1.
Airavatesvara Temple
–
Airavatesvara Temple is a Hindu temple of Dravidian architecture located in the town of Darasuram, near Kumbakonam in the South Indian state of Tamil Nadu. The Airavatesvara temple is dedicated to Lord Shiva, Shiva is here known as Airavateshvara, because he was worshipped at this temple by Airavata, the white elephant of the king of the gods, Indra. Legend has it that Airavata, while suffering from a change of colour curse from Sage Durvasa, had its colours restored by bathing in the waters of this temple. This legend is commemorated by an image of Airavata with Indra seated in an inner shrine, the temple and the presiding deity derive its name from this incident. It is said that the King of Death, Yama also worshipped Shiva here, tradition has it Yama, who was suffering under a Rishis curse to form a burning sensation all over the body, was cured by the presiding deity Airavatesvarar. Yama took bath in the tank and got rid of the burning sensation. Since then the tank has been known as Yamateertham, the temple is named after Airavata, the white elephant of Indra, the king of celestial deities. Airavata worshipped Shiva at this place and the deity came to be known as Airavateeswarar, the main deitys consort Periya Nayaki Amman temple is a detached temple situated to the north of the Airavateshvarar temple. This might have been a part of the temple when the outer courts were complete. At present, it alone as a detached temple with the shrine of the Goddess standing in a single large court. The temple is constructed in Dravidian style of architecture and it is classified as Karak kovil, a temple built resembling the shape of a chariot used during temple festivals. Literary evidence is found in Tamil works, which refer the temple as Karak Koil and this temple is a storehouse of art and architecture and has some exquisite stone carvings. Although this temple is smaller than the Brihadeesvara Temple or the Gangaikondacholapuram Temple. This is because this temple is said to have built with nitya-vinoda, perpetual entertainment. The temple starts with a mahadwara, main entrance on the eastern side, the temple consists of a sanctum without a circumambulatory path and axial mandapas. The front mandapa known in the inscriptions as Rajagambhiran tirumandapam, the south side of the front mandapam is in the form of a huge chariot with large stone wheels drawn by horses. The pillars of this mandapa are highly ornate, the elevation of all the units is elegant with sculptures dominating the architecture. To the east of the court lies a group of well-carved buildings
Airavatesvara Temple
–
UNESCO World Heritage Site
Airavatesvara Temple
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A Dravidian architecture Pillar in Airavatesvara Temple, Darasuram @ Thanjavur district.
Airavatesvara Temple
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Bull and Elephant statue at Thanjavur Airavatesvara Temple.
Airavatesvara Temple
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Airavateswara Temple,Darasuram in Thanjavur District is built by Rajaraja Chola II in the 12th century CE, is a UNESCO World Heritage Site.
2.
Leinster House
–
Leinster House is the seat of the Oireachtas, the parliament of Ireland. Leinster House was originally the palace of the Dukes of Leinster. Since 1922, it is a complex of buildings, of which the ducal palace is the core. The most recognisable part of the complex, and the face of Leinster House. The societys famous Dublin Spring Show and Dublin Horse Show were held on its Leinster Lawn, facing Merrion Square. The building is the place of Dáil Éireann and Seanad Éireann. Irelands parliament over the centuries had met in a number of locations, most notably in the Irish Houses of Parliament at College Green, next to Trinity College and its medieval parliament consisted of two Houses, a House of Commons and a House of Lords. Irelands senior peer, the Earl of Kildare, had a seat in the Lords, like all the aristocrats of the period, for the duration of the Social Season and parliamentary sessions, he and his family resided in state in a Dublin residence. From the late eighteenth century Leinster House was the Earls official Dublin residence, the building itself was designed by acclaimed architect Richard Cassels. In the history of aristocratic residences in Dublin, no other mansion matched Kildare House for its size or status. When the Earl was made the first Duke of Leinster in 1766, one famous member of the family who occasionally resided in Leinster House was Lord Edward FitzGerald, who became involved with Irish nationalism during the 1798 Rebellion, which cost him his life. With the passage of the Act of Union in 1800, Ireland ceased to have its own parliament, the 3rd Duke of Leinster sold Leinster House in 1815 to the Royal Dublin Society. In 1853 the Great Industrial Exhibition was hosted in its grounds, at the end of the nineteenth century, two new wings were added, to house the National Library of Ireland and the National Museum of Ireland. The Natural History Museum was built on the site, part of this scheme intended to re-clad the house in more attractive Portland stone and extend the portico outwards. The Anglo-Irish Treaty of 1921 provided for the creation of a self-governing Irish dominion, plans were made to turn Royal Hospital Kilmainham, an eighteenth-century former soldiers home in extensive parklands, into a full-time Parliament House. The building was bought outright from the RDS in 1924, a new Senate or Seanad chamber was created in the Dukes old ballroom, while wings from the neighbouring Royal College of Science were taken over as used as Government Buildings. The entire Royal College of Science, which by then had been merged with University College Dublin, was taken over in 1990. Both the National Library and National Museum wings next to Leinster House remain used by as a library, while plans were often made to provide a brand-new parliament house, the Oireachtas has remained permanently located in Leinster House
Leinster House
–
Main façade of Leinster House
Leinster House
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Leinster House in 1911
Leinster House
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Victorian era extension
Leinster House
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Dáil Chamber, 2008
3.
Dublin
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Dublin is the capital and largest city of Ireland. Dublin is in the province of Leinster on Irelands east coast, the city has an urban area population of 1,345,402. The population of the Greater Dublin Area, as of 2016, was 1,904,806 people, founded as a Viking settlement, the Kingdom of Dublin became Irelands principal city following the Norman invasion. The city expanded rapidly from the 17th century and was briefly the second largest city in the British Empire before the Acts of Union in 1800, following the partition of Ireland in 1922, Dublin became the capital of the Irish Free State, later renamed Ireland. Dublin is administered by a City Council, the city is listed by the Globalization and World Cities Research Network as a global city, with a ranking of Alpha-, which places it amongst the top thirty cities in the world. It is a historical and contemporary centre for education, the arts, administration, economy, the name Dublin comes from the Irish word Dubhlinn, early Classical Irish Dubhlind/Duibhlind, dubh /d̪uβ/, alt. /d̪uw/, alt /d̪u, / meaning black, dark, and lind /lʲiɲ pool and this tidal pool was located where the River Poddle entered the Liffey, on the site of the castle gardens at the rear of Dublin Castle. In Modern Irish the name is Duibhlinn, and Irish rhymes from Dublin County show that in Dublin Leinster Irish it was pronounced Duílinn /d̪ˠi, other localities in Ireland also bear the name Duibhlinn, variously anglicized as Devlin, Divlin and Difflin. Historically, scribes using the Gaelic script wrote bh with a dot over the b and those without knowledge of Irish omitted the dot, spelling the name as Dublin. Variations on the name are found in traditionally Irish-speaking areas of Scotland, such as An Linne Dhubh. It is now thought that the Viking settlement was preceded by a Christian ecclesiastical settlement known as Duibhlinn, beginning in the 9th and 10th century, there were two settlements where the modern city stands. Baile Átha Cliath, meaning town of the ford, is the common name for the city in modern Irish. Áth Cliath is a name referring to a fording point of the River Liffey near Father Mathew Bridge. Baile Átha Cliath was an early Christian monastery, believed to have been in the area of Aungier Street, there are other towns of the same name, such as Àth Cliath in East Ayrshire, Scotland, which is Anglicised as Hurlford. Although the area of Dublin Bay has been inhabited by humans since prehistoric times and he called the settlement Eblana polis. It is now thought that the Viking settlement was preceded by a Christian ecclesiastical settlement known as Duibhlinn, beginning in the 9th and 10th century, there were two settlements where the modern city stands. The subsequent Scandinavian settlement centred on the River Poddle, a tributary of the Liffey in an area now known as Wood Quay, the Dubhlinn was a small lake used to moor ships, the Poddle connected the lake with the Liffey. This lake was covered during the early 18th century as the city grew, the Dubhlinn lay where the Castle Garden is now located, opposite the Chester Beatty Library in Dublin Castle
Dublin
–
Clockwise from top:
Samuel Beckett Bridge,
Trinity College,
Custom House,
Dublin Castle,
O'Connell Bridge, and
Convention Centre Dublin.
Dublin
–
Father Mathew Bridge, formerly Dublin Bridge, is understood to be near the ancient "Ford of the Hurdles" (Baile Átha Cliath), the original crossing point on the River Liffey.
Dublin
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Dublin Castle was the fortified seat of
British rule in Ireland until 1922.
Dublin
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Henrietta Street, developed in the 1720s, is the earliest Georgian Street in Dublin.
4.
Pediment
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The tympanum, the triangular area within the pediment, is often decorated with relief sculpture. The pediment is found in classical Greek temples, renaissance, a prominent example is the Parthenon, where it contains a tympanum decorated with figures in relief sculpture. This architectural element was developed in the architecture of ancient Greece, in Ancient Rome, the Renaissance, and later architectural revivals, the pediment was used as a non-structural element over windows, doors and aedicules. A variant is the segmental or arch pediment, where the normal angular slopes of the cornice are replaced by one in the form of a segment of a circle, both traditional and segmental pediments have broken and open forms. In the broken pediment the raking cornice is left open at the apex, the open pediment is open along the base – often used in Georgian architecture. A further variant is the Swan-necked pediment, where the cornice is in the form of two S-shaped brackets. The decorations in the tympanum frequently extend through these openings, in the form of Alto-relievo sculpture, tondo paintings and these forms were adopted in Mannerist architecture, and applied to furniture designed by Thomas Chippendale. The terms open pediment and broken pediment are often used interchangeably, a pediment is sometimes the top element of a portico
Pediment
–
The upper part of the neoclassical
Greek National Academy building in
Athens, showing the pediment with sculptures
Pediment
–
Swan-neck pediment at the Rev. Ebenezer Gay House,
Suffield, Connecticut, 1742
Pediment
–
Open pediment, Masonic Temple,
Aberdeen,
Scotland 1910.
Pediment
–
Broken segmental pediment at
La Rotonda
5.
White House
–
The White House is the official residence and principal workplace of the President of the United States, located at 1600 Pennsylvania Avenue NW in Washington, D. C. It has been the residence of every U. S. president since John Adams in 1800, the term White House is often used to refer to actions of the president and his advisers, as in The White House announced that. The residence was designed by Irish-born architect James Hoban in the Neoclassical style, construction took place between 1792 and 1800 using Aquia Creek sandstone painted white. When Thomas Jefferson moved into the house in 1801, he added low colonnades on each wing that concealed stables and storage. In 1814, during the War of 1812, the mansion was set ablaze by the British Army in the Burning of Washington, destroying the interior, reconstruction began almost immediately, and President James Monroe moved into the partially reconstructed Executive Residence in October 1817. Exterior construction continued with the addition of the semi-circular South portico in 1824, because of crowding within the executive mansion itself, President Theodore Roosevelt had all work offices relocated to the newly constructed West Wing in 1901. Eight years later in 1909, President William Howard Taft expanded the West Wing and created the first Oval Office, in the main mansion, the third-floor attic was converted to living quarters in 1927 by augmenting the existing hip roof with long shed dormers. A newly constructed East Wing was used as an area for social events. East Wing alterations were completed in 1946, creating additional office space, by 1948, the houses load-bearing exterior walls and internal wood beams were found to be close to failure. Under Harry S. Truman, the rooms were completely dismantled. Once this work was completed, the rooms were rebuilt. The Executive Residence is made up of six stories—the Ground Floor, State Floor, Second Floor, the property is a National Heritage Site owned by the National Park Service and is part of the Presidents Park. In 2007, it was ranked second on the American Institute of Architects list of Americas Favorite Architecture, in May 1790, New York began construction of Government House for his official residence, but he never occupied it. The national capital moved to Philadelphia in December 1790, the July 1790 Residence Act named Philadelphia, Pennsylvania the temporary national capital for a 10-year period while the Federal City was under construction. The City of Philadelphia rented Robert Morriss city house at 190 High Street for Washingtons presidential residence, the first president occupied the Market Street mansion from November 1790 to March 1797, and altered it in ways that may have influenced the design of the White House. As part of an effort to have Philadelphia named the permanent national capital, Pennsylvania built a much grander presidential mansion several blocks away. President John Adams also occupied the Market Street mansion from March 1797 to May 1800, on Saturday, November 1,1800, he became the first president to occupy the White House. The Presidents House in Philadelphia became a hotel and was demolished in 1832, the Presidents House was a major feature of Pierre Charles LEnfants plan for the newly established federal city, Washington, D. C
White House
–
Top: the northern facade, facing
Lafayette Square Bottom: the southern facade, facing
The Ellipse
White House
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First Presidential Mansion:
Samuel Osgood House, Manhattan, New York. Occupied by Washington: April 1789 - February 1790.
White House
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Second Presidential Mansion:
Alexander Macomb House, Manhattan, New York. Occupied by Washington: February - August 1790.
White House
–
Third Presidential Mansion:
President's House, Philadelphia, Pennsylvania. Occupied by Washington: November 1790 – March 1797. Occupied by Adams: March 1797 – May 1800.
6.
Timber frame
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Timber framing and post-and-beam construction are methods of building with heavy timbers rather than dimensional lumber such as 2x4s. Traditional timber framing is the method of creating structures using heavy squared-off and it is commonplace in wooden buildings from the 19th century and earlier. The method comes from making out of logs and tree trunks without modern high tech saws to cut lumber from the starting material stock. Since this building method has been used for thousands of years in parts of the world. These styles are categorized by the type of foundation, walls, how and where the beams intersect, the use of curved timbers. Three basic types of frames in English-speaking countries are the box frame, cruck frame. The distinction presented here is the load is carried by the exterior walls. Purlins are also in a timber frame. A cruck is a pair of crooked or curved timbers which form a bent or crossframe, more than 4,000 cruck frame buildings have been recorded in the UK. Several types of frames are used, more information follows in English style below. True cruck or full cruck, blades, straight or curved, base cruck, tops of the blades are truncated by the first transverse member such as by a tie beam. Raised cruck, blades land on masonry wall, and extend to the ridge, middle cruck, blades land on masonry wall, and are truncated by a collar. Upper cruck, blades land on a tie beam, very similar to knee rafters, jointed cruck, blades are made from pieces joined near eaves in a number of ways. See also, hammerbeam roof End cruck is not a style, aisled frames have one or more rows of interior posts. These interior posts typically carry more load than the posts in the exterior walls. This is the concept of the aisle in church buildings, sometimes called a hall church. However, a nave is often called an aisle, and three-aisled barns are common in the U. S. the Netherlands, aisled buildings are wider than the simpler box-framed or cruck-framed buildings, and typically have purlins supporting the rafters. In northern Germany, this construction is known as variations of a Ständerhaus, the frame is often left exposed on the exterior of the building
Timber frame
–
The market square of
Dornstetten (Germany), showing an ensemble of half-timbered buildings
Timber frame
–
Illustration of timber framing from the
Lexikon der gesamten Technik (1904)
Timber frame
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A "true" or "full" cruck half-timbered building in
Weobley,
Herefordshire, England. The cruck blades are the tall, curved timbers which extend from near the ground to the ridge.
Timber frame
–
Half timbered houses,
Marbach am Neckar, Germany
7.
Stonehenge
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Stonehenge is a prehistoric monument in Wiltshire, England,2 miles west of Amesbury and 8 miles north of Salisbury. Stonehenges ring of standing stones are set within earthworks in the middle of the most dense complex of Neolithic and Bronze Age monuments in England, archaeologists believe it was constructed from 3000 BC to 2000 BC. The surrounding circular earth bank and ditch, which constitute the earliest phase of the monument, have been dated to about 3100 BC. Radiocarbon dating suggests that the first bluestones were raised between 2400 and 2200 BC, although they may have been at the site as early as 3000 BC, one of the most famous landmarks in the UK, Stonehenge is regarded as a British cultural icon. It has been a legally protected Scheduled Ancient Monument since 1882 when legislation to protect historic monuments was first successfully introduced in Britain, the site and its surroundings were added to UNESCOs list of World Heritage Sites in 1986. Stonehenge is owned by the Crown and managed by English Heritage, Stonehenge could have been a burial ground from its earliest beginnings. Deposits containing human bone date from as early as 3000 BC, when the ditch and bank were first dug, William Stukeley in 1740 notes, Pendulous rocks are now called henges in Yorkshire. I doubt not, Stonehenge in Saxon signifies the hanging stones. Like Stonehenges trilithons, medieval gallows consisted of two uprights with a lintel joining them, rather than the inverted L-shape more familiar today, the henge portion has given its name to a class of monuments known as henges. Archaeologists define henges as earthworks consisting of a banked enclosure with an internal ditch. As often happens in archaeological terminology, this is a holdover from antiquarian use, Stonehenge evolved in several construction phases spanning at least 1500 years. There is evidence of construction on and around the monument that perhaps extends the landscapes time frame to 6500 years. The modern phasing most generally agreed to by archaeologists is detailed below, features mentioned in the text are numbered and shown on the plan, right. Archaeologists have found four, or possibly five, large Mesolithic postholes and these held pine posts around 0.75 metres in diameter, which were erected and eventually rotted in situ. Three of the posts were in an east-west alignment which may have had significance, no parallels are known from Britain at the time. A settlement that may have been contemporaneous with the posts has been found at Blick Mead, a reliable year round spring 1 mile from Stonehenge. Salisbury Plain was then still wooded but 4,000 years later, during the earlier Neolithic, people built an enclosure at Robin Hoods Ball. In approximately 3500 BC, a Stonehenge Cursus was built 700 metres north of the site as the first farmers began to clear the trees, a number of other adjacent stone and wooden structures and burial mounds, previously overlooked, may date as far back as 4000 BC. Charcoal from the ‘Blick Mead’ camp 2.4 kilometres from Stonehenge has been dated to 4000 BC and it stood in open grassland on a slightly sloping spot
Stonehenge
–
Stonehenge in August 2014
Stonehenge
–
Plan of Stonehenge in 2004. After Cleal et al. and Pitts. Italicised numbers in the text refer to the labels on this plan. Trilithon lintels omitted for clarity. Holes that no longer, or never, contained stones are shown as open circles. Stones visible today are shown coloured
Stonehenge
–
Stonehenge 1. After Cleal et al.
8.
Neolithic architecture
–
Neolithic architecture refers to structures encompassing housing and shelter from approximately 10,000 to 2,000 BC, the Neolithic period. In southwest Asia, Neolithic cultures appear soon after 10,000 BC, initially in the Levant,5,500 BC (of which the earliest cultural complexes include the Starčevo-Koros, Linearbandkeramic, and Vinča. The people of the Americas and the Pacific remained at the Neolithic level of technology until the time of European contact, the Neolithic peoples in the Levant, Anatolia, Syria, northern Mesopotamia and central Asia were great builders, utilising mud-brick to construct houses and villages. At Çatalhöyük, houses were plastered and painted with scenes of humans. In Europe, long houses built from wattle and daub were constructed, Neolithic pile dwellings have been excavated in Sweden and in the circum-Alpine area, with remains being found at the Mondsee and Attersee lakes in Upper Austria. Reconstructed pile dwellings are shown in museums in Unteruhldingen and Zurich. In Romania, Moldova, and Ukraine, Neolithic settlements included wattle-and-daub structures with thatched roofs and this is also when the burdei pit-house style of house construction was developed, which was still used by Romanians and Ukrainians until the 20th century. 9,000 BC Nevali Cori in Turkey, ca, elaborate tombs for the dead were also built. These tombs are particularly numerous in Ireland, where there are many still in existence. Neolithic people in the British Isles built long barrows and chamber tombs for their dead and causewayed camps, henges, megaliths found in Europe and the Mediterranean were also erected in the Neolithic period. These monuments include both megalithic tombs, temples and several structures of unknown function, tomb architecture is normally easily distinguished by the presence of human remains that had originally been buried, often with recognizable intent. Other structures may have had a use, now often characterised as religious. Such structures would have served a mixture of socio-economic, ideological, political functions, at its height Neolithic architecture marked geographic space, their durable monumentality embodied a past, perhaps made up of memories and remembrance. In the Central Mediterranean, Malta also became home of a subterranean skeuomorphised form of architecture around 3600 BC, at the Hal Saflieni Hypogeum, the inhabitants of Malta carved out an underground burial complex in which surface architectural elements were used to embellish a series of chambers and entrances. It is at the Neolithic Hal Saflieni Hypogeum that the earliest known skeuomorphism first occurred in the world and this architectural device served to define the aesthetics of the underworld in terms that well known in the larger megaliths. On Malta and Gozo, surface and subterranean architecture defined two worlds, which later, in the Greek world, would manifest themselves in the myth of Hades and the world of the living. In Malta, therefore, we encounter Neolithic architecture which is not purely functional. Early Neolithic water wells from the Linear Pottery culture have found in central Germany near Leipzig
Neolithic architecture
–
A dolmen at Couto Esteves,
Portugal
Neolithic architecture
–
Excavated dwellings at
Skara Brae
Neolithic architecture
–
Megalithic tomb,
Mane Braz, Brittany
9.
Architecture
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Architecture is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architectural works, in the form of buildings, are often perceived as cultural symbols. Historical civilizations are often identified with their surviving architectural achievements, Architecture can mean, A general term to describe buildings and other physical structures. The art and science of designing buildings and nonbuilding structures, the style of design and method of construction of buildings and other physical structures. A unifying or coherent form or structure Knowledge of art, science, technology, the design activity of the architect, from the macro-level to the micro-level. The practice of the architect, where architecture means offering or rendering services in connection with the design and construction of buildings. The earliest surviving work on the subject of architecture is De architectura. According to Vitruvius, a building should satisfy the three principles of firmitas, utilitas, venustas, commonly known by the original translation – firmness, commodity. An equivalent in modern English would be, Durability – a building should stand up robustly, utility – it should be suitable for the purposes for which it is used. Beauty – it should be aesthetically pleasing, according to Vitruvius, the architect should strive to fulfill each of these three attributes as well as possible. Leon Battista Alberti, who elaborates on the ideas of Vitruvius in his treatise, De Re Aedificatoria, saw beauty primarily as a matter of proportion, for Alberti, the rules of proportion were those that governed the idealised human figure, the Golden mean. The most important aspect of beauty was, therefore, an inherent part of an object, rather than something applied superficially, Gothic architecture, Pugin believed, was the only true Christian form of architecture. The 19th-century English art critic, John Ruskin, in his Seven Lamps of Architecture, Architecture was the art which so disposes and adorns the edifices raised by men. That the sight of them contributes to his health, power. For Ruskin, the aesthetic was of overriding significance and his work goes on to state that a building is not truly a work of architecture unless it is in some way adorned. For Ruskin, a well-constructed, well-proportioned, functional building needed string courses or rustication, but suddenly you touch my heart, you do me good. I am happy and I say, This is beautiful, le Corbusiers contemporary Ludwig Mies van der Rohe said Architecture starts when you carefully put two bricks together. The notable 19th-century architect of skyscrapers, Louis Sullivan, promoted an overriding precept to architectural design, function came to be seen as encompassing all criteria of the use, perception and enjoyment of a building, not only practical but also aesthetic, psychological and cultural
Architecture
–
Brunelleschi, in the building of the dome of
Florence Cathedral in the early 15th-century, not only transformed the building and the city, but also the role and status of the architect.
Architecture
–
Section of
Brunelleschi 's dome drawn by the architect
Cigoli (c. 1600)
Architecture
–
The
Parthenon,
Athens,
Greece, "the supreme example among architectural sites."
(Fletcher).
Architecture
–
The
Houses of Parliament, Westminster, master-planned by
Charles Barry, with interiors and details by A.W.N. Pugin
10.
Lintel
–
A lintel or lintol is a structural horizontal block that spans the space or opening between two vertical supports. It can be an architectural element, or a combined ornamented structural item. It is often found over portals, doors, windows and fireplaces, in worldwide architecture of different eras and many cultures, a lintel has been an element of post and lintel construction. Many different building materials have been used for lintels, in classical Western architecture and construction methods, by Merriam-Webster definition, a lintel is a load-bearing member and is placed over an entranceway. Called an architrave, the lintel is an element that is usually rested on stone pillars or stacked stone columns. An example from the Mycenaean Greece cultural period is the Treasury of Atreus in Mycenae and it weighs 120 tons, with approximate dimensions 8.3 ×5.2 ×1.2 m, one of the largest in the world. A lintel may support the chimney above a fireplace, or span the distance of a path or road, examples of the ornamental use of lintels are in the hypostyle halls and slab stelas in ancient Egypt and the Indian rock-cut architecture of Buddhist temples in caves. Preceding prehistoric and subsequent Indian Buddhist temples were wooden buildings with structural load-bearing wood lintels across openings, the rock-cut excavated cave temples were more durable, and the non-load-bearing carved stone lintels allowed creative ornamental uses of classical Buddhist elements. Highly skilled artisans were able to simulate the look of wood, imitating the nuances of a wooden structure, the Hoysala Empire era was an important period in the development of art and architectural the South Indian Kannadigan culture. It is remembered primarily for its Hindu temples mandapa, lintels. The Maya civilization in the Americas was known for its sophisticated art, the Mayan city of Yaxchilan, on the Usumacinta River in present-day southern Mexico, specialized in the stone carving of ornamental lintel elements within structural stone lintels. The earliest carved lintels were created in 723 CE, at the Yaxchilan archaeological site there are fifty-eight lintels with decorative pieces spanning the doorways of major structures. Among the finest Mayan carving to be excavated are three temple door lintels that feature scenes of a queen celebrating the kings anointing by a god
Lintel
–
Ancient Roman Severan Basilica at
Leptis Magna, Libya.
Lintel
–
Structural lintel
Lintel
–
Ornamental carved lintel over
Mandapa entrance at
Chennakesava Temple, in the
Hoysala architecture tradition of southern India
Lintel
–
Structural lintel over entrance,
Treasury of Atreus, Mycenae, Greece.
11.
Architrave
–
An architrave is the lintel or beam that rests on the capitals of the columns. It is an element in Classical architecture. The term can also be applied to all sides, including the vertical members, in an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words arche, the architrave is different in the different orders. In the Tuscan, it consists of a plain face, crowned with a fillet. In the Doric and composite, it has two faces, or fasciae, and three in the Ionic and Corinthian, in which it is 10/12 of a high, though. It means the part of something. The part on which the idea, the reasoning, the thought or the philosophy are based, examples, 1). the Mature Hegel- the Hegel of the Philosophy of Right- who becomes the architrave on which he constructs his social philosophy. Ref. Page, XIV, The Ethics of Democracy, A Contemporary Reading of Hegels Philosophy of Right LINK 2) to become the architrave of his theoretic construction Ref. Pag and it is placed above the bracket of a pillar, which gives it extra support. Dravidian architecture recognizes several distinct types of Architraves, rounded, wavy, flower shaped, bevel and tenon type, voluted, figural
Architrave
–
Architrave of the left-side
portal in the
facade of Sant'Ambrogio
basilica in
Milan,
Italy
Architrave
–
Architrave in the Basilica di San Salvatore, Spoleto, Italy.
12.
Column
–
A column or pillar in architecture and structural engineering is a structural element that transmits, through compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member, the term column applies especially to a large round support with a capital and a base or pedestal and made of stone, or appearing to be so. A small wooden or metal support is called a post. For the purpose of wind or earthquake engineering, columns may be designed to resist lateral forces, other compression members are often termed columns because of the similar stress conditions. Columns are frequently used to support beams or arches on which the parts of walls or ceilings rest. In architecture, column refers to such an element that also has certain proportional. A column might also be an element not needed for structural purposes, many columns are engaged. All significant Iron Age civilizations of the Near East and Mediterranean made some use of columns, egyptian columns are famously present in the Great Hypostyle Hall of Karnak, where 134 columns are lined up in 16 rows, with some columns reaching heights of 24 metres. Some of the most elaborate columns in the ancient world were those of the Persians and they included double-bull structures in their capitals. The Hall of Hundred Columns at Persepolis, measuring 70 ×70 metres, was built by the Achaemenid king Darius I, many of the ancient Persian columns are standing, some being more than 30 metres tall. The Minoans used whole tree-trunks, usually turned upside down in order to prevent re-growth, stood on a set in the stylobate. These were then painted as in the most famous Minoan palace of Knossos, the Minoans employed columns to create large open-plan spaces, light-wells and as a focal point for religious rituals. These traditions were continued by the later Mycenaean civilization, particularly in the megaron or hall at the heart of their palaces. Being made of wood these early columns have not survived, but their bases have and through these we may see their use. The Greeks developed the classical orders of architecture, which are most easily distinguished by the form of the column and their Doric, Ionic, and Corinthian orders were expanded by the Romans to include the Tuscan and Composite orders. Columns, or at least large structural exterior ones, became less significant in the architecture of the Middle Ages. Early columns were constructed of stone, some out of a piece of stone. Monolithic columns are among the heaviest stones used in architecture, other stone columns are created out of multiple sections of stone, mortared or dry-fit together
Column
–
National Capitol Columns at the
United States National Arboretum in
Washington, D.C.
Column
–
Marble columns with antique capitals in the
Great Mosque of Kairouan also known as the Mosque of Uqba, city of
Kairouan,
Tunisia
Column
–
Illustration of Doric (left three), Ionic (middle three) and Corinthian (right two) columns.
Column
–
Plan, front view and side view of a typical
Persepolis column, of
Persia (Iran)
13.
Capital (architecture)
–
In architecture the capital or chapiter forms the topmost member of a column. It mediates between the column and the load thrusting down upon it, broadening the area of the supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order, concave, as in the bell of the Corinthian order, or scrolling out. These form the three types on which all capitals are based. The Composite order, established in the 16th century on a hint from the Arch of Titus, from the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation, and is often the clearest indicator of the architectural order. The treatment of its detail may be an indication of the buildings date, the decoration underneath the bracket capital comes from art and designs from the many cultures that the Persian Empire conquered and assimilated including Egypt, Babylon, and Lydia. But of course these decorations below the bracket capital serve no purpose and are simply there for show. The earliest Aegean capital is shown in the frescoes at Knossos in Crete, it was of the convex type. The Doric capital is the simplest of the five Classical orders, it consists of the abacus above an ovolo molding, the sloping side of the echinus becomes flatter in the later examples, and in the Colosseum at Rome forms a quarter round. In the Ionic capital, spirally coiled volutes are inserted between the abacus and the ovolo. In the Ionic capitals of the archaic Temple of Artemis at Ephesus the width of the abacus is twice that of its depth, a century later, in the temple on the Ilissus, the abacus has become square. It has been suggested that the foliage of the Greek Corinthian capital was based on the Acanthus spinosus, not all architectural foliage is as realistic as Isaac Wares however. The leaves are carved in two ranks or bands, like one leafy cup set within another. The various orders are discussed in Vitruvius books iii and iv, Vitruvius describes Roman practice in a practical fashion. He gives some tales about the invention of each of the Orders, the increasing adoption of composite capitals signalled a trend towards freer, more inventive capitals in Late Antiquity. The top of an anta is often decorated, usually with bands of floral motifs. The designs often respond to an order of columns, but usually with a different set of design principles, in order not to protude excessively from the wall surface, these structures tend to have a rather flat surface, forming brick-shaped capitals, called anta capitals
Capital (architecture)
–
Ionic capital, from the temple of
Athena Polias,
Priene,
Ionia, in a 19th-century engraving
Capital (architecture)
–
Column capital from the magnificent ancient Persian city of
Persepolis
Capital (architecture)
–
Decorated capitals inside
Ramesseum, part of the Theban Necropolis, Luxor, Egypt.
Capital (architecture)
–
Neo classical columns and capitals of
Panthéon de Paris.
14.
Indian architecture
–
The architecture of India is rooted in its history, culture and religion. Indian architecture progressed with time and assimilated the many influences that came as a result of Indias global discourse with other regions of the world throughout its millennia-old past. The architectural methods practiced in India are a result of examination and implementation of its established building traditions, though old, this Eastern tradition has also incorporated modern values as India became a modern nation state. The economic reforms of 1991 further bolstered the urban architecture of India as the country became more integrated with the worlds economy, traditional Vastu Shastra remains influential in Indias architecture during the contemporary era. The Indus Valley Civilization was a Bronze Age civilization in the region of the Indian subcontinent, consisting of what is now mainly modern-day Pakistan. Flourishing around the Indus River basin, the civilization primarily centred along the Indus and the Punjab region, extending into the Ghaggar-Hakra River valley and the Ganges-Yamuna Doab. Geographically, the civilization was spread over an area of some 1,260,000 square km, the Indus Valley is one of the worlds earliest urban civilizations, along with its contemporaries, Mesopotamia and Ancient Egypt. At its peak, the Indus Civilization may have had a population of well over five million, inhabitants of the ancient Indus river valley developed new techniques in metallurgy and handicraft and produced copper, bronze, lead, and tin. The civilization is noted for its cities built of brick, roadside drainage system, the baths and toilets system the cities had is acknowledged as one of the most advanced in the ancient world. The grid layout planning of the cities with roads at right angles is a modern system that was implemented in the cities of this particular civilization. The urban agglomeration and production scale of this civilization was unsurpassed at the time. Excavation of Harappan sites has been ongoing since 1920, with important breakthroughs occurring as recently as 1999, to date, over 1,052 cities and settlements have been found, mainly in the general region of the Ghaggar-Hakra river and its tributaries. Among the settlements were the urban centres of Harappa, Lothal, Mohenjo-daro, Dholavira, Kalibanga. The Buddhist stupa, a dome shaped monument, was used in India as a commemorative monument associated with storing sacred relics, the stupa architecture was adopted in Southeast and East Asia, where it became prominent as a Buddhist monument used for enshrining sacred relics. Fortified cities with stūpas, viharas, and temples were constructed during the Maurya empire, wooden architecture was popular and rock cut architecture became solidified. Guard rails—consisting of posts, crossbars, and a coping—became a feature of safety surrounding a stupa, temples—build on elliptical, circular, quadrilateral, or apsidal plans—were constructed using brick and timber. The Indian gateway arches, the torana, reached East Asia with the spread of Buddhism, some scholars hold that torii derives from the torana gates at the Buddhist historic site of Sanchi. Rock-cut stepwells in India date from 200–400 AD, subsequently, the construction of wells at Dhank and stepped ponds at Bhinmal took place
Indian architecture
–
A well and drainage system is at
Lothal
Indian architecture
–
A bath and toilet excavated in
Lothal
Indian architecture
–
The entire
Kalibangan citadel unexcavated
15.
Ancient Greek architecture
–
Ancient Greek architecture is best known from its temples, many of which are found throughout the region, mostly as ruins but many substantially intact. The second important type of building that all over the Hellenic world is the open-air theatre. Ancient Greek architecture is distinguished by its highly formalised characteristics, both of structure and decoration, nikolaus Pevsner refers to the plastic shape of the temple. placed before us with a physical presence more intense, more alive than that of any later building. The architecture of ancient Rome grew out of that of Greece, the successive styles of Neoclassical architecture and Greek Revival architecture followed and adapted Ancient Greek styles closely. The mainland and islands of Greece are rocky, with deeply indented coastline, the most freely available building material is stone. Limestone was readily available and easily worked, there is an abundance of high quality white marble both on the mainland and islands, particularly Paros and Naxos. This finely grained material was a contributing factor to precision of detail. Deposits of high quality potters clay were found throughout Greece and the Islands and it was used not only for pottery vessels, but also roof tiles and architectural decoration. The climate of Greece is maritime, with both the coldness of winter and the heat of summer tempered by sea breezes and this led to a lifestyle where many activities took place outdoors. Colonnades encircling buildings, or surrounding courtyards provided shelter from the sun, the light of Greece may be another important factor in the development of the particular character of ancient Greek architecture. The light is extremely bright, with both the sky and the sea vividly blue. The clear light and sharp shadows give a precision to the details of landscape, pale rocky outcrops and this clarity is alternated with periods of haze that varies in colour to the light on it. In this characteristic environment, the ancient Greek architects constructed buildings that were marked by precision of detail, the gleaming marble surfaces were smooth, curved, fluted, or ornately sculpted to reflect the sun, cast graded shadows and change in colour with the ever-changing light of day. Historians divide ancient Greek civilization into two eras, the Hellenic period, and the Hellenistic period, during the earlier Hellenic period, substantial works of architecture began to appear around 600 BC. Before the Hellenic era, two cultures had dominated the region, the Minoan, and the Mycenaean. The Mycenaean culture, which flourished on the Peloponnesus, was different in character. Its people built citadels, fortifications and tombs rather than palaces, following these events, there was a period from which few signs of culture remain. This period is often referred to as a Dark Age
Ancient Greek architecture
–
The Parthenon under restoration in 2008
Ancient Greek architecture
–
The rugged indented coastline at
Rhamnous, Attica
Ancient Greek architecture
–
The Theatre and Temple of Apollo in mountainous country at
Delphi
16.
Ancient Egyptian architecture
–
The core of the pyramids consisted of locally quarried stone, mudbricks, sand or gravel. For the casing stones were used that had to be transported from farther away, predominantly white limestone from Tura, Ancient Egyptian houses were made out of mud collected from the Nile river. It was placed in molds and left to dry in the hot sun to harden for use in construction, others are inaccessible, new buildings having been erected on ancient ones. Fortunately, the dry, hot climate of Egypt preserved some mud brick structures, examples include the village Deir al-Madinah, the Middle Kingdom town at Kahun, and the fortresses at Buhen and Mirgissa. Also, many temples and tombs have survived because they were built on high ground unaffected by the Nile flood and were constructed of stone, in a similar manner, the incised and flatly modeled surface adornment of the stone buildings may have derived from mud wall ornamentation. Exterior and interior walls, as well as the columns and piers, were covered with hieroglyphic and pictorial frescoes, many motifs of Egyptian ornamentation are symbolic, such as the scarab, or sacred beetle, the solar disk, and the vulture. Other common motifs include leaves, the papyrus plant. Hieroglyphs were inscribed for decorative purposes as well as to record historic events or spells, in addition, these pictorial frescoes and carvings allow us to understand how the Ancient Egyptians lived, statuses, wars that were fought and their beliefs. This was especially true when exploring the tombs of Ancient Egyptian officials in recent years, Ancient Egyptian temples were aligned with astronomically significant events, such as solstices and equinoxes, requiring precise measurements at the moment of the particular event. Measurements at the most significant temples may have been undertaken by the Pharaoh himself. The Giza Necropolis stands on the Giza Plateau, on the outskirts of Cairo and this complex of ancient monuments is located some 8 kilometers inland into the desert from the old town of Giza on the Nile, some 20 kilometers southwest of Cairo city center. The pyramids, which were built in the Fourth Dynasty, testify to the power of the pharaonic religion and they were built to serve both as grave sites and also as a way to make their names last forever. The size and simple design show the skill level of Egyptian design. The pyramid of Khafre is believed to have been completed around 2532 BC, Khafre ambitiously placed his pyramid next to his fathers. It is not as tall as his fathers pyramid but he was able to give it the impression of appearing taller by building it on a site with a foundation 33 feet higher than his fathers. Along with building his pyramid, Chefren commissioned the building of the giant Sphinx as guardian over his tomb, the face of a human, possibly a depiction of the pharaoh, on a lions body was seen as a symbol of divinity among the Greeks fifteen hundred years later. The Great Sphinx is carved out the bedrock and stands about 65 feet tall. Menkaures pyramid dates to circa 2490 BC and stands 213 feet high making it the smallest of the Great Pyramids, popular culture leads people to believe that Pyramids are highly confusing, with many tunnels within the pyramid to create confusion for grave robbers
Ancient Egyptian architecture
–
The well preserved
Temple of Horus at Edfu is an example of Egyptian architecture and
architectural sculpture.
Ancient Egyptian architecture
–
Drawings of the types of the architectural capitals specific for the Ancient Egyptian civilization.
Ancient Egyptian architecture
–
The Pyramids of Giza
Ancient Egyptian architecture
–
The hypostyle hall of Karnak Temple
17.
Persian architecture
–
Iranian architecture or Persian architecture is the architecture of Iran and parts of the rest of West Asia, the Caucasus and Central Asia. Its history dates back to at least 5,000 BCE with characteristic examples distributed over a vast area from Turkey and Iraq to Uzbekistan and Tajikistan, and from the Caucasus to Zanzibar. Persian buildings vary from peasant huts to tea houses and garden, in addition to historic gates, palaces, and mosques, the rapid growth of cities such as the capital, Tehran has brought about a wave of demolition and new construction. Iranian architecture displays great variety, both structural and aesthetic, from a variety of traditions and experience, without sudden innovations, and despite the repeated trauma of invasions and cultural shocks, it has achieved an individuality distinct from that of other Muslim countries. Traditionally, the guiding formative motif of Iranian architecture has been its cosmic symbolism by which man is brought into communication and participation with the powers of heaven. This theme has not only given unity and continuity to the architecture of Persia, according to Persian historian and archaeologist Arthur Pope, the supreme Iranian art, in the proper meaning of the word, has always been its architecture. The supremacy of architecture applies to both pre- and post-Islamic periods, traditional Persian architecture has maintained a continuity that, although temporarily distracted by internal political conflicts or foreign invasion, nonetheless has achieved an unmistakable style. In this architecture, there are no buildings, even garden pavilions have nobility and dignity. In expressiveness and communicativity, most Persian buildings are lucid - even eloquent, the combination of intensity and simplicity of form provides immediacy, while ornament and, often, subtle proportions reward sustained observation. g. g. Anahita Temple, Khorheh, Parthian era e. g. Hatra, the compounds at Nysa, Sassanid era e. g. Ghaleh Dokhtar. Chehelsotoon, Ali Qapu, Agha Bozorg Mosque, Kashan, Shah Mosque, available building materials dictate major forms in traditional Iranian architecture. This technique, used in Iran from ancient times, has never completely abandoned. The abundance of heavy plastic earth, in conjunction with a lime mortar, also facilitated the development. Certain design elements of Persian architecture have persisted throughout the history of Iran, the most striking are a marked feeling for scale and a discerning use of simple and massive forms. The consistency of decorative preferences, the high-arched portal set within a recess, columns with bracket capitals, through the ages these elements have recurred in completely different types of buildings, constructed for various programs and under the patronage of a long succession of rulers. Similarly, the dome on four arches, so characteristic of Sassanid times, is a still to be found in many cemeteries, the pre-Islamic styles draw on 3000 to 4000 years of architectural development from various civilizations of the Iranian plateau. Iran is recognized by UNESCO as being one of the cradles of civilization, each of the periods of Elamites, Achaemenids, Parthians and Sassanids were creators of great architecture that, over the ages, spread far and wide far to other cultures. Although Iran has suffered its share of destruction, including Alexander The Greats decision to burn Persepolis, the Achaemenids built on a grand scale
Persian architecture
–
Persian arts
Persian architecture
–
Si-o-se Pol
Persian architecture
–
The Eram Garden in
Shiraz is an 18th-century building and a legacy of the
Zand Dynasty.
Persian architecture
–
Persian-style column, as seen in Persepolis.
18.
Japanese architecture
–
Japanese architecture has traditionally been typified by wooden structures, elevated slightly off the ground, with tiled or thatched roofs. Sliding doors were used in place of walls, allowing the configuration of a space to be customized for different occasions. People usually sat on cushions or otherwise on the floor, traditionally, chairs, the earliest Japanese architecture was seen in prehistoric times in simple pit-houses and stores that were not adapted to a hunter-gatherer population. Influence from Han Dynasty China via Korea saw the introduction of more complex grain stores, the introduction of Buddhism in Japan during the sixth century was a catalyst for large-scale temple building using complicated techniques in wood. Influence from the Chinese Tang and Sui Dynasties led to the foundation of the first permanent capital in Nara and its checkerboard street layout used the Chinese capital of Changan as a template for its design. A gradual increase in the size of buildings led to units of measurement as well as refinements in layout. The introduction of the tea ceremony emphasised simplicity and modest design as a counterpoint to the excesses of the aristocracy, during the Meiji Restoration of 1868 the history of Japanese architecture was radically changed by two important events. Second, it was then that Japan underwent a period of intense Westernization in order to compete with developed countries. Initially architects and styles from abroad were imported to Japan but gradually the country taught its own architects, Architects returning from study with western architects introduced the International Style of modernism into Japan. Much in the architecture of Japan is not native, but was imported from China. First of all is the choice of materials, always wood in various forms for almost all structures, unlike both Western and some Chinese architecture, the use of stone is avoided except for certain specific uses, for example temple podia and pagoda foundations. The general structure is almost always the same, posts and lintels support a large and gently curved roof, while the walls are paper-thin, often movable, arches and barrel roofs are completely absent. Gable and eave curves are gentler than in China and columnar entasis limited, the roof is the most visually impressive component, often constituting half the size of the whole edifice. The slightly curved eaves extend far beyond the walls, covering verandas, simpler solutions are adopted in domestic structures. The oversize eaves give the interior a characteristic dimness, which contributes to the buildings atmosphere, the interior of the building normally consists of a single room at the center called moya, from which depart any other less important spaces. Inner space divisions are fluid, and room size can be modified through the use of screens or movable paper walls, the large, single space offered by the main hall can therefore be divided according to the need. For example, some walls can be removed and different rooms joined temporarily to make space for some more guests, the separation between inside and outside is itself in some measure not absolute as entire walls can be removed, opening a residence or temple to visitors. Verandas appear to be part of the building to an outsider, structures are therefore made to a certain extent part of their environment
Japanese architecture
–
Kinkaku-ji,
Kyoto, originally built in 1397 (
Muromachi period)
Japanese architecture
–
The roof is the dominant feature of traditional Japanese architecture.
Japanese architecture
–
Reconstructed pit dwelling houses in
Yoshinogari,
Saga Prefecture, 2nd or 3rd century
Japanese architecture
–
Reconstructed dwellings in
Yoshinogari
19.
Chinese architecture
–
Chinese architecture is a style of architecture that has taken shape in East Asia over many centuries. The structural principles of Chinese architecture have remained unchanged, the main changes being only the decorative details. Since the Tang Dynasty, Chinese architecture has had a influence on the architectural styles of Korea, Vietnam. The architecture of China is as old as Chinese civilization, throughout the 20th Century, Western-trained Chinese architects have attempted to combine traditional Chinese designs into modern architecture, with only limited success. A very important feature in Chinese architecture is its emphasis on articulation and bilateral symmetry, bilateral symmetry and the articulation of buildings are found everywhere in Chinese architecture, from palace complexes to humble farmhouses. When possible, plans for renovation and extension of a house will often try to maintain this symmetry provided that there is enough capital to do so, secondary elements are positioned either side of main structures as two wings to maintain overall bilateral symmetry. The buildings are planned to contain an even number of columns in a structure to produce an odd number of bays. With the inclusion of a door to a building in the center bay. In contrast to the buildings, Chinese gardens are an exception which tend to be asymmetrical. The principle underlying the composition is to create enduring flow. In much of traditional Chinese architecture, buildings or building complexes take up an entire property and these enclosed spaces come in two forms, the, Courtyard, The use of open courtyards is a common feature in many types of Chinese architectures. This is best exemplified in the Siheyuan, which has consisted of an empty space surrounded by buildings connected with one another either directly or through verandas. This structure is essentially an enclosed courtyard formed from the intersections of closely spaced buildings. These enclosures serve in temperature regulation and in venting the building complexes, northern courtyards are typically open and facing the south to allow the maximum exposure of the building windows and walls to the sun while keeping the cold northern winds out. Southern sky wells are relatively small and serves to collect water from the roof tops. They perform the duties as the Roman impluvium while restricting the amount of sunlight that enters the building. Sky wells also serve as vents for rising hot air, which cool air from the lower stories of the house. The projected hierarchy and importance and uses of buildings in traditional Chinese architecture are based on the placement of buildings in a property/complex
Chinese architecture
–
Diagram of
corbel wood bracket supports ("
Dougong ") holding up a multi-inclined roof, from the architectural treatise
Yingzao Fashi (1103 AD)
Chinese architecture
Chinese architecture
Chinese architecture
20.
Ancient Chinese wooden architecture
–
Ancient Chinese wooden architecture is among the least studied of any of the worlds great architectural traditions from the western point of view. Although Chinese architectural history reaches far back in time, descriptions of Chinese architecture are often confined to the well known Forbidden City with little else explored by the West. Although common features of Chinese architecture have been unified into a vocabulary illustrating uniquely Chinese forms and methods, because of the lack of knowledge of the roots of Chinese architecture, description of its elements is often translated into Western terms and architectural theory, losing its unique Chinese meanings. Ancient Chinese architecture has numerous elements in part, because of the early Chinese method of standardizing and prescribing uniform features of structures. The standards are recorded in bureaucratic manuals and drawings that were passed down through generations, for example, the excavation of tombs has provided evidence to produce facsimiles of wooden building parts and yielded site plans several thousand years old. The recent excavation of the Prehistoric Beifudi site is an example, Three components make up the foundation of ancient Chinese architecture, the foundation platform, the timber frame, and the decorative roof. In addition, the most fundamental feature is a rectangular enclosure. The traditional Chinese belief in a universe with the four world quarters is manifested physically in its architecture. By the middle Neolithic period, the use of rammed earth, Hangtu, the pounding of layers of earth to make walls, altars, and foundations remained an element of Chinese construction for the next several millennia. The Great Wall of China, built of Hangtu, was erected beginning in the first millennium BC, sundried mud bricks and rammed mud walls were typically constructed within wood frames. Hard pounded earth floors were strengthened by heating, a fundamental achievement of Chinese wooden architecture is the load-bearing timber frame, a network of interlocking wooden supports forming the skeleton of the building. This is considered Chinas major contribution to worldwide architectural technology, however, it is not known how the builders got the huge wooden support columns into position. Unlike western architecture, in ancient Chinese wooden architecture, the only defined an enclosure. Buildings in China have been supported by wooden frames for as long as seven millennia, the emergence of the characteristic articulated wooden Chinese frame emerged during the Neolithic period. Seven thousand years ago mortise and tenon joinery was used to build wood-framed houses, over a thousand of these sites have been identified, usually with circular, square or oblong shaped buildings. During the Yangshao culture in the Middle Neolithic, circular and rectangular structures are found with wooden beams. Wooden beams or earth supported the roofs which were most likely thatched, as the villages and towns grew they adhered to symmetrical shapes. Symmetry was also important in the layout of homes, altars, in traditional Chinese architecture, every facet of a building was decorated using various materials and techniques
Ancient Chinese wooden architecture
–
Diagram of bracket and cantilever arms from the building manual
Yingzao Fashi (published in 1103) of the
Song Dynasty
Ancient Chinese wooden architecture
–
Rammed earth sections of the
Great Wall of China
21.
Mayan architecture
–
A unique and intricate style, the tradition of Maya architecture spans several thousands of years. Often, the buildings most dramatic and easily recognizable as Mayans are the stepped pyramids the Terminal Pre-classic period, being based on the general Mesoamerican architectural traditions, these pyramids relied on intricate carved stone in order to create a stairstep design. Each pyramid was dedicated to a deity whose shrine sat at its peak, during this height of Maya culture, the centers of their religious, commercial and bureaucratic power grew into large cities, namely Tikal, and Uxmal. Through observation of the numerous consistent elements and stylistic distinctions, remnants of Maya architecture have become an important key to understanding the evolution of their ancient temples, Maya architecture tends to integrate a great degree of natural features. However, some semblance of order, as required by any large city, at the onset of large-scale construction, a predetermined axis was typically established in congruence with the cardinal directions. Immediately outside of this center were the structures of lesser nobles, smaller temples, and individual shrines. Outside of the evolving urban core were the less permanent. Classic Era Maya urban design could easily be described as the division of space by great monuments, in this case, the open public plazas were the gathering places for the people and the focus of the urban design, while interior space was entirely secondary. Only in the Late Post-Classic era did the great Maya cities develop into more fortress-like defensive structures that lacked, for the most part, the large and numerous plazas of the Classic. A flight of steep stone steps split the large stepped platforms on at least one side. Depending on the prevalent stylistic tendencies of an area, these platforms most often were built of a stucco, as is the case with many other Maya reliefs, those on the platforms often were related to the intended purpose of the residing structure. Thus, as the platforms were completed, the grand residences and temples of the Maya were constructed on the solid foundations of the platforms. Commonly, these would continue uninterrupted around a structure and contain a variety of artwork pertaining to the inhabitants or purpose of a building. Though not the case in all Maya locations, broad use of painted stucco has been discovered as well and it has been suggested that, in conjunction to the Maya Long Count Calendar, every fifty-two years, or cycle, temples and pyramids were remodeled and rebuilt. It appears now that the process was often instigated by a new ruler or for political matters. However, the process of rebuilding on top of old structures is indeed a common one, most notably, the North Acropolis at Tikal seems to be the sum total of 1,500 years of architectural modifications. These were commonly limestone platforms of typically less than four meters in height where public ceremonies, large and often highly decorated, the palaces usually sat close to the center of a city and housed the populations elite. Every exceedingly large royal palace, or one consisting of many chambers on different levels might be referred to as an acropolis, archaeologists seem to agree that many palaces are home to various tombs
Mayan architecture
–
Maya civilization
Mayan architecture
–
Palenque,
Temple of the Cross Complex
Mayan architecture
–
Palenque, Palace
Mayan architecture
–
Tikal, temple pyramid with prominent roof comb
22.
Inca architecture
–
Incan architecture is the most significant pre-Columbian architecture in South America. The Incas inherited a legacy from Tiwanaku, founded in the 2nd century BCE in present-day Bolivia. The capital of the Inca empire, Cuzco, still contains many examples of Inca architecture. The famous royal estate of Machu Picchu is an example of Inca architecture. Other significant sites include Saksaywaman and Ollantaytambo, the Incas also developed an extensive road system spanning most of the western length of the continent. Inca buildings were made out of fieldstones or semi-worked stone blocks and dirt set in mortar, adobe walls were quite common. The material used in Inca buildings depended on the region, for instance, the most common shape in Inca architecture was the rectangular building without any internal walls and roofed with wooden beams and thatch. There were several variations of basic design, including gabled roofs. Rectangular buildings were used for different functions in almost all Inca buildings. Even so, there are examples of curved walls on Inca buildings. Two-story buildings were infrequent, when they were built the second floor was accessed from the outside via a stairway or high terrain rather than from the first floor. Wall apertures, including doors, niches and windows, usually had a trapezoidal shape, other kinds of decoration were scarce, some walls were painted or adorned with metal plaques, in rare cases walls were sculpted with small animals or geometric patterns. The most common form in Inca architecture was the kancha. A testimony of the importance of these compounds in Inca architecture is that the part of the Inca capital of Cusco consisted of large kancha, including Qurikancha. The best preserved examples of kancha are found at Ollantaytambo, an Inca settlement located along the Urubamba River, Inca architecture is widely known for its fine masonry, which features precisely cut and shaped stones closely fitted without mortar. However, despite this fame, most Inca buildings were made out of fieldstone. In the 1940s, American archaeologist John H. Rowe classified Inca fine masonry in two types, coursed, which features rectangular shaped stones, and polygonal, which blocks of irregular shape. In addition to references, they also identified some formal similarities between Tiwanaku and Inca architecture including the use of cut and polished stone blocks, as well as of double jambs
Inca architecture
–
Twelve angle stone, in the Hatun Rumiyoc street of
Cuzco, is an example of Inca masonry
Inca architecture
–
Cyclopean polygonal masonry at
Sacsayhuamán
Inca architecture
–
Inca wall in Cuzco
Inca architecture
–
Digital reconstruction of original
Inca painting on Room 42 wall,
Tambo Colorado; this late Inca period fortress/palace is still largely intact despite being constructed of adobe and located in an earthquake-prone area of
Peru. Remaining traces of the original paint guided this 2005 reconstruction. Laser scan data taken from a
CyArk /
University of California research partnership
23.
Timber framing
–
Timber framing and post-and-beam construction are methods of building with heavy timbers rather than dimensional lumber such as 2x4s. Traditional timber framing is the method of creating structures using heavy squared-off and it is commonplace in wooden buildings from the 19th century and earlier. The method comes from making out of logs and tree trunks without modern high tech saws to cut lumber from the starting material stock. Since this building method has been used for thousands of years in parts of the world. These styles are categorized by the type of foundation, walls, how and where the beams intersect, the use of curved timbers. Three basic types of frames in English-speaking countries are the box frame, cruck frame. The distinction presented here is the load is carried by the exterior walls. Purlins are also in a timber frame. A cruck is a pair of crooked or curved timbers which form a bent or crossframe, more than 4,000 cruck frame buildings have been recorded in the UK. Several types of frames are used, more information follows in English style below. True cruck or full cruck, blades, straight or curved, base cruck, tops of the blades are truncated by the first transverse member such as by a tie beam. Raised cruck, blades land on masonry wall, and extend to the ridge, middle cruck, blades land on masonry wall, and are truncated by a collar. Upper cruck, blades land on a tie beam, very similar to knee rafters, jointed cruck, blades are made from pieces joined near eaves in a number of ways. See also, hammerbeam roof End cruck is not a style, aisled frames have one or more rows of interior posts. These interior posts typically carry more load than the posts in the exterior walls. This is the concept of the aisle in church buildings, sometimes called a hall church. However, a nave is often called an aisle, and three-aisled barns are common in the U. S. the Netherlands, aisled buildings are wider than the simpler box-framed or cruck-framed buildings, and typically have purlins supporting the rafters. In northern Germany, this construction is known as variations of a Ständerhaus, the frame is often left exposed on the exterior of the building
Timber framing
–
The market square of
Dornstetten (Germany), showing an ensemble of half-timbered buildings
Timber framing
–
Illustration of timber framing from the
Lexikon der gesamten Technik (1904)
Timber framing
–
A "true" or "full" cruck half-timbered building in
Weobley,
Herefordshire, England. The cruck blades are the tall, curved timbers which extend from near the ground to the ridge.
Timber framing
–
Half timbered houses,
Marbach am Neckar, Germany
24.
Ancient Roman architecture
–
Ancient Roman architecture adopted the external language of classical Greek architecture for the purposes of the ancient Romans, but differed from Greek buildings, becoming a new architectural style. The two styles are considered one body of classical architecture. Roman architecture flourished in the Roman Republic and even more so under the Empire and it used new materials, particularly concrete, and newer technologies such as the arch and the dome to make buildings that were typically strong and well-engineered. Large numbers remain in some form across the empire, sometimes complete, Roman Architecture covers the period from the establishment of the Roman Republic in 509 BC to about the 4th century AD, after which it becomes reclassified as Late Antique or Byzantine architecture. Almost no substantial examples survive from before about 100 BC, and most of the major survivals are from the later empire, after about 100 AD. They moved from trabeated construction mostly based on columns and lintels to one based on walls, punctuated by arches. The classical orders now became largely decorative rather than structural, except in colonnades, however, they did not feel entirely restricted by Greek aesthetic concerns, and treated the orders with considerable freedom. Innovation started in the 3rd or 2nd century BC with the development of Roman concrete as a readily available adjunct to, or substitute for, stone, more daring buildings soon followed, with great pillars supporting broad arches and domes. The freedom of concrete also inspired the colonnade screen, a row of decorative columns in front of a load-bearing wall. In smaller-scale architecture, concretes strength freed the floor plan from rectangular cells to a more free-flowing environment, factors such as wealth and high population densities in cities forced the ancient Romans to discover new architectural solutions of their own. The use of vaults and arches, together with a knowledge of building materials. Examples include the aqueducts of Rome, the Baths of Diocletian and the Baths of Caracalla and these were reproduced at a smaller scale in most important towns and cities in the Empire. Some surviving structures are almost complete, such as the walls of Lugo in Hispania Tarraconensis. The administrative structure and wealth of the empire made possible very large even in locations remote from the main centres, as did the use of slave labour. Especially under the empire, architecture often served a function, demonstrating the power of the Roman state in general. The influence is evident in many ways, for example, in the introduction and use of the Triclinium in Roman villas as a place, Roman builders employed Greeks in many capacities, especially in the great boom in construction in the early Empire. The Roman Architectural Revolution, also known as the Concrete Revolution, was the use in Roman architecture of the previously little-used architectural forms of the arch, vault. For the first time in history, their potential was fully exploited in the construction of a range of civil engineering structures, public buildings
Ancient Roman architecture
–
The
Colosseum in Rome, Italy
Ancient Roman architecture
–
An area at the
Ostia Antica archaeological site: at one time, shops were located here
Ancient Roman architecture
–
The Roman
Pantheon was the
largest dome in the world for more than a millennium. It is the largest unreinforced solid concrete dome to this day
Ancient Roman architecture
–
Dome of the
Pantheon, inner view
25.
Arch
–
An arch is a curved structure that spans a space and may or may not support weight above it. Arch may be synonymous with vault, but a vault may be distinguished as a continuous arch forming a roof, an arch is a pure compression form. It can span an area by resolving forces into compressive stresses and. This is sometimes referred to as arch action, as the forces in the arch are carried to the ground, the arch will push outward at the base, called thrust. As the rise, or height of the arch decreases, the outward thrust increases, in order to maintain arch action and prevent the arch from collapsing, the thrust needs to be restrained, either with internal ties or external bracing, such as abutments. The most common true arch configurations are the arch, the two-hinged arch. The fixed arch is most often used in reinforced concrete bridge and tunnel construction, because it is subject to additional internal stress caused by thermal expansion and contraction, this type of arch is considered to be statically indeterminate. The two-hinged arch is most often used to long spans. This type of arch has pinned connections at the base, unlike the fixed arch, the pinned base is able to rotate, allowing the structure to move freely and compensate for the thermal expansion and contraction caused by changes in outdoor temperature. However, this can result in additional stresses, so the two-hinged arch is also statically indeterminate, the three-hinged arch is not only hinged at its base, like the two-hinged arch, but at the mid-span as well. The additional connection at the mid-span allows the arch to move in two opposite directions and compensate for any expansion and contraction. This type of arch is not subject to additional stress caused by thermal change. The three-hinged arch is said to be statically determinate. It is most often used for structures, such as large building roofs. Another advantage of the arch is that the pinned bases are more easily developed than fixed ones, allowing for shallow. Arches have many forms, but all fall into three categories, circular, pointed, and parabolic. Arches can also be configured to produce vaults and arcades, Arches with a circular form, also referred to as rounded arches, were commonly employed by the builders of ancient, heavy masonry arches. Ancient Roman builders relied heavily on the arch to span large
Arch
–
Rossgraben bridge (
Rüeggisberg) near Bern, Switzerland, showing the hinge at mid-span of this three-hinged arch.
Arch
–
A masonry arch 1.
Keystone 2.
Voussoir 3. Extrados 4.
Impost 5. Intrados 6. Rise 7. Clear span 8.
Abutment
Arch
–
Example of semi-circular arches using limestone block construction at the
Great Wall, China.
Arch
–
Roman aqueduct near
Nîmes, France: An example of an arcade, employing the circular arch.
26.
Girder
–
A girder is a support beam used in construction. It is the main support of a structure which supports smaller beams. Girders often have an I-beam cross section composed of two load-bearing flanges separated by a web, but may also have a box shape, Z shape. A girder is used to build bridges. In traditional timber framing a girder is called a girt, small steel girders are rolled into shape. Larger girders are made as plate girders, welded or bolted together from pieces of steel plate. The Warren type girder replaces the solid web with a latticework between the flanges. This truss arrangement combines strength with economy of materials and can therefore be relatively light and it is an improvement over the Neville truss which uses a spacing configuration of isosceles triangles. Song W, Ma Z, Vadivelu J, Burdette E, transfer Length and Splitting Force Calculation for Pretension Concrete Girders with High-Capacity Strands. Chen X, Wu S, Zhou J. ”Compressive Strength of Concrete Cores with Different Lengths. ”
Girder
–
The ceiling of
Hinkle Fieldhouse in
Indianapolis, Indiana, was constructed of large
trusses built of
riveted girders.
Girder
–
An AASHTO prestressed concrete girder.
27.
Roman temple
–
Ancient Roman temples were among the most important buildings in Roman culture, and some of the richest buildings in Roman architecture, though only a few survive in any sort of complete state. Today they remain the most obvious symbol of Roman architecture and their construction and maintenance was a major part of ancient Roman religion, and all towns of any importance had at least one main temple, as well as smaller shrines. The main room housed the image of the deity to whom the temple was dedicated. Behind the cella was a room or rooms used by attendants for storage of equipment. The ordinary worshipper rarely entered the cella, and most public ceremonies were performed outside, on the portico, with a crowd gathered in the temple precinct. The most common architectural plan had a rectangular temple raised on a podium, with a clear front with a portico at the top of steps. The sides and rear of the building had much less architectural emphasis, there were also circular plans, generally with columns all round, and outside Italy there were many compromises with traditional local styles. The Roman form of temple developed initially from Etruscan temples, themselves influenced by the Greeks, public religious ceremonies of the official Roman religion took place outdoors, and not within the temple building. Some ceremonies were processions that started at, visited, or ended with a temple or shrine, sacrifices, chiefly of animals, would take place at an open-air altar within the templum. Especially under the Empire, exotic foreign cults gained followers in Rome and these often had very different practices, some preferring underground places of worship, while others, like Early Christians, worshipped in houses. The decline of Roman religion was relatively slow, and the temples themselves were not appropriated by the government until a decree of the Emperor Honorius in 415. Santi Cosma e Damiano, in the Roman Forum, originally the Temple of Romulus, was not dedicated as a church until 527. The best known is the Pantheon, Rome, which is however highly untypical, being a large circular temple with a magnificent concrete roof. The English word temple derives from the Latin templum, which was not the building itself. The Roman architect Vitruvius always uses the word templum to refer to the sacred precinct, the more common Latin words for a temple or shrine were sacellum, aedes, delubrum, and fanum. The Etruscans were a people of northern Italy, whose civilization was at its peak in the seventh century BC, the Etruscans were already influenced by early Greek architecture, so Roman temples were distinctive but with both Etruscan and Greek features. Especially in the periods, further statuary might be placed on the roof. As in the Maison Carrée, columns at the side might be half-columns and these steps were normally only at the front, and typically not the whole width of that
Roman temple
–
The
Maison Carrée in
Nîmes, one of the best preserved Roman temples
Roman temple
–
The
Temple of Hercules Victor, in the
Forum Boarium in Rome (a Greek-style Roman temple)
Roman temple
–
Temple of Bacchus at Baalbek
28.
Portico
–
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was used in Ancient Greece and has influenced many cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome, porticos are sometimes topped with pediments. Bologna, Italy, is famous for its porticos, in total, there are over 45 km of arcades, some 38 in the city center. The longest portico in the world, about 3.5 km, in Bologna, Italy, porticos stretch for 18 km. Palladio was a pioneer of using temple-fronts for secular buildings, in the UK, the temple-front applied to The Vyne, Hampshire was the first portico applied to an English country house. A pronaos is the area of the portico of a Greek or Roman temple. Roman temples commonly had an open pronaos, usually with only columns and no walls, the word pronaos is Greek for before a temple. In Latin, a pronaos is also referred to as an anticum or prodomus, the different variants of porticos are named by the number of columns they have. The style suffix comes from the Greek στῦλος, column, the tetrastyle has four columns, it was commonly employed by the Greeks and the Etruscans for small structures such as public buildings and amphiprostyles. Roman provincial capitals also manifested tetrastyle construction, such as the Capitoline Temple in Volubilis, the North Portico of the White House is perhaps the most notable four-columned portico in the United States. Hexastyle buildings had six columns and were the standard façade in canonical Greek Doric architecture between the archaic period 600–550 BC up to the Age of Pericles 450–430 BC. With the colonization by the Greeks of Southern Italy, hexastyle was adopted by the Etruscans, Roman taste favoured narrow pseudoperipteral and amphiprostyle buildings with tall columns, raised on podiums for the added pomp and grandeur conferred by considerable height. The Maison Carrée at Nîmes, France, is the best-preserved Roman hexastyle temple surviving from antiquity, octastyle buildings had eight columns, they were considerably rarer than the hexastyle ones in the classical Greek architectural canon. The best-known octastyle buildings surviving from antiquity are the Parthenon in Athens, built during the Age of Pericles, and the Pantheon in Rome. The destroyed Temple of Divus Augustus in Rome, the centre of the Augustan cult, is shown on Roman coins of the 2nd century AD as having built in octastyle. The decastyle has ten columns, as in the temple of Apollo Didymaeus at Miletus, the temple of Venus and Rome, built by Hadrian in Rome about 130 A. D. was decastyle, the only known example in Roman architecture. Classical architecture List of classical architecture terms Hypostyle Loggia Stoa Greek architecture, Encyclopædia Britannica,1968 Stierlin, Greece, From Mycenae to the Parthenon, TASCHEN,2004, Editor-in-chief Angelika Taschen, Cologne, ISBN 3-8228-1225-0 Stierlin, Henri
Portico
–
Under the portico of the Pantheon
Portico
–
Portico close to piazza Santo Stefano,
Bologna
Portico
–
Temple of Portunus, with its tetrastyle portico of four
Ionic columns
Portico
–
The hexastyle Temple of Concord at
Agrigentum (c. 430 B.C.)
29.
Classical architecture
–
Different styles of classical architecture have arguably existed since the Carolingian Renaissance, and prominently since the Italian Renaissance. Although classical styles of architecture can vary greatly, they can in all be said to draw on a common vocabulary of decorative and constructive elements. The term classical architecture also applies to any mode of architecture that has evolved to a highly refined state, such as classical Chinese architecture and it can also refer to any architecture that employs classical aesthetic philosophy. The term might be used differently from traditional or vernacular architecture, for contemporary buildings following authentic classical principles, the term New Classical Architecture may be used. Classical architecture is derived from the architecture of ancient Greece and ancient Rome, with the collapse of the western part of the Roman empire, the architectural traditions of the Roman empire ceased to be practised in large parts of western Europe. In the Byzantine Empire, the ancient ways of building lived on, the first conscious efforts to bring back the disused language of form of classical antiquity into Western architecture can be traced to the Carolingian Renaissance of the late 8th and 9th centuries. In general, therefore, they are not considered classical architectural styles in a strict sense, nonetheless, the classical architecture of the Renaissance from the outset represents a highly specific interpretation of the classical ideas. Most of the styles originating in post-renaissance Europe can be described as classical architecture and this broad use of the term is employed by Sir John Summerson in The Classical Language of Architecture. The elements of architecture have been applied in radically different architectural contexts than those for which they were developed. For example, Baroque or Rococo architecture are styles which, although classical at root, during these periods, architectural theory still referred to classical ideas but rather less sincerely than during the Renaissance. Neoclassical architecture held a strong position on the architectural scene c. With the advent of Modernism during the early 20th century, classical architecture arguably almost completely ceased to be practised, as noted above, classical styles of architecture dominated Western architecture for a very long time, roughly from the Renaissance until the advent of Modernism. That is to say, that classical antiquity at least in theory was considered the source of inspiration for architectural endeavours in the West for much of Modern history. Furthermore, it can even be argued that styles of architecture not typically considered classical, like Gothic, therefore, a simple delineation of the scope of classical architecture is difficult to make. The more or less defining characteristic can still be said to be a reference to ancient Greek or Roman architecture, and the architectural rules or theories that derived from that architecture. In the grammar of architecture, the word petrification is often used when discussing the development of sacred structures, such as temples, during the Archaic and early Classical periods, the architectural forms of the earliest temples had solidified and the Doric emerged as the predominant element. And not everyone within the reach of Mediterranean civilization made this transition. Nor was it the lack of knowledge of working on their part that prevented them from making the transition from timber to dressed stone
Classical architecture
–
Caryatids on the
Erechtheion, (
Athens), an example of a
Greek architectural element taken up by later classical architecture.
Classical architecture
–
Sebastiano Serlio 's canon of the
Classical orders, a prime example of classical
architectural theory.
Classical architecture
–
The forms of ancient
Roman temples like the pictured
Maison Carrée in
Nîmes (France) has served as an inspiration for plenty of much later classical architecture, e.g.
Virginia State Capitol.
Classical architecture
–
Lorsch Abbey gatehouse (Germany), c. 800, an example of the architectural style of the short-lived
Carolingian Renaissance, a first classical movement in architecture.
30.
Classical order
–
An Order in architecture is a certain assemblage of parts subject to uniform established proportions, regulated by the office that each part has to perform. The three orders of architecture—the Doric, Ionic, and Corinthian—originated in Greece, to these the Romans added, in practice if not in name, the Tuscan, which they made simpler than Doric, and the Composite, which was more ornamental than the Corinthian. The Architectural Order of a building is akin to the mode or key of classical music. It is established by certain modules like the intervals of music, Columns shrank into half-columns emerging from walls or turned into pilasters. This treatment continued after the conscious and correct use of the orders, initially following exclusively Roman models, Greek Revival architecture, inspired by increasing knowledge of Greek originals, returned to more authentic models, including ones from relatively early periods. Each style has distinctive capitals at the top of columns and horizontal entablatures which it supports, the column shaft and base also varies with the order, and is sometimes articulated with vertical hollow grooves known as fluting. The capital rests on the shaft and it has a load-bearing function, which concentrates the weight of the entablature on the supportive column, but it primarily serves an aesthetic purpose. The necking is the continuation of the shaft, but is separated by one or many grooves. The echinus lies atop the necking and it is a circular block that bulges outwards towards the top to support the abacus, which is a square or shaped block that in turn supports the entablature. The entablature consists of three layers, all of which are visually separated from each other using moldings or bands. There are names for all the parts of the orders. The height of columns are calculated in terms of a ratio between the diameter of the shaft at its base and the height of the column, sometimes this is phrased as lower diameters high, to establish which part of the shaft has been measured. There are three orders in Ancient Greek architecture, Doric, Ionic, and Corinthian. These three were adopted by the Romans, who modified their capitals, the Roman adoption of the Greek orders took place in the 1st century BC. The three Ancient Greek orders have since been used in neo-classical European architecture. Sometimes the Doric order is considered the earliest order, but there is no evidence to support this, rather, the Doric and Ionic orders seem to have appeared at around the same time, the Ionic in eastern Greece and the Doric in the west and mainland. Both the Doric and the Ionic order appear to have originated in wood, the Temple of Hera in Olympia is the oldest well-preserved temple of Doric architecture. It was built just after 600 BC, the Doric order later spread across Greece and into Sicily where it was the chief order for monumental architecture for 800 years
Classical order
–
Table of architecture,
Cyclopaedia, 1728
Classical order
–
An illustration of the Five Architectural Orders engraved for the
Encyclopédie, vol. 18, showing the
Tuscan and
Doric orders (top row); two versions of the
Ionic order (center row);
Corinthian and
Composite orders (bottom row).
Classical order
–
Greek orders with full height
Classical order
–
The Doric order of the
Parthenon
