Paul Klee was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures Writings on Form and Design Theory, published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci's A Treatise on Painting was for the Renaissance. He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture in Germany. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality.
Klee in 1926
Paul Klee
My Room (German: Meine Bude), 1896. Pen and ink wash, 120 by 190 mm (4+3⁄4 by 7+1⁄2 in). In the collection of the Klee Foundation, Bern, Switzerland
Flower Myth (Blumenmythos) 1918, watercolor on pastel foundation on fabric and newsprint mounted on board, Sprengel Museum, Hannover, Germany
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaning of emotional experience rather than physical reality.
Edvard Munch, The Scream, c.1893, oil, tempera and pastel on cardboard, 91 × 73 cm, National Gallery of Norway, inspired 20th-century expressionists.
El Greco, View of Toledo, c.1595/1610 is a Mannerist precursor of 20th-century expressionism.
Wassily Kandinsky, Der Blaue Reiter, c.1903
Egon Schiele, Portrait of Eduard Kosmack, c.1910, oil on canvas, 100 × 100 cm, Österreichische Galerie Belvedere