Philippine New Wave is a filmmaking term that has been popularly associated with the resurgence of independent, digital and experimental films in the Philippines began in the 21st century, and merged into a recent filmmaking period known as the Third Golden Age of Philippine cinema.
Diaz (pictured in 2016), director of The Woman Who Left, won the Golden Lion at the Venice Film Festival.
De Leon at the Film Development Council of the Philippines' Honor of Arts in 2023
Mendoza, director of Kinatay, won the Best Director award at the 2009 Cannes Film Festival.
The New Wave, also called the French New Wave, is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema.
"Three by Truffaut" poster for the US re-release of French New Wave films The 400 Blows, Shoot the Piano Player and Jules and Jim.
François Truffaut in 1965
Jean-Luc Godard in 1968
Agnès Varda at the Venice Film Festival, 1962