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Pieter Saenredam in 1628 by Jacob van Campen
Pieter Saenredam in 1628 by Jacob van Campen
Interior of the Sint-Odulphuskerk in Assendelft (1649), oil on panel, with the gravestone of Saenredam's father in the foreground
Interior of the Sint-Odulphuskerk in Assendelft (1649), oil on panel, with the gravestone of Saenredam's father in the foreground
Interior of St. Martin's Cathedral, Utrecht (1636), drawing on paper
Interior of St. Martin's Cathedral, Utrecht (1636), drawing on paper
View of the Markt in Haarlem (1629), including the Hoofwacht on the left. Pen and brush on paper.
View of the Markt in Haarlem (1629), including the Hoofwacht on the left. Pen and brush on paper.
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Johannes Vermeer, The Milkmaid (1658–1661)
Johannes Vermeer, The Milkmaid (1658–1661)
Frans Hals' tronie, with the later title Gypsy Girl. 1628–30. Oil on wood, 58 cm × 52 cm (23 in × 20 in). The tronie includes elements of portraiture,
Frans Hals' tronie, with the later title Gypsy Girl. 1628–30. Oil on wood, 58 cm × 52 cm (23 in × 20 in). The tronie includes elements of portraiture, genre painting, and sometimes history painting.
Paulus Potter, The Young Bull (1647); 3.4 metres wide. An unusually monumental animal painting that challenges the hierarchy of genres.
Paulus Potter, The Young Bull (1647); 3.4 metres wide. An unusually monumental animal painting that challenges the hierarchy of genres.
The Haarlem Painter's Guild in 1675, by Jan de Bray, whose self-portrait is the second from the left
The Haarlem Painter's Guild in 1675, by Jan de Bray, whose self-portrait is the second from the left