1.
Kunsthalle Hamburg
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The Hamburg Kunsthalle is the art museum of the Free and Hanseatic City of Hamburg, Germany. It is one of the largest museums in the country, the name Kunsthalle indicates the museums history as an art hall when founded in 1850. Today, the Kunsthalle houses one of the few art collections in Germany that covers seven centuries of European art, the Kunsthalle consists of three connected buildings, dating from 1869,1921 and 1997, located in the Altstadt district, between the Hauptbahnhof and the two Alster lakes. The Kunsthalle has its origins in 1849, when established and opened a year later as Städtische Gallerie by the Hamburg Kunstverein, the collection grew quickly, and it soon became necessary to provide a building. The original red brick Kunsthalle was built from 1863 to 1869, designed by architects Georg Theodor Schirrmacher and Hermann von der Hude, the first director became the art historian and educator Alfred Lichtwark. In 1994, one painting of the Kunsthalle was involved in the so-called Frankfurt art theft, while on loan to the Kunsthalle Schirn in Frankfurt, the painting Nebelschwaden by Caspar David Friedrich was stolen. After negotiations with the thieves, a lawyer bought back the painting, the cubic building sits on a monolithic base at a prominent location in close proximity to the Binnenalster. Since 2014, the Kunsthalle is under a euro 22 million renovation, in which the old entrance is being re-activated as sole entrance for the entire complex. The Kunsthalle is divided into four different sections, the Gallery of Old Masters, the Gallery of 19th-century Art, the Gallery of Classical Modernism and the Gallery of Contemporary Art. The Kunsthalle Museum is also known for its contemporary art collections and exhibitions. The Hamburg Kunsthalle continuisly carries out temporary exhibitions on contemporary and historic art, yearly there are on average 20 special exhibitions. The Dawn of Romanticism 2011–2012, Max Liebermann, pioneer of Modern Art 2012–2013, Giacometti
2.
Hamburg
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Hamburg, officially Freie und Hansestadt Hamburg, is the second largest city in Germany and the eighth largest city in the European Union. It is the second smallest German state by area and its population is over 1.7 million people, and the wider Hamburg Metropolitan Region covers more than 5.1 million inhabitants. The city is situated on the river Elbe, the official long name reflects Hamburgs history as a member of the medieval Hanseatic League, a free imperial city of the Holy Roman Empire, a city-state, and one of the 16 states of Germany. Before the 1871 Unification of Germany, it was a sovereign state. Prior to the changes in 1919, the civic republic was ruled by a class of hereditary grand burghers or Hanseaten. Though repeatedly destroyed by the Great Fire of Hamburg, the floods and military conflicts including WW2 bombing raids, the city managed to recover and emerge wealthier after each catastrophe. On the river Elbe, Hamburg is a port and a global service, media, logistics and industrial hub, with headquarters and facilities of Airbus, Blohm + Voss, Aurubis, Beiersdorf. The radio and television broadcaster NDR, Europes largest printing and publishing firm Gruner + Jahr, Hamburg has been an important financial centre for centuries, and is the seat of Germanys oldest stock exchange and the worlds second oldest bank, Berenberg Bank. The city is a fast expanding tourist destination for domestic and international visitors. It ranked 16th in the world for livability in 2015, the ensemble Speicherstadt and Kontorhausviertel was declared a World Heritage Site by the UNESCO in 2015. Hamburg is a major European science, research and education hub with several universities and institutes and its creative industries and major cultural venues include the renowned Elbphilharmonie and Laeisz concert halls, various art venues, music producers and artists. It is regarded as a haven for artists, gave birth to movements like Hamburger Schule. Hamburg is also known for theatres and a variety of musical shows. St. Paulis Reeperbahn is among the best known European entertainment districts, Hamburg is on the southern point of the Jutland Peninsula, between Continental Europe to the south and Scandinavia to the north, with the North Sea to the west and the Baltic Sea to the north-east. It is on the River Elbe at its confluence with the Alster, the city centre is around the Binnenalster and Außenalster, both formed by damming the River Alster to create lakes. The island of Neuwerk and two neighbouring islands Scharhörn and Nigehörn, in the Hamburg Wadden Sea National Park, are also part of Hamburg. The neighbourhoods of Neuenfelde, Cranz, Francop and Finkenwerder are part of the Altes Land region, neugraben-Fischbek has Hamburgs highest elevation, the Hasselbrack at 116.2 metres AMSL. Hamburg has a climate, influenced by its proximity to the coast
3.
Romanticism
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Romanticism was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature, preferring the medieval rather than the classical. It was embodied most strongly in the arts, music, and literature, but had a major impact on historiography, education. It elevated folk art and ancient custom to something noble, Romanticism assigned a high value to the achievements of heroic individualists and artists, whose examples, it maintained, would raise the quality of society. It also promoted the individual imagination as a critical authority allowed of freedom from classical notions of form in art, there was a strong recourse to historical and natural inevitability, a Zeitgeist, in the representation of its ideas. In the second half of the 19th century, Realism was offered as a polar opposite to Romanticism, the decline of Romanticism during this time was associated with multiple processes, including social and political changes and the spread of nationalism. Defining the nature of Romanticism may be approached from the point of the primary importance of the free expression of the feelings of the artist. The importance the Romantics placed on emotion is summed up in the remark of the German painter Caspar David Friedrich that the feeling is his law. Samuel Taylor Coleridge and others believed there were laws that the imagination—at least of a good creative artist—would unconsciously follow through artistic inspiration if left alone. As well as rules, the influence of models from other works was considered to impede the creators own imagination, so that originality was essential. The concept of the genius, or artist who was able to produce his own work through this process of creation from nothingness, is key to Romanticism. This idea is called romantic originality. Not essential to Romanticism, but so widespread as to be normative, was a strong belief, however, this is particularly in the effect of nature upon the artist when he is surrounded by it, preferably alone. Romantic art addressed its audiences with what was intended to be felt as the voice of the artist. So, in literature, much of romantic poetry invited the reader to identify the protagonists with the poets themselves. In both French and German the closeness of the adjective to roman, meaning the new literary form of the novel, had some effect on the sense of the word in those languages. It is only from the 1820s that Romanticism certainly knew itself by its name, the period typically called Romantic varies greatly between different countries and different artistic media or areas of thought. Margaret Drabble described it in literature as taking place roughly between 1770 and 1848, and few dates much earlier than 1770 will be found. In English literature, M. H. Abrams placed it between 1789, or 1798, this latter a very typical view, and about 1830, however, in most fields the Romantic Period is said to be over by about 1850, or earlier
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Germany
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Germany, officially the Federal Republic of Germany, is a federal parliamentary republic in central-western Europe. It includes 16 constituent states, covers an area of 357,021 square kilometres, with about 82 million inhabitants, Germany is the most populous member state of the European Union. After the United States, it is the second most popular destination in the world. Germanys capital and largest metropolis is Berlin, while its largest conurbation is the Ruhr, other major cities include Hamburg, Munich, Cologne, Frankfurt, Stuttgart, Düsseldorf and Leipzig. Various Germanic tribes have inhabited the northern parts of modern Germany since classical antiquity, a region named Germania was documented before 100 AD. During the Migration Period the Germanic tribes expanded southward, beginning in the 10th century, German territories formed a central part of the Holy Roman Empire. During the 16th century, northern German regions became the centre of the Protestant Reformation, in 1871, Germany became a nation state when most of the German states unified into the Prussian-dominated German Empire. After World War I and the German Revolution of 1918–1919, the Empire was replaced by the parliamentary Weimar Republic, the establishment of the national socialist dictatorship in 1933 led to World War II and the Holocaust. After a period of Allied occupation, two German states were founded, the Federal Republic of Germany and the German Democratic Republic, in 1990, the country was reunified. In the 21st century, Germany is a power and has the worlds fourth-largest economy by nominal GDP. As a global leader in industrial and technological sectors, it is both the worlds third-largest exporter and importer of goods. Germany is a country with a very high standard of living sustained by a skilled. It upholds a social security and universal health system, environmental protection. Germany was a member of the European Economic Community in 1957. It is part of the Schengen Area, and became a co-founder of the Eurozone in 1999, Germany is a member of the United Nations, NATO, the G8, the G20, and the OECD. The national military expenditure is the 9th highest in the world, the English word Germany derives from the Latin Germania, which came into use after Julius Caesar adopted it for the peoples east of the Rhine. This in turn descends from Proto-Germanic *þiudiskaz popular, derived from *þeudō, descended from Proto-Indo-European *tewtéh₂- people, the discovery of the Mauer 1 mandible shows that ancient humans were present in Germany at least 600,000 years ago. The oldest complete hunting weapons found anywhere in the world were discovered in a mine in Schöningen where three 380, 000-year-old wooden javelins were unearthed
5.
Wolgast
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Wolgast is a town in the district of Vorpommern-Greifswald, in Mecklenburg-Vorpommern, Germany. It is situated on the bank of the river Peenestrom, vis-a-vis the island of Usedom that can be accessed by road, in December 2004, the town had a population of 12,725. The precursor of present-day Wolgast was a Slavic Wendish stronghold located on an island within the Peenestrom sound, wilhelm Ferdinand Gadebusch traces the name through Wendish to mean a large grove. It is unclear which of the tribes documented in the area the population belonged to, in 1123/24, prince Henry of the Obodrites used the stronghold as a stepping stone in his campaign against the Rani. In 1128, after the Pomeranian duke Wartislaw I had subdued the area, in this context, Wolgast was described as a opulentissima civitas by the chronicler Ebo, it is however unclear whether this should be read as meaning opulent or mighty castle or town. Otto destroyed a temple devoted to Gerowit, a god of war. The thesis that this first church was a predecessor of todays St. Peters church has not yet been confirmed, Wolgast was made the seat of a Pomeranian castellany, and played an important role in the 12th-century warfare between Pomeranians, Rani and the Danes. In 1162, Wolgast was targeted by an allied Danish-Rani fleet, in 1164, in the context of the battle of Verchen, a Danish force took control of Wolgast, and left it to a mixed Rani-Pomeranian-Obrodite garrison after peace was restored. Yet, the Rani were soon expelled by the Pomeranians, the Danes attacked Wolgast again in the summer of 1167, and again either in late 1167 or in 1168, and devastated the area. In 1177, another Danish assault on Wolgast failed, but a campaign in 1179 was successful, in 1184, Wolgast was unsuccessfully besieged by the Danes, but finally came under Danish control in 1185 when the Pomeranian duke accepted Danish suzerainty. While t Danes lost control over most of Pomerania in 1227, on the mainland opposite to island with the castle, a new planned town was built in the course of the Ostsiedlung. It is not known when exactly this city of Wolgast was granted German town law, the original charter was issued by both Pomeranian dukes of the time, Wartislaw III and Barnim I, and a confirmation of the Lübeck law was issued in 1282 by duke Bogislaw IV. Wolgast was residence of the Pomeranian dukes from 1285 until the ruling House of Pomerania became extinct in 1637, capital of Pomerania-Wolgast, a longtime inner partition of the duchy, a residential palace was built in Renaissance style on an island hence called Castle Island. The ducal line of Pomerania-Wolgast became extinct when Philipp Julius died without issue, during the Thirty Years War, the Swedish Empire occupied Wolgast in 1630 and kept it as a part of Swedish Pomerania until 1815. The former ducal palace decayed, and the town was burned down in 1713 by Russian forces during the Great Northern War, only the church, four chapels and four more buildings were spared by the fire. Most houses of the Old Town therefore date back to the 18th and 19th centuries, after the Swedish withdrawal from Pomerania in 1815, the city was integrated into the Prussian Province of Pomerania. Last remnants of the palace were removed in 1849, Wolgast prospered throughout the 19th century as a port for grain trade. Wolgast lost its status as a Kreis capital on June 12,1994, when Kreis Wolgast was merged into Kreis Ostvorpommern, the towns history is presented in the Stadtgeschichtliches Museum in a building at the market place nicknamed Kaffeemühle
6.
Western Pomerania
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The name Pomerania comes from Slavic po more, which means Land at the Sea. The adjective for the region is Pomeranian, inhabitants are called Pomeranians, forming part of the southern coast of the Baltic Sea, Western Pomeranias boundaries have changed through the centuries and it belonged to countries such as Poland, Sweden, Denmark, and Prussia. Before 1945, it embraced the whole area of Pomerania west of the Oder River, today the cities of Szczecin, Świnoujście and Police are part of Poland, with the remainder of the region staying part of Germany. German Vorpommern now forms about one-third of the present-day north-eastern state of Mecklenburg-Vorpommern, German Western Pomerania had a population of about 470,000 in 2012 - while the Polish districts of the region had a population of about 520,000 in 2012. So overall, about 1 million people live in the region of Western Pomerania today. Towns on the German side include Damgarten, Bergen, Anklam, Wolgast, Demmin, Pasewalk, Grimmen, Sassnitz, Ueckermünde, Torgelow, the German prefix Vor- denotes a location closer to the speaker, and is the equivalent of Hither in English and Citerior/Cis- in Latin. Historically the name Hither Pomerania has been used, but in modern English the German region is commonly called Western Pomerania or by its native name. The local dialect term is Low German, Vörpommern, the toponym Pomerania comes from Slavic po more, which means Land at the Sea. Poland has both a historic and geographic term Western Pomerania as well as a province called West Pomerania, the major feature of Western Pomerania is its long Baltic Sea and lagoons coastline. Typical is a distinct double coast, whereby offshore islands separate lagoons from the open sea, the islands Rügen and Usedom are located in Western Pomerania The largest town in Western Pomerania is Szczecin on the Polish side and Stralsund on the German side. Today it is still an important town economically, the towns of Stralsund and Greifswald together, after Rostock, are the second largest centres of population in Mecklenburg-Vorpommern. In addition the region has the highest population density of the four planning regions in the state, consideration was given during an unsuccessful district reform project in 1994 to restoring the old boundary, but this was not implemented. The Ribnitz, Marlow and Fischland area of Vorpommern-Rügen were historically part of Mecklenburg, the old western boundary line is preserved in the division between the two Protestant church bodies of the Evangelical Lutheran State Church of Mecklenburg and the Pomeranian Evangelical Church. Major cities and towns in Vorpommern include Stralsund, Greifswald, Bergen auf Rügen, Demmin, Anklam, Wolgast, Sassnitz, heringsdorf does not have city rights, but is a semi-urban center. With Polish entry into the European Union and the opening of borders and you can sort the table of the 20 largest towns by clicking one of the upper columns. Popular tourist resorts can be all along the Baltic beaches of the Fischland-Darß-Zingst peninsula. The old Haneseatic towns are popular tourist destinations due to their brick gothic medieval architecture. In Mukran near Sassnitz on Rügen, there is a ferry terminal linking Western Pomerania to Sweden, Denmark, Lithuania
7.
Sypniewski
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The surname Sypniewski is of Polish origin and centered on the Oder region where families bearing this surname are still found today. Sypniewskis can also be all over the world, particularly in the United States, Brazil. Sypniewski roughly translates as one who originates from Sypniewo -, there are several manorial estates which bear the name of Sypniewo or a similar spelling as in the German Zippnow. The etymology of Sypien suggests the use of water in association with the making or use of a vessel or fortification. In short, the origins suggest a clan that lived either in a place on or near water or who kept game. In all likelihood both options apply, most of the old manorial estates bearing the name Sypniewo are located near or on a lake or river. In German the name is translated as Seeort, zlota Ksiega Szlachty Polskiej states that the Sypniewski - Odrowaz arms are said to have come from the Podgórze region, recorded around 1190. Their further nobility confirmations through Bonifacius Sypniewski is dated in 1483, a Jan Sypniewski resettled in the Brzesko-Litewskie province, and branches are found in Poznań, Nowy Sącz, and Prussia. Around the 16th century, the Sypniewski family is living in Greater Poland owning large manorial estates there. Various other documents found in Polish archives refer to the family and its holdings in and around, what was later to become, the Silesian and Prussian/German/Polish border. On the division of Poland in the 18th century, the Sypniewski family is also mentioned as Prussian nobility. In the 14th century, a branch of the Prussian family von Runge adopted the surname Sypniewski and this Austrian branch produced several k. u. k. Officers from the famous Theresian Military Academy in Vienna and it is not known when exactly von Runge adopted his wifes family name, but most of their children were already known to use Sypniewski family name. One of their largest estates near Wyrzysk was sold to King Frederick the Great in 1774, most of Sypniewskis estates were located in former West Prussia, now part of Wielkopolska and Pomorze, Poland. Wielkopolska, or Greater Poland, is referred to as crib, or home of the Polanie, politician Jan Odrowaz-Sypniewski was born there around 1760. He was a legate of the Polish-Lithuanian Commonwealths Great Parliament and one of the promotors of the first in Europe democratic Constitution of May 3,1791 and his avid anti-Russian, anti-Prussian and anti-Austrian activities didnt go well with U. K. government. Once he became persona non grata in Britain and was forced to leave the country, he settled in Brasil, polesie was inhabited by Ruthenians, called Polesians, of Ukrainian descent. During the 16th and 17th centuries, Sypniewski were found in Polesia as a notable family mentioned in the Listracje similar to the registry of Englands Domesday Book
8.
Jens Juel (painter)
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Jens Juel was a Danish painter, primarily known for his many portraits, of which the largest collection is on display at Frederiksborg Castle. He is regarded as the leading Danish portrait painting of the 18th century and he was born in the house of his mothers brother Johan Jørgensen, who was a school teacher in Balslev on the island of Funen. Jens Juel was the son of Vilhelmine Elisabeth Juel, who served at Wedellsborg. When Juel was one old, his mother married Jørgen Jørgensen, who was a schoolmaster in Gamborg, not far from Balslev. During the time of his studies, he could live off painting landscapes, portraits, at just over twenty years old, he moved to Copenhagen to attend the Royal Danish Academy of Art. In 1767 he was awarded its gold medal and in 1771 the great gold medal. In 1772 Juel left Copenhagen, moving to Rome where he stayed for four years together with other Danish artists, from Rome, he moved to Paris, at the time a center of portrait painting. In 1777 he moved on to Geneva, where he stayed for two years at the home of his friend Charles Bonnet in the company of other Danish artists, in Geneva, Juel soon earned a reputation as an excellent artist, and he painted many portraits. Through Bonnet, who had become a member of the Danish Academy. After a brief stay in Hamburg, where he met and painted a portrait of the poet Friedrich Gottlieb Klopstock, author of The Messiah, he returned to Copenhagen in 1780. Here he painted portraits for the house, nobility. On 4 April 1782, he was elected to be a member of the Danish Academy by Mandelberg, Weidenhaupt. He became the director of the Academy in 1795 and continued in the position until his death, Juel is buried at Assistens Cemetery in Copenhagen. Art of Denmark KID Kunst Index Danmark Danish Biographical Encyclopedia
9.
Royal Danish Academy of Fine Arts
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The Royal Danish Academy of Fine Arts has provided education in the arts for more than 250 years, playing its part in the development of the art of Denmark. The Royal Danish Academy of Portraiture, Sculpture, and Architecture in Copenhagen was inaugurated on 31 March 1754 and its name was changed to the Royal Danish Academy of Painting, Sculpture, and Architecture in 1771. The building boom resulting from the Great Fire of 1795 greatly profited from this initiative, in 1814 the name was changed again, this time to the Royal Danish Academy of Fine Arts. It is still situated in its building, the Charlottenborg Palace. The School of Architecture has been situated in former naval buildings on Holmen since 1996, the academy is larger and better funded than the Jutland Art Academy and Funen Art Academy, which offer similar programs. It teaches and conducts research on the subjects of painting, sculpting, architecture, graphics, photography, the academy is under the administration of the Danish Ministry of Culture. The academy’s School of Architecture offers education in the fields of design and restoration, urban and landscape planning and industrial, graphic. The school has nine departments, four research institutes and six affiliated research centres. The undergraduate course, leading to the Bachelor of Architecture diploma, in 2011, the Wall Street Journal named Ingels the Innovator of the Year for architecture. Hansen Medal Thorvaldsen Medal Eckersberg Medal Thorvald Bindesbøll Medal N. L. Høyen Medal The School of Visual Arts C. C
10.
Dresden
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Dresden is the capital city and, after Leipzig, the second-largest city of the Free State of Saxony in Germany. It is situated in a valley on the River Elbe, near the border with the Czech Republic, Dresden has a long history as the capital and royal residence for the Electors and Kings of Saxony, who for centuries furnished the city with cultural and artistic splendour. The city was known as the Jewel Box, because of its baroque, the controversial American and British bombing of Dresden in World War II towards the end of the war killed approximately 25,000, many of whom were civilians, and destroyed the entire city centre. After the war restoration work has helped to reconstruct parts of the inner city, including the Katholische Hofkirche, the Zwinger. Since German reunification in 1990 Dresden is again a cultural, educational and political centre of Germany, the Dresden University of Technology is one of the 10 largest universities in Germany and part of the German Universities Excellence Initiative. The economy of Dresden and its agglomeration is one of the most dynamic in Germany and it is dominated by high-tech branches, often called as “Silicon Saxony”. The city is one of the most visited in Germany with 4,3 million overnight stays per year. The royal buildings are among the most impressive buildings in Europe, main sights are also the nearby National Park of Saxon Switzerland, the Ore Mountains and the countryside around Elbe Valley and Moritzburg Castle. The most prominent building in the city of Dresden is the Frauenkirche, built in the 18th century, the church was destroyed during World War II. The remaining ruins were left for 50 years as a war memorial, the church was rebuilt from 1994 to 2005. Although Dresden is a relatively recent city of Germanic origin followed by settlement of Slavic people, Dresdens founding and early growth is associated with the eastward expansion of Germanic peoples, mining in the nearby Ore Mountains, and the establishment of the Margraviate of Meissen. Its name etymologically derives from Old Sorbian Drežďany, meaning people of the forest, Dresden later evolved into the capital of Saxony. Around the late 12th century, a Slavic settlement called Drežďany had developed on the southern bank, another settlement existed on the northern bank, but its Slavic name is unknown. It was known as Antiqua Dresdin by 1350, and later as Altendresden, dietrich, Margrave of Meissen, chose Dresden as his interim residence in 1206, as documented in a record calling the place Civitas Dresdene. After 1270, Dresden became the capital of the margraviate and it was given to Friedrich Clem after death of Henry the Illustrious in 1288. It was taken by the Margraviate of Brandenburg in 1316 and was restored to the Wettin dynasty after the death of Valdemar the Great in 1319, from 1485, it was the seat of the dukes of Saxony, and from 1547 the electors as well. The Elector and ruler of Saxony Frederick Augustus I became King Augustus II the Strong of Poland in personal union and he gathered many of the best musicians, architects and painters from all over Europe to the newly named Royal-Polish Residential City of Dresden. His reign marked the beginning of Dresdens emergence as a leading European city for technology, during the reign of Kings Augustus II the Strong and Augustus III of Poland the Zwinger Royal Palace, the Hofkirche and the Frauenkirche were built
11.
Caspar David Friedrich
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Caspar David Friedrich was a 19th-century German Romantic landscape painter, generally considered the most important German artist of his generation. He is best known for his mid-period allegorical landscapes which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic or megalithic ruins. His primary interest as an artist was the contemplation of nature, Friedrich was born in the Pomeranian town of Greifswald at the Baltic Sea, where he began his studies in art as a young man. He studied in Copenhagen until 1798, before settling in Dresden and he came of age during a period when, across Europe, a growing disillusionment with materialistic society was giving rise to a new appreciation of spirituality. Friedrichs work brought him early in his career, and contemporaries such as the French sculptor David dAngers spoke of him as a man who had discovered the tragedy of landscape. Nevertheless, his work fell from favour during his years, and he died in obscurity. The early 20th century brought a renewed appreciation of his work, beginning in 1906 with an exhibition of thirty-two of his paintings and sculptures in Berlin. By the 1920s his paintings had been discovered by the Expressionists and it was not until the late 1970s that Friedrich regained his reputation as an icon of the German Romantic movement and a painter of international importance. Caspar David Friedrich was born on 5 September 1774, in Greifswald, Swedish Pomerania, the sixth of ten children, he was brought up in the strict Lutheran creed of his father Adolf Gottlieb Friedrich, a candle-maker and soap boiler. Records of the financial circumstances are contradictory, while some sources indicate the children were privately tutored. Caspar David was familiar with death from an early age and his mother, Sophie Dorothea Bechly, died in 1781 when he was just seven. A year later, his sister Elisabeth died, while a sister, Maria. Some accounts suggest that Johann Christoffer perished while trying to rescue Caspar David, Quistorp took his students on outdoor drawing excursions, as a result, Friedrich was encouraged to sketch from life at an early age. Through Quistorp, Friedrich met and was influenced by the theologian Ludwig Gotthard Kosegarten. Quistorp introduced Friedrich to the work of the German 17th-century artist Adam Elsheimer, whose works often included religious subjects dominated by landscape, during this period he also studied literature and aesthetics with Swedish professor Thomas Thorild. Four years later Friedrich entered the prestigious Academy of Copenhagen, where he began his education by making copies of casts from antique sculptures before proceeding to drawing from life, living in Copenhagen afforded the young painter access to the Royal Picture Gallerys collection of 17th-century Dutch landscape painting. At the Academy he studied under such as Christian August Lorentzen. Mood was paramount, and influence was drawn from sources as the Icelandic legend of Edda
12.
Ludwig Tieck
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Tieck was born in Berlin, the son of a rope-maker. His siblings were the sculptor Christian Friedrich Tieck and the poet Sophie Tieck and he was educated at the Friedrichswerdersches Gymnasium, where he learned Greek and Latin, like most preparatory schools required. He also began learning Italian at a young age from a grenadier he became acquainted with. Through this friendship, Tieck was given a look at the poor. Later, he attended the universities of Halle, Göttingen and Erlangen, at Göttingen, he studied Shakespeare and Elizabethan drama. In 1794 he returned to Berlin, and attempted to make a living by writing, in 1798 Tieck married and in the following year settled in Jena, where he, the two brothers August and Friedrich Schlegel and Novalis were the leaders of the early Romantic school. His writings between 1798 and 1804 include the drama, Prinz Zerbino, and Romantische Dichtungen. These dramas are typical plays of the first Romantic school, although formless, kaiser Oktavianus is a poetic glorification of the Middle Ages. In 1801 Tieck went to Dresden, then lived for a time at Ziebingen near Frankfurt, from 1812 to 1817 he collected in three volumes a number of his earlier stories and dramas, under the title Phantasus. In this collection appeared the stories Der Runenberg, Die Elfen, Der Pokal, the new series of short stories which he began to publish in 1822 also won him a wide popularity. Notable among these are Die Gemälde, Die Reisenden, Die Verlobung, in 1841 Friedrich Wilhelm IV of Prussia invited him to Berlin where he had a pension for his remaining years. He died on 28 April 1853 in Berlin, Tiecks importance lay in the readiness with which he adapted himself to the emerging new ideas which arose at the close of the 18th century, as well as his Romantic works such as Der blonde Eckbert. His importance in German poetry, however, is restricted to his early period, in later years it was as the helpful friend and adviser of others, or as the well-read critic of wide sympathies, that Tieck distinguished himself. Tieck also influenced Richard Wagners Tannhäuser and it was from Phantasus that Wagner based the idea of Tannhäuser going to see the pope and Elisabeth dying in the song battle. Tiecks Schriften appeared in twenty vols. and his Gesammelte Novellen in twelve, nachgelassene Schriften were published in two vols. in 1855. There are several editions of Ausgewählte Werke by H. Welti, by J. Minor, by G. Klee, the Elves and The Goblet were translated by Carlyle in German Romance, The Pictures and The Betrothal by Bishop Thirlwall. A translation of Vittoria Accorombona was published in 1845, a Tale Abridged from Tieck, which appeared anonymously in Blackwoods Edinburgh Magazine in February 1845. The Journey into the Blue Distance, the Romance of Little Red Riding Hood was translated by Jack Zipes and included in his book The Trials and Tribulations of Little Red Riding Hood
13.
Johann Wolfgang von Goethe
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Johann Wolfgang von Goethe was a German writer and statesman. In addition, numerous literary and scientific fragments, more than 10,000 letters and he was an early participant in the Sturm und Drang literary movement. He also contributed to the planning of Weimars botanical park and the rebuilding of its Ducal Palace and his first major scientific work, the Metamorphosis of Plants, was published after he returned from a 1788 tour of Italy. During this period, Goethe published his novel, Wilhelm Meisters Apprenticeship, the verse epic Hermann and Dorothea, and, in 1808. Goethes comments and observations form the basis of several biographical works, Goethes father, Johann Caspar Goethe, lived with his family in a large house in Frankfurt, then an Imperial Free City of the Holy Roman Empire. Though he had studied law in Leipzig and had been appointed Imperial Councillor, Johann Caspar married Goethes mother, Catharina Elizabeth Textor at Frankfurt on 20 August 1748, when he was 38 and she was 17. All their children, with the exception of Johann Wolfgang and his sister, Cornelia Friederica Christiana and his father and private tutors gave Goethe lessons in all the common subjects of their time, especially languages. Goethe also received lessons in dancing, riding and fencing, Johann Caspar, feeling frustrated in his own ambitions, was determined that his children should have all those advantages that he had not. Although Goethes great passion was drawing, he became interested in literature, Friedrich Gottlieb Klopstock. He also took pleasure in reading works on history and religion. He writes about this period, Goethe became also acquainted with Frankfurt actors, among early literary attempts, he was infatuated with Gretchen, who would later reappear in his Faust and the adventures with whom he would concisely describe in Dichtung und Wahrheit. He adored Caritas Meixner, a wealthy Worms traders daughter and friend of his sister, Goethe studied law at Leipzig University from 1765 to 1768. He detested learning age-old judicial rules by heart, preferring instead to attend the lessons of Christian Fürchtegott Gellert. In Leipzig, Goethe fell in love with Anna Katharina Schönkopf, in 1770, he anonymously released Annette, his first collection of poems. His uncritical admiration for many contemporary poets vanished as he became interested in Gotthold Ephraim Lessing, already at this time, Goethe wrote a good deal, but he threw away nearly all of these works, except for the comedy Die Mitschuldigen. The restaurant Auerbachs Keller and its legend of Fausts 1525 barrel ride impressed him so much that Auerbachs Keller became the real place in his closet drama Faust Part One. As his studies did not progress, Goethe was forced to return to Frankfurt at the close of August 1768, Goethe became severely ill in Frankfurt. During the year and a half that followed, because of several relapses, during convalescence, Goethe was nursed by his mother and sister
14.
Siege of Hamburg
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The city of Hamburg was one of the most powerful fortresses east of the Rhine. In October 1813 a French columns movement towards Dannenberg resulted in the major engagement in the North of Germany. The defeated French troops retreated back to Hamburg, despite steadily shrinking manpower, food and ammunition supplies, Davouts forces displayed no signs of abandoning Hamburg. French forces are estimated to 42,000 Allied force are estimated to 52,000 in the start to 120,000 in the area, in January 1814. During Davouts defense of Hamburg, one type of coin was issued. The design of the 32 schilling coin of 1809 was reused, and the date was not changed, the coins were issued in 1813, and are listed in the Standard Catalog of World Coins 1801-1900 by Krause Publications as type number KM242 for Hamburg
15.
Grimms' Fairy Tales
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Childrens and Household Tales is a collection of German fairy tales first published in 1812 by the Grimm brothers, Jacob and Wilhelm. The collection is known in English as Grimms Fairy Tales. The first volume of the first edition was published in 1812, containing 86 stories, for the second edition, two volumes were issued in 1819 and a third in 1822, totalling 170 tales. The third edition appeared in 1837, fourth edition,1840, fifth edition,1843, sixth edition,1850, stories were added, and also subtracted, from one edition to the next, until the seventh held 211 tales. All editions were illustrated, first by Philipp Grot Johann and, after his death in 1892. Many changes through the editions – such as turning the wicked mother of the first edition in Snow White, in 1825, the Brothers published their Kleine Ausgabe or small edition, a selection of 50 tales designed for child readers. This childrens version went through ten editions between 1825 and 1858, the influence of these books was widespread. W. H. Auden praised the collection during World War II as one of the works of Western culture. The tales themselves have put to many uses. Writers who have written about the Holocaust have combined the tales with their memoirs, there was not always a pleased reaction to their collection. Joseph Jacobs was in inspired by his complaint that English children did not read English fairy tales, in his own words, What Perrault began. Three individual works of Wilhelm Grimm include Altdänische Heldenlieder, Balladen und Märchen in 1811, Über deutsche Runen in 1821, the Grimm anthology has been a source of inspiration for artists and composers. Arthur Rackham, Walter Crane and Rie Cramer are among the artists who have created illustrations based on the stories, the code KHM stands for Kinder- und Hausmärchen. The titles are those as of 1857, some titles in 1812 were different. All editions from 1812 until 1857 split the stories into two volumes, the Original Folk and Fairy Tales of the Brothers Grimm, the complete first edition. The Original 1812 Grimm Fairy Tales, a New Translation of the 1812 First Edition Kinder- und Hausmärchen Collected through the Brothers Grimm. The Original 1812 Grimm A web site for the Original 1812 Kinder und Hausmärchen featuring references, grimmstories. com All Grimms Fairy Tales available freely in English, German, Dutch, Spanish, Danish, Italian and French. Wiltse through a purifying and eliminating process, be found any stories with bad morals
16.
Painting
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Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
17.
Music
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Music is an art form and cultural activity whose medium is sound organized in time. The common elements of music are pitch, rhythm, dynamics, different styles or types of music may emphasize, de-emphasize or omit some of these elements. The word derives from Greek μουσική, Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as the harmony of the spheres and it is music to my ears point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, There is no noise, the creation, performance, significance, and even the definition of music vary according to culture and social context. There are many types of music, including music, traditional music, art music, music written for religious ceremonies. For example, it can be hard to draw the line between some early 1980s hard rock and heavy metal, within the arts, music may be classified as a performing art, a fine art or as an auditory art. People may make music as a hobby, like a teen playing cello in a youth orchestra, the word derives from Greek μουσική. According to the Online Etymological Dictionary, the music is derived from mid-13c. Musike, from Old French musique and directly from Latin musica the art of music and this is derived from the. Greek mousike of the Muses, from fem. of mousikos pertaining to the Muses, from Mousa Muse. In classical Greece, any art in which the Muses presided, Music is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes, or as an entertainment product for the marketplace. With the advent of recording, records of popular songs. Some music lovers create mix tapes of their songs, which serve as a self-portrait. An environment consisting solely of what is most ardently loved, amateur musicians can compose or perform music for their own pleasure, and derive their income elsewhere. Professional musicians sometimes work as freelancers or session musicians, seeking contracts and engagements in a variety of settings, There are often many links between amateur and professional musicians. Beginning amateur musicians take lessons with professional musicians, in community settings, advanced amateur musicians perform with professional musicians in a variety of ensembles such as community concert bands and community orchestras. However, there are many cases where a live performance in front of an audience is also recorded and distributed. Live concert recordings are popular in classical music and in popular music forms such as rock, where illegally taped live concerts are prized by music lovers
18.
Poetry
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Poetry has a long history, dating back to the Sumerian Epic of Gilgamesh. Early poems evolved from folk songs such as the Chinese Shijing, or from a need to retell oral epics, as with the Sanskrit Vedas, Zoroastrian Gathas, and the Homeric epics, the Iliad and the Odyssey. Ancient attempts to define poetry, such as Aristotles Poetics, focused on the uses of speech in rhetoric, drama, song and comedy. Later attempts concentrated on such as repetition, verse form and rhyme. From the mid-20th century, poetry has sometimes been more generally regarded as a creative act employing language. Poetry uses forms and conventions to suggest differential interpretation to words, devices such as assonance, alliteration, onomatopoeia and rhythm are sometimes used to achieve musical or incantatory effects. The use of ambiguity, symbolism, irony and other elements of poetic diction often leaves a poem open to multiple interpretations. Similarly figures of such as metaphor, simile and metonymy create a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between verses, in their patterns of rhyme or rhythm. Some poetry types are specific to cultures and genres and respond to characteristics of the language in which the poet writes. Much modern poetry reflects a critique of poetic tradition, playing with and testing, among other things, in todays increasingly globalized world, poets often adapt forms, styles and techniques from diverse cultures and languages. Some scholars believe that the art of poetry may predate literacy, others, however, suggest that poetry did not necessarily predate writing. The oldest surviving poem, the Epic of Gilgamesh, comes from the 3rd millennium BCE in Sumer. An example of Egyptian epic poetry is The Story of Sinuhe, other forms of poetry developed directly from folk songs. The earliest entries in the oldest extant collection of Chinese poetry, the efforts of ancient thinkers to determine what makes poetry distinctive as a form, and what distinguishes good poetry from bad, resulted in poetics—the study of the aesthetics of poetry. Some ancient societies, such as Chinas through her Shijing, developed canons of poetic works that had ritual as well as aesthetic importance, Classical thinkers employed classification as a way to define and assess the quality of poetry. Later aestheticians identified three major genres, epic poetry, lyric poetry, and dramatic poetry, treating comedy and tragedy as subgenres of dramatic poetry, Aristotles work was influential throughout the Middle East during the Islamic Golden Age, as well as in Europe during the Renaissance. English Romantic poet John Keats termed this escape from logic Negative Capability and this romantic approach views form as a key element of successful poetry because form is abstract and distinct from the underlying notional logic
19.
Portrait
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A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expression is predominant. The intent is to display the likeness, personality, and even the mood of the person, for this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, nonetheless, many subjects, such as Akhenaten and some other Egyptian pharaohs, can be recognised by their distinctive features. The 28 surviving rather small statues of Gudea, ruler of Lagash in Sumeria between c.2144 -2124 BC, show a consistent appearance with some individuality. Some of the earliest surviving painted portraits of people who were not rulers are the Greco-Roman funeral portraits that survived in the dry climate of Egypts Fayum district. These are almost the only paintings from the world that have survived, apart from frescos, though many sculptures. Although the appearance of the figures differs considerably, they are considerably idealized, the art of the portrait flourished in Ancient Greek and especially Roman sculpture, where sitters demanded individualized and realistic portraits, even unflattering ones. During the 4th century, the portrait began to retreat in favor of a symbol of what that person looked like. In the Europe of the Early Middle Ages representations of individuals are mostly generalized, true portraits of the outward appearance of individuals re-emerged in the late Middle Ages, in tomb monuments, donor portraits, miniatures in illuminated manuscripts and then panel paintings. Moche culture of Peru was one of the few ancient civilizations which produced portraits and these works accurately represent anatomical features in great detail. The individuals portrayed would have been recognizable without the need for other symbols or a reference to their names. The individuals portrayed were members of the elite, priests, warriors. They were represented during several stages of their lives, the faces of gods were also depicted. To date, no portraits of women have been found, there is particular emphasis on the representation of the details of headdresses, hairstyles, body adornment and face painting. One of the portraits in the Western world is Leonardo da Vincis painting titled Mona Lisa. What has been claimed as the worlds oldest known portrait was found in 2006 in the Vilhonneur grotto near Angoulême and is thought to be 27,000 years old. Profile view, full view, and three-quarter view, are three common designations for portraits, each referring to a particular orientation of the head of the individual depicted. Such terms would tend to have greater applicability to two-dimensional artwork such as photography, in the case of three-dimensional artwork, the viewer can usually alter their orientation to the artwork by moving around it
20.
Tobias Mayer
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Tobias Mayer was a German astronomer famous for his studies of the Moon. He was born at Marbach, in Württemberg, and brought up at Esslingen in poor circumstances, a self-taught mathematician, he earned a living by teaching mathematics while still a youth. He had already published two original geometrical works when, in 1746, he entered J. B. Homanns cartographic establishment at Nuremberg. Here he introduced improvements in mapmaking, and gained a scientific reputation which led to his election to the chair of economy. In 1754 he became superintendent of the observatory, where he worked until his death in 1762 and his first important astronomical work was a careful investigation of the libration of the moon, and his chart of the full moon was unsurpassed for half a century. But his fame rests chiefly on his tables, communicated in 1752, with new solar tables to the Königliche Gesellschaft der Wissenschaften zu Göttingen. In 1755 he submitted to the British government an amended body of manuscript tables and he found these to be sufficiently accurate to determine the moons position to 5, and consequently the longitude at sea to about half a degree. An improved set was published in London, as also the theory upon which the tables are based. His widow, with whom they were sent to England, received in consideration from the British government a grant of £3,000, Mayer left behind him a considerable quantity of manuscript material, part of which was collected by G. C. Lichtenberg and published in one volume, the remaining manuscripts included papers on atmospheric refraction from 1755, on the motion of Mars as affected by the perturbations of Jupiter and the Earth, and on terrestrial magnetism. In 1881 Ernst Klinkerfues published photo-lithographic reproductions of Mayers local charts and his star catalogue was re-edited by Francis Baily in 1830 and by Arthur Auwers in 1894. His son Johann Tobias Mayer became a noted German physicist, VI,746,1039 Siegmund Günther, Mayer, Johann Tobias, Allgemeine Deutsche Biographie,21, Leipzig, Duncker & Humblot, pp. 109–116 Ripley, George, Dana, Charles A. eds. Attribution This article incorporates text from a now in the public domain. Eric G. Forbes, Tobias Mayer, pioneer of enlightened science in Germany, Göttingen, Vandenhoeck & Ruprecht,1980 ISBN 3-525-85268-1 German edition as, Tobias Mayer, Pionier der Naturwissenschaften der deutschen Aufklärungszeit übers. von Maria Forbes u. Hans-Heinrich Vogt. Marbach am Neckar, Tobias-Mayer-Museum-Verein,1993 Sarah Lowengard, Tobias Mayers Trichromatic Graph, The Creation of Color in Eighteenth-Century Europe New York, Columbia University Press,2006. Http, //www. gutenberg-e. org/lowengard/A_Chap03. html#31 Tobias Mayer, Tobias Mayers Opera inedita, London, Macmillan,1971 ISBN 0-333-12743-9 (American ed. New York, American Elsevier,1971 ISBN 0-444-19578-5 Tobias Mayer, ISBN 3-525-85257-6, ISBN 3-525-85258-4, ISBN 3-525-85259-2 The Euler-Mayer correspondence, 1751-1755, a new perspective on eighteenth-century advances in the lunar theory, by Eric G. Forbes. London, Macmillan,1971 ISBN 0-333-12742-0 OConnor, John J. Robertson, Edmund F. Tobias Mayer, MacTutor History of Mathematics archive, entry in the Mathematics Genealogy Project
21.
Henrik Steffens
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Henrik Steffens, was a Norwegian-born Danish philosopher, scientist, and poet. He was born at Stavanger, Norway, at the age of fourteen he went with his parents to Copenhagen, where he studied theology and natural science. In 1796 he lectured at the University of Kiel, and two later went to the University of Jena to study the natural philosophy of Friedrich Schelling. He went to Freiberg in 1800, and there came under the influence of Abraham Gottlob Werner and these lectures were a great success and a source of inspiration in Danish romanticism. They were attended by many who became leading Danish thinkers, such as Oehlenschläger. Despite – or perhaps because of – the deep impact made by his lectures and he moved back to Germany and took up a professorship at the University of Halle in 1804, to return to Denmark only occasionally. During the Battle of Leipzig he enlisted in the Prussian Army as a second lieutenant and he was professor of physics at Breslau from 1811 until 1832, when he accepted an invitation to Berlin. Steffens was one of the so-called Philosophers of Nature, a friend and adherent of Schelling, more than either of these two thinkers he was acquainted with the discoveries of modern science, and was thus able to correct or modify the highly imaginative speculations of Schelling. He held that, throughout the scheme of nature and intellectual life, as organisms rise higher in the scale of development, the sharper and more distinct become their outlines, the more definite their individualities. This principle he endeavoured to deduce from his knowledge of geology, in contrast to Lorenz Oken and his influence was considerable, and both Schelling and Schleiermacher modified their theories in deference to his scientific deductions. See Tietzen, Zur Erinnerung an Steffens, Petersen, Henrik Steffens, Dilthey and this article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. article name needed. History of the literature of the Scandinavian North By Frederik Winkel Horn, Rasmus B
22.
Theory of Colours
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Theory of Colours is a book by Johann Wolfgang von Goethe about the poets views on the nature of colours and how these are perceived by humans. Published in 1810, it contains detailed descriptions of such as coloured shadows, refraction. The work originated in Goethes occupation with painting and mainly exerted an influence onto the arts, Goethes book provides a catalogue of how colour is perceived in a wide variety of circumstances, and considers Isaac Newtons observations to be special cases. Unlike Newton, Goethes concern was not so much with the treatment of colour. At Goethes time, it was acknowledged that, as Isaac Newton had shown in his Opticks in 1704. But how I was astonished, as I looked at a wall through the prism. That only where it came upon some darkened area, it showed some colour, then at last, around the window sill all the colours shone. It didnt take long before I knew here was something significant about colour to be brought forth, and I spoke as through an out loud. Yet, by 1794, Goethe had begun to increasingly note the importance of the aspect of colours. As the card was moved away, the projected image elongated, gradually assuming a shape. Moving the card led to the increase in the size of the image. The image cast by the beam was not fixed. Consequently, Goethe saw the particular distance chosen by Newton to prove the proposition of the Opticks as capriciously imposed. The theory we set up against this begins with light, and avails itself of outward conditions, to produce coloured phenomena. It does not arrogate to itself developing colours from the light, Goethes theory of the constitution of colours of the spectrum has not proved to be an unsatisfactory theory, rather it really isnt a theory at all. Nothing can be predicted with it and it is, rather a vague schematic outline of the sort we find in Jamess psychology. Nor is there any experimentum crucis which could decide for or against the theory and it is hard to present Goethes theory, since he refrains from setting up any actual theory, he says, its intention is to portray rather than explain. Instead of setting up models and explanations, Goethe collected specimens—he was responsible for the collections of Jena University
23.
Albert Henry Munsell
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Albert Henry Munsell was an American painter, teacher of art, and the inventor of the Munsell color system. He was born in Boston, Massachusetts, attended and served on the faculty of Massachusetts Normal Art School, as a painter, he was noted for seascapes and portraits. Munsell is famous for inventing the Munsell color system, an attempt at creating an accurate system for numerically describing colors. The Munsell color order system has gained acceptance and has served as the foundation for many color order systems. In 1917, he founded the Munsell Color Company, Albert Henry Munsell is best known for his contributions in Color Science and his Color Theory, which led to one of the first Color Order Systems, the Munsell Color System. He was born on January 6,1858 in Boston Massachusetts and he went on to graduate from the Massachusetts Normal Art School, which is now known as the Massachusetts College of Art and Design. He was later hired by the Normal Art School as an instructor, in 1905, Munsell published his book, A Color Notation which described his new Color Theory. Later, he published his book Atlas of the Color Solid which proceeded the Munsell Book of Color, the Munsell Book of Color described his color order system and was the first to include actual samples of the colors in the system. Munsell spent most of his life traveling around Europe to present his work to painters. Munsells work created an important bridge between art and science, Munsell established the Munsell Color Company in 1917. He died shortly after on June 28,1918, during his study of color, Munsell realized the need for an organized way of defining colors. He wanted to create a system that had a meaningful notation of color, rather than just color names that he found were foolish and he set out to create his color space in 1898. To do this, he used his unique inventions to make measurements to organize his system. One of these inventions was the Photometer and this device measured the luminance of an object, and Munsell used this to make measurements of different colors and to help define how color changes. This information would become his three dimensions of color. He also patented an invention called the Spinning Top and this device was similar to the rotating color wheel developed by James Maxwell, where several colors were placed on the top and the top was spun, mixing the colors together. Munsell used this device to measure the relationship between chroma and value, which helped him create templates for each step in chroma and value for every hue, with these tools, Munsell was able to define three dimensions that define color. He also paid attention to the sensitivity of the human visual system
24.
Open Library
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Open Library is an online project intended to create one web page for every book ever published. It provides access to public domain and out-of-print books, which can be read online. Its book information is collected from the Library of Congress, other libraries, if books are available in digital form, a button labelled Read appears next to its catalog listing. Links to where books can be purchased or borrowed are also provided, tens of thousands of modern books were made available from four and then 150 libraries and publishers for ebook digital lending. Open Library began in 2006 with Aaron Swartz as the engineer and leader of Open Librarys technical team. The project was led by George Oates from April 2009 to December 2011, Oates was responsible for a complete site redesign during her tenure. In 2015, the project was continued by Giovanni Damiola and then Brenton Cheng, the site was redesigned and relaunched in May 2010. The site uses Infobase, its own database framework based on PostgreSQL, the source code to the site is published under the GNU Affero General Public License. The website was relaunched adding ADA compliance and offering over 1 million modern, under certain provisions of United States copyright law, libraries are sometimes able to reproduce copyrighted works in formats accessible to users with disabilities
25.
Goodreads
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Goodreads is an Amazon company and social cataloging website founded in December 2006 and launched in January 2007 by Otis Chandler, II, a software engineer and entrepreneur, and Elizabeth Chandler. The website allows individuals to freely search Goodreads database of books, annotations, users can sign up and register books to generate library catalogs and reading lists. They can also create their own groups of book suggestions, surveys/polls, blogs, in December 2007, the site had over 650,000 members and over 10,000,000 books had been added. By July 2012, the site reported 10 million members,20 million monthly visits, on July 23,2013, it was announced on their website that the user base had grown to 20 million members, having doubled in close to 11 months. The websites offices are in San Francisco, on March 28,2013, Amazon announced its acquisition of Goodreads for an undisclosed amount. The Chandlers created Goodreads in 2006, Goodreads stated mission is to help people find and share books they love. To improve the process of reading and learning throughout the world, Goodreads also addressed what publishers call the discoverability problem by guiding consumers in the digital age to find books they might want to read. During its first year of business, the company was run without any formal funding, in December 2007, the site received funding estimated at $750,000 from angel investors. This funding lasted Goodreads until 2009, when Goodreads received two dollars from True Ventures. In October 2010 the company opened its application programming interface, which enabled developers to access its ratings, Goodreads also receives a small commission when a user clicks over from its site to an online bookseller and makes a purchase. After a user has rated 20 books on its five-star scale, Otis Chandler believed this rating system would be superior to Amazons, as Amazons includes books a user has browsed or purchased as gifts when determining its recommendations. Later that year, Goodreads introduced an algorithm to suggest books to registered users and had five million members. In October 2012, Goodreads announced it had grown to 11 million members with 395 million books catalogued, a month later, in November 2012, Goodreads had surpassed 12 million members, with the member base having doubled in one year. In March 2013, Amazon. com announced that it had reached an agreement to acquire Goodreads in the quarter of 2013 for an undisclosed sum. In September 2013, Goodreads announced it would delete, without warning, in January 2016, Amazon announced on Shelfari. com that it would be merging Shelfari with Goodreads and closing down Shelfari. To prepare Shelfari members for the move, Amazon posted on Shelfari. com a prominent announcement stating, IMPORTANT ANNOUNCEMENT, although Shelfari discussion threads will not be migrated, users were advised, you may save your own data for your own records. In April 2016, Goodreads announced that over 50 million user reviews have been posted, once users have added friends to their profile, they will see their friends shelves and reviews and can comment on friends pages. Goodreads features a system of one to five stars, with the option of accompanying the rating with a written review
26.
Integrated Authority File
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The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly also by archives, the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero license, the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, and an approach to unambiguous identification of single elements. It also comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format
27.
National Library of Australia
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In 2012–2013, the National Library collection comprised 6,496,772 items, and an additional 15,506 metres of manuscript material. In 1901, a Commonwealth Parliamentary Library was established to serve the newly formed Federal Parliament of Australia, from its inception the Commonwealth Parliamentary Library was driven to development of a truly national collection. The present library building was opened in 1968, the building was designed by the architectural firm of Bunning and Madden. The foyer is decorated in marble, with windows by Leonard French. In 2012–2013 the Library collection comprised 6,496,772 items, the Librarys collections of Australiana have developed into the nations single most important resource of materials recording the Australian cultural heritage. Australian writers, editors and illustrators are actively sought and well represented—whether published in Australia or overseas, approximately 92. 1% of the Librarys collection has been catalogued and is discoverable through the online catalogue. The Library has digitized over 174,000 items from its collection and, the Library is a world leader in digital preservation techniques, and maintains an Internet-accessible archive of selected Australian websites called the Pandora Archive. A core Australiana collection is that of John A. Ferguson, the Library has particular collection strengths in the performing arts, including dance. The Librarys considerable collections of general overseas and rare materials, as well as world-class Asian. The print collections are further supported by extensive microform holdings, the Library also maintains the National Reserve Braille Collection. The Library has acquired a number of important Western and Asian language scholarly collections from researchers, williams Collection The Asian Collections are searchable via the National Librarys catalogue. The National Library holds a collection of pictures and manuscripts. The manuscript collection contains about 26 million separate items, covering in excess of 10,492 meters of shelf space, the collection relates predominantly to Australia, but there are also important holdings relating to Papua New Guinea, New Zealand and the Pacific. The collection also holds a number of European and Asian manuscript collections or single items have received as part of formed book collections. Examples are the papers of Alfred Deakin, Sir John Latham, Sir Keith Murdoch, Sir Hans Heysen, Sir John Monash, Vance Palmer and Nettie Palmer, A. D. Hope, Manning Clark, David Williamson, W. M. The Library has also acquired the records of many national non-governmental organisations and they include the records of the Federal Secretariats of the Liberal party, the A. L. P, the Democrats, the R. S. L. Finally, the Library holds about 37,000 reels of microfilm of manuscripts and archival records, mostly acquired overseas and predominantly of Australian, the National Librarys Pictures collection focuses on Australian people, places and events, from European exploration of the South Pacific to contemporary events. Art works and photographs are acquired primarily for their informational value, media represented in the collection include photographs, drawings, watercolours, oils, lithographs, engravings, etchings and sculpture/busts
28.
Netherlands Institute for Art History
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The Netherlands Institute for Art History or RKD is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation, archives, and books on Western art from the late Middle Ages until modern times, all of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, categorize, via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca.150,000 are auction catalogs, there are ca.3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the record format includes a link to library entries and images of known works. The RKD also manages the Dutch version of the Art and Architecture Thesaurus, the original version is an initiative of the Getty Research Institute in Los Angeles, California. Their bequest formed the basis for both the art collection and the library, which is now housed in the Koninklijke Bibliotheek. Though not all of the holdings have been digitised, much of its metadata is accessible online. The website itself is available in both a Dutch and an English user interface, in the artist database RKDartists, each artist is assigned a record number. To reference an artist page directly, use the code listed at the bottom of the record, usually of the form, https, for example, the artist record number for Salvador Dalí is 19752, so his RKD artist page can be referenced. In the images database RKDimages, each artwork is assigned a record number, to reference an artwork page directly, use the code listed at the bottom of the record, usually of the form, https, //rkd. nl/en/explore/images/ followed by the artworks record number. For example, the record number for The Night Watch is 3063. The Art and Architecture Thesaurus also assigns a record for each term, rather, they are used in the databases and the databases can be searched for terms. For example, the painting called The Night Watch is a militia painting, the thesaurus is a set of general terms, but the RKD also contains a database for an alternate form of describing artworks, that today is mostly filled with biblical references. To see all images that depict Miriams dance, the associated iconclass code 71E1232 can be used as a search term. Official website Direct link to the databases The Dutch version of the Art and Architecture Thesaurus
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Virtual International Authority File
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The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records
