1.
Achaemenid Empire
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The Achaemenid Empire, also called the Persian Empire, was an empire based in Western Asia, founded by Cyrus the Great. The empires successes inspired similar systems in later empires and it is noted in Western history as the antagonist of the Greek city-states during the Greco-Persian Wars and for the emancipation of the Jewish exiles in Babylon. The Mausoleum at Halicarnassus, one of the Seven Wonders of the Ancient World, was built in a Hellenistic style in the empire as well. By the 7th century BC, the Persians had settled in the portion of the Iranian Plateau in the region of Persis. From this region, Cyrus the Great advanced to defeat the Medes, Lydia, Alexander, an avid admirer of Cyrus the Great, conquered the empire in its entirety by 330 BC. Upon his death, most of the former territory came under the rule of the Ptolemaic Kingdom and Seleucid Empire. The Persian population of the central plateau reclaimed power by the second century BC under the Parthian Empire, the historical mark of the Achaemenid Empire went far beyond its territorial and military influences and included cultural, social, technological and religious influences as well. Many Athenians adopted Achaemenid customs in their lives in a reciprocal cultural exchange. The impact of Cyruss edict is mentioned in Judeo-Christian texts, the empire also set the tone for the politics, heritage and history of modern Iran. Astronomical year numbering Dates are approximate, consult particular article for details Due to the duration of their reigns, Smerdis, Xerxes II. The Persian nation contains a number of tribes as listed here, the Pasargadae, Maraphii, and Maspii, upon which all the other tribes are dependent. Of these, the Pasargadae are the most distinguished, they contain the clan of the Achaemenids from which spring the Perseid kings. Other tribes are the Panthialaei, Derusiaei, Germanii, all of which are attached to the soil, the Achaemenid Empire was created by nomadic Persians. The Achaemenid Empire was not the first Iranian empire, as by 6th century BC another group of ancient Iranian peoples had established the short lived Median Empire. The Iranian peoples had arrived in the region of what is today Iran c.1000 BC and had for a number of centuries fallen under the domination of the Neo-Assyrian Empire, based in northern Mesopotamia. However, the Medes and Persians, Cimmerians, Persians and Chaldeans played a role in the overthrow of the Assyrian empire. The term Achaemenid means of the family of the Achaemenis/Achaemenes, despite the derivation of the name, Achaemenes was himself a minor seventh-century ruler of the Anshan in southwestern Iran, and a vassal of Assyria. At some point in 550 BC, Cyrus rose in rebellion against the Medes, eventually conquering the Medes and creating the first Persian empire
2.
Anatolia
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Anatolia, in geography known as Asia Minor, Asian Turkey, Anatolian peninsula, or Anatolian plateau, is the westernmost protrusion of Asia, which makes up the majority of modern-day Turkey. The region is bounded by the Black Sea to the north, the Mediterranean Sea to the south, the Sea of Marmara forms a connection between the Black and Aegean Seas through the Bosphorus and Dardanelles straits and separates Anatolia from Thrace on the European mainland. Traditionally, Anatolia is considered to extend in the east to a line between the Gulf of Alexandretta and the Black Sea to the Armenian Highlands, thus, traditionally Anatolia is the territory that comprises approximately the western two-thirds of the Asian part of Turkey. The Turkification of Anatolia began under the Seljuk Empire in the late 11th century, however, various non-Turkic languages continue to be spoken by minorities in Anatolia today, including Kurdish, Assyrian, Armenian, Arabic, Laz, Georgian, and Greek. Traditionally, Anatolia is considered to extend in the east to a line running from the Gulf of Alexandretta to the Black Sea. This traditional geographical definition is used, for example, in the latest edition of Merriam-Websters Geographical Dictionary, under this definition, Anatolia is bounded to the east by the Armenian Highlands, and the Euphrates before that river bends to the southeast to enter Mesopotamia. To the southeast, it is bounded by the ranges that separate it from the Orontes valley in Syria, the first name the Greeks used for the Anatolian peninsula was Ἀσία, presumably after the name of the Assuwa league in western Anatolia. As the name of Asia came to be extended to areas east of the Mediterranean. The name Anatolia derives from the Greek ἀνατολή meaning “the East” or more literally “sunrise”, the precise reference of this term has varied over time, perhaps originally referring to the Aeolian, Ionian and Dorian colonies on the west coast of Asia Minor. In the Byzantine Empire, the Anatolic Theme was a theme covering the western, the modern Turkish form of Anatolia is Anadolu, which again derives from the Greek name Aνατολή. The Russian male name Anatoly and the French Anatole share the same linguistic origin, in English the name of Turkey for ancient Anatolia first appeared c. It is derived from the Medieval Latin Turchia, which was used by the Europeans to define the Seljuk controlled parts of Anatolia after the Battle of Manzikert. Human habitation in Anatolia dates back to the Paleolithic, neolithic Anatolia has been proposed as the homeland of the Indo-European language family, although linguists tend to favour a later origin in the steppes north of the Black Sea. However, it is clear that the Anatolian languages, the oldest branch of Indo-European, have spoken in Anatolia since at least the 19th century BC. The earliest historical records of Anatolia stem from the southeast of the region and are from the Mesopotamian-based Akkadian Empire during the reign of Sargon of Akkad in the 24th century BC, scholars generally believe the earliest indigenous populations of Anatolia were the Hattians and Hurrians. The region was famous for exporting raw materials, and areas of Hattian-, one of the numerous cuneiform records dated circa 20th century BC, found in Anatolia at the Assyrian colony of Kanesh, uses an advanced system of trading computations and credit lines. They were speakers of an Indo-European language, the Hittite language, originating from Nesa, they conquered Hattusa in the 18th century BC, imposing themselves over Hattian- and Hurrian-speaking populations. According to the most widely accepted Kurgan theory on the Proto-Indo-European homeland, however, the Hittites adopted the cuneiform script, invented in Mesopotamia
3.
Ionia
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Ionia is an ancient region of central coastal Anatolia in present-day Turkey, the region nearest İzmir, which was historically Smyrna. It consisted of the northernmost territories of the Ionian League of Greek settlements, never a unified state, it was named after the Ionian tribe who, in the Archaic Period, settled mainly the shores and islands of the Aegean Sea. Ionian states were identified by tradition and by their use of Eastern Greek and it was bounded by Aeolia to the north, Lydia to the east and Caria to the south. The cities within the region figured large in the strife between the Persian Empire and the Greeks, according to Greek tradition, the cities of Ionia were founded by colonists from the other side of the Aegean. Their settlement was connected with the history of the Ionic people in Attica, which asserts that the colonists were led by Neleus and Androclus, sons of Codrus. So intricate is the coastline that the voyage along its shores was estimated at four times the direct distance. A great part of area was, moreover, occupied by mountains. None of these mountains attains a height of more than 1,200 metres, the geography of Ionia placed it in a strategic position that was both advantageous and disadvantageous. Ionia was always a maritime power founded by a people who made their living by trade in peaceful times, the coast was rocky and the arable land slight. The native Luwians for the most part kept their fields further inland, the coastal cities were placed in defensible positions on islands or headlands situated so as to control inland routes up the rift valleys. The people of those valleys were of different ethnicity, the populations of the cities came from many civilizations in the eastern Mediterranean. Ancient demographics are available only from literary sources, Herodotus states that in Asia the Ionians kept the division into twelve cities that had prevailed in Ionian lands of the north Peloponnese, their former homeland, which became Achaea after they left. These Asian cities were Miletus, Myus, Priene, Ephesus, Colophon, Lebedos, Teos, Erythrae, Clazomenae and Phocaea, together with Samos and Chios. Smyrna, originally an Aeolic colony, was occupied by Ionians from Colophon. These cities do not match those of Achaea, moreover, the Achaea of Herodotus time spoke Doric, but in Homer it is portrayed as being in the kingdom of Mycenae, which most likely spoke Mycenaean Greek, which is not Doric. If the Ionians came from Achaea, they departed during or after the change from East Greek to West Greek there, Mycenaean continued to evolve in the mountainous region of Arcadia. Miletus and some other cities founded earlier by non-Greeks received populations of Mycenaean Greeks probably under the name of Achaeans, the tradition of Ionian colonizers from Achaea suggests that they may have been known by both names even then. In the Indian historic literary texts, the Ionians are referred to as yavanar or yona, in modern Turkish, the people of that region were called yunan and the country that is now Greece is known as Yunanistan
4.
Archaic Greece
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According to Anthony Snodgrass, the Archaic period in ancient Greece was bounded by two revolutions in the Greek world. The Archaic period saw developments in Greek politics, economics, international relations, warfare and it laid the groundwork for the Classical period, both politically and culturally. The word archaic derives from the Greek word archaios, which means old and it refers to the period in ancient Greek history before the classical. The Archaic period was considered to have been less important and historically interesting than the classical period. More recently, however, Archaic Greece has come to be studied for its own achievements, with this reassessment of the significance of the Archaic period, some scholars have objected to the term archaic, due to its connotations in English of being primitive and outdated. No term which has suggested to replace it has gained widespread currency, however. Much of our evidence about the period of ancient Greece comes from written histories. By contrast, we have no evidence from the Archaic period. We have written accounts of life in the period in the form of poetry, and epigraphical evidence, including parts of law codes, inscriptions on votive offerings, however, none of this evidence is in the quantity for which we have it in the classical period. What is lacking in evidence, however, is made up for in the rich archaeological evidence from the Archaic Greek world. Indeed, where much of our knowledge of classical Greek art comes from later Roman copies, other sources for the period are the traditions recorded by later Greek writers such as Herodotus. However, these traditions are not part of any form of history as we would recognise it today, indeed, Herodotus does not even record any dates before 480 BC. Politically, the Archaic period saw the development of the polis as the predominant unit of political organisation, many cities throughout Greece came under the rule of autocratic leaders, called tyrants. The period also saw the development of law and systems of communal decision-making, with the earliest evidence for law codes, by the end of the Archaic period, both the Athenian and Spartan constitutions seem to have developed into their classical forms. The Archaic period saw significant urbanisation, and the development of the concept of the polis as it was used in classical Greece. The urbanisation process in Archaic Greece known as synoecism – the amalgamation of small settlements into a single urban centre – took place in much of Greece in the eighth century BC. Both Athens and Argos, for instance, began to coalesce into single settlements around the end of that century and these two factors created a need for a new form of political organisation, as the political systems in place at the beginning of the Archaic period quickly became unworkable. Though in the part of the classical period the city of Athens was both culturally and politically dominant, it was not until the late sixth century that it became a leading power in Greece
5.
Ostia (Rome)
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Ostia is a large neighbourhood in the X Municipio of the commune of Rome, Italy, near the ancient port of Rome, named Ostia, which is now a major archaeological site known as Ostia Antica. Ostia is also the only municipio or district of Rome on the Tyrrhenian Sea, with about 85,000 inhabitants, Ostia is the first or second-most populated frazione of Italy, depending on whether Mestre is counted. The town is located on the Tyrrhenian coast, close to Acilia, the neighbourhood was founded in 1884 near the remains of Ostia Antica, the port city of ancient Rome. This was possible after reclamation of the marshland, which was infested by malaria. The first inhabitants were peasants coming from Ravenna, in Romagna, due to the opening of the urban Roma-Ostia railway in 1924, the new village soon became the favourite sea resort of the Romans, while many Art Nouveau houses were built on the waterfront. The new village was connected to central Rome through the new Via Ostiense, during the Fascist period, the government massively expanded the neighbourhood, which got its ultimate architectural character thanks to many new buildings in Stile Littorio. New infrastructures, like a road to Rome, the promenade. After World War II, many bathing establishments were built on the sea side, the new Cristoforo Colombo avenue connected Ostia with the EUR district in Rome. However, sea pollution, which became apparent during the 1970s, the building of the Leonardo da Vinci Airport in Fiumicino in 1956 made Ostia an attractive district for airport and airline workers. Italian intellectual, film director and poet Pier Paolo Pasolini was assassinated near the airport on 2 November 1975. In 1976 Ostia became part of the XIII Municipio of the Comune of Rome, nowadays, due to the expansion of the city, only the Park of Castelfusano separates Ostia from the other quarters of Rome. The regional Rome-Lido railway line, which carries over 90,000 passengers a day, connects Ostia to the centre of Rome, the full length of the line is 28.359 kilometres. It has 13 stops, and the time is roughly 37 minutes. The Roman terminal is at Roma Porta San Paolo station, very close to the Piramide stop, rail stops in Ostia are Ostia Antica, Ostia Lido Nord, Ostia Lido Centro, Ostia Stella Polare, Ostia Castel Fusano and Ostia Cristoforo Colombo. Ostia Online Site of the Centro Studi Storici Ambientali Ostia and of Genius Loci Publisher Le Date della storia di Ostia Met. Ro
6.
Portrait painting
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See Portrait for more about the general topic of portraits. Portrait painting is a genre in painting, where the intent is to depict a human subject, the term portrait painting can also describe the actual painted portrait. Portraitists may create their work by commission, for public and private persons, portraits are often important state and family records, as well as remembrances. Historically, portrait paintings have primarily memorialized the rich and powerful, over time, however, it became more common for middle-class patrons to commission portraits of their families and colleagues. Today, portrait paintings are commissioned by governments, corporations, groups, clubs. In addition to painting, portraits can also be made in other such as etching, lithography, photography, video. A well-executed portrait is expected to show the essence of the subject or a flattering representation. As Aristotle stated, The aim of Art is to present not the appearance of things. In most cases, this results in a serious, closed lip stare, or as Charles Dickens put it, there are only two styles of portrait painting, the serious and the smirk. Even given these limitations, a range of subtle emotions is possible from quiet menace to gentle contentment. However, with the mouth relatively neutral, much of the facial expression needs to be created through the eyes, as author and artist Gordon C. Aymar states, the eyes are the place one looks for the most complete, reliable, and the eyebrows can register, almost single-handedly, wonder, pity, fright, pain, cynicism, concentration, wistfulness, displeasure, and expectation, in infinite variations and combinations. Portrait painting can depict the full length, half length, head and shoulders, or ‘head’, as well as in profile, three-quarter view, or full face, with varying directions of light. Occasionally, artists have created portraits with multiple views, as with Anthony van Dycks Triple Portrait of Charles I, there are even a few portraits where the front of the subject is not visible at all. Another example of the view in portraiture, in this case photography, can be found here. Among the other variables, the subject can be clothed or nude, indoors or out, standing, seated, reclining. Portrait paintings can be of individuals, couples, parents and children, families and they can be created in various media including oils, watercolor, pen and ink, pencil, charcoal, pastel, and mixed media. Artists may employ a wide-ranging palette of colors, as with Pierre-Auguste Renoirs Mme, charpentier and her children,1878 or restrict themselves to mostly white or black, as with Gilbert Stuarts Portrait of George Washington
7.
Portrait photography
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Portrait photography or portraiture is photography of a person or group of people that captures the personality of a subject by using effective lighting, backdrops, and poses. A portrait picture might be artistic, or it might be clinical, frequently, portraits are commissioned for special occasions, such as weddings or school events. Portraits can serve many purposes, from usage on a personal Web site to display in the lobby of a business, the style of these early works reflected the technical challenges associated with long exposure times and the painterly aesthetic of the time. Subjects were generally seated against plain backgrounds and lit with the light of an overhead window. Advances in photographic equipment and techniques developed, and gave photographers the ability to capture images with exposure times. When portrait photographs are composed and captured in a studio, the photographer has control over the lighting of the composition of the subject and can adjust direction and intensity of light. There are many ways to light a subjects face, but there are several common lighting plans which are enough to describe. One of the most basic lighting plans is called three-point lighting and this plan uses three lights to fully model the subjects features. The purpose of the Key-Light is to shape to a subject. This relies on the first principle of lighting, white out of a plane. The depth of shadow created by the Main-Light can be controlled with a Fill-Light, in modern photography, the fill-in light is used to control the contrast in the scene and is nearly always placed above the lens axis and is a large light source. As the amount of light is less than the key-light, the acts by lifting the shadows only. The relative intensity of the Key-light to the fill-light is most easily discussed in terms of Stops difference, a 2 Stop reduction in intensity for the Fill-Light would be a typical start point to maintain dimensionality in a portrait shot. Back lights, or accent lighting, serve the purpose of accentuating a subject, typically a back light will separate a subject from a background. Examples would be a light shining onto a subjects hair to add a rim effect or shining onto a background to lift the tones of a background, there can be many accent lights in a shot, another example would be a spotlight on a handbag in a fashion shot. When used for separation, i. e. a hair-light, think in terms of a kiss of moonlight, rather than a strike of lightning, although there are no shoulds in photography and it is up to the photographer to decide on the authorship of their shot. A kicker is a form of accent light, often used to give a backlit edge to a subject on the shadow side of the subject. Butterfly lighting uses only two lights, the key light is placed directly in front of the subject, often above the camera or slightly to one side, and a bit higher than is common for a three-point lighting plan
8.
Sculpture
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Sculpture is the branch of the visual arts that operates in three dimensions. It is one of the plastic arts, a wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or molded, or cast. However, most ancient sculpture was painted, and this has been lost. Those cultures whose sculptures have survived in quantities include the cultures of the ancient Mediterranean, India and China, the Western tradition of sculpture began in ancient Greece, and Greece is widely seen as producing great masterpieces in the classical period. During the Middle Ages, Gothic sculpture represented the agonies and passions of the Christian faith, the revival of classical models in the Renaissance produced famous sculptures such as Michelangelos David. Relief is often classified by the degree of projection from the wall into low or bas-relief, high relief, sunk-relief is a technique restricted to ancient Egypt. Relief sculpture may also decorate steles, upright slabs, usually of stone, techniques such as casting, stamping and moulding use an intermediate matrix containing the design to produce the work, many of these allow the production of several copies. The term sculpture is used mainly to describe large works. The very large or colossal statue has had an enduring appeal since antiquity, another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the head, showing just that, or the bust, small forms of sculpture include the figurine, normally a statue that is no more than 18 inches tall, and for reliefs the plaquette, medal or coin. Sculpture is an important form of public art, a collection of sculpture in a garden setting can be called a sculpture garden. One of the most common purposes of sculpture is in form of association with religion. Cult images are common in cultures, though they are often not the colossal statues of deities which characterized ancient Greek art. The actual cult images in the innermost sanctuaries of Egyptian temples, of which none have survived, were rather small. The same is true in Hinduism, where the very simple. Some undoubtedly advanced cultures, such as the Indus Valley civilization, appear to have had no monumental sculpture at all, though producing very sophisticated figurines, the Mississippian culture seems to have been progressing towards its use, with small stone figures, when it collapsed. Other cultures, such as ancient Egypt and the Easter Island culture, from the 20th century the relatively restricted range of subjects found in large sculpture expanded greatly, with abstract subjects and the use or representation of any type of subject now common. Today much sculpture is made for intermittent display in galleries and museums, small sculpted fittings for furniture and other objects go well back into antiquity, as in the Nimrud ivories, Begram ivories and finds from the tomb of Tutankhamun
9.
Fayum mummy portraits
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Mummy portraits or Fayum mummy portraits is the modern term given to a type of naturalistic painted portrait on wooden boards attached to Egyptian mummies from the Coptic period. They belong to the tradition of painting, one of the most highly regarded forms of art in the Classical world. In fact, the Fayum portraits are the large body of art from that tradition to have survived. Mummy portraits have been found across Egypt, but are most common in the Faiyum Basin, particularly from Hawara in the Fayum Basin, Faiyum Portraits is generally thought of as a stylistic, rather than a geographic, description. While painted cartonnage mummy cases date back to times, the Faiyum mummy portraits were an innovation dating to the Coptic period at the time of the Roman occupation of Egypt. They date to the Roman period, from the late 1st century BC or the early 1st century AD onwards and it is not clear when their production ended, but recent research suggests the middle of the 3rd century. The portraits covered the faces of bodies that were mummified for burial, extant examples indicate that they were mounted into the bands of cloth that were used to wrap the bodies. Almost all have now been detached from the mummies and they usually depict a single person, showing the head, or head and upper chest, viewed frontally. In terms of tradition, the images clearly derive more from Graeco-Roman traditions than Egyptian ones. Two groups of portraits can be distinguished by technique, one of encaustic paintings, the former are usually of higher quality. About 900 mummy portraits are known at present, the majority were found in the necropoleis of Faiyum. Due to the hot dry Egyptian climate, the paintings are very well preserved. The Italian explorer Pietro della Valle, on a visit to Saqqara-Memphis in 1615, was the first European to discover and he transported some mummies with portraits to Europe, which are now in the Albertinum. Although interest in Ancient Egypt steadily increased after that period, further finds of mummy portraits did not become known before the early 19th century, the provenance of these first new finds is unclear, they may come from Saqqara as well, or perhaps from Thebes. In 1820, the Baron of Minotuli acquired several mummy portraits for a German collector, in 1827, Léon de Laborde brought two portraits, supposedly found in Memphis, to Europe, one of which can today be seen at the Louvre, the other in the British Museum. Ippolito Rosellini, a member of Jean-François Champollions 1828/29 expedition to Egypt and it is so similar to de Labordes specimens that it is thought to be from the same source. During the 1820s, the British Consul General to Egypt, Henry Salt, sent several further portraits to Paris and London. Some of them were long considered portraits of the family of the Theban Archon Pollios Soter, a character known from written sources
10.
Larco Museum
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The Larco Museum is a privately owned museum of pre-Columbian art, located in the Pueblo Libre District of Lima, Peru. The museum is housed in an 18th-century vice-royal building built over a 7th-century pre-Columbian pyramid and it showcases chronological galleries that provide a thorough overview of 4,000 years of Peruvian pre-Columbian history. It is well known for its gallery of pre-Columbian erotic pottery, in 1925, Rafael Larco Herrera acquired a collection of vases and other archaeological pieces from Alfredo Hoyle, who was his brother-in-law. There were approximately 600 ceramic pieces in all, the arrival of these objects ignited a collectors enthusiasm in his son, Rafael Larco Hoyle. Soon after, Larco Herrera left his son in charge of the collection, during that same year, Larco Hoyle received some advice from his uncle, Victor Larco Herrera, a founder of the first museum in Lima. He urged Larco Hoyle to form a new museum in Lima, Larco Hoyle agreed with his uncle and proceeded to create a museum that would carry on his fathers legacy. Larco Hoyle purchased two large collections,8,000 pieces from Roa and 6,000 pieces from Carranza and he also purchased several small collections in Chicama Valley, Trujillo, Virú, and Chimbote. Within a year, the collection had grown significantly and display cases were installed in a house on the Chiclín estate. On July 28,1926, Independence Day, the museum opened its doors to the public, the Larco Museum now lends some of its collection to its daughter museum, the Museo de Arte Precolombino, located in Cusco, Peru. The Museum has several permanent exhibitions, the Gold and Silver Gallery showcases the largest collection of jewelry used by many notable rulers of pre-Columbian Peru. It comprises a collection of crowns, earrings, nose ornaments, garments, masks and vases, finely wrought in gold, Ancient Peruvian cultures represented their daily lives in ceramics, and this gallery holds the worlds largest collection of erotic ceramics. The Cultures Gallery exhibits 10,000 years of Peruvian pre-Columbian history and this hall is divided into four areas, North Coast, Center, South and cultures from the highlands. Other galleries include the Lithic, Vault, Ceramics, Metals, Textiles, in addition to its permanent exhibits, the Larco Museum lends its collections to several museums and cultural centers around the world. The Museum Gallery Shop has a variety of ceramic, metal. The museum has formalized the reproduction techniques for these pre-Columbian artifacts, the Spirit of Ancient Peru, Treasures from the Museo Arqueológico Rafael Larco Herrera. New York, Thames and Hudson,1997
11.
Akhenaten
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Akhenaten known before the fifth year of his reign as Amenhotep IV, was an Ancient Egyptian pharaoh of the 18th Dynasty who ruled for 17 years and died perhaps in 1336 BC or 1334 BC. An early inscription likens the Aten to the sun as compared to stars, Akhenaten tried to bring about a departure from traditional religion, yet in the end it would not be accepted. After his death, his monuments were dismantled and hidden, his statues were terminated and he was all but lost from history until the discovery during the 19th century of the site of Akhetaten, the city he built and designed for the worship of Aten, at Amarna. DNA analysis has determined that the man buried in KV55 is the father of King Tutankhamun, the future Akhenaten was a younger son of Amenhotep III and Chief Queen Tiye. The eldest son Crown Prince Thutmose was recognized as the heir of Amenhotep III but he died relatively young, there is much controversy around whether Amenhotep IV succeeded to the throne on the death of his father Amenhotep III or whether there was a coregency. Other literature by Donald Redford, William Murnane, Alan Gardiner, in February 2014, the Egyptian Ministry for Antiquities announced what it called conclusive evidence that Akhenaten shared power with his father for at least 8 years. The evidence came from the found in the Luxor tomb of Vizier Amenhotep-Huy. A team of Spanish archeologists have been working at this tomb, Amenhotep IV was crowned in Thebes and there he started a building program. He decorated the entrance to the precincts of the temple of Amun-Re with scenes of his worshiping Re-Harakhti. He soon decreed the construction of a dedicated to the Aten in Eastern Karnak. This Temple of Amenhotep IV was called the Gempaaten, the Gempaaten consisted of a series of buildings, including a palace and a structure called the Hwt Benben which was dedicated to Queen Nefertiti. Other Aten temples constructed at Karnak during this time include the Rud-menu, during this time he did not repress the worship of Amun, and the High Priest of Amun was still active in the fourth year of his reign. The king appears as Amenhotep IV in the tombs of some of the nobles in Thebes, Kheruef, Ramose, in the tomb of Ramose, Amenhotep IV appears on the west wall in the traditional style, seated on a throne with Ramose appearing before the king. On the other side of the doorway, Amenhotep IV and Nefertiti are shown in the window of appearance with the Aten depicted as the sun disc. In the Theban tomb of Parennefer, Amenhotep IV and Nefertiti are seated on a throne with the sun disk depicted over the king, among the latter-known documents referring to Amenhotep IV are two copies of a letter from the Steward Of Memphis Apy to the pharaoh. The documents were found in Gurob and are dated to regnal year 5, third month of the Growing Season, on day 13, Month 8, in the fifth year of his reign, the king arrived at the site of the new city Akhetaten. A month before that Amenhotep IV had officially changed his name to Akhenaten, Amenhotep IV changed most of his 5 fold titulary in year 5 of his reign. The only name he kept was his prenomen or throne name of Neferkheperure, some recent debate has focused on the extent to which Akhenaten forced his religious reforms on his people
12.
Lagash
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Lagash/ˈleɪɡæʃ/ is an ancient city located northwest of the junction of the Euphrates and Tigris rivers and east of Uruk, about 22 kilometres east of the modern town of Ash Shatrah, Iraq. Lagash was one of the oldest cities of the Ancient Near East, the ancient site of Nina is around 10 km away and marks the southern limit of the state. Nearby Girsu, about 25 km northwest of Lagash, was the center of the Lagash state. Lagashs main temple was the E-Ninnu, dedicated to the god Ningirsu, from inscriptions found at Girsu such as the Gudea cylinders, it appears that Lagash was an important Sumerian city in the late 3rd millennium BC. It was at that time ruled by independent kings, Ur-Nanshe and his successors, who were engaged in contests with the Elamites on the east and the kings of Kienĝir and Kish on the north. After the collapse of Sargons state, Lagash again thrived under its independent kings, Ur-Bau and Gudea and his was especially the era of artistic development. We even have a good idea of what Gudea looked like. At the time of Gudea, the capital of Lagash was actually in Girsu, the kingdom covered an area of approximately 1,600 square kilometres. It contained 17 larger cities, eight district capitals, and numerous villages, according to one estimate, Lagash was the largest city in the world from ca.2075 to 2030 BC. Soon after the time of Gudea, Lagash was absorbed into the Ur III state as one of its prime provinces, there is some information about the area during the Old Babylonian period. In ca.2450 BC, Lagash and the city of Umma fell out with each other after a border dispute. As described in Stele of the Vultures the current king of Lagash, Eannatum, inspired by the god of his city, Ningirsu. Initial details of the battle are unclear, but the Stele is able to portray a few details about the event. According to the Steles engravings, when the two met each other in the field, Eannatum dismounted from his chariot and proceeded to lead his men on foot. After lowing their spears, the Lagash army advanced upon the army from Umma in a dense Phalanx, after a brief clash, Eannatum and his army had gained victory over the army of Umma. Despite having been struck in the eye by an arrow, the king of Lagash lived on to enjoy his armys victory and this battle is one of the earliest organised battles known to scholars and historians. These dynasties are not found on the Sumerian King List, although one extremely fragmentary supplement has been found in Sumerian, at the end of the list is the statement Written in the school, suggesting this was a scribal school production. A few of the names from the Lagash rulers listed below may be out, including Ur-Nanshe, Ane-tum, En-entar-zid, Ur-Ningirsu, Ur-Bau
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