Pop art
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Pop art is an art movement that emerged in the United Kingdom and the United States during the mid-to late 1950s. The movement presented a challenge to traditions of fine art by including imagery from
Eduardo Paolozzi, I was a Rich Man's Plaything (1947). Part of his Bunk! series, this is considered the initial bearer of "pop art" and the first to show the word "pop".
Charles Demuth, I Saw the Figure 5 in Gold 1928, collection of the Metropolitan Museum of Art, New York City
Richard Hamilton's collage Just what is it that makes today's homes so different, so appealing? (1956) is one of the earliest works to be considered "pop art".
Andy Warhol, Campbell's Soup Cans, 1962
Collage
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Collage is a technique of art creation, primarily used in the visual arts, by which art results from an assembly of different forms, thus creating a new whole. Collage may refer to the technique as a
Kurt Schwitters, Das Undbild, 1919, Staatsgalerie Stuttgart
Hannah Höch, Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany, 1919, collage of pasted papers, 90x144 cm, Staatliche Museum, Berlin
Pablo Picasso, 1913–14, Head (Tête), cut and pasted colored paper, gouache and charcoal on paperboard, 43.5 x 33 cm, Scottish National Gallery of Modern Art, Edinburgh
Grete Stern, Sueño No. 28: Love without Illusion, 1951, gelatin silver print