic spiritual teaching includes spreading the Gospel while Catholic social teaching emphasises support for the sick, the poor and the afflicted through the corporal and spiritual works of mercy. The Catholic Church is the largest non-government provider of education and medical services in the world, from the late 20th century, the Catholic Church has been criticised for its doctrines on sexuality, its refusal to ordain women and its handling of sexual abuse cases. Catholic was first used to describe the church in the early 2nd century, the first known use of the phrase the catholic church occurred in the letter from Saint Ignatius of Antioch to the Smyrnaeans, written about 110 AD. In the Catechetical Discourses of Saint Cyril of Jerusalem, the name Catholic Church was used to distinguish it from other groups that call themselves the church. The use of the adjective Roman to describe the Church as governed especially by the Bishop of Rome became more widespread after the Fall of the Western Roman Empire and into the Early Middle Ages. Catholic Church is the name used in the Catechism of the Catholic Church. The Catholic Church follows an episcopal polity, led by bishops who have received the sacrament of Holy Orders who are given formal jurisdictions of governance within the church. Ultimately leading the entire Catholic Church is the Bishop of Rome, commonly called the pope, in parallel to the diocesan structure are a variety of religious institutes that function autonomously, often subject only to the authority of the pope, though sometimes subject to the local bishop. Most religious institutes only have male or female members but some have both, additionally, lay members aid many liturgical functions during worship services
17.
Archaeology
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Archaeology, or archeology, is the study of human activity through the recovery and analysis of material culture. The archaeological record consists of artifacts, architecture, biofacts or ecofacts, Archaeology can be considered both a social science and a branch of the humanities. In North America, archaeology is considered a sub-field of anthropology, archaeologists study human prehistory and history, from the development of the first stone tools at Lomekwi in East Africa 3.3 million years ago up until recent decades. Archaeology as a field is distinct from the discipline of palaeontology, Archaeology is particularly important for learning about prehistoric societies, for whom there may be no written records to study. Prehistory includes over 99% of the human past, from the Paleolithic until the advent of literacy in societies across the world, Archaeology has various goals, which range from understanding culture history to reconstructing past lifeways to documenting and explaining changes in human societies through time. The discipline involves surveying, excavation and eventually analysis of data collected to learn more about the past, in broad scope, archaeology relies on cross-disciplinary research. Archaeology developed out of antiquarianism in Europe during the 19th century, Archaeology has been used by nation-states to create particular visions of the past. Nonetheless, today, archaeologists face many problems, such as dealing with pseudoarchaeology, the looting of artifacts, a lack of public interest, the science of archaeology grew out of the older multi-disciplinary study known as antiquarianism. Antiquarians studied history with attention to ancient artifacts and manuscripts. Tentative steps towards the systematization of archaeology as a science took place during the Enlightenment era in Europe in the 17th and 18th centuries, in Europe, philosophical interest in the remains of Greco-Roman civilization and the rediscovery of classical culture began in the late Middle Age. Antiquarians, including John Leland and William Camden, conducted surveys of the English countryside, one of the first sites to undergo archaeological excavation was Stonehenge and other megalithic monuments in England. John Aubrey was a pioneer archaeologist who recorded numerous megalithic and other monuments in southern England. He was also ahead of his time in the analysis of his findings and he attempted to chart the chronological stylistic evolution of handwriting, medieval architecture, costume, and shield-shapes. Excavations were also carried out in the ancient towns of Pompeii and Herculaneum and these excavations began in 1748 in Pompeii, while in Herculaneum they began in 1738. The discovery of entire towns, complete with utensils and even human shapes, however, prior to the development of modern techniques, excavations tended to be haphazard, the importance of concepts such as stratification and context were overlooked. The father of archaeological excavation was William Cunnington and he undertook excavations in Wiltshire from around 1798, funded by Sir Richard Colt Hoare. Cunnington made meticulous recordings of neolithic and Bronze Age barrows, one of the major achievements of 19th century archaeology was the development of stratigraphy. The idea of overlapping strata tracing back to successive periods was borrowed from the new geological and paleontological work of scholars like William Smith, James Hutton, the application of stratigraphy to archaeology first took place with the excavations of prehistorical and Bronze Age sites
18.
Facade
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A façade is generally one exterior side of a building, usually, but not always, the front. It is a loan word from the French façade, which means frontage or face. In architecture, the façade of a building is often the most important aspect from a design standpoint, from the engineering perspective of a building, the façade is also of great importance due to its impact on energy efficiency. For historical façades, many local zoning regulations or other laws restrict or even forbid their alteration. The word comes from the French foreign loan word façade, which in turn comes from the Italian facciata, from faccia meaning face, the earliest usage recorded by the Oxford English Dictionary is 1656. It was quite common in the Georgian period for existing houses in English towns to be given a fashionable new façade, in modern highrise building, the exterior walls are often suspended from the concrete floor slabs. Examples include curtain walls and precast concrete walls, the façade can at times be required to have a fire-resistance rating, for instance, if two buildings are very close together, to lower the likelihood of fire spreading from one building to another. In general, the systems that are suspended or attached to the precast concrete slabs will be made from aluminium or stainless steel. In recent years more lavish materials such as titanium have sometimes been used, whether rated or not, fire protection is always a design consideration. The melting point of aluminium,660 °C, is reached within minutes of the start of a fire. Firestops for such building joints can be qualified, too, putting fire sprinkler systems on each floor has a profoundly positive effect on the fire safety of buildings with curtain walls. Some building codes also limit the percentage of area in exterior walls. When the exterior wall is not rated, the slab edge becomes a junction where rated slabs are abutting an unrated wall. For rated walls, one may also choose rated windows and fire doors, on a film set and within most themed attractions, many of the buildings are only façades, which are far cheaper than actual buildings, and not subject to building codes. In film sets, they are held up with supports from behind. Within theme parks, they are usually decoration for the interior ride/attraction/restaurant, by Ulrich Knaack, Tillmann Klein, Marcel Bilow and Thomas Auer. ISBN 978-3-7643-7961-2 ISBN 978-3-7643-7962-9 Giving buildings an illusion of grandeur Poole, the article outlines the development of the façade in ecclesiastical architecture from the early Christian period to the Renaissance
19.
Refectory
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A refectory is a dining room, especially in monasteries, boarding schools, and academic institutions. One of the places the term is most often used today is in graduate seminaries and it derives from the Latin reficere to remake or restore, via Late Latin refectorium, which means a place one goes to be restored. Communal meals are the times when all monks of an institution are together, diet and eating habits differ somewhat by monastic order, and more widely by schedule. The Rule of St Benedict orders two meals, dinner is provided for year-round, supper is also served from late spring to early fall, except for Wednesdays and Fridays. The diet originally consisted of simple fare, two dishes, with fruit as a course if available. The food was simple, with the meat of mammals forbidden to all, moderation in all aspects of diet is the spirit of Benedicts law. Meals are eaten in silence, facilitated sometimes by hand signals, a single monk might read from the Scriptures or writings of the saints aloud during the meals. Refectories vary in size and dimension, based primarily on wealth and size of the monastery, monks eat at long benches, important officials sit at raised benches at one end of the hall. A lavabo, or large basin for hand-washing usually stands outside the refectory, in England, the refectory is generally built on an undercroft on the side of the cloister opposite the church. Benedictine models are generally laid out on an east–west axis. Norman refectories could be as large as 160 feet long by 35 feet wide, even relatively early refectories might have windows, but these became larger and more elaborate in the high medieval period. The refectory at Cluny Abbey was lit through thirty-six large glazed windows, the twelfth-century abbey at Mont Saint-Michel had six windows, five feet wide by twenty feet high. In Eastern Orthodox monasteries, the Trapeza is considered a sacred place, some services are intended to be performed specifically in the Trapeza. There is always at least one Icon with a lampada kept burning in front of it, the service of the Lifting of the Panagia is performed at the end of meals. During Bright Week, this service is replaced with the Lifting of the Artos, in some monasteries, the Ceremony of Forgiveness at the beginning of Great Lent is performed in the Trapeza. All food served in the Trapeza should be blessed, and for that purpose and this usage is particularly prevalent in Church of England buildings, which use the takings to supplement their income. Many universities in the UK also call their student cafeteria or dining facilities the refectory, the term is rare at American colleges, although Brown University calls its main dining hall the Sharpe Refectory. Refectory table Adams, Henry, Mont Saint-Michel and Chartres, living and Dying in England, 1100-1450
20.
Kingdom of Navarre
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The medieval Kingdom of Pamplona was formed when the native chieftain Íñigo Arista was elected or declared King in Pamplona, and led a revolt against the regional Frankish authority. The southern part of the kingdom was conquered by the Crown of Castile in 1512, the monarchs of this unified state took the title King of France and Navarre until its fall in 1792, and again during the Bourbon Restoration from 1814 until 1830. There are similar earlier toponyms but the first documentation of Latin navarros appears in Eginhards chronicle of the feats of Charles the Great, other Royal Frankish Annals give nabarros. Basque naba/Castilian nava + Basque herri, the linguist Joan Coromines consider naba as not clearly Basque in origin but as part of a wider pre-Roman substrate. The area was conquered by the Romans by 74 BC. It was first part of the Roman province of Citerior, then of the Tarraconensis province, after that it was part of the conventus Caesaraugustanus. The Roman empire influenced the area in urbanization, language, infrastructure, commerce, after the decline of the Western Roman Empire, neither the Visigoths nor the Arabs succeeded in permanently occupying the western Pyrenees. The western Pyrenees passages were the only ones allowing good transit through the mountains and that made the region strategically important from early in its history. The Franks under Charlemagne extended their influence and control towards the south, occupying several regions of the north and it is not clear how solid the Frankish control over Pamplona was. In response, the Cordoban Emirate launched a campaign to place the region under their firm control and it placed a muwallad governor, Mutarrif ibn Musa, in Pamplona. The same year the Basque leader, Jimeno the Strong, submitted to the Emir, in 799, Mutarrif ibn Musa was killed by a pro-Frankish faction whose leader Velasco gained control of the region. In 806 and 812 Pamplona fell into the Franks hands, due to difficulties at home, the Frankish rulers could not give full attention to the outlying borderlands, and the country gradually withdrew entirely from their allegiance. In 816, Louis the Pious removed Seguin as Duke of Vasconia, the rebel Garcia Jiménez arose in his place, and was killed in turn in 818. Louis son Pepin, then King of Aquitaine, stamped out the Vasconic revolt in Gascony and he next hunted the chieftains who had taken refuge in southern Vasconia, i. e. Pamplona and Navarre, no longer controlled by the Franks. He sent an army led by the counts Aeblus and Aznar-Sanchez, on the way back, however, they were ambushed and defeated in Roncesvaux by a probable joint Vasconic-Banu Qasi force. Out of this pattern of resistance against both Frankish and Cordoban interests, the Basque chieftain Íñigo Arista took power, tradition tells he was elected as king of Pamplona in 824, giving rise to a dynasty of kings in Pamplona that would last for eighty years. Pamplona and Navarre are cited as separate entities in a Frankish Carolingian chronicle, Pamplona is cited in 778 by another Frankish account as a Navarrese stronghold, while this may be put down to their vague knowledge of the Basque territory. They distinguished Navarre and its main town in 806 though, while the Chronicle of Fontenelle quotes Induonis et Mitionis, however, Arab chroniclers make no such distinctions, and just talk of the Baskunisi, a transliteration of Vascones, since a big majority of the population was Basque
21.
Cortes Generales
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The Cortes Generales is the legislature of Spain. It is a parliament, composed of the Congress of Deputies. The Cortes has power to any law and to amend the constitution. Moreover, the house has the power to confirm and dismiss the President of the Government. The system of Cortes arose in the Middle Ages as part of feudalism, a Corte was an advisory council made up of the most powerful feudal lords closest to the king. The Cortes of León was the first parliamentary body in Western Europe, from 1230, the Cortes of Leon and Castile were merged, though the Cortes power was decreasing. Prelates, nobles and commoners remained separated in the three estates within the Cortes, with the reappearance of the cities near the 12th century, a new social class started to grow, people living in the cities were neither vassals nor nobles themselves. Furthermore, the nobles were experiencing very hard times due to the Reconquista, so now the bourgeoisie had the money. So the King started admitting representatives from the cities to the Cortes in order to get money for the Reconquista. The frequent payoffs were the Fueros, grants of autonomy to the cities, at this time the Cortes already had the power to oppose the Kings decisions, thus effectively vetoing them. In addition, some representatives were permanent advisors to the King, isabella I of Castile and Ferdinand II of Aragon, the Catholic Monarchs, started a specific policy to diminish the power of the bourgeoisie and nobility. They greatly reduced the powers of the Cortes to the point where they simply rubberstamped the monarchs acts, one of the major points of friction between the Cortes and the monarchs was the power of raising and lowering taxes. The role of the Cortes during the Spanish Empire was mainly to rubberstamp the decisions of the ruling monarch, however, they had some power over economic and American affairs, especially taxes. This allowed the Cortes to become influential, even when they did not directly oppose the Kings decisions. The abolition in the realms of Aragon was completed by 1716, Cortes existed in each of Aragon, Catalonia, Valencia and Navarre. It is thought that these legislatures exercised more power over local affairs than the Castilian Cortes did. Executive councils also existed in each of these realms, which were tasked with overseeing the implementation of decisions made by the Cortes. Thus, the Cortes in Spain did not develop towards a system as in the British case
22.
Abd-ar-Rahman III
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Abd-ar-Rahman III was the Emir and Caliph of Córdoba of the Umayyad dynasty in al-Andalus. Called al-Nasir li-Din Allah, he ascended the throne in his early 20s, Abd ar-Rahman was born in Córdoba, the grandson of Abdullah, seventh independent Umayyad emir of Al-Andalus. His parents were Abdullahs son Muhammad and Muzna, a Christian concubine and his paternal grandmother was also a Christian, the royal infanta Onneca Fortúnez, daughter of the captive king Fortún Garcés of Pamplona. Abd ar-Rahman was thus nephew in the half-blood of queen Toda of Navarre, white skin, blue eyes and attractive face, good looking, although somewhat sturdy and stout. His legs were short, to the point that the stirrups of his saddle were mounted just one palm under it, when mounted, he looked tall, but on his feet he was quite short. Muhammad was assassinated by his brother Al-Mutarrif, who had grown jealous of the favour Muhammad had gained in the eyes of their father Abdallah. Al-Mutarrif had accused Muhammad of plotting with the rebel Umar ibn Hafsun, according to some sources, the emir himself was behind Muhammads fall, as well as Al-Mutarrifs death in 895. Abd ar-Rahman spent his youth in his mothers harem, Al-Mutarrifs sister, known as al-Sayyida, was entrusted with his education. She made sure that Abd ar-Rahmans education was conducted with some rigor, Emir Abdallah died at the age of 72. Despite the fact that four of his sons were alive at the time of his death, Abdallah instead chose as his successor his grandson, Abd al-Rahman III. Most importantly Abdallah gave Abd al-Rahman his ring, the symbol of power, Abd al-Rahman succeeded Abdallah the day after his death,16 October 912. Historiographers of the time, such as al-Bayan lMogrib and the Cronica anonima de Abd-ar-Rahman III, at the time, Abd al-Rahman was about 21 or 22 years old. He inherited an emirate on the verge of dissolution, his power extending not far beyond the vicinity of Córdoba, to the north, the Christian Kingdom of Asturias was continuing its program of Reconquista in the Duero valley. To the south in Ifriqiya, the Fatimids had created an independent caliphate that threatened to attract the allegiance of the Muslim population, on the internal front the discontented Muladi families represented a constant danger for the Córdoban emir. The most powerful of the latter was Umar ibn Hafsun, who, from his fortress of Bobastro. From the very early stages of his reign, Abd ar-Rahman showed a firm resolve to quash the rebels of Al-Andalus, consolidate centralized power, within 10 days of taking the throne, he exhibited the head of a rebel leader in Cordoba. From this point on he led expeditions against the northern and southern tribes to maintain control over them. To accomplish his aims he introduced into the court the saqalibah, the saqalibah represented a third ethnic group that could neutralize the endless strife between his subjects of Muslim Arab heritage, and those of Muslim Berber heritage
23.
Sancho III of Pamplona
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Sancho Garcés III, also known as Sancho the Great, was the King of Pamplona from 1004 until his death in 1035. He also ruled the County of Aragon and by marriage the counties of Castile, Álava and he later added the County of Cea in 1030 and the counties of Sobrarbe and Ribagoza. He would later intervene in the Kingdom of León, taking the capital city and he was the eldest son of García Sánchez II and his wife Jimena Fernández. The year of Sanchos birth is not known, but it is no earlier than 992 and his parents were García Sánchez II the Tremulous and Jimena Fernández, daughter of Fernando Bermúdez, count of Cea on the Galician frontier. García and Jimena are first recorded as married in 992, the first record of the future king is a diploma of his fathers granting the village of Terrero to the monastery of San Millán de la Cogolla. The king describes Sancho merely as my son, the same diploma also shows the future duke of Gascony, Sancho VI, at the court of Pamplona. His father last appears in 1000, while Sancho is first found as king in 1004, on his succession, Sancho initially ruled under a council of regency led by the bishops, his mother Jimena, and grandmother Urraca Fernández. Sancho aspired to unify the Christian principalities in the face of the fragmentation of Muslim Spain into the taifa kingdoms following the Battle of Calatañazor, in about 1010 he married Muniadona of Castile, daughter of Sancho García of Castile, and in 1015 he began a policy of expansion. He displaced Muslim control in the former county of Sobrarbe. Raymond and Mayor annulled their marriage, creating a further division finally resolved in 1025 when Mayor retired to a Castilian convent and he also forced Berengar Raymond I of Barcelona to become his vassal, though he was already a vassal of the French king. Berengar met Sancho in Zaragoza and in Navarre many times to confer on a policy against the counts of Toulouse. In 1016, Sancho fixed the border between Navarre and Castile, part of the relationship he established by marrying Muniadona, daughter of Sancho García of Castile. In 1017, he became the protector of Castile for the young García Sánchez, however, relations between the three Christian entities of León, Castile, and Navarre soured after the assassination of Count García in 1027. He had been bethrothed to Sancha, daughter of Alfonso V, as García arrived in León for his wedding, he was killed by the sons of a noble he had expelled from his lands. Sancho III had opposed the wedding and the expansion of Leonese power to Castile. Sancho established relations with the Duchy of Gascony, probably of a suzerain–vassal nature, in consequence of his relationship with the monastery of Cluny, he improved the road from Gascony to León. This road would begin to bring increased traffic down to Iberia as pilgrims flocked to Santiago de Compostela, because of this, Sancho ranks as one of the first great patrons of the Saint James Way. Sancho VI of Gascony was a relative of King Sancho and spent a portion of his life at the court in Pamplona
24.
Cruciform
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Cruciform means having the shape of a cross or Christian cross. Christian churches are described as having a cruciform architecture. In the Western churches, a cruciform architecture usually, though not exclusively and this layout comprises the following, An east end, containing an altar and often with an elaborate, decorated window, through which light will shine in the early part of the day. A west end, which contains a baptismal font, being a large decorated bowl, in which water can be firstly, blessed. North and south transepts, being arms of the cross and often containing rooms for gathering, small chapels, or in many cases other necessities such as an organ. The crossing, which in later designs often was under a tower or dome, in churches that are not oriented with the altar at the geographical east end, it is usual to refer to the altar end as liturgical east and so forth. Another example of ancient cruciform architecture can be found in Herods temple, DNA can undergo transitions to form a cruciform shape, otherwise known as a Holliday junction. This structure is important for the biological processes of DNA recombination. A cruciform joint is a joint in which 4 spaces are created by the welding of 3 plates of metal at right angles. A cruciform manuscript was a form of Anglo-Saxon / Insular manuscript written with the words in a block shaped like a cross. In music, a melody of four pitches where a line drawn between the outer pair bisects a straight line drawn between the inner pair, thus forming a cross. In its simplest form, the melody is a changing tone. Often representative of the Christian cross, such melodies are cruciform in their retrogrades or inversions, johann Sebastian Bach, whose last name may be represented in tones through a musical cryptogram known as the BACH motif that is a cruciform melody, employed the device extensively. The subject of the fugue in c-sharp minor from The Well-Tempered Clavier Book I is cruciform, the plain sword used by knights, distinctive due to the flat bar used as a guard. The overall shape of the sword when held point down is that of a cross and it is believed this shape was encouraged by the church to remind Knights of their religion. It was however very popular due to the protection it offered to the hand, some airplanes use a cruciform tail design, wherein the horizontal stabilizer is positioned midway up the vertical stabilizer, forming a cruciform shape when viewed from the front or rear. Some examples are the F-9 Cougar, the F-10 Skyknight and the Sud Aviation Caravelle, cruciform web designs use a cross-shaped web page that expands to fill the width and height of the web browser window. There are a number of different approaches to implementing them, in addition to common cross-shaped products, such as key chains and magnets, certain designers have gone so far as to create cruciform devices and accessories
25.
Nave
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The nave /ˈneɪv/ is the central aisle of a basilica church, or the main body of a church between its western wall and its chancel. It is the zone of a church accessible by the laity, the nave extends from the entry — which may have a separate vestibule — to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave and it provides the central approach to the high altar. The term nave is from medieval Latin navis, a ship was an early Christian symbol. The term may also have suggested by the keel shape of the vaulting of a church. The earliest churches were built when builders were familiar with the form of the Roman basilica and it had a wide central area, with aisles separated by columns, and with windows near the ceiling. Old St. Peters Basilica in Rome is a church which had this form. It was built in the 4th century on the orders of Roman emperor Constantine I, the nave, the main body of the building, is the section set apart for the laity, while the chancel is reserved for the clergy. In medieval churches the nave was separated from the chancel by the rood screen, medieval naves were divided into bays, the repetition of form giving an effect of great length, and the vertical element of the nave was emphasized. During the Renaissance, in place of dramatic effects there were more balanced proportions, longest nave in Denmark, Aarhus Cathedral,93 metres. Longest nave in England, St Albans Cathedral, St Albans,84 metres, longest nave in Ireland, St Patricks Cathedral, Dublin,91 metres. Longest nave in France, Bourges Cathedral,91 metres, including choir where a crossing would be if there were transepts, longest nave in Germany, Cologne cathedral,58 metres, including two bays between the towers. Longest nave in Italy, St Peters Basilica in Rome,91 metres, longest nave in Spain, Seville,60 metres, in five bays. Longest nave in the United States, Cathedral of Saint John the Divine, New York City, highest vaulted nave, Beauvais Cathedral, France,48 metres high but only one bay of the nave was actually built but choir and transepts were completed to the same height. Highest completed nave, Rome, St. Peters, Italy,46 metres high, abbey, with architectural discussion and groundplans Cathedral architecture Cathedral diagram List of highest church naves
26.
Rib vault
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This technique was new in the late eleventh century, for example in the roofs of the choir side-aisles at Durham Cathedral. Romanesque ancestors of the Gothic rib vault in the can be found in early Gothic constructions at Cefalù, Caen, Durham, some ribbed vaults even have six sections in each bay. These advances in vaulting allowed for the addition of windows higher up in the walls, in the clerestory. Early Gothic buildings commonly display ribbed vaulting made of stone for the support of the weight of a wooden ceiling, stone ceilings are stronger, for example, the chapter house at Southwell Minster has stone vaulting and no central pillar. Examples of cathedrals in England that incorporate early Gothic style features can be found in Salisbury, Lincoln, Southwell in Nottinghamshire, Wells, Bristol, Norwich and Worcester. Gothic style was used by cathedral builders and two continental examples are the cathedral at Reims and the Sint Niklaaskerk in Ghent. Hitherto the intersecting features were geometrical surfaces, of which the diagonal groins were the intersections, elliptical in form, generally weak in construction and often twisting. To meet this, at first the transverse and wall ribs were stilted, or the part of their arches was raised, as in the Abbaye-aux-Hommes at Caen. When employed for the ribs of a vault, however narrow the span might be, by adopting a pointed arch, the first introduction of the pointed-arch rib took place at Durham Cathedral and pre-dated the vaulting of compartments of varying shapes seen at the Abbey of St. Denis. It was in the church at Vezelay that it was extended to the bay of the porch. To provide a supplementary rib across the church and between the transverse ribs and this resulted in what is known as a sexpartite, or six-celled vault, of which one of the earliest examples is found in the Abbaye-aux-Hommes at Caen. In England sexpartite vaults exist at Canterbury, Rochester, Lincoln, Durham, fig.9 is a diagram made by Professor Willis taken from the south transept of Westminster Abbey. The horizontal courses rise to N. or about half the height of the vault, as soon as the ribs were completed, the web or stone shell of the vault was laid on them. In some English work, as may be seen in fig, in France, on the other hand, the web courses were always laid horizontally, and they are therefore of unequal height, increasing towards the diagonal rib. In both English and French vaulting centering was rarely required for the building of the web, a template being employed to support the stones of each ring until it was complete. In Italy, Germany and Spain the French method of building the web was adopted, with horizontal courses and a domical form. One of the earliest examples of the introduction of the rib is found in the nave of Lincoln Cathedral. There is more information on the rib vault at the article for vaulting
27.
French Gothic architecture
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French Gothic architecture is a style of architecture prevalent in France from 1140 until about 1500. Consequently, it is difficult to declare one building as a member of a certain era of Gothic architecture. It is more useful to use the terms to describe specific elements within a structure and this style began in 1140 and was characterized by the adoption of the pointed arch and transition from late Romanesque architecture. To heighten the wall, builders divided it into four tiers, arcade, gallery, triforium, to support the higher wall builders invented the flying buttresses, which reached maturity only at High Gothic during the 13th century. The vaults were six ribbed sexpartite vaults and this 13th-century style canonized proportions and shapes from early Gothic and developed them further to achieve light, yet tall and majestic structures. The wall elevation was modified from four to three tiers, arcade, triforium, and clerestory. Piers coronations were smaller to avoid stopping the visual upward thrust, the clerestorey windows changed from one window in each segment, holed in the wall, to two windows united by a small rose window. The rib vault changed from six to four ribs, the portal sculpture of Burgundy integrates Classical, literary elements with its 13th century Gothic style. This style is characterized by a nave and has no transept. The Palais des Papes in Avignon is the best complete large royal palace and parts of the famous Conciergerie, former palace of the kings of France in Paris. The house of the wealthy early 15th-century merchant Jacques Coeur in Bourges, is the classic Gothic bourgeois mansion, full of the asymmetry, the living and working parts of many monastic buildings survive, for example at Mont Saint-Michel
28.
Tomb
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A tomb is a repository for the remains of the dead. It is generally any structurally enclosed interment space or burial chamber and its central feature is a single, prominent pillar or column, often made of stone. Sarcophagus – a stone container for a body or coffin, often decorated and perhaps part of a monument, sepulchre – a cavernous rock-cut space for interment, generally in the Jewish or Christian faiths. Tumuli are also known as barrows, burial mounds, Hügelgräber or kurgans, a cairn, might also be originally a tumulus. A long barrow is a tumulus, usually for numbers of burials. As indicated, tombs are located in or under religious buildings, such as churches. However, they may also be found in catacombs, on land or, in the case of early or pre-historic tombs. The tomb of Emperor Nintoku is the largest in the world by area, however, the Pyramid of Khufu in Egypt is the largest by volume
29.
Charles III of Navarre
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Charles III, called the Noble, was King of Navarre from 1387 to his death and Count of Évreux from 1387 to 1404, when he exchanged it for the title Duke of Nemours. He spent his reign improving the infrastructure of his kingdom, restoring Navarres pride after the reign of his father, Charles the Bad. Charles III was born at Mantes-la-Jolie and he married Eleanor, daughter of Henry II of Castile, in 1375, putting an end to the conflict between Castile and Navarre. As king, his politics were peace with France, Castile, Aragon, and England, support for the Avignon Papacy and he collaborated with Castile in a war on the Kingdom of Granada. By the Treaty of Paris, he abandoned his claims to Champagne and Brie, in 1413, he created the Cort, a sort of supreme court. He created the title Prince of Viana for the heir to the throne and he was a patron of the arts and he finished construction on the great Gothic Cathedral of Pamplona. When it comes to Navarres home policy, he decreed the unification of Pamplonas boroughs in 1423. He also built the palace at Tafalla and the Royal Palace of Olite. His sister Joanna married Henry IV of England
30.
History of wood carving
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Wood carving is one of the oldest arts of humankind. Wooden spears from the Middle Paleolithic, such as the Clacton Spear, the North American Indian carves his wooden fish-hook or his pipe stem just as the Polynesian works patterns on his paddle. Figure-work seems to have been universal, the texture of the material, too, often proves challenging to the expression of features, especially in the classic type of youthful face. On the other hand, magnificent examples exist of the rugged features of age, the beetling brows. In ancient work the surface may not have been of such consequence, for figures as a rule being painted for protection and especially color. It is not always realized at the present day to what extent color has even from the most ancient times used to enhance the effect of wood-carving. The modern Colour prejudice against gold and other tints is perhaps because painted work has been vulgarized, the arrangement of a proper and harmonious scheme of colour is not the work of the house painter, but of the specially trained artist. In the early 20th century, the Encyclopædia Britannica Eleventh Edition, on much of this entry is based, commented. The work is slow and requires substantial skill, making the works expensive. Other and cheaper methods of decoration have driven carving from its former place, machine work has much to answer for, and the endeavor to popularize the craft by means of the village class has not always achieved its own end. The gradual disappearance of the individual artist, elbowed out as he has been, the extreme dryness of the climate of Egypt accounts for the existence of a number of woodcarvings from this remote period. Some wood panels from the tomb of Hosul Egypt, at Sakkarah are of the III, the carving consists of Egyptian hieroglyphs and figures in low relief, and the style is extremely delicate and fine. A stool shown on one of the panels has the legs shaped like the fore and hind limbs of an animal, in the Cairo museum may be seen the statue of a man from the period of the Great Pyramid of Giza, possibly 4000 B. C. The expression of the face and the realism of the carriage have never been surpassed by any Egyptian sculptor of this or any other period, the figure is carved out of a solid block of sycamore, and in accordance with the Egyptian custom the arms are joined on. The IV. V. and VI. dynasties cover the finest period of Egyptian sculpture, the statues found in the tombs show a freedom of treatment which was never reached in later times. They are all portraits, which the artist strove his utmost to render exactly like his model, for these are not, like mere modern statues, simply works of art, but had primarily a religious signification. As the spirits of the deceased might inhabit, these Ka statues, sometimes the animal would be carved in the round and its hollowed body used as the case itself. Of furniture, folding seats like the camp stool, and chairs with legs terminating in the heads of beasts or the feet of animals
31.
Choir
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A choir is a musical ensemble of singers. Choral music, in turn, is the music specifically for such an ensemble to perform. Choirs may perform music from the classical repertoire, which spans from the Medieval era to the present. Most choirs are led by a conductor, who leads the performances with arm, a body of singers who perform together as a group is called a choir or chorus. The former term is often applied to groups affiliated with a church and the second to groups that perform in theatres or concert halls. Choirs may sing without instrumental accompaniment, with the accompaniment of a piano or pipe organ, with a small ensemble, choirs are often led by a conductor or choirmaster. Other than four, the most common number of parts are three, five, six, and eight, choirs can sing with or without instrumental accompaniment. Singing without accompaniment is called a cappella singing, many choirs perform in one or many locations such as a church, opera house, or school hall. In some cases choirs join up to become one mass choir that performs for a special concert, in this case they provide a series of songs or musical works to celebrate and provide entertainment to others. Conducting is the art of directing a musical performance, such as a concert, by way of visible gestures with the hands, arms, face. The primary duties of the conductor or choirmaster are to unify performers, set the tempo, execute clear preparations and beats, and to listen critically and shape the sound of the ensemble. The conductor or choral director typically stands on a raised platform, many choral conductors use their hands to conduct. In the 2010s, most conductors do not play an instrument when conducting, although in earlier periods of music history. In Baroque music from the 1600s to the 1750s, conductors performing in the 2010s may lead an ensemble while playing a harpsichord or the violin, conducting while playing a piano may also be done with musical theatre pit orchestras. Communication is typically non-verbal during a performance, however, in rehearsals, frequent interruptions allow the conductor to give verbal directions as to how the music should be sung. Conductors act as guides to the choirs they conduct and they choose the works to be performed and study their scores, to which they may make certain adjustments, work out their interpretation, and relay their vision to the singers. Choral conductors may also have to conduct instrumental ensembles such as if the choir is singing a piece for choir. They may also attend to matters, such as scheduling rehearsals, planning a concert season, hearing auditions
32.
Sculpture
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Sculpture is the branch of the visual arts that operates in three dimensions. It is one of the plastic arts, a wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or molded, or cast. However, most ancient sculpture was painted, and this has been lost. Those cultures whose sculptures have survived in quantities include the cultures of the ancient Mediterranean, India and China, the Western tradition of sculpture began in ancient Greece, and Greece is widely seen as producing great masterpieces in the classical period. During the Middle Ages, Gothic sculpture represented the agonies and passions of the Christian faith, the revival of classical models in the Renaissance produced famous sculptures such as Michelangelos David. Relief is often classified by the degree of projection from the wall into low or bas-relief, high relief, sunk-relief is a technique restricted to ancient Egypt. Relief sculpture may also decorate steles, upright slabs, usually of stone, techniques such as casting, stamping and moulding use an intermediate matrix containing the design to produce the work, many of these allow the production of several copies. The term sculpture is used mainly to describe large works. The very large or colossal statue has had an enduring appeal since antiquity, another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the head, showing just that, or the bust, small forms of sculpture include the figurine, normally a statue that is no more than 18 inches tall, and for reliefs the plaquette, medal or coin. Sculpture is an important form of public art, a collection of sculpture in a garden setting can be called a sculpture garden. One of the most common purposes of sculpture is in form of association with religion. Cult images are common in cultures, though they are often not the colossal statues of deities which characterized ancient Greek art. The actual cult images in the innermost sanctuaries of Egyptian temples, of which none have survived, were rather small. The same is true in Hinduism, where the very simple. Some undoubtedly advanced cultures, such as the Indus Valley civilization, appear to have had no monumental sculpture at all, though producing very sophisticated figurines, the Mississippian culture seems to have been progressing towards its use, with small stone figures, when it collapsed. Other cultures, such as ancient Egypt and the Easter Island culture, from the 20th century the relatively restricted range of subjects found in large sculpture expanded greatly, with abstract subjects and the use or representation of any type of subject now common. Today much sculpture is made for intermittent display in galleries and museums, small sculpted fittings for furniture and other objects go well back into antiquity, as in the Nimrud ivories, Begram ivories and finds from the tomb of Tutankhamun
33.
Choir stalls
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A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, in modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-choir or retro-choir is a space behind the altar in the choir of a church. In the Early Church, the sanctuary was connected directly to the nave, the choir was simply the east part of the nave, and was fenced off by a screen or low railing, called cancelli, which is where the English word chancel comes from. The word choir is first used by members of the Latin Church, isidore of Seville and Honorius of Autun write that the term is derived from the corona, the circle of clergy or singers who surrounded the altar. When first introduced, the choir was attached to the bema, the platform in the center of the nave on which were placed seats for the higher clergy. This arrangement can still be observed at the Basilica of St. Mary Major in Rome, over time, the bema and choir moved eastward to their current position. In some churches the choir is arranged in the apse behind the altar, the architectural details of the choir developed in response to its function as the place where the Divine Office was chanted by the monastic brotherhood or the chapter of canons. The chancel was regarded as the part of the church. The pulpit and lectern are also found at the front of the choir. The organ may be located here, or in a loft elsewhere in the church, some cathedrals have a retro-choir behind the High Altar, opening eastward towards the chapels in the eastern extremity. After the Reformation Protestant churches generally moved the forward, typically to the front of the chancel. The choir and rear of deep chancels became little used in churches surviving from the Middle Ages, with the emphasis on sermons, and their audibility, some churches simply converted their chancels to seat part of the congregation. The choir area is occupied by sometimes finely carved and decorated wooden seats known as choir stalls, the choir may be furnished either with long benches or individual choir stalls. There may be several rows of seating running parallel to the walls of the church, the use of choir stalls is more traditional in monasteries and collegiate churches. Monastic choir stalls are often fitted with seats that fold up when the monastics stand, often the hinged seat will have a misericord on the underside on which he can lean while standing during the long services. The upper part of the stall is so shaped as to provide a headrest while sitting
34.
Retable
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A retable is a structure or element placed either on or immediately behind and above the altar or communion table of a church. At the minimum it may be a shelf for candles behind an altar. A retable which incorporates sculptures or painting is referred to as an altarpiece. Many altars have both a reredos and a retable and this distinction is not always upheld in common use, and the terms are often confused or used as synonyms. The non-English word retable therefore often refers to what should in English be called a reredos, the retable may hold the altar cross, mostly in Protestant churches, as well as candles, flowers and other things. This article incorporates text from a now in the public domain, Chisholm, Hugh
35.
Chancel
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In church architecture, the chancel is the space around the altar, including the choir and the sanctuary, at the liturgical east end of a traditional Christian church building. It may terminate in an apse and it is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a door, usually on the south side of the church. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, in churches with a retroquire area behind the altar, this may only be included in the broader definition of chancel. In a cathedral or other large church there may be a choir area at the start of the chancel, before reaching the sanctuary. All these may be included in the chancel, at least in architectural terms, in churches with less traditional plans the term may not be useful in either architectural or ecclesiastical terms. The chancel may be a step or two higher than the level of the nave, and the sanctuary is often raised still further and this is an arch which separates the chancel from the nave and transept of a church. As well as the altar, the sanctuary may house a credence table, in some churches, the congregation may gather on three sides or in a semicircle around the chancel. In some churches, the pulpit and lectern may be in the chancel, the word chancel derives from the French usage of chancel from the Late Latin word cancellus. This refers to the form of rood screens. The chancel was formerly known as the presbytery, because it was reserved for the clergy, a large chancel made most sense in monasteries and cathedrals where there was a large number of singing clergy and boys from a choir school to occupy the choir. These usually sat in the nave, with any lay congregation, however the screen enjoyed a small revival in the 19th century, after the passionate urgings of Augustus Pugin, who wrote A Treatise on Chancel Screens and Rood Lofts, and others. After the Reformation Protestant churches generally moved the forward, typically to the front of the chancel. The rear of deep chancels became little used in churches surviving from the Middle Ages, with the emphasis on sermons, and their audibility, some churches simply converted their chancels to seat part of the congregation. Fleming, John, Honour, Hugh, Pevsner, Nikolaus, Dictionary of Architecture,1980, Pevsner, Nikolaus, Priscilla Metcalf, The Cathedrals of England, Southern England,1985, Viking White, James F. The Cambridge Movement, The Ecclesiologists and the Gothic Revival,1962, Wipf and Stock Publishers, ISBN1592449379,9781592449378, google books Chancel
36.
Gothic art
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Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Southern and Central Europe, in the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The earliest Gothic art was monumental sculpture, on the walls of Cathedrals, Christian art was often typological in nature, showing the stories of the New Testament and the Old Testament side by side. Increased literacy and a body of secular vernacular literature encouraged the representation of secular themes in art. Gothic art emerged in Île-de-France, France, in the early 12th century at the Abbey Church of St Denis built by Abbot Suger, monastic orders, especially the Cistercians and the Carthusians, were important builders who disseminated the style and developed distinctive variants of it across Europe. Gothic art was often typological in nature, reflecting a belief that the events of the Old Testament pre-figured those of the New, Old and New Testament scenes were shown side by side in works like the Speculum Humanae Salvationis, and the decoration of churches. The Gothic period coincided with a resurgence in Marian devotion. Images of the Virgin Mary developed from the Byzantine hieratic types, through the Coronation of the Virgin, to human and initimate types. Artists like Giotto, Fra Angelico and Pietro Lorenzetti in Italy, and Early Netherlandish painting, brought realism, Western artists, and their patrons, became much more confident in innovative iconography, and much more originality is seen, although copied formulae were still used by most artists. Even in Last Judgements Christ was now usually shown exposing his chest to show the wounds of his Passion, the word Gothic for art was initially used as a synonym for Barbaric, and was therefore used pejoratively. Its critics saw this type of Medieval art as unrefined and too remote from the aesthetic proportions, Renaissance authors believed that the Sack of Rome by the Gothic tribes in 410 had triggered the demise of the Classical world and all the values they held dear. Gothic art was criticized by French authors such as Boileau, La Bruyère, Rousseau, before becoming a recognized form of art. Molière would famously comment on Gothic, The besotted taste of Gothic monuments, These odious monsters of ignorant centuries, in its beginning, Gothic art was initially called French work, thus attesting the priority of France in the creation of this style. Painting in a style that can be called Gothic did not appear until about 1200, or nearly 50 years after the origins of Gothic architecture and sculpture. Then figures become more animated in pose and facial expression, tend to be smaller in relation to the background of scenes, and are arranged more freely in the pictorial space, where there is room. This transition occurs first in England and France around 1200, in Germany around 1220, painting during the Gothic period was practiced in four primary media, frescos, panel paintings, manuscript illumination and stained glass. Frescoes continued to be used as the pictorial narrative craft on church walls in southern Europe as a continuation of early Christian
37.
Baroque
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The style began around 1600 in Rome and Italy, and spread to most of Europe. The aristocracy viewed the dramatic style of Baroque art and architecture as a means of impressing visitors by projecting triumph, power, Baroque palaces are built around an entrance of courts, grand staircases, and reception rooms of sequentially increasing opulence. However, baroque has a resonance and application that extend beyond a reduction to either a style or period. It is also yields the Italian barocco and modern Spanish barroco, German Barock, Dutch Barok, others derive it from the mnemonic term Baroco, a supposedly laboured form of syllogism in logical Scholastica. The Latin root can be found in bis-roca, in informal usage, the word baroque can simply mean that something is elaborate, with many details, without reference to the Baroque styles of the 17th and 18th centuries. The word Baroque, like most periodic or stylistic designations, was invented by later critics rather than practitioners of the arts in the 17th, the term Baroque was initially used in a derogatory sense, to underline the excesses of its emphasis. In particular, the term was used to describe its eccentric redundancy and noisy abundance of details, although it was long thought that the word as a critical term was first applied to architecture, in fact it appears earlier in reference to music. Another hypothesis says that the word comes from precursors of the style, Giacomo Barozzi da Vignola and he did not make the distinctions between Mannerism and Baroque that modern writers do, and he ignored the later phase, the academic Baroque that lasted into the 18th century. Long despised, Baroque art and architecture became fashionable between the two World Wars, and has remained in critical favour. In painting the gradual rise in popular esteem of Caravaggio has been the best barometer of modern taste, William Watson describes a late phase of Shang-dynasty Chinese ritual bronzes of the 11th century BC as baroque. The term Baroque may still be used, usually pejoratively, describing works of art, craft, the appeal of Baroque style turned consciously from the witty, intellectual qualities of 16th-century Mannerist art to a visceral appeal aimed at the senses. It employed an iconography that was direct, simple, obvious, germinal ideas of the Baroque can also be found in the work of Michelangelo. Even more generalised parallels perceived by some experts in philosophy, prose style, see the Neapolitan palace of Caserta, a Baroque palace whose construction began in 1752. In paintings Baroque gestures are broader than Mannerist gestures, less ambiguous, less arcane and mysterious, more like the stage gestures of opera, Baroque poses depend on contrapposto, the tension within the figures that move the planes of shoulders and hips in counterdirections. Baroque is a style of unity imposed upon rich, heavy detail, Baroque style featured exaggerated lighting, intense emotions, release from restraint, and even a kind of artistic sensationalism. There were highly diverse strands of Italian baroque painting, from Caravaggio to Cortona, the most prominent Spanish painter of the Baroque was Diego Velázquez. The later Baroque style gradually gave way to a more decorative Rococo, while the Baroque nature of Rembrandts art is clear, the label is less often used for Vermeer and many other Dutch artists. Flemish Baroque painting shared a part in this trend, while continuing to produce the traditional categories
38.
Dormition of the Mother of God
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It is celebrated on August 15 as the Feast of the Dormition of the Mother of God. The Armenian Apostolic Church celebrates the Dormition not on a fixed date, the Feast of the Dormition is preceded by a two-week fast, referred to as the Dormition Fast. From August 1 to August 14 Orthodox and Eastern Catholics fast from red meat, poultry, meat products, dairy products, fish, oil, and wine. The Dormition Fast is a stricter fast than either the Nativity Fast or the Apostles Fast, with only wine and oil allowed on weekends. As with the other Fasts of the Church year, there is a Great Feast that falls during the Fast, in this case, in some places, the services on weekdays during the Fast are similar to the services during Great Lent. Many churches and monasteries in the Russian tradition perform the services on at least the first day of the Dormition Fast. In the Greek tradition, during the Fast either the Great Paraklesis or the Small Paraklesis is celebrated every evening except Saturday evening and the Eves of the Transfiguration and the Dormition. The first day of the Dormition Fast is a feast day called the Procession of the Cross, on which day it is customary to have an outdoor procession, in Orthodoxy and Catholicism, in the language of the scripture, death is often called a sleeping or falling asleep. A prominent example of this is the name of this feast, another is the Dormition of Anna, up until the 5th century Church Fathers do not mention the Dormition of the Virgin and to the 6th century Dormition was not celebrated among the Christians as a holy day. And yet, nowhere does he say that he took the holy Virgin with him, Scripture simply kept silence because of the overwhelming wonder, not to throw men’s minds into consternation. For I dare not say — though I have my suspicions, perhaps, just as her death is not to be found, so I may have found some traces of the holy and blessed Virgin. The holy virgin may have dead and been buried — her falling asleep was with honor, her death in purity, or she may have remained alive, for God is not incapable of doing whatever he wills. But we must not honor the saints to excess, we must honor their Master and it is time for the error of those who have gone astray to cease. Christians in the late 4th century had different opinions regarding Marys death, for this reason, Ambrose, for example, wrote, Neither the letter of Scripture nor Tradition does not teach us that Mary had left this life as a consequence of suffering from bodily ulcers. One of these placed in the History of the Church Nikephoros Kallistos Xanthopoulos. All listed Apocrypha quite late and differ from other content. Therefore, the Church was not taken all their content, but only the idea that the Virgin Mary blissfully rested. According to Nikephoros Kallistos Xanthopoulos in his History of the Church, after that Christians in the empire began to celebrate the death of the Virgin Mary
39.
Mullion
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A mullion is a vertical element that forms a division between units of a window, door, or screen, or is used decoratively. When dividing adjacent window units, its purpose is to provide structural support to an arch or lintel above the window opening. Its secondary purpose may be as a support to the glazing of the window. When used to support glazing, they are teamed with horizontal elements called transoms which divide an openings upper part into one or more additional lights. In the commercial industry, the term floating mullion is also applied to an interlock profile which is fitted in between a pair of double swing doors. Stone mullions were used in Armenian, Saxon and Islamic architecture prior to the 10th century and they became common across Europe in the Romanesque architecture, with paired windows divided by a mullion, set beneath a single arch becoming a fashionable architectural form. The same structural form was used for open arcades as well as windows, in Gothic architecture windows became larger and arrangements of multiple mullions and openings were used, both for structure and ornament. This is particularly the case in Gothic churches where stained glass is set in lead, mullioned windows of a simpler form continued to be used into the Renaissance and various Revival styles. Italian windows with a mullion, dividing the window into two equal elements are said to be biforate, or to parallel the Italian, bifore windows. Mullions may be made of any material, but wood and aluminum are most common, I. M. Pei used all-glass mullions in his design of JFK Airports Terminal 6, unprecedented at the time. Mullions are vertical elements and are confused with transoms, which lie horizontally. The word is also confused with the muntin which is the word for the very small strips of wood or metal that divide a sash into smaller glass panes or lights. A mullion acts as a member, in most applications the mullion transfers wind loads and weight of the glazing. Although in the instance of a wall screen, the mullions only support the weight of the transoms, glass. Also in the case of a wall screen the weight of glazing can be supported from above this puts the mullions under tension rather than compression. In traditional designs today, mullions and transoms are normally used in combination with divided-light windows, came Glass mullion system Mullion wall Muntin Stained glass Transom Müller, W. G. Vogel. Examples of houses with mullioned windows in the UK
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Baroque sculpture
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Baroque sculpture is the sculpture of the period between the early 17th and late 18th centuries associated with the Baroque cultural movement, based on exaggerated motion and drama. Stylistically, Baroque sculpture followed Renaissance sculpture and was succeeded by Neoclassical Sculpture, Gian Lorenzo Bernini is the first developer of this style and many of his works are the most important works in this period. Rome is the first place, where was the style formed, after the second half of the 17th century Baroque expanded also to the other parts of Italy and Europe. France had main position in spread of Baroque art after the late 17th century, at the end of 15th century art permanently got into the hands of the aristocracy and its secular intentions. Many donors used it for own promotion and tried to gain a new fame thanks to it, the real problem did not consist in the creation of secular works for aristocratic courts but in the use of religious works set to the field of church. Nobles wanted by this way not only ensure their place in Gods kingdom, response to this fact started the Protestant Reformation spreading mainly in Northern Europe. Many of new Protestant branches tried to finish the corruption of religious art, therefore, production of most works, mainly sculptural, was stopped and the development of art gained a new way. Catholic opposition to this lead to Council of Trent, held in 1546, and the beginning of the Counter-Reformation. Along with this fact, it was extended the activity of the Society of Jesuit, however, the progress of this development in the art lasted longer. While the first signs of new views emerged in painting at the end of the 16th century, the Baroque style was perfectly suited to sculpture, with Gian Lorenzo Bernini the dominating figure of the age in works such as The Ecstasy of St Theresa. Much Baroque sculpture added extra-sculptural elements, for example, concealed lighting, or water fountains, artists saw themselves as in the classical tradition, but admired Hellenistic and later Roman sculpture, rather than that of the more Classical periods as they are seen today. In the 18th century much sculpture continued on Baroque lines – the Trevi Fountain was only completed in 1762, the Rococo style was better suited to smaller works. Aleijadinho in Brazil was also one of the names of baroque sculpture. The soapstone sculptures of old testament prophets around the terrace are considered amongst his finest work, the architecture, sculpture and fountains of Bernini give highly charged characteristics of Baroque style. Bernini was undoubtedly the most important sculptor of the Baroque period and he approached Michelangelo in his omnicompetence, Bernini sculpted, worked as an architect, painted, wrote plays, and staged spectacles. In the late 20th century Bernini was most valued for his sculpture, both for his virtuosity in carving marble and his ability to create figures that combine the physical and he was also a fine sculptor of bust portraits in high demand among the powerful. Bernini died in 1680 but his heritage was absorbed by sculptors painters and architects in their work in the first half of the 18th century particularly in Bavaria, France, Rome became the most productive place of Baroque sculpture in the 17th century. As Centre of Christian movement, but also an economic and dipolomatic predisposition guaranteed the arrival of the new style just around the old ancient city
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Guerrilla
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The term, the diminutive form of war in Spanish, is usually translated as little war, and the word, guerrilla, has been used to refer to the concept since the 18th century, and perhaps earlier. In correct Spanish usage, a person who is a member of a guerrilla is a guerrillero if male, the term guerrilla was used in English as early as 1809, to refer to the fighters, and also to denote a group or band of such fighters. However, in most languages guerrilla still denotes the style of warfare. The use of the diminutive evokes the differences in number, scale, guerrillas usually carries positive connotations, and is often used by such fighters themselves and by their sympathizers, while their foes in many cases call them terrorists. Making an objective definition of the difference between a guerrilla and a terrorist has proven a difficult task, the strategy and tactics of guerrilla warfare tend to focus around the use of a small, mobile force competing against a larger, more unwieldy one. The Guerrilla focuses on organizing in small units, depending on the support of the local population, tactically, the guerrilla army would avoid any confrontation with large units of enemy troops, but seek and eliminate small groups of soldiers to minimize losses and exhaust the opposing force. Not limiting their targets to personnel, enemy resources are preferred targets. All of that is to weaken the strength, to cause the enemy eventually to be unable to prosecute the war any longer. It is often misunderstood that guerrilla warfare must involve disguising as civilians to cause enemy troops to fail in telling friend from foe, however, this is not a primary feature of a guerrilla war. This type of war can be practiced anywhere there are places for combatants to cover themselves, at least one author credits the ancient Chinese work The Art of War with providing instruction in such tactics to Mao. The Chinese general and strategist Sun Tzu, in his The Art of War or 600 BC to 501 BC, was the earliest to propose the use of guerrilla warfare and this directly inspired the development of modern guerrilla warfare. Guerrilla tactics were employed by prehistoric tribal warriors against enemy tribes. Evidence of conventional warfare, on the hand, did not emerge until 3100 BC in Egypt. Since the Enlightenment, ideologies such as nationalism, liberalism, socialism, because of the innovative tactics he used during his command, he made himself the name of Terror Romanorum. A counter-insurgency or counterinsurgency operation involves actions taken by the government of a nation to contain or quell an insurgency taken up against it. Counter-insurgency operations are common during war, occupation and armed rebellions, the two most influential of scholars of counter-insurgency have been Westerners whose job it had been to fight insurgents. Robert Thompson fought during the Malayan Emergency and David Galula fought during the Algerian War, together these officers advocated multi-pronged strategies to win over the civilian population to the side of the counter-insurgent. The widely distributed and influential work of Sir Robert Thompson, counter-insurgency expert of the Malayan Emergency, thompsons underlying assumption was that the counter-insurgent was committed to improving the rule of law and bettering local governance
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Francisco Espoz y Mina
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Francisco Espoz Ilundáin, being better known as Francisco Espoz y Mina, was a Spanish guerrilla leader and general. He was born in Idocin in Navarre and his father, Juan Esteban Espoz y Mina, and his mother, Maria Teresa Hundain y Ardaiz, belonged to the class of yeomen, rural smallholders. Mina worked on the family farm until 1808. When Napoleon endeavoured to seize Spain in that year he enlisted in the Doyle regiment and his first act was to arrest and shoot at Estella a certain Echevarria, who, under pretence of being a guerrillero, was in fact a brigand. The national government in Cadiz gave him rank, and by September 7th 1812 he had promoted to the rank of commander-in-chief in Upper Aragon, on the left bank of the Ebro. Though some maintain that he was not at his best as a leader in battle, as a strategist Espoz y Mina was very successful and displayed great organizing capacity. The French authorities were compelled to allow him to levy dues on all goods imported into Spain, except contraband of war. The money thus obtained was used to pay his bands a regular salary and he was able to avoid levying excessive contributions on the country and to maintain discipline among his men, whom he had brought to a respectable state of efficiency in 1812. Espoz y Mina claimed that he immobilized 26,000 French troops which would, in the campaign of 1813 and 1814 he served with distinction under the Duke of Wellington. After the restoration of Ferdinand VII he fell into disfavour, on 25 and 26 September he attempted to bring about an uprising at Pamplona in favor of the Liberal party, but failed, and went into exile. His political opinions were democratic and radical, and as a yeoman he disliked the hidalgos, the Revolution of 1820 brought him back, and he served the Liberal party during the Trienio Liberal in Galicia, Leon and Catalonia. In this last district he made the only resistance to the French intervention in favor of Ferdinand VII. On 1 November 1823 he was compelled to capitulate, and the French allowed him to escape to England by sea, in 1830 he took part in an unsuccessful rising against Ferdinand. On the death of the king he was recalled to Spain, by this time, years, exposure and wounds had undermined his health. He was also opposed to Tomás de Zumalacárregui, an old officer of his in the War of Independence, and an even greater master of irregular mountain warfare. His health compelled him to resign in April 1835, and his command in Catalonia was only memorable for the part he took in forcing the regent to grant a constitution in August 1836. He died at Barcelona on 24 December 1836, in 1825 Espoz y Mina published A Short Extract from the Life of General Mina, in Spanish and English, in London. Mention is made of him in all histories of the affairs of Spain during the first third of the 19th century and his full Memoirs were published by his widow at Madrid in 1851-1852
