1.
Rioni of Rome
–
A rione of Rome is a traditional administrative division of the city of Rome. Rione is an Italian term used since the 14th century to name a district of a town, the term was born in Rome, originating from the administrative divisions of the city. The word comes from the Latin word regio, during the Middle Ages the Latin word became rejones, currently, all the rioni are located in Municipio I of Rome. According to tradition, Servius Tullius, sixth king of Rome, first divided the city into regiones, all but Transtiberim were on the left bank of the river Tiber. During the 12th century a division in 12 parts started being used, though not officially, even if the areas were different from the ancient ones, they still used the same name, regio in Latin and rione in the vulgar language. The limits of the rioni became more definitive and official in the 13th century, their number increased to 13, in this period, anyway, the limits were quite uncertain. The rione was not an entity, but only an administrative one. The chief of a rione was the Caporione, during the Renaissance there was a deep reorganization and expansion of the city, so it became necessary to delimit the rioni exactly. In 1586 Sixtus V added to the 13 rioni another one, Borgo and this situation, thanks to the low population increase, did not change until the 19th century. In 1744 Pope Benedict XIV, because of frequent misunderstanding, decided to replan the administrative division of Rome, the marble plates defining the borders of each rione, many of which still exist, were installed in that year on the facades of houses lying at each riones border. So the smaller rioni were united to the large ones, at this time the French affixed in each street a plate with its name and the areas it belonged to. After Napoleon lost his power there were no significant changes in the organization of the city until Rome became the capital of the newborn Italy, the needs of the new capital caused a great urbanization and an increase of the population, both within the Aurelian walls and outside them. In 1874 the rioni became 15, with the addition of Esquilino, at the beginning of the 20th century some rioni started being split up and the first parts outside the Aurelian walls started being considered part of the city. In 1921 the number of the rioni increased to 22, Prati was the last rione to be established and the only one outside the walls of Urbanus VIII. The latest reform, which is still valid, was made in 1972, Rome was divided in 20 circoscrizioni and 20 rioni constituted the first one. The two remaining, Borgo and Prati, belonged to the XVIIth municipality until 2013, since then they belong too to the first Municipio. Media related to Districts of Rome at Wikimedia Commons
Rioni of Rome
–
A map of the center of Rome ("centro storico", roughly equal to the walled city) with its rioni
2.
Rome
–
Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
Rome
Rome
Rome
Rome
3.
Municipio I
–
The Municipio I, is an administrative subdivision of the city of Rome. It is the center of the municipality of Rome and it was firstly created by Romes City Council on 19 January 2001 and it has a president who is elected during the mayoral elections. Since 11 March 2013 its borders were modified and was expanded with the incorporation between Municipio I and Municipio XVII, Municipio I is home to the Rioni of Rome, which are the citys historic districts. Municipio I is divided into localities, The localities of Prati, Delle Vittorie. The current majority is formed by Democratic Party and Left Ecology Freedom
Municipio I
–
Location of Municipio I of Rome
4.
Piazza Navona
–
Piazza Navona is a piazza in Rome, Italy. It is built on the site of the Stadium of Domitian, built in 1st century AD, the ancient Romans went there to watch the agones, and hence it was known as Circus Agonalis. It is believed that time the name changed to in avone to navone. Piazza Navona has two other fountains, at the southern end is the Fontana del Moro with a basin and four Tritons sculpted by Giacomo della Porta to which, in 1673, Bernini added a statue of a Moor, or African, wrestling with a dolphin. At the northern end is the Fountain of Neptune also created by Giacomo della Porta, during its history, the piazza has hosted theatrical events and other ephemeral activities. From 1652 until 1866, when the festival was suppressed, it was flooded on every Saturday and Sunday in August in elaborate celebrations of the Pamphilj family. The pavement level was raised in the 19th century, and in 1869 the market was moved to the nearby Campo de Fiori, a Christmas market is held in the piazza. During June 2008, Ron Howard directed several scenes of the adaptation of Angels & Demons on the southern section of the piazza. The piazza is featured in scenes of director Mike Nichols 1970 adaptation of Joseph Hellers novel. The Fontana dei Quattro Fiumi was used in the 1990 film Coins in the Fountain, the characters threw coins into the fountain as they made wishes. The Trevi Fountain was used in the 1954 version of the film, the piazza is featured in Eugene Levys Once Upon A Crime film. In the early hours of 3 September 2011, the Fontana del Moro was damaged by a vandal, roth, Leland M. Understanding Architecture, Its Elements, History, and Meaning. Birds eye view of Piazza Navona, virtual Tour of Piazza Navona Bernini Fountains Video Introduction
Piazza Navona
–
Piazza Navona 2013
Piazza Navona
–
Fontana dei Quattro Fiumi on Piazza Navona 2013
Piazza Navona
–
The Piazza looking south
Piazza Navona
–
Fountain of the four Rivers with Egyptian
obelisk, in the middle of Piazza Navona
5.
Italian language
–
By most measures, Italian, together with Sardinian, is the closest to Latin of the Romance languages. Italian is a language in Italy, Switzerland, San Marino, Vatican City. Italian is spoken by minorities in places such as France, Montenegro, Bosnia & Herzegovina, Crimea and Tunisia and by large expatriate communities in the Americas. Many speakers are native bilinguals of both standardized Italian and other regional languages, Italian is the fourth most studied language in the world. Italian is a major European language, being one of the languages of the Organisation for Security and Cooperation in Europe. It is the third most widely spoken first language in the European Union with 65 million native speakers, including Italian speakers in non-EU European countries and on other continents, the total number of speakers is around 85 million. Italian is the working language of the Holy See, serving as the lingua franca in the Roman Catholic hierarchy as well as the official language of the Sovereign Military Order of Malta. Italian is known as the language of music because of its use in musical terminology and its influence is also widespread in the arts and in the luxury goods market. Italian has been reported as the fourth or fifth most frequently taught foreign language in the world, Italian was adopted by the state after the Unification of Italy, having previously been a literary language based on Tuscan as spoken mostly by the upper class of Florentine society. Its development was influenced by other Italian languages and to some minor extent. Its vowels are the second-closest to Latin after Sardinian, unlike most other Romance languages, Italian retains Latins contrast between short and long consonants. As in most Romance languages, stress is distinctive, however, Italian as a language used in Italy and some surrounding regions has a longer history. What would come to be thought of as Italian was first formalized in the early 14th century through the works of Tuscan writer Dante Alighieri, written in his native Florentine. Dante is still credited with standardizing the Italian language, and thus the dialect of Florence became the basis for what would become the language of Italy. Italian was also one of the recognised languages in the Austro-Hungarian Empire. Italy has always had a dialect for each city, because the cities. Those dialects now have considerable variety, as Tuscan-derived Italian came to be used throughout Italy, features of local speech were naturally adopted, producing various versions of Regional Italian. Even in the case of Northern Italian languages, however, scholars are not to overstate the effects of outsiders on the natural indigenous developments of the languages
Italian language
–
Dante Alighieri (above) and
Petrarch (below) were influential in establishing their
Tuscan dialect as the most prominent literary language in all of
Italy in the
Late Middle Ages
Italian language
–
The geographic distribution of the Italian language in the world: large Italian-speaking communities are shown in green; light blue indicates areas where the Italian language was used officially during the Italian colonial period.
Italian language
Italian language
–
Pietro Bembo was an influential figure in the development of the Italian language from the Tuscan dialect, as a literary medium, codifying the language for standard modern usage
6.
Greek mythology
–
It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
Greek mythology
–
Bust of
Zeus,
Otricoli (Sala Rotonda,
Museo Pio-Clementino,
Vatican).
Greek mythology
–
Greek Mythology
Greek mythology
–
Prometheus (1868 by
Gustave Moreau). The myth of Prometheus first was attested by
Hesiod and then constituted the basis for a tragic trilogy of plays, possibly by Aeschylus, consisting of
Prometheus Bound,
Prometheus Unbound, and
Prometheus Pyrphoros.
Greek mythology
–
The Roman poet
Virgil, here depicted in the fifth-century manuscript, the
Vergilius Romanus, preserved details of Greek mythology in many of his writings.
7.
Eagle
–
Eagle is a common name for many large birds of prey of the family Accipitridae, it belongs to several groups of genera that are not necessarily closely related to each other. Most of the 60 species of eagles are from Eurasia and Africa, outside this area, just 14 species can be found – two in North America, nine in Central and South America, and three in Australia. Eagles are large, powerfully built birds of prey, with heavy heads, most eagles are larger than any other raptors apart from some vultures. The smallest species of eagle is the South Nicobar serpent eagle, the largest species are discussed below. Like all birds of prey, eagles have large, hooked beaks for ripping flesh from their prey, strong, muscular legs. The beak is typically heavier than that of most other birds of prey, Eagles eyes are extremely powerful, having up to 3.6 times human acuity for the martial eagle, which enables them to spot potential prey from a very long distance. This keen eyesight is primarily attributed to their extremely large pupils which ensure minimal diffraction of the incoming light, the female of all known species of eagles is larger than the male. Eagles normally build their nests, called eyries, in trees or on high cliffs. Many species lay two eggs, but the older, larger chick frequently kills its younger sibling once it has hatched, the dominant chick tends to be a female, as they are bigger than the male. The parents take no action to stop the killing, due to the size and power of many eagle species, they are ranked at the top of the food chain as apex predators in the avian world. The type of prey varies by genus, the snake and serpent eagles of the genera Circaetus, Terathopius, and Spilornis predominantly prey on the great diversity of snakes found in the tropics of Africa and Asia. The eagles of the genus Aquila are often the top birds of prey in open habitats, where Aquila eagles are absent, other eagles, such as the buteonine black-chested buzzard-eagle of South America, may assume the position of top raptorial predator in open areas. Many other eagles, including the species-rich Spizaetus genus, live predominantly in woodlands and these eagles often target various arboreal or ground-dwelling mammals and birds, which are often unsuspectingly ambushed in such dense, knotty environments. Hunting techniques differ among the species and genera, with some individual eagles having engaged in quite varied techniques based their environment, most eagles grab prey without landing and take flight with it, so the prey can be carried to a perch and torn apart. The bald eagle is noted for having flown with the heaviest load verified to be carried by any flying bird, golden and crowned eagles have killed ungulates weighing up to 30 kg and a martial eagle even killed a 37 kg duiker, 7–8 times heavier than the preying eagle. It has been observed that most birds of prey look back over their shoulders before striking prey, all hawks seem to have this habit, from the smallest kestrel to the largest Ferruginous – but not the Eagles. Among the eagles are some of the largest birds of prey, only the condors and it is regularly debated which should be considered the largest species of eagle. They could be measured variously in total length, body mass, different lifestyle needs among various eagles result in variable measurements from species to species
Eagle
–
Eagle
Eagle
–
Golden eagle
Eagle
–
Martial eagle in Namibia.
Eagle
–
Philippine eagle, Pithecophaga jefferyi in Southern Philippines.
8.
Lion
–
A lithium-ion battery or Li-ion battery is a type of rechargeable battery in which lithium ions move from the negative electrode to the positive electrode during discharge and back when charging. Li-ion batteries use an intercalated lithium compound as one electrode material, the electrolyte, which allows for ionic movement, and the two electrodes are the constituent components of a lithium-ion battery cell. Lithium-ion batteries are common in home electronics and they are one of the most popular types of rechargeable batteries for portable electronics, with a high energy density, tiny memory effect and low self-discharge. Beyond consumer electronics, LIBs are also growing in popularity for military, battery electric vehicle, for example, lithium-ion batteries are becoming a common replacement for the lead–acid batteries that have been used historically for golf carts and utility vehicles. Chemistry, performance, cost and safety characteristics vary across LIB types, handheld electronics mostly use LIBs based on lithium cobalt oxide, which offers high energy density, but presents safety risks, especially when damaged. Lithium iron phosphate, lithium ion manganese oxide battery and lithium nickel manganese cobalt oxide offer lower energy density, such batteries are widely used for electric tools, medical equipment and other roles. NMC in particular is a contender for automotive applications. Lithium nickel cobalt aluminum oxide and lithium titanate are specialty designs aimed at particular niche roles, the newer lithium–sulfur batteries promise the highest performance-to-weight ratio. Lithium-ion batteries can pose unique safety hazards since they contain a flammable electrolyte, an expert notes If a battery cell is charged too quickly, it can cause a short circuit, leading to explosions and fires. Because of these risks, testing standards are more stringent than those for acid-electrolyte batteries, there have been battery-related recalls by some companies, including the 2016 Samsung Note 7 recall for battery fires. This article covers just the topics and general principles of lithium-ion batteries. Nearly all facets have elements that are impacted by currently very active development or research, a cell is a basic electrochemical unit that contains the basic components, such as electrodes, separator, and electrolyte. In the case of cells, this is the single cylindrical, prismatic or pouch unit. In this regard, the simplest battery is a cell with perhaps a small electronic circuit for protection. In many cases, distinguishing between cell and battery is not important, however, this should be done when dealing with specific applications, for example, battery electric vehicles, where battery may indicate a high voltage system of 400 V, and not a single cell. The term module is used as an intermediate topology, with the understanding that a battery pack is made of modules. In electrochemistry, the anode is the electrode where oxidation is taking place in the battery, i. e. electrons get free, however, this happens on opposite electrodes during charge vs. discharge. Historically, for lithium cells, which started as single use discharge cells and this is true on discharge, but with a rechargeable system, the negative electrode chemically becomes the cathode while charging
Lion
–
An example of a Li-ion battery (used on the
Nokia 3310 mobile phone)
Lion
Lion
–
Varta lithium-ion battery,
Museum Autovision,
Altlussheim, Germany
Lion
–
Cylindrical 18650 lithium iron phosphate cell before closing
9.
14 regions of the Augustan Rome
–
In 7 BC, Augustus divided the city of Rome into 14 administrative regions. These replaced the four regiones or quarters traditionally attributed to Servius Tullius and they were further divided into official neighborhoods. Originally designated by number, the regions acquired nicknames from major landmarks or topographical features within them, Regio I took its name from the Porta Capena, a gate through the Servian Walls which the Appian Way takes to get into the city. Beginning from this to the south of the Caelian Hill, it runs to the track of the Aurelian Walls. Regio II encompassed the Caelian Hill, Regio IV took its name from the Temple of Peace built in the region by Vespasian. It includes the valley between the Esquiline and the Viminal hills, the area of the Subura, and the Velian Hill. The name of Regio V derives from the Esquiline hill and it contains parts of the Oppian and Cispian and of the Esquiline, plus the plain just outside the Servian walls. The name of Regio VI derives from the passing over the Quirinal Hill. It was a large regio that encompassed also the Viminal Hill, the slopes of the Pincian. Its major landmarks included the Baths of Diocletian, the Baths of Constantine, temples to Quirinus, Salus, and Flora were also located in Regio VI, and the Castra Praetoria. The Aurelian Wall marked most of its eastern and northern edge, with the Argiletum and Vicus Patricius on the south, the name of Regio VII was derived from the via Flaminia which runs between the Servian walls and the future Aurelian Walls. This was an urban street, corresponding to the modern via del Corso. The regio contained part of the Campus Martius on the east of the street plus the Collis Hortulorum, the name derives from the racecourse located in the southern end of the Campus Martius, close to Tiber Island. The region contains part of the Campus Martius, on the west side of via Lata, the Palatine Hill gave its name to Regio X. Regio XI took its name from the Circus Maximus, located in the valley between the Palatine and the Aventine. It contained the Circus Maximus, the Velabrum, as well as the next to the Forum Boarium. Regio XII took its name from the Piscina Publica, a monument that disappeared during the Empire and it had the high ground where the church of San Saba is at present, plus its ramifications towards the Appian Way, where Caracallas baths were. In the 180s, a bank and exchange for Christians operated in the area, Regio XIII contained the Aventine Hill and the plain in front of it, along the Tiber. Here was the Emporium, the first port on the river, Regio XIV contained Tiber Island and all the parts of Rome west beyond the Tiber
14 regions of the Augustan Rome
–
Map of Ancient Rome with the regions
10.
Domitianus
–
Domitianus was probably a Roman soldier of the mid-third century AD who was acclaimed emperor, probably in northern Gaul in late 270 or early 271 AD, and struck coins to advertise his elevation. His attempted ‘’coup’’ should also be understood in the context of the later history of the ‘Gallic Empire’ rather than that of the Empire as a whole. The only evidence for the existence and rule of an Imperial claimant named Domitianus derives from two coins, the first was part of a hoard discovered at Les Cléons, in the commune of Haute-Goulaine in the Loire area of France in 1900. The authenticity/significance of this item was much debated and as late as 1992 Domitianus was widely considered at best a conjectural figure. The other coin was found fused in a pot with some 5,000 other coins of the period 250-275 — thus providing incontrovertible provenance — in the village of Chalgrove in Oxfordshire, England, the hoard was acquired by the Ashmolean Museum in 2004. The design of coins is typical of those associated with the ‘Gallic Empire’. They are of the type and depict Domitianus as a bearded figure wearing a spiky or radiate crown representing the rays of the sun. Both coins bear the legend, i. e. IMP C DOMITIANUS P F AUG. An unusual feature here is the absence of any reference to Domitianuss Nomen or Praenomen, Gallic Empire coins usually bear the full tria nomina of the prince celebrated the better to carry out their propagandist function. On the reverse, the coins show Concordia, and have the legend CONCORDIA MILITVM, again this is a standard slogan for the Gallic emperors. The design of the Chalgrove coin and its Les Cléons counterpart is typical of others struck under the Gallic Empire and it also suggests that the date of the coin was prior to 274 when the Emperor Aurelian suppressed the Gallic regime. There are only two literary references for Domitianuss existence, neither of which names him as an emperor,1, the 6th-century Byzantine historian Zosimus records that a certain Domitianus was punished for a revolt during the reign of Aurelian. The text is vague as to the nature of his disloyalty and those provinces not controlled by either the ‘Gallic Emperors’ in the west or Zenobia in the east. The notoriously unreliable Historia Augusta, hereafter HA, mentions a Domitianus as an involved in the suppression of the revolt of Macrianus Major in 261. HA asserts that in this operation Domitianus was an associate of Gallienus’s Hipparchos Aureolus who is credited with the victory over Macrianus. However, the reference is made in terms that suggest that Domitianus was already a distinguished commander in his own right, there is nowhere in HA any suggestion that this Domitianus or any other man of that name was involved in any anti-regime activities during Aurelians reign. HA also suggests that Domitianus was descendant of the Emperor Domitian, the intention here may be to suggest that Domitianus was of senatorial rank. It is possible that his motive in doing this was to some of the glory accruing to the low-born Aureolus from his suppression of the Macrianic rebellion
Domitianus
–
Domitianus II
11.
Latin
–
Latin is a classical language belonging to the Italic branch of the Indo-European languages. The Latin alphabet is derived from the Etruscan and Greek alphabets, Latin was originally spoken in Latium, in the Italian Peninsula. Through the power of the Roman Republic, it became the dominant language, Vulgar Latin developed into the Romance languages, such as Italian, Portuguese, Spanish, French, and Romanian. Latin, Italian and French have contributed many words to the English language, Latin and Ancient Greek roots are used in theology, biology, and medicine. By the late Roman Republic, Old Latin had been standardised into Classical Latin, Vulgar Latin was the colloquial form spoken during the same time and attested in inscriptions and the works of comic playwrights like Plautus and Terence. Late Latin is the language from the 3rd century. Later, Early Modern Latin and Modern Latin evolved, Latin was used as the language of international communication, scholarship, and science until well into the 18th century, when it began to be supplanted by vernaculars. Ecclesiastical Latin remains the language of the Holy See and the Roman Rite of the Catholic Church. Today, many students, scholars and members of the Catholic clergy speak Latin fluently and it is taught in primary, secondary and postsecondary educational institutions around the world. The language has been passed down through various forms, some inscriptions have been published in an internationally agreed, monumental, multivolume series, the Corpus Inscriptionum Latinarum. Authors and publishers vary, but the format is about the same, volumes detailing inscriptions with a critical apparatus stating the provenance, the reading and interpretation of these inscriptions is the subject matter of the field of epigraphy. The works of several hundred ancient authors who wrote in Latin have survived in whole or in part and they are in part the subject matter of the field of classics. The Cat in the Hat, and a book of fairy tales, additional resources include phrasebooks and resources for rendering everyday phrases and concepts into Latin, such as Meissners Latin Phrasebook. The Latin influence in English has been significant at all stages of its insular development. From the 16th to the 18th centuries, English writers cobbled together huge numbers of new words from Latin and Greek words, dubbed inkhorn terms, as if they had spilled from a pot of ink. Many of these words were used once by the author and then forgotten, many of the most common polysyllabic English words are of Latin origin through the medium of Old French. Romance words make respectively 59%, 20% and 14% of English, German and those figures can rise dramatically when only non-compound and non-derived words are included. Accordingly, Romance words make roughly 35% of the vocabulary of Dutch, Roman engineering had the same effect on scientific terminology as a whole
Latin
–
Latin inscription, in the
Colosseum
Latin
–
Julius Caesar 's
Commentarii de Bello Gallico is one of the most famous classical Latin texts of the Golden Age of Latin. The unvarnished, journalistic style of this
patrician general has long been taught as a model of the urbane Latin officially spoken and written in the floruit of the
Roman republic.
Latin
–
A multi-volume Latin dictionary in the
University Library of Graz
Latin
–
Latin and Ancient Greek Language - Culture - Linguistics at
Duke University in 2014.
12.
Pompey
–
Gnaeus Pompeius Magnus, usually known in English as Pompey /ˈpɒmpiː/ or Pompey the Great, was a military and political leader of the late Roman Republic. He came from a wealthy Italian provincial background, and his father had been the first to establish the family among the Roman nobility, Pompeys immense success as a general while still very young enabled him to advance directly to his first consulship without meeting the normal requirements for office. His success as a commander in Sullas Second Civil War resulted in Sulla bestowing the nickname Magnus. He was consul three times and celebrated three triumphs, after the deaths of Julia and Crassus, Pompey sided with the optimates, the conservative faction of the Roman Senate. Pompey and Caesar then contended for the leadership of the Roman state, when Pompey was defeated at the Battle of Pharsalus in 48 BC, he sought refuge in Egypt, where he was assassinated. His career and defeat are significant in Romes subsequent transformation from Republic to Empire, Pompeys family first gained the position of Consul in 141 BC. Pompeys father, Gnaeus Pompeius Strabo, was an equestrian from Picenum. He fought the Social War against Romes Italian allies and he supported Sulla, who belonged to the optimates, the pro-aristocracy faction, against Marius, who belonged to the populares, in Sullas first civil war. He died during the siege of Rome by the Marians in 87 BC, either as a casualty of an epidemic and his twenty-year-old son Pompey inherited his estates, and the loyalty of his legions. Pompey had served two years under his fathers command, and had participated in the part of the Social War. When his father died, Pompey was put on due to accusations that his father stole public property. As his father’s heir Pompey could be held to account and he discovered that this was committed by one of his fathers freedmen. Following his preliminary bouts with his accuser, the took a liking to Pompey and offered his daughter. Another civil war broke out between the Marians and Sulla, Cassius Dio added that Pompey had sent a detachment to pursue him, but he outstripped them by crossing the River Phasis. He reached the Maeotis and stayed in the Cimmerian Bosporus and he had his son Machares, who ruled it and gone over to the Romans, killed and recovered that country. Meanwhile, Pompey set up a colony for his soldiers at Nicopolitans in Cappadocia, in Plutarchs account Pompey was invited to invade Armenia by Tigranes’ son, who rebelled against his father. The two men received the submission of several towns, when they got close Artaxata Tigranes, knowing Pompey’s leniency, surrendered and allowed a Roman garrison in his palace. Pompey offered the restitution of the Armenian territories in Syria, Phoenicia, Cilicia, Galatia and he demanded an indemnity and ruled that the son should be king of Sophene
Pompey
–
Pompey the Great in middle age,
marble bust in the
Ny Carlsberg Glyptotek,
Copenhagen,
Denmark.
Pompey
–
Roman statue of Pompey, at the Villa Arconati a Castellazzo di Bollate (Milan, Italy). It was brought there from Rome in 1627 by Galeazzo Arconati.
Pompey
–
Bust of Pompey in the
Residenz, Munich
Pompey
–
Pompey
13.
Sixtus IV
–
Pope Sixtus IV, born Francesco della Rovere, was Pope from 9 August 1471 to his death in 1484. His accomplishments as pope included building the Sistine Chapel and the creation of the Vatican Archives, a patron of the arts, the group of artists that he brought together introduced the Early Renaissance into Rome with the first masterpieces of the citys new artistic age. Sixtus aided the Spanish Inquisition, though he fought to prevent abuses therein and he was famed for his nepotism and was personally involved in the infamous Pazzi conspiracy. Francesco was born to a family of modest means from Liguria, Italy and he was born in Celle Ligure, a town near Savona. He went on to lecture at Padua and many other Italian universities, in 1464, Della Rovere was elected Minister General of the Franciscan order at the age of 50. In 1467, he was appointed Cardinal by Pope Paul II with the church being the Basilica of San Pietro in Vincoli. Before his papal election, Cardinal della Rovere was renowned for his unworldliness and had even written learned treatises entitled On the Blood of Christ and On the Power of God. His pious reputation was one of the factors that prompted the College of Cardinals to elect him pope upon the unexpected death of Paul II at the age of fifty-four. Upon being elected pope Della Rovere adopted the name Sixtus – a name that had not been used since the 5th century, one of his first acts was to declare a renewed crusade against the Ottoman Turks in Smyrna. However, after the conquest of Smyrna, the fleet disbanded, some fruitless attempts were made towards unification with the Greek Church. For the remainder of his pontificate, Sixtus turned to temporal issues, Sixtus IV sought to strengthen his position by surrounding himself with relatives and friends. His nephew Pietro Riario also benefited from his nepotism, Pietro became one of the richest men in Rome and was entrusted with Pope Sixtus foreign policy. However, Pietro died prematurely in 1474, and his role passed to Giuliano della Rovere, six of the thirty-four cardinals that he created were his nephews. Francesco Salviati, Archbishop of Pisa and an organizer of the plot, was hanged on the walls of the Florentine Palazzo della Signoria. To this, Sixtus IV replied with an interdict and two years of war with Florence, however, Infessura had partisan allegiances to the Colonna and so is not considered to be always reliable or impartial. However, such accusations are easily dismissed as propaganda, but did nevertheless prompt the noted historian of the Catholic Church, Ludwig von Pastor. Sixtus continued a dispute with King Louis XI of France, who upheld the Pragmatic Sanction of Bourges, according to which papal decrees needed royal assent before they could be promulgated in France. This was a cornerstone of the claimed for the Gallican Church
Sixtus IV
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Pope Sixtus IV appoints Platina as Prefect of the Library, by Melozzo da Forlì, accompanied by his relatives
Sixtus IV
–
Posthumous portrait of Pope Sixtus IV by
Titian
Sixtus IV
–
Ponte Sisto, the first bridge built at Rome since the
Roman Empire
Sixtus IV
–
Tomb of Pope Sixtus IV by Antonio del Pollaiolo
14.
Middle Ages
–
In the history of Europe, the Middle Ages or Medieval Period lasted from the 5th to the 15th century. It began with the fall of the Western Roman Empire and merged into the Renaissance, the Middle Ages is the middle period of the three traditional divisions of Western history, classical antiquity, the medieval period, and the modern period. The medieval period is subdivided into the Early, High. Population decline, counterurbanisation, invasion, and movement of peoples, the large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the seventh century, North Africa and the Middle East—once part of the Byzantine Empire—came under the rule of the Umayyad Caliphate, although there were substantial changes in society and political structures, the break with classical antiquity was not complete. The still-sizeable Byzantine Empire survived in the east and remained a major power, the empires law code, the Corpus Juris Civilis or Code of Justinian, was rediscovered in Northern Italy in 1070 and became widely admired later in the Middle Ages. In the West, most kingdoms incorporated the few extant Roman institutions, monasteries were founded as campaigns to Christianise pagan Europe continued. The Franks, under the Carolingian dynasty, briefly established the Carolingian Empire during the later 8th, the Crusades, first preached in 1095, were military attempts by Western European Christians to regain control of the Holy Land from Muslims. Kings became the heads of centralised nation states, reducing crime and violence, intellectual life was marked by scholasticism, a philosophy that emphasised joining faith to reason, and by the founding of universities. Controversy, heresy, and the Western Schism within the Catholic Church paralleled the conflict, civil strife. Cultural and technological developments transformed European society, concluding the Late Middle Ages, the Middle Ages is one of the three major periods in the most enduring scheme for analysing European history, classical civilisation, or Antiquity, the Middle Ages, and the Modern Period. Medieval writers divided history into periods such as the Six Ages or the Four Empires, when referring to their own times, they spoke of them as being modern. In the 1330s, the humanist and poet Petrarch referred to pre-Christian times as antiqua, leonardo Bruni was the first historian to use tripartite periodisation in his History of the Florentine People. Bruni and later argued that Italy had recovered since Petrarchs time. The Middle Ages first appears in Latin in 1469 as media tempestas or middle season, in early usage, there were many variants, including medium aevum, or middle age, first recorded in 1604, and media saecula, or middle ages, first recorded in 1625. The alternative term medieval derives from medium aevum, tripartite periodisation became standard after the German 17th-century historian Christoph Cellarius divided history into three periods, Ancient, Medieval, and Modern. The most commonly given starting point for the Middle Ages is 476, for Europe as a whole,1500 is often considered to be the end of the Middle Ages, but there is no universally agreed upon end date. English historians often use the Battle of Bosworth Field in 1485 to mark the end of the period
Middle Ages
–
The
Cross of Mathilde, a
crux gemmata made for
Mathilde, Abbess of Essen (973–1011), who is shown kneeling before the Virgin and Child in the
enamel plaque. The body of Christ is slightly later. Probably made in
Cologne or
Essen, the cross demonstrates several medieval techniques:
cast figurative sculpture,
filigree, enamelling, gem polishing and setting, and the reuse of Classical
cameos and
engraved gems.
Middle Ages
–
A late Roman statue
depicting the four Tetrarchs, now in
Venice
Middle Ages
–
Coin of
Theodoric
Middle Ages
–
Mosaic showing
Justinian with
the bishop of
Ravenna, bodyguards, and courtiers
15.
Trastevere
–
Trastevere is the 13th rione of Rome, on the west bank of the Tiber, south of Vatican City, and within Municipio I. Its name comes from the Latin trans Tiberim, meaning literally beyond the Tiber and its logo is a golden head of a lion on a red background, the meaning of which is uncertain. To the north, Trastevere borders the XIV rione, Borgo, in Romes Regal period, the area across the Tiber belonged to the hostile Etruscans, the Romans named it Ripa Etrusca. Rome conquered it to control of and access to the river from both banks, but was not interested in building on that side of the river. In fact, the connection between Trastevere and the rest of the city was a small wooden bridge called the Pons Sublicius. By the time of the Republic c.509 BC, the number of sailors and fishermen making a living from the river had increased, immigrants from the East also settled there, mainly Jews and Syrians. The area began to be considered part of the city under Augustus, since the end of the Roman Republic the quarter was also the center of an important Jewish community, which inhabited there until the end of the Middle Ages. With the wealth of the Imperial Age, several important figures decided to build their villae in Trastevere, including Clodia, and Julius Caesar. The regio included two of the most ancient churches in Rome, the Titulus Callixti, later called the Basilica di Santa Maria in Trastevere, and the Titulus Cecilae, Santa Cecilia in Trastevere. In the Middle Ages Trastevere had narrow, winding, irregular streets, moreover, at the end of the 15th century these mignani were removed. Nevertheless, Trastevere remained a maze of narrow streets, there was a strong contrast between the large, opulent houses of the upper classes and the small, dilapidated houses of the poor. The streets had no pavement until the time of Sixtus IV at the end of the 15th century, at first bricks were used, but these were later replaced by sampietrini, which were more suitable for carriages. In 1744 Benedict XIV modified the borders of the rioni, giving Trastevere its modern limits, nowadays, Trastevere maintains its character thanks to its narrow cobbled streets lined by ancient houses. At night, natives and tourists flock to its many pubs and restaurants. The unique character of this neighborhood has attracted artists, foreign expats, in the sixties and seventies, the American musicians/composers Frederic Rzewski and Richard Teitelbaum, of the group Musica Elettronica Viva, lived in Via della Luce. Sergio Leone, the director of Spaghetti Westerns, grew up in Viale Glorioso, ennio Morricone, the film music composer, went to the same school, and for one year was in the same class as Sergio Leone. Public libraries in Trastevere include Casa della Memoria e della Storia
Trastevere
–
A typical narrow alley in Trastevere seen from the lower slopes of the
Gianicolo hill
Trastevere
–
Logo of the rione
Trastevere
–
Piazza
Santa Maria in Trastevere at night
16.
Italy
–
Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
Italy
–
The
Colosseum in Rome, built c. 70 – 80 AD, is considered one of the greatest works of
architecture and
engineering of ancient history.
Italy
–
Flag
Italy
–
The
Iron Crown of Lombardy, for centuries symbol of the
Kings of Italy.
Italy
–
Castel del Monte, built by German Emperor
Frederick II,
UNESCO World Heritage site
17.
Gian Lorenzo Bernini
–
Gian Lorenzo Bernini was an Italian sculptor and architect. While a major figure in the world of architecture, he was the sculptor of his age. Bernini was also a figure in the emergence of Roman Baroque architecture along with his contemporaries, the architect Francesco Borromini. Early in their careers they had all worked at the time at the Palazzo Barberini, initially under Carlo Maderno and, following his death. Later on, however, they were in competition for commissions, Peters Basilica, completed under Pope Paul V with the addition of Madernos nave and facade and finally re-consecrated by Pope Urban VIII on 18 November 1626, after 150 years of planning and building. Berninis design of the Piazza San Pietro in front of the Basilica is one of his most innovative, during his long career, Bernini received numerous important commissions, many of which were associated with the papacy. At an early age, he came to the attention of the nephew, Cardinal Scipione Borghese. Although he did not fare so well during the reign of Innocent X, under Alexander VII, he again regained pre-eminent artistic domination. Bernini and other artists fell from favor in later neoclassical criticism of the Baroque, the art historian Howard Hibbard concludes that, during the seventeenth century, there were no sculptors or architects comparable to Bernini. Bernini was born in Naples in 1598 to Angelica Galante and Mannerist sculptor Pietro Bernini and he was the sixth of their thirteen children. Gianlorenzo Bernini was the definition of childhood genius and he was “recognized as a prodigy when he was only eight years old, he was consistently encouraged by his father, Pietro. His precocity earned him the admiration and favor of powerful patrons who hailed him as ‘the Michelangelo of his century’” and his father was so impressed by his son’s obvious talent that he took him to Rome to showcase him to the cardinals and Pope. Bernini was presented before Pope Paul V, for whom he did a sketch of Saint Paul, once he was brought to Rome, he never left. “For Bernini there could be only one Rome, ‘You are made for Rome, ’ said Pope Urban VIII to him, ‘and Rome for you’”. It was in world of 17th century Rome and religious power. Under the patronage of the wealthy and most powerful Cardinal Scipione Borghese. By the time he was twenty-two, he was considered talented enough to have given a commission for a papal portrait. Berninis reputation, however, was established by four masterpieces
Gian Lorenzo Bernini
–
Self-portrait of Bernini, c. 1623
Gian Lorenzo Bernini
–
Apollo and Daphne (1622–25)
Gian Lorenzo Bernini
–
Baldacchino in
St. Peter's Basilica
Gian Lorenzo Bernini
–
Bust of Cardinal Armand de Richelieu (1640–41)
18.
Francesco Borromini
–
He seems to have had a sound understanding of structures, which perhaps Bernini and Cortona, who were principally trained in other areas of the visual arts, lacked. His soft lead drawings are particularly distinctive and he appears to have been a self-taught scholar, amassing a large library by the end of his life. His career was constrained by his personality, later critics of the Baroque, such as Francesco Milizia and the English architect Sir John Soane, were particularly critical of Borromini’s work. From the late nineteenth century onwards, interest has revived in the works of Borromini, Borromini was born at Bissone, near Lugano in the Ticino, which was at the time a bailiwick of the Swiss Confederacy. He was the son of a stonemason and began his career as a stonemason himself and he soon went to Milan to study and practice his craft. He moved to Rome in 1619 and started working for Carlo Maderno, his distant relative, at St. Peters, when Maderno died in 1629, he and Pietro da Cortona continued to work on the palace under the direction of Bernini. Once he had established in Rome, he changed his name from Castelli to Borromini. In 1634, Borromini received his first major independent commission to design the church, cloister, situated on the Quirinal Hill in Rome, the complex was designed for the Spanish Trinitarians, a religious order. The monastic buildings and the cloister were completed first after which construction of the church took place during the period 1638-1641, the church is considered by many to be an exemplary masterpiece of Roman Baroque architecture. San Carlino is remarkably small given its significance to Baroque architecture, the site was not an easy one, it was a corner site and the space was limited. Borromini positioned the church on the corner of two intersecting roads, Borromini devised the complex ground plan of the church from interlocking geometrical configurations, a typical Borromini device for constructing plans. The area of the marks the transition from the lower wall order to the oval opening of the dome. Illuminated by windows hidden from a viewer below, interlocking octagons, crosses, in the late sixteenth century, the Congregation of the Filippini rebuilt the church of Santa Maria in Vallicella in central Rome. In the 1620s, on an adjacent to the church. These exercises combined preaching and music in a form which became immensely popular, the architect Paolo Maruscelli drew up plans for the site and the sacristy was begun in 1629 and was in use by 1635. After a substantial benefaction in January 1637, however, Borromini was appointed as architect, by 1640, the oratory was in use, a taller and richer clock tower was accepted, and by 1643, the relocated library was complete. The striking brick curved facade adjacent to the entrance has an unusual pediment. The white oratory interior has a vault and a complex wall arrangement of engaged pilasters along with freestanding columns supporting first level balconies
Francesco Borromini
–
Borromini (anonymous youth portrait)
Francesco Borromini
–
Façade of
San Carlo alle Quattro Fontane.
Francesco Borromini
–
Oratory of Saint Phillip Neri
Francesco Borromini
–
Sant'Ivo alla Sapienza, courtyard and façade.
19.
Donato Bramante
–
Donato Bramante, born as Donato di Pascuccio dAntonio and also known as Bramante Lazzari, was an Italian architect. He introduced Renaissance architecture to Milan and the High Renaissance style to Rome and his Tempietto marked the beginning of the High Renaissance in Rome when Pope Julius II appointed him to build a sanctuary over the spot where Peter was allegedly crucified. Bramante was born under the name Donato dAugnolo, Donato di Pascuccio dAntonio, here, in 1467, Luciano Laurana was adding to the Palazzo Ducale an arcaded courtyard and other Renaissance features to Federico da Montefeltros ducal palace. Around 1474, Bramante moved to Milan, a city with a deep Gothic architectural tradition, and built several churches in the new Antique style. The Duke, Ludovico Sforza, made him virtually his court architect, beginning in 1476, space was limited, and Bramante made a theatrical apse in bas-relief, combining the painterly arts of perspective with Roman details. There is a sacristy, surmounted by a dome. In Milan, Bramante also built the tribune of Santa Maria delle Grazie, other works include the Cloisters of SantAmbrogio, Milan. However, in 1499, with his Sforza patron driven from Milan by an invading French army, Bramante made his way to Rome, in Rome, he was soon recognized by Cardinal Della Rovere, shortly to become Pope Julius II. Despite its small scale, the construction has all the proportions and symmetry of Classical structures, surrounded by slender Doric columns. According to an engraving by Sebastiano Serlio, Bramante planned to set it within a colonnaded courtyard. In November 1503, Julius engaged Bramante for the construction of the grandest European architectural commission of the 16th century, the cornerstone of the first of the great piers of the crossing was laid with ceremony on 17 April 1506. Very few drawings by Bramante survive, though some by his assistants do, Bramantes plan envisaged four great chapels filling the corner spaces between the equal transepts, each one capped with a smaller dome surrounding the great dome over the crossing. So Bramantes original plan was much more Romano-Byzantine in its forms than the basilica that was actually built. Bramante also worked on other commissions. Among his earliest works in Rome, before the Basilicas construction was under way, is the cloister of Santa Maria della Pace near Piazza Navona, Santa Maria presso San Satiro, Milan, ca. Palazzo Caprini, Rome, started around 1510 Leon Battista Alberti Giorgio Vasari Davies, Paul, Bramante, Donato, The Dictionary of Art, Vol. IV, New York, Grove, pp. 642–653, ISBN9781884446009. Bramante, Encyclopædia Britannica, 9th ed. Vol. IV, New York, Charles Scribners Sons,1878, Bramante, Encyclopædia Britannica, 11th ed. Vol. IV, Cambridge, Cambridge University Press,1911, p.418. Donato Bramante Source Information, Pictures & Documentaries about Donato
Donato Bramante
–
Donato Bramante
Donato Bramante
–
A draft for St Peter's superimposed over a plan of the ancient basilica
Donato Bramante
–
The dome, as planned by Bramante
20.
Unification of Italy
–
The process began in 1815 with the Congress of Vienna and was completed in 1871 when Rome became the capital of the Kingdom of Italy. The memory of the Risorgimento is central to both Italian politics and Italian historiography, for short period is one of the most contested. Italian nationalism was based among intellectuals and political activists, often operating from exile, after the fall of the Western Roman Empire, the Roman province of Italy remained united under the Ostrogothic Kingdom and later disputed between the Kingdom of the Lombards and the Byzantine Empire. Following conquest by the Frankish Empire, the title of King of Italy merged with the office of Holy Roman Emperor. However, the emperor was a foreigner who had little concern for the governance of Italy as a state, as a result. This situation persisted through the Renaissance but began to deteriorate with the rise of modern nation-states in the modern period. Italy, including the Papal States, then became the site of proxy wars between the powers, notably the Holy Roman Empire, Spain and France. Harbingers of national unity appeared in the treaty of the Italic League, in 1454, leading Renaissance Italian writers Dante Alighieri, Petrarch, Boccaccio, Niccolò Machiavelli and Francesco Guicciardini expressed opposition to foreign domination. Petrarch stated that the ancient valour in Italian hearts is not yet dead in Italia Mia, Niccolò Machiavelli later quoted four verses from Italia Mia in The Prince, which looked forward to a political leader who would unite Italy to free her from the barbarians. I am an Italian, he explained, the French Republic spread republican principles, and the institutions of republican governments promoted citizenship over the rule of the Bourbons and Habsburgs and other dynasties. The reaction against any outside control challenged Napoleons choice of rulers, as Napoleons reign began to fail, the rulers he had installed tried to keep their thrones further feeding nationalistic sentiments. After Napoleon fell, the Congress of Vienna restored the pre-Napoleonic patchwork of independent governments, vincenzo Gioberti, a Piedmontese priest, had suggested a confederation of Italian states under leadership of the Pope in his 1842 book, Of the Moral and Civil Primacy of the Italians. Pope Pius IX at first appeared interested but he turned reactionary, Giuseppe Mazzini and Carlo Cattaneo wanted the unification of Italy under a federal republic. That proved too extreme for most nationalists, the middle position was proposed by Cesare Balbo as a confederation of separate Italian states led by Piedmont. One of the most influential revolutionary groups was the Carbonari, a political discussion group formed in Southern Italy early in the 19th century. After 1815, Freemasonry in Italy was repressed and discredited due to its French connections, a void was left that the Carbonari filled with a movement that closely resembled Freemasonry but with a commitment to Italian nationalism and no association with Napoleon and his government. The response came from middle class professionals and business men and some intellectuals, the Carbonari disowned Napoleon but nevertheless were inspired by the principles of the French Revolution regarding liberty, equality and fraternity. They developed their own rituals, and were strongly anticlerical, the Carbonari movement spread across Italy
Unification of Italy
–
Five Days of Milan, 18–22 March 1848
Unification of Italy
–
Dante Alighieri
Unification of Italy
–
Niccolò Machiavelli
Unification of Italy
–
Guglielmo Pepe
21.
Corso Vittorio Emanuele II, Rome
–
Corso Vittorio Emanuele II, commonly known as Corso Vittorio, is a wide east–west thoroughfare that courses through Rome. It connects a bridge over the Tiber, Ponte Vittorio Emanuele II, the latter Via continues east from Piazza del Gesù and along Palazzo Venezia to reach Piazza Venezia which sits below the massive white Monument to Vittorio Emanuele II. It was created by a resolution of 1886 and was named after Vittorio Emanuele II, media related to Corso Vittorio Emanuele II at Wikimedia Commons
Corso Vittorio Emanuele II, Rome
–
Corso Vittorio Emanuele II
22.
Santa Barbara dei Librai
–
Santa Barbara dei Librai is a small Roman Catholic church in Rome, Italy. It was once known as Santa Barbara alla Regola after the rione in which it was located, today it now considered within the rione of Parione, near the Campo de Fiori. Giuseppe Vasi dates the consecration of the church by 1306, although it is probable that a church existed at the site since the 10-11th century. Inscriptions inside claim that the church was established by Giovanni di Crescenzio de Roizo and his wife Rogata, in 1600, it was granted to the confraternity of the Bookmakers or Librari, who titled the church after St Thomas Acquinas and St John of God as patrons. During the papacy of Innocent XI, the church was restored, in 1634, after a fire, the confraternity of book makers bought out adjacent properties. The baroque façade was remade by Giuseppe Passeri, the statue of St Barbara over the door was sculpted by Ambrogio Parisi, and the angel painted on a wall is attributed to Guido Reni. The church has paintings by Luigi Garzi, a fresco of St Saba by Giovanni Battista Brughi, pupil of Baciccio, in the chapel of Specchi, the church was used by the confraternity till 1878, but fell into abandon and was deconsecrated. In 1982, it was restored and, the adjacent oratory is sited in the ruins of the Theater of Pompey. Among the works of art inside the church are, Tryptich of Madonna and child with John the Baptist, crucifixion by Garzi Morelli Gonippo, la chiesa di sants Barbara dei librai, Roma 1927 C. Rendina, Le Chiese di Roma, Newton & Compton Editori, Milano 2000 C. Cerchiai, Rione V Ponte, in AA. VV, I rioni di Roma, Newton & Compton Editori, Milano 2000, Vol. I, pp. 335–382 Mariano Armellini, Le chiese di Roma dal secolo IV al XIX, Roma 1891 C. Hulsen, Le chiese di Roma nel Medio Evo, Firenze 1927 F. Titi, Descrizione delle Pitture, Sculture e Architetture esposte in Roma, Roma 1763
Santa Barbara dei Librai
–
Façade
Santa Barbara dei Librai
–
Tryptich by Leonardo da Roma
23.
Santa Maria in Vallicella
–
Santa Maria in Vallicella, also called Chiesa Nuova, is a church in Rome, Italy, which today faces onto the main thoroughfare of the Corso Vittorio Emanuele and the corner of Via della Chiesa Nuova. St. Gregory the Great built the first church on the site, by the 12th century, it was dedicated to Santa Maria in Vallicella. In 1575, Pope Gregory XIII recognised Neris group as a religious Congregation and gave them the church, st. Philip Neri, helped by Cardinal Pier Donato Cesi and Pope Gregory XIII, had the church rebuilt, starting in 1575. When Pierdonato died, his brother Angelo Cesi, Bishop of Todi, initially the architect was Matteo di Città di Castello, but he was replaced later by Martino Longhi the Elder. The nave was completed in 1577, and the church was consecrated in 1599, the facade, designed by Fausto Rughesi, was completed in 1605 or 1606. The Cesi heraldry is still evident in the church, the ground plan follows the Counter-Reformation design of churches established at the Gesù, a single main nave with transepts and side chapels, leading towards the High Altar. It is renowned for its altarpieces by Barocci, Pietro da Cortonas ceilings, Pietro da Cortonas decorations include the Trinity in the dome. The prophets Isiah, Jeremiah, Daniel and Ezechiel in the four pendentives were painted in 1655–56, Cortonas nave vault fresco of the Miracle of the Madonna della Vallicella was executed in 1664–65. This is clearly set within a gold frame, a quadro riportato. The first altarpiece on the right is a Crucifixion by Pulzone with a fresco painted by Lanfranco. The third altarpiece is an Ascension by Girolamo Muziano, the fourth, a Pentecost by Giovanni Maria Morandi, the fifth, in the transept is a Coronation of Mary by the Cavaliere dArpino, who also painted the first altarpiece on the right. In the right presbytery, is the Spada family chapel completed in 1593 by Rainaldi, inside, a Madonna with Child and Santi Carlo Borromeo and Ignazio di Loyola was painted by Maratta. In the central presbytery, the ciborium was designed by Ciro Ferri in 1681. When installed, the three panels are said to have caused a stir among observers in Rome, who were generally unaccustomed to the Flemish painterly style. The Rubens altarpiece was commissioned by Monsignor Jacopo Serra for 300 scudi, in the left transept is a Presentation of Mary to the Temple by Federico Barocci. He completed two altarpieces that were admired in his time, including one in the Chapel of the Visitation. The sacristy was begun in 1621 based on plans by Mario Arconio. In the sacristy is a sculptural group of S. Filippo with an Angel by Alessandro Algardi
Santa Maria in Vallicella
–
Chiesa Nuova after restoration (2002).
Santa Maria in Vallicella
–
Nave.
24.
San Lorenzo in Damaso
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The Minor Basilica of St. Lawrence in Damaso or simply San Lorenzo in Damaso is a parish and titular church in central Rome, Italy that is dedicated to St. Lawrence, deacon and martyr. It is incorporated into the Palazzo della Cancelleria, which enjoys the extraterritoriality of the Holy See, archaeological evidence suggests the site, like those of many churches in Rome, may have formerly housed a pagan temple. The first documentary evidence of a church at this site is the reference in the synod of Pope Symmachus of AD499 of a Titulus Damasi, according to tradition, in the AD 380s a basilica church was erected by Pope Damasus I in his own residence. This church is one of many in Rome dedicated to St. Lawrence, including the ancient and then extra-urban Basilica di San Lorenzo Fuori le Mura. The original basilica of San Lorenzo in Damaso was demolished by Cardinal Raffaele Riario, the architect of the basilica, like that of the Palace of the Chancellery, is unknown. Titi also independently attributed reconstruction of the basilica to Bramante, the last restoration was necessary after a fire damaged the basilica in 1944. The inscriptions in the basilica are valuable illustrations of the history of the Roman Catholic Church, the Cardinal Priest of the Titulus S. Laurentii in Damaso is Antonio Rouco Varela, Archbishop of Madrid, Spain. The interior decoration was begun by commissions of the resident of the Palace, Cardinal Alessandro Farnese, cavaliere dArpino painted the walls of the right counter-facade. The main altar hosts the painting of Saints and Coronation of St. Mary by Federico Zuccari, below the altar are the relics of Pope St. Eutychian and Pope St. Damasus I. To the left of the altar is a copy of a statue of St. Hippolytus of Rome, tradition holds that St. Lawrence instigated the conversion of St. Hippolytus to the Catholic Faith. This copy was commissioned for the basilica by Cardinal Pietro Ottoboni, immediately to the right of the entrance is the memorial to Alessandro Valtrini, a minister of Pope Urban VIII, that Gian Lorenzo Bernini designed in 1639. The second vestibule has statues of St. Francis Xavier and St. Charles Borromeo by Stefano Maderno, to the right of the entrance is a chapel designed by Nicola Salvi and commissioned by Cardinal Tommaso Ruffo in the late 18th century. The ceiling is frescoed with Glory of San Nicola by Corrado Giaquinto, philip Neri and Nicolò was painted by Sebastiano Conca. To the left of the entrance is the Chapel of the Blessed Sacrament, the altarpiece is the Last Supper by Vincenzo Berrettini. Inside the basilica, the first chapel to the right of the nave has a 19th-century monument to Prince Camillo Massimi and his wife, by Filippo Gnaccarini and Pietro Tenerani, respectively. The second chapel to the right has the tomb of Pellegrino Rossi, Pope Pius IX, by Pietro Tenerani. His murder in 1848 in the adjacent Palace was one of the events led to the ensconcement of the Pope in the Vatican City. The first chapel to the left has the tomb and funerary monument of Cardinal Ludovico Trevisan, Patriarch of Aquileia, the second chapel to the left contains the tomb of Fra Annibal Caro by Giovanni Antonio Dosio
San Lorenzo in Damaso
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Entrance to San Lorenzo in Damaso, incorporated into side facade of the
Cancelleria
San Lorenzo in Damaso
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Interior of San Lorenzo
San Lorenzo in Damaso
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Seated Hippolytus at Vatican
San Lorenzo in Damaso
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Monument for Pellegrino Rossi, sculpted by Tenerani.
25.
Nostra Signora del Sacro Cuore
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Nostra Signora del Sacro Cuore is a Catholic church dedicated to the Virgin Mary located in Romes Piazza Navona. An earlier church had been erected in the place, on the ruins of the Stadium of Domitian. The first mention of this church is in the will of Henry of Castile, son of King Ferdinand III of Castile, the new edifice was built for the Holy Year of 1450 using a gift from Alfonso de Paradinas. The façade, once facing the side than now, was designed by Bernardo Rossellino. Pope Alexander VI, of Spanish origin, later had a carved out in front of it. Starting in 1506 the church was the church of the Spanish community in Rome. When Santa Maria in Monserrato degli Spagnoli was completed in the 17th century, the focus of the community shifted to that church, pope Leo XIII had the edifice, which was on the verge of crumbling down, extensively renovated in the late 19th century. At that time the entrance was moved to face Piazza Navona. The apse and the transept were demolished in 1938 to open the current Corso del Rinascimento avenue, most of the works of art and funerary monuments in the church were transferred to Santa Maria in Monserrato. What remains in the church are some Renaissance works, such as a chancel in polychrome marble, the altarpiece of the Assumption of the Virgin with Glory of Angels and Apostles was made by Flemish-born painter Francisco de Castello. The Cappella di San Giacomo is also intact, some of the paintings of the Herrera Chapel were transferred to Museu Nacional dArt de Catalunya in Barcelona and some to Museo del Prado Text retrieved from romanchurches. wikia. com
Nostra Signora del Sacro Cuore
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The façade of Nostra Signora del Sacro Cuore as seen from Piazza Navona.
Nostra Signora del Sacro Cuore
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Mural Paintings from the Herrera Chapel conserved at
MNAC Barcelona.
26.
San Nicola dei Lorenesi
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The Church of Saint Nicholas of the Lorrainers is a Roman Catholic church dedicated to Saint Nicholas and the apostle Saint Andrew. It is one of the churches in Rome dedicated to France. Given to the Lorrainers by Pope Gregory XV in 1622, the church of St. Nicholas was redesigned by Lorrainer architect François Desjardins. The church was renovated in 2006 and entitled to the Community of Saint John. The architecture of the interior is characterized by a sober but evident barroque style with decorative effects based on the use of white. Many frescoes and paintings by Lorrainer painters of the XVII and XVIII centuries also decorate the interior, in particular, two works by Nicolas de Bar, Saint Catherine and The Visitation. In 1731, Corrado Giaquinto was commissioned to execute the frescoes, Saint Nicholas water gush from cliff, the French painter Nicolas Mellin is buried in San Nicola. Chiesa Rettoria San Nicola Dei Lorenesi - Official website of the Vicariate of Rome Saint-Nicolas-Des-Lorrains, Eblouissant Travail de Restauration
San Nicola dei Lorenesi
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Façade of San Nicola dei Lorenesi,
National Church in Rome of
France (
Duchy of Lorraine).
San Nicola dei Lorenesi
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Interior of the church with frescoes by
Corrado Giaquinto
27.
San Tommaso in Parione
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San Tommaso in Parione is one of the two national churches of Ethiopia in Rome. It is dedicated to St Thomas the Apostle, the church is normally open to the public only between 20 and 28 September. The church has ancient origins, but the first documented date is 1139 and it seems certain that this was a reconsecration after a rebuilding or enlargement of the church. In 1449, Pope Nicholas V granted the church to the Company of Scriptors, St Philip Neri was ordained to the priesthood in the church in 1551. The present church is the result of a rebuilding in 1582 and it was built to a design by Francesco Volterra by Mario and Camillo Cerrini. It was made a church in 1517. This status was kept until 1937, when Pope Pius XI suppressed its status due to the state of disrepair the church was in, the title was transferred to Chiesa Nuova. The church is served by the Cistercian Order, as it is also the national church of Ethiopia, and Mass is celebrated according to both Latin and Alexandrine rite. The 16th century brick façade was designed by Jacopo del Duca and it has two stories, with the lower divided into three sections. The middle section has a doorway crowned by a tympanon. On the upper level is a central window crowned by a rounded tympanon, the middle section is crowned by a tympanon, the outer sections consist only of volutes. Interior The nave has three separated by pilasters with Ionic capitals. The nave has a tile roof, while the outer aisles have plaster ceilings. The high altar, set against the wall, has two marble columns on the sides and is crowned by a tympanon. The 17th century altarpiece depicts St Thomas, on the sides are paintings of Cardinal Gregorio Barbarigo and St Philip Neri. The latter was ordained in this church, on the left wall are frescoes from the pontificate of Innocent II. One of them depicts St Martin of Tours Dividing his Cloak, there are also paintings from the 19th century, of which The Annunciation by Giuseppe Passeri is the most notable
San Tommaso in Parione
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Facade
28.
San Pantaleo, Rome
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San Pantaleo is an ancient church located on a piaza of the same name along Corso Vittorio Emanuele II in the Parione neighborhood of Rome, Italy. It shares the Piazza with the Museo di Roma in Palazzo Braschi, a church at the site dates from the 12th-century, but the present facade is in a Neoclassical style and the interiors were elaborated in a Baroque style. Records claim the church at the site was founded by the early 12th century, in 1418, the church was rebuilt by Alessandro Savelli, who had an adjacent palace. Some notes indicate it was linked to a group of English priests, by 1621, it was restored by the fathers of the Scuole Pie of St Giuseppe Calasanzio, who lived in the adjacent convent. His relics are held in an urn in the church. In 1808, under the patronage of Duke Giovanni Torlonia, a facade was commissioned from the architect Giuseppe Valadier, the significance of the facade frieze not evident, it depicts a cornucopia Christian symbols, scrolls, books, and shields resembling a display of a triumphal procession
San Pantaleo, Rome
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Facade
29.
Monti (rione of Rome)
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Monti is the name of one of the twenty-two Rioni of Rome, rione I, located in Municipio I. The name literally means mountains in Italian and comes from the fact that the Esquiline and the Viminal Hills, and parts of the Quirinal and its logo consists of three green mountains with three tops on a silver background. Today the Esquilino, Castro Pretorio and Celio districts do not belong to it anymore, in ancient times the rione was densely populated, in Monti there were the Forum Romanum and the so-called Suburra, this was the place poor people lived, full of disreputable locals and brothels. In the Middle Ages the situation was different, the Roman aqueducts were damaged. Hence many inhabitants moved to Campus Martius, a level part. From the Middle Ages to the beginning of the 19th century, Monti was not densely populated because of the lack of water and because it was quite far from the Vatican, the center of Christian culture. The area did not become abandoned thanks to the church of San Giovanni in Laterano, still in the Middle Ages the inhabitants of Monti, called monticiani, developed a strong identity, their Roman dialect was different from that spoken in the other rioni. Their main enemies were the people from the other rione with an identity, Trastevere. The Pontifical University of Saint Thomas Aquinas, Angelicum is located in Monti History, maps and images of the rione
Monti (rione of Rome)
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via dei Fori Imperiali, on the edge of the rione
Monti (rione of Rome)
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Logo of the rione
30.
Trevi (rione of Rome)
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Trevi is the rione II of Rome, located in Municipio I. Its logo is made of three swords on a red background and this rione, during the Roman republic belonged to the third region, while during the Roman empire was split up into two regions, the VI, called Alta Semita and the VII, called via Lata. During the ancient Roman period, in rione Trevi there were groups of private houses with some monumental buildings. Since that time the area was split up into two parts, a lower one, level and next to the river Tiber, and a higher one on the hills. The first one was one of the center of the activities of the city, while the one was a rich. After the fall of the Roman empire, a lot of people moved away from the hills to settle next to the river, in the lower part. The urbanization followed the people, next to the river Tiber the rione was full of buildings while almost nothing was built again on the hills until the Renaissance. In 1600 urbanization, new streets, churches and fountains caused the rione Trevi to be quite crowded, the Quirinal Hill, partially isolated from the crowded part close to the river, was slowly becoming a center of power thanks to numerous buildings belonging to the Pope. Under the domination of Napoleon, in 1811, the Quirinal Hill was selected to be the center of the power in Rome. The plan was not completed because of the fall of Napoleon, in fact nowadays several ministers are placed in the rione Trevi. This changed completely the appearance of the part of the rione. The most famous monument in the rione is Trevi Fountain, public libraries in Trevi include Romana Sarti and Casa delle Traduzioni. Piazza Barberini Piazza della Pilota Piazza del Quirinale Piazza San Bernardo Piazza San Silvestro Piazza Santi Apostoli Piazza Scanderbeg Piazza di Trevi
Trevi (rione of Rome)
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Piazza dei Crociferi, with the Church of Santa Maria in Trivio
Trevi (rione of Rome)
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Logo of the rione
Trevi (rione of Rome)
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Trevi Fountain: the most famous monument in the area
31.
Colonna (rione of Rome)
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Colonna is the III rione of Rome and located at the citys historic center in Municipio I. It takes its name from the Column of Marcus Aurelius in the Piazza Colonna, today the rione covers 0.2689 km2 and as of 2011 had 2547 inhabitants. The rione reaches to one side of the Pincian Hill, during the short-lived Roman Republic of 1798 it also included the hill itself and was called Pincio rather than Colonna. The riones insignia is a now a column representing the Column of Marcus Aurelius on a red background. However, the insignia originally consisted of three azure bands against a silver background
Colonna (rione of Rome)
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Piazza Colonna and the
Column of Marcus Aurelius from which the rione takes its name
32.
Ponte (rione of Rome)
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Ponte is the fifth rione of Rome, and is located in Municipio I. Its name comes from Ponte SantAngelo, which connects Ponte with the rione of Borgo and this bridge was built by Emperor Hadrian in 134 AD to connect his mausoleum to the rest of the city. Though Pope Sixtus V changed the limits so that the bridge belongs now to Borgo, not to Ponte any more. Its logo is obviously a bridge, in ancient Rome, the area belonged to the IX Augustan region called Circus Flaminius, that was a part of the Campus Martius. Neros bridge was also called Pons Vaticanus, because it connected the Ager Vaticanus to the bank, later Pons ruptus. In ancient Rome there was a port that was used to carry the materials for temples, the active life of the area went on during the Middle Ages and the modern period, and this activity deleted almost all signs of ancient Rome in the rione. Moreover, the rione was on the edge of Ponte SantAngelo, thus all the streets of Rome were leading there. That is why it was full of locals, restaurants, shops of holy objects, a common event in the area was to see a small procession led by a person dressed in black, covering his face, carrying a crucifix on his shoulders. On a wagon there was a condemned man kissing continuously another image of Jesus. The destination of the procession was the square in front of Ponte SantAngelo, although Ponte was a quite rich area, it was the one most affected by the frequent flooding of the River Tiber. All the narrow leading to the river were lost, to make space for the embankments. La grande guida dei Rioni di Roma, ISBN 88-7983-509-2 History, maps and images of the rione
Ponte (rione of Rome)
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Church of
Santa Maria della Pace
Ponte (rione of Rome)
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Logo of the rione
33.
Regola
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Regola is the 7th rione of Rome, Italy. It is located in Municipio I of the city, the name comes from Arenula, which was the name of the soft sand that the river Tiber left after the floods, and that built strands on the left bank. The logo of the rione is a rampant deer with a turquoise background, during the Roman empire, the area belonged to the Campus Martius. In particular, in the modern Regola there was the Trigarium, emperor Augustus divided Rome into 14 regions, according to this, the modern Regola belonged to the IX region called Circus Flaminius. In the Middle Ages it entered the fourth of the seven new ecclesiastic regions, also because of the very frequent floods of the river Tiber, the area was unhealthy and it was drained at the end of the Middle Ages. In 1586, when rione Borgo was made, the number of rioni increased to 14, and Regola became the VII with the name of Arenule et Chacabariorum. In 1875, after the walls to stop the floods of the Tiber were built, though small, the rione contains many kinds of buildings, palaces, hospitals, churches, embassies, run down prisons and dirty poor houses. Public libraries in Regola include the Biblioteca centrale Centrale dei Ragazzi, media related to Rione VII - Regola at Wikimedia Commons History, maps and images of the rione
Regola
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Palazzo Farnese
Regola
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Logo of Rione VII
34.
Pigna (rione of Rome)
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Pigna is the name of rione IX of Rome, located in Municipio I of the city. The name means pine cone in Italian, and the symbol for the rione is the bronze pine cone. The giant bronze pine cone once decorated a fountain in Ancient Rome next to a vast Temple of Isis, there water flowed copiously from the top of the pinecone. The Pigna was moved first to the Old Basilica of Saint Peter, there it stands today under Pirro Ligorios vast niche at the far end, flanked by a pair of Roman bronze peacocks brought from Hadrians mausoleum, the Castel SantAngelo. This rione is centrally located in the Campus Martius area of ancient Rome and it is roughly square-shaped, extending from the Pantheon on its northwest corner to the Piazza Venezia on the southeast. This relatively small area contains numerous churches and palazzi, public libraries in Pigna include Rispoli
Pigna (rione of Rome)
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Bronze Pigna at Vatican
Pigna (rione of Rome)
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Logo of the rione
35.
Borgo (rione of Rome)
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Borgo, is the 14th historic district of Rome, Italy. It lies on the west bank of the Tiber, within Municipio I and its coat of arms shows a lion, lying in front of three mounts and a star. These - together with a lion rampant - are also part of the coat of arms of Pope Sixtus V who annexed Borgo as fourteenth rione to the city of Rome. The Borgo is bordered by Vatican City to the west, the Tiber to the east, Prati to the north, the quartiere Aurelio to the southwest and Trastevere to the south. The territory of the quarter includes a part, which is made of the alluvial sands of Tiber, and a hilly zone. In administrative terms, the Borgo, following the city decree n.11 issued on 11 March 2013, before then, he was part of the XVII Municipio, together with the rione of Prati and the quartieri Trionfale and Della Vittoria. The main roads run east-west and are not named Vie, although heavily transformed during the first half of the 20th century, the Borgo maintains its historical importance as a forecourt to Saint Peters Basilica and the Vatican Palace. The territory of the Borgo during the Roman age was part of the fourteenth Regio, Transtiberim, and was named Ager Vaticanus, after the auguries, since it lay outside the Pomerium, and was plagued by malaria, this territory was used as a burial place. Some tombs reached notable proportions, among them, the so-called Terebinthus Neronis, which was a round tomb surmounted by a narrow tower, while the Meta Romuli, was demolished only in 1499. At the foot of the Vatican Hill, two roads started, the Via Cornelia, which joined the Via Aurelia near Tarquinii, and the Via Triumphalis, which met the Via Cassia a few kilometers north. The latter was so named because, beginning with Titus, the Roman Emperors used it to enter the city when celebrating their Triumphs, Emperor Gaius built on the Vatican a circus, which was then enlarged by Nero. The obelisk standing today in St. Peters Square was erected along its raised median, the circus was connected to the city through an archway. Nero also substituted the timber bridge of the Via Triumphalis with a stone bridge, Emperor Hadrian built near the Tiber his huge Mausoleum, which he connected to the left bank of the river with another Bridge, the Pons Ælius. But what changed forever the destiny of the zone was the martyrdom of St. Peter at the foot of the Vatican hill in 67, the saint was buried nearby, and this turned the Vatican into a place of pilgrimage. Above the tomb of the saint, Pope Anacletus built an oratory and this church, known today as Old Saint Peters, soon became one of the centers of Christianity. During the early Middle Ages the bridge of Nero fell into ruins, while the Mausoleum of Hadrian was converted into a stronghold, despite the wars and invasions that plagued Rome during those centuries, the flood of pilgrims to the tomb of the apostle never stopped. Pilgrims of the same nationality gathered together in associations named Scholae, whose task was to host, the most famous were those of the Franks, Saxons, Frisians and Lombards. Each Schola had its own hospice and church, one of the first – the Schola Saxonum - was built during the 8th century by Ina or Ine, king of the West Saxons
Borgo (rione of Rome)
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Hadrian's Mausoleum still makes up the core of
Castel Sant'Angelo. The
tuff blocks visible in the lower part of the cylinder are Roman.
Borgo (rione of Rome)
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Coat of arms of the rione
Borgo (rione of Rome)
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The
Passetto, called in
Roman dialect er Corridore ("the Corridor"), seen from Borgo S. Angelo: Via dei Corridori (the ancient Borgo dell'Elefante, so named after
Hanno the elephant), and Saint Peter's dome are in the background.
Borgo (rione of Rome)
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A contemporary
miniature portraying pilgrims reaching Rome during the Jubilee of 1300. They are approaching the Leonine City from N (Prati di Castello). The hills in the background are (from right to left) Monte Mario, Vatican and Gianicolo.
36.
Testaccio
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Testaccio is the 20th rione of Rome, deriving its name from Monte Testaccio. It is located in the citys Municipio I, the rione seal depicts one of these amphorae. In modern times, the area has been a center of activity for butchers, Testaccio was one of Rome’s traditional working class neighbourhoods, but the recent process of gentrification has changed its reputation from hard-at-work to hipster. The neighborhood is home to several of Romes culinary highlights, testaccios reputation among tourists is expanding. Story and Pictures of Testaccio Pictures of Testaccio
Testaccio
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Logo of the rione
37.
Prati
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Prati is a historic neighbourhood of Rome in the centre of the city, bordering with the north of the Vatican State, within Romes Municipio I. Its logo is the shape of Hadrians mausoleum, in a color on a silver background. Although it technically belongs to the rione Borgo, the Hadrians mausoleum is one of Pratis landmarks. In administrative terms, Prati since 2013 belongs to I Municipio while before that year together with the rione of Borgo, a solidly bourgeois district, Prati is one of the wealthiest neighbourhoods in Rome. Prati is immediately to the north of the city centre of the City. The busy Via Cola di Rienzo, one of the most famous streets in Rome, is ranked among the most important shopping streets in the city. San Gioacchino in Prati Sacro Cuore del Suffragio Santa Maria del Rosario in Prati Beata Vergine Maria del Carmine Chapel of Santa Maria Assunta Court of Cassation, Italys highest court
Prati
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Piazza Cavour
Prati
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Logo
Prati
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Chiesa del Sacro Cuore
38.
Geographic coordinate system
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A geographic coordinate system is a coordinate system used in geography that enables every location on Earth to be specified by a set of numbers, letters or symbols. The coordinates are chosen such that one of the numbers represents a vertical position. A common choice of coordinates is latitude, longitude and elevation, to specify a location on a two-dimensional map requires a map projection. The invention of a coordinate system is generally credited to Eratosthenes of Cyrene. Ptolemy credited him with the adoption of longitude and latitude. Ptolemys 2nd-century Geography used the prime meridian but measured latitude from the equator instead. Mathematical cartography resumed in Europe following Maximus Planudes recovery of Ptolemys text a little before 1300, in 1884, the United States hosted the International Meridian Conference, attended by representatives from twenty-five nations. Twenty-two of them agreed to adopt the longitude of the Royal Observatory in Greenwich, the Dominican Republic voted against the motion, while France and Brazil abstained. France adopted Greenwich Mean Time in place of local determinations by the Paris Observatory in 1911, the latitude of a point on Earths surface is the angle between the equatorial plane and the straight line that passes through that point and through the center of the Earth. Lines joining points of the same latitude trace circles on the surface of Earth called parallels, as they are parallel to the equator, the north pole is 90° N, the south pole is 90° S. The 0° parallel of latitude is designated the equator, the plane of all geographic coordinate systems. The equator divides the globe into Northern and Southern Hemispheres, the longitude of a point on Earths surface is the angle east or west of a reference meridian to another meridian that passes through that point. All meridians are halves of great ellipses, which converge at the north and south poles, the prime meridian determines the proper Eastern and Western Hemispheres, although maps often divide these hemispheres further west in order to keep the Old World on a single side. The antipodal meridian of Greenwich is both 180°W and 180°E, the combination of these two components specifies the position of any location on the surface of Earth, without consideration of altitude or depth. The grid formed by lines of latitude and longitude is known as a graticule, the origin/zero point of this system is located in the Gulf of Guinea about 625 km south of Tema, Ghana. To completely specify a location of a feature on, in, or above Earth. Earth is not a sphere, but a shape approximating a biaxial ellipsoid. It is nearly spherical, but has an equatorial bulge making the radius at the equator about 0. 3% larger than the radius measured through the poles, the shorter axis approximately coincides with the axis of rotation
Geographic coordinate system
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Longitude lines are perpendicular and latitude lines are parallel to the equator.
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