1.
Airavatesvara Temple
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Airavatesvara Temple is a Hindu temple of Dravidian architecture located in the town of Darasuram, near Kumbakonam in the South Indian state of Tamil Nadu. The Airavatesvara temple is dedicated to Lord Shiva, Shiva is here known as Airavateshvara, because he was worshipped at this temple by Airavata, the white elephant of the king of the gods, Indra. Legend has it that Airavata, while suffering from a change of colour curse from Sage Durvasa, had its colours restored by bathing in the waters of this temple. This legend is commemorated by an image of Airavata with Indra seated in an inner shrine, the temple and the presiding deity derive its name from this incident. It is said that the King of Death, Yama also worshipped Shiva here, tradition has it Yama, who was suffering under a Rishis curse to form a burning sensation all over the body, was cured by the presiding deity Airavatesvarar. Yama took bath in the tank and got rid of the burning sensation. Since then the tank has been known as Yamateertham, the temple is named after Airavata, the white elephant of Indra, the king of celestial deities. Airavata worshipped Shiva at this place and the deity came to be known as Airavateeswarar, the main deitys consort Periya Nayaki Amman temple is a detached temple situated to the north of the Airavateshvarar temple. This might have been a part of the temple when the outer courts were complete. At present, it alone as a detached temple with the shrine of the Goddess standing in a single large court. The temple is constructed in Dravidian style of architecture and it is classified as Karak kovil, a temple built resembling the shape of a chariot used during temple festivals. Literary evidence is found in Tamil works, which refer the temple as Karak Koil and this temple is a storehouse of art and architecture and has some exquisite stone carvings. Although this temple is smaller than the Brihadeesvara Temple or the Gangaikondacholapuram Temple. This is because this temple is said to have built with nitya-vinoda, perpetual entertainment. The temple starts with a mahadwara, main entrance on the eastern side, the temple consists of a sanctum without a circumambulatory path and axial mandapas. The front mandapa known in the inscriptions as Rajagambhiran tirumandapam, the south side of the front mandapam is in the form of a huge chariot with large stone wheels drawn by horses. The pillars of this mandapa are highly ornate, the elevation of all the units is elegant with sculptures dominating the architecture. To the east of the court lies a group of well-carved buildings
2.
Leinster House
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Leinster House is the seat of the Oireachtas, the parliament of Ireland. Leinster House was originally the palace of the Dukes of Leinster. Since 1922, it is a complex of buildings, of which the ducal palace is the core. The most recognisable part of the complex, and the face of Leinster House. The societys famous Dublin Spring Show and Dublin Horse Show were held on its Leinster Lawn, facing Merrion Square. The building is the place of Dáil Éireann and Seanad Éireann. Irelands parliament over the centuries had met in a number of locations, most notably in the Irish Houses of Parliament at College Green, next to Trinity College and its medieval parliament consisted of two Houses, a House of Commons and a House of Lords. Irelands senior peer, the Earl of Kildare, had a seat in the Lords, like all the aristocrats of the period, for the duration of the Social Season and parliamentary sessions, he and his family resided in state in a Dublin residence. From the late eighteenth century Leinster House was the Earls official Dublin residence, the building itself was designed by acclaimed architect Richard Cassels. In the history of aristocratic residences in Dublin, no other mansion matched Kildare House for its size or status. When the Earl was made the first Duke of Leinster in 1766, one famous member of the family who occasionally resided in Leinster House was Lord Edward FitzGerald, who became involved with Irish nationalism during the 1798 Rebellion, which cost him his life. With the passage of the Act of Union in 1800, Ireland ceased to have its own parliament, the 3rd Duke of Leinster sold Leinster House in 1815 to the Royal Dublin Society. In 1853 the Great Industrial Exhibition was hosted in its grounds, at the end of the nineteenth century, two new wings were added, to house the National Library of Ireland and the National Museum of Ireland. The Natural History Museum was built on the site, part of this scheme intended to re-clad the house in more attractive Portland stone and extend the portico outwards. The Anglo-Irish Treaty of 1921 provided for the creation of a self-governing Irish dominion, plans were made to turn Royal Hospital Kilmainham, an eighteenth-century former soldiers home in extensive parklands, into a full-time Parliament House. The building was bought outright from the RDS in 1924, a new Senate or Seanad chamber was created in the Dukes old ballroom, while wings from the neighbouring Royal College of Science were taken over as used as Government Buildings. The entire Royal College of Science, which by then had been merged with University College Dublin, was taken over in 1990. Both the National Library and National Museum wings next to Leinster House remain used by as a library, while plans were often made to provide a brand-new parliament house, the Oireachtas has remained permanently located in Leinster House
3.
Dublin
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Dublin is the capital and largest city of Ireland. Dublin is in the province of Leinster on Irelands east coast, the city has an urban area population of 1,345,402. The population of the Greater Dublin Area, as of 2016, was 1,904,806 people, founded as a Viking settlement, the Kingdom of Dublin became Irelands principal city following the Norman invasion. The city expanded rapidly from the 17th century and was briefly the second largest city in the British Empire before the Acts of Union in 1800, following the partition of Ireland in 1922, Dublin became the capital of the Irish Free State, later renamed Ireland. Dublin is administered by a City Council, the city is listed by the Globalization and World Cities Research Network as a global city, with a ranking of Alpha-, which places it amongst the top thirty cities in the world. It is a historical and contemporary centre for education, the arts, administration, economy, the name Dublin comes from the Irish word Dubhlinn, early Classical Irish Dubhlind/Duibhlind, dubh /d̪uβ/, alt. /d̪uw/, alt /d̪u, / meaning black, dark, and lind /lʲiɲ pool and this tidal pool was located where the River Poddle entered the Liffey, on the site of the castle gardens at the rear of Dublin Castle. In Modern Irish the name is Duibhlinn, and Irish rhymes from Dublin County show that in Dublin Leinster Irish it was pronounced Duílinn /d̪ˠi, other localities in Ireland also bear the name Duibhlinn, variously anglicized as Devlin, Divlin and Difflin. Historically, scribes using the Gaelic script wrote bh with a dot over the b and those without knowledge of Irish omitted the dot, spelling the name as Dublin. Variations on the name are found in traditionally Irish-speaking areas of Scotland, such as An Linne Dhubh. It is now thought that the Viking settlement was preceded by a Christian ecclesiastical settlement known as Duibhlinn, beginning in the 9th and 10th century, there were two settlements where the modern city stands. Baile Átha Cliath, meaning town of the ford, is the common name for the city in modern Irish. Áth Cliath is a name referring to a fording point of the River Liffey near Father Mathew Bridge. Baile Átha Cliath was an early Christian monastery, believed to have been in the area of Aungier Street, there are other towns of the same name, such as Àth Cliath in East Ayrshire, Scotland, which is Anglicised as Hurlford. Although the area of Dublin Bay has been inhabited by humans since prehistoric times and he called the settlement Eblana polis. It is now thought that the Viking settlement was preceded by a Christian ecclesiastical settlement known as Duibhlinn, beginning in the 9th and 10th century, there were two settlements where the modern city stands. The subsequent Scandinavian settlement centred on the River Poddle, a tributary of the Liffey in an area now known as Wood Quay, the Dubhlinn was a small lake used to moor ships, the Poddle connected the lake with the Liffey. This lake was covered during the early 18th century as the city grew, the Dubhlinn lay where the Castle Garden is now located, opposite the Chester Beatty Library in Dublin Castle
4.
Stonehenge
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Stonehenge is a prehistoric monument in Wiltshire, England,2 miles west of Amesbury and 8 miles north of Salisbury. Stonehenge consists of ring of standing stones, with each standing stone around 4.1 metres high,2.1 metres wide and weighing around 25 tons. The stones are set within earthworks in the middle of the most dense complex of Neolithic and Bronze Age monuments in England, archaeologists believe it was constructed from 3000 BC to 2000 BC. The surrounding circular earth bank and ditch, which constitute the earliest phase of the monument, have been dated to about 3100 BC. Radiocarbon dating suggests that the first bluestones were raised between 2400 and 2200 BC, although they may have been at the site as early as 3000 BC, one of the most famous landmarks in the UK, Stonehenge is regarded as a British cultural icon. It has been a legally protected Scheduled Ancient Monument since 1882 when legislation to protect historic monuments was first successfully introduced in Britain, the site and its surroundings were added to UNESCOs list of World Heritage Sites in 1986. Stonehenge is owned by the Crown and managed by English Heritage, Stonehenge could have been a burial ground from its earliest beginnings. Deposits containing human bone date from as early as 3000 BC, when the ditch and bank were first dug, William Stukeley in 1740 notes, Pendulous rocks are now called henges in Yorkshire. I doubt not, Stonehenge in Saxon signifies the hanging stones. Like Stonehenges trilithons, medieval gallows consisted of two uprights with a lintel joining them, rather than the inverted L-shape more familiar today, the henge portion has given its name to a class of monuments known as henges. Archaeologists define henges as earthworks consisting of a banked enclosure with an internal ditch. As often happens in archaeological terminology, this is a holdover from antiquarian use, Stonehenge evolved in several construction phases spanning at least 1500 years. There is evidence of construction on and around the monument that perhaps extends the landscapes time frame to 6500 years. The modern phasing most generally agreed to by archaeologists is detailed below, features mentioned in the text are numbered and shown on the plan, right. Archaeologists have found four, or possibly five, large Mesolithic postholes and these held pine posts around 0.75 metres in diameter, which were erected and eventually rotted in situ. Three of the posts were in an east-west alignment which may have had significance, no parallels are known from Britain at the time. A settlement that may have been contemporaneous with the posts has been found at Blick Mead, a reliable year round spring 1 mile from Stonehenge. Salisbury Plain was then still wooded but 4,000 years later, during the earlier Neolithic, people built an enclosure at Robin Hoods Ball. In approximately 3500 BC, a Stonehenge Cursus was built 700 metres north of the site as the first farmers began to clear the trees, a number of other adjacent stone and wooden structures and burial mounds, previously overlooked, may date as far back as 4000 BC
5.
Architecture
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Architecture is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architectural works, in the form of buildings, are often perceived as cultural symbols. Historical civilizations are often identified with their surviving architectural achievements, Architecture can mean, A general term to describe buildings and other physical structures. The art and science of designing buildings and nonbuilding structures, the style of design and method of construction of buildings and other physical structures. A unifying or coherent form or structure Knowledge of art, science, technology, the design activity of the architect, from the macro-level to the micro-level. The practice of the architect, where architecture means offering or rendering services in connection with the design and construction of buildings. The earliest surviving work on the subject of architecture is De architectura. According to Vitruvius, a building should satisfy the three principles of firmitas, utilitas, venustas, commonly known by the original translation – firmness, commodity. An equivalent in modern English would be, Durability – a building should stand up robustly, utility – it should be suitable for the purposes for which it is used. Beauty – it should be aesthetically pleasing, according to Vitruvius, the architect should strive to fulfill each of these three attributes as well as possible. Leon Battista Alberti, who elaborates on the ideas of Vitruvius in his treatise, De Re Aedificatoria, saw beauty primarily as a matter of proportion, for Alberti, the rules of proportion were those that governed the idealised human figure, the Golden mean. The most important aspect of beauty was, therefore, an inherent part of an object, rather than something applied superficially, Gothic architecture, Pugin believed, was the only true Christian form of architecture. The 19th-century English art critic, John Ruskin, in his Seven Lamps of Architecture, Architecture was the art which so disposes and adorns the edifices raised by men. That the sight of them contributes to his health, power. For Ruskin, the aesthetic was of overriding significance and his work goes on to state that a building is not truly a work of architecture unless it is in some way adorned. For Ruskin, a well-constructed, well-proportioned, functional building needed string courses or rustication, but suddenly you touch my heart, you do me good. I am happy and I say, This is beautiful, le Corbusiers contemporary Ludwig Mies van der Rohe said Architecture starts when you carefully put two bricks together. The notable 19th-century architect of skyscrapers, Louis Sullivan, promoted an overriding precept to architectural design, function came to be seen as encompassing all criteria of the use, perception and enjoyment of a building, not only practical but also aesthetic, psychological and cultural
6.
Column
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A column or pillar in architecture and structural engineering is a structural element that transmits, through compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member, the term column applies especially to a large round support with a capital and a base or pedestal and made of stone, or appearing to be so. A small wooden or metal support is called a post. For the purpose of wind or earthquake engineering, columns may be designed to resist lateral forces, other compression members are often termed columns because of the similar stress conditions. Columns are frequently used to support beams or arches on which the parts of walls or ceilings rest. In architecture, column refers to such an element that also has certain proportional. A column might also be an element not needed for structural purposes, many columns are engaged. All significant Iron Age civilizations of the Near East and Mediterranean made some use of columns, egyptian columns are famously present in the Great Hypostyle Hall of Karnak, where 134 columns are lined up in 16 rows, with some columns reaching heights of 24 metres. Some of the most elaborate columns in the ancient world were those of the Persians and they included double-bull structures in their capitals. The Hall of Hundred Columns at Persepolis, measuring 70 ×70 metres, was built by the Achaemenid king Darius I, many of the ancient Persian columns are standing, some being more than 30 metres tall. The Minoans used whole tree-trunks, usually turned upside down in order to prevent re-growth, stood on a set in the stylobate. These were then painted as in the most famous Minoan palace of Knossos, the Minoans employed columns to create large open-plan spaces, light-wells and as a focal point for religious rituals. These traditions were continued by the later Mycenaean civilization, particularly in the megaron or hall at the heart of their palaces. Being made of wood these early columns have not survived, but their bases have and through these we may see their use. The Greeks developed the classical orders of architecture, which are most easily distinguished by the form of the column and their Doric, Ionic, and Corinthian orders were expanded by the Romans to include the Tuscan and Composite orders. Columns, or at least large structural exterior ones, became less significant in the architecture of the Middle Ages. Early columns were constructed of stone, some out of a piece of stone. Monolithic columns are among the heaviest stones used in architecture, other stone columns are created out of multiple sections of stone, mortared or dry-fit together
7.
Capital (architecture)
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In architecture the capital or chapiter forms the topmost member of a column. It mediates between the column and the load thrusting down upon it, broadening the area of the supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order, concave, as in the bell of the Corinthian order, or scrolling out. These form the three types on which all capitals are based. The Composite order, established in the 16th century on a hint from the Arch of Titus, from the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation, and is often the clearest indicator of the architectural order. The treatment of its detail may be an indication of the buildings date, the decoration underneath the bracket capital comes from art and designs from the many cultures that the Persian Empire conquered and assimilated including Egypt, Babylon, and Lydia. But of course these decorations below the bracket capital serve no purpose and are simply there for show. The earliest Aegean capital is shown in the frescoes at Knossos in Crete, it was of the convex type. The Doric capital is the simplest of the five Classical orders, it consists of the abacus above an ovolo molding, the sloping side of the echinus becomes flatter in the later examples, and in the Colosseum at Rome forms a quarter round. In the Ionic capital, spirally coiled volutes are inserted between the abacus and the ovolo. In the Ionic capitals of the archaic Temple of Artemis at Ephesus the width of the abacus is twice that of its depth, a century later, in the temple on the Ilissus, the abacus has become square. It has been suggested that the foliage of the Greek Corinthian capital was based on the Acanthus spinosus, not all architectural foliage is as realistic as Isaac Wares however. The leaves are carved in two ranks or bands, like one leafy cup set within another. The various orders are discussed in Vitruvius books iii and iv, Vitruvius describes Roman practice in a practical fashion. He gives some tales about the invention of each of the Orders, the increasing adoption of composite capitals signalled a trend towards freer, more inventive capitals in Late Antiquity. The top of an anta is often decorated, usually with bands of floral motifs. The designs often respond to an order of columns, but usually with a different set of design principles, in order not to protude excessively from the wall surface, these structures tend to have a rather flat surface, forming brick-shaped capitals, called anta capitals
8.
Architecture of India
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The architecture of India is rooted in its history, culture and religion. Indian architecture progressed with time and assimilated the many influences that came as a result of Indias global discourse with other regions of the world throughout its millennia-old past. The architectural methods practiced in India are a result of examination and implementation of its established building traditions, though old, this Eastern tradition has also incorporated modern values as India became a modern nation state. The economic reforms of 1991 further bolstered the urban architecture of India as the country became more integrated with the worlds economy, traditional Vastu Shastra remains influential in Indias architecture during the contemporary era. The Indus Valley Civilization was a Bronze Age civilization in the region of the Indian subcontinent, consisting of what is now mainly modern-day Pakistan. Flourishing around the Indus River basin, the civilization primarily centred along the Indus and the Punjab region, extending into the Ghaggar-Hakra River valley and the Ganges-Yamuna Doab. Geographically, the civilization was spread over an area of some 1,260,000 square km, the Indus Valley is one of the worlds earliest urban civilizations, along with its contemporaries, Mesopotamia and Ancient Egypt. At its peak, the Indus Civilization may have had a population of well over five million, inhabitants of the ancient Indus river valley developed new techniques in metallurgy and handicraft and produced copper, bronze, lead, and tin. The civilization is noted for its cities built of brick, roadside drainage system, the baths and toilets system the cities had is acknowledged as one of the most advanced in the ancient world. The grid layout planning of the cities with roads at right angles is a modern system that was implemented in the cities of this particular civilization. The urban agglomeration and production scale of this civilization was unsurpassed at the time. Excavation of Harappan sites has been ongoing since 1920, with important breakthroughs occurring as recently as 1999, to date, over 1,052 cities and settlements have been found, mainly in the general region of the Ghaggar-Hakra river and its tributaries. Among the settlements were the urban centres of Harappa, Lothal, Mohenjo-daro, Dholavira, Kalibanga. The Buddhist stupa, a dome shaped monument, was used in India as a commemorative monument associated with storing sacred relics, the stupa architecture was adopted in Southeast and East Asia, where it became prominent as a Buddhist monument used for enshrining sacred relics. Fortified cities with stūpas, viharas, and temples were constructed during the Maurya empire, wooden architecture was popular and rock cut architecture became solidified. Guard rails—consisting of posts, crossbars, and a coping—became a feature of safety surrounding a stupa, temples—build on elliptical, circular, quadrilateral, or apsidal plans—were constructed using brick and timber. The Indian gateway arches, the torana, reached East Asia with the spread of Buddhism, some scholars hold that torii derives from the torana gates at the Buddhist historic site of Sanchi. Rock-cut stepwells in India date from 200–400 AD, subsequently, the construction of wells at Dhank and stepped ponds at Bhinmal took place
9.
Ancient Greek architecture
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Ancient Greek architecture is best known from its temples, many of which are found throughout the region, mostly as ruins but many substantially intact. The second important type of building that all over the Hellenic world is the open-air theatre. Ancient Greek architecture is distinguished by its highly formalised characteristics, both of structure and decoration, nikolaus Pevsner refers to the plastic shape of the temple. placed before us with a physical presence more intense, more alive than that of any later building. The architecture of ancient Rome grew out of that of Greece, the successive styles of Neoclassical architecture and Greek Revival architecture followed and adapted Ancient Greek styles closely. The mainland and islands of Greece are rocky, with deeply indented coastline, the most freely available building material is stone. Limestone was readily available and easily worked, there is an abundance of high quality white marble both on the mainland and islands, particularly Paros and Naxos. This finely grained material was a contributing factor to precision of detail. Deposits of high quality potters clay were found throughout Greece and the Islands and it was used not only for pottery vessels, but also roof tiles and architectural decoration. The climate of Greece is maritime, with both the coldness of winter and the heat of summer tempered by sea breezes and this led to a lifestyle where many activities took place outdoors. Colonnades encircling buildings, or surrounding courtyards provided shelter from the sun, the light of Greece may be another important factor in the development of the particular character of ancient Greek architecture. The light is extremely bright, with both the sky and the sea vividly blue. The clear light and sharp shadows give a precision to the details of landscape, pale rocky outcrops and this clarity is alternated with periods of haze that varies in colour to the light on it. In this characteristic environment, the ancient Greek architects constructed buildings that were marked by precision of detail, the gleaming marble surfaces were smooth, curved, fluted, or ornately sculpted to reflect the sun, cast graded shadows and change in colour with the ever-changing light of day. Historians divide ancient Greek civilization into two eras, the Hellenic period, and the Hellenistic period, during the earlier Hellenic period, substantial works of architecture began to appear around 600 BC. Before the Hellenic era, two cultures had dominated the region, the Minoan, and the Mycenaean. The Mycenaean culture, which flourished on the Peloponnesus, was different in character. Its people built citadels, fortifications and tombs rather than palaces, following these events, there was a period from which few signs of culture remain. This period is often referred to as a Dark Age
10.
Ancient Egyptian architecture
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The core of the pyramids consisted of locally quarried stone, mudbricks, sand or gravel. For the casing stones were used that had to be transported from farther away, predominantly white limestone from Tura, Ancient Egyptian houses were made out of mud collected from the Nile river. It was placed in molds and left to dry in the hot sun to harden for use in construction, others are inaccessible, new buildings having been erected on ancient ones. Fortunately, the dry, hot climate of Egypt preserved some mud brick structures, examples include the village Deir al-Madinah, the Middle Kingdom town at Kahun, and the fortresses at Buhen and Mirgissa. Also, many temples and tombs have survived because they were built on high ground unaffected by the Nile flood and were constructed of stone, in a similar manner, the incised and flatly modeled surface adornment of the stone buildings may have derived from mud wall ornamentation. Exterior and interior walls, as well as the columns and piers, were covered with hieroglyphic and pictorial frescoes, many motifs of Egyptian ornamentation are symbolic, such as the scarab, or sacred beetle, the solar disk, and the vulture. Other common motifs include leaves, the papyrus plant. Hieroglyphs were inscribed for decorative purposes as well as to record historic events or spells, in addition, these pictorial frescoes and carvings allow us to understand how the Ancient Egyptians lived, statuses, wars that were fought and their beliefs. This was especially true when exploring the tombs of Ancient Egyptian officials in recent years, Ancient Egyptian temples were aligned with astronomically significant events, such as solstices and equinoxes, requiring precise measurements at the moment of the particular event. Measurements at the most significant temples may have been undertaken by the Pharaoh himself. The Giza Necropolis stands on the Giza Plateau, on the outskirts of Cairo and this complex of ancient monuments is located some 8 kilometers inland into the desert from the old town of Giza on the Nile, some 20 kilometers southwest of Cairo city center. The pyramids, which were built in the Fourth Dynasty, testify to the power of the pharaonic religion and they were built to serve both as grave sites and also as a way to make their names last forever. The size and simple design show the skill level of Egyptian design. The pyramid of Khafre is believed to have been completed around 2532 BC, Khafre ambitiously placed his pyramid next to his fathers. It is not as tall as his fathers pyramid but he was able to give it the impression of appearing taller by building it on a site with a foundation 33 feet higher than his fathers. Along with building his pyramid, Chefren commissioned the building of the giant Sphinx as guardian over his tomb, the face of a human, possibly a depiction of the pharaoh, on a lions body was seen as a symbol of divinity among the Greeks fifteen hundred years later. The Great Sphinx is carved out the bedrock and stands about 65 feet tall. Menkaures pyramid dates to circa 2490 BC and stands 213 feet high making it the smallest of the Great Pyramids, popular culture leads people to believe that Pyramids are highly confusing, with many tunnels within the pyramid to create confusion for grave robbers
11.
Japanese architecture
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Japanese architecture has traditionally been typified by wooden structures, elevated slightly off the ground, with tiled or thatched roofs. Sliding doors were used in place of walls, allowing the configuration of a space to be customized for different occasions. People usually sat on cushions or otherwise on the floor, traditionally, chairs, the earliest Japanese architecture was seen in prehistoric times in simple pit-houses and stores that were not adapted to a hunter-gatherer population. Influence from Han Dynasty China via Korea saw the introduction of more complex grain stores, the introduction of Buddhism in Japan during the sixth century was a catalyst for large-scale temple building using complicated techniques in wood. Influence from the Chinese Tang and Sui Dynasties led to the foundation of the first permanent capital in Nara and its checkerboard street layout used the Chinese capital of Changan as a template for its design. A gradual increase in the size of buildings led to units of measurement as well as refinements in layout. The introduction of the tea ceremony emphasised simplicity and modest design as a counterpoint to the excesses of the aristocracy, during the Meiji Restoration of 1868 the history of Japanese architecture was radically changed by two important events. Second, it was then that Japan underwent a period of intense Westernization in order to compete with developed countries. Initially architects and styles from abroad were imported to Japan but gradually the country taught its own architects, Architects returning from study with western architects introduced the International Style of modernism into Japan. Much in the architecture of Japan is not native, but was imported from China. First of all is the choice of materials, always wood in various forms for almost all structures, unlike both Western and some Chinese architecture, the use of stone is avoided except for certain specific uses, for example temple podia and pagoda foundations. The general structure is almost always the same, posts and lintels support a large and gently curved roof, while the walls are paper-thin, often movable, arches and barrel roofs are completely absent. Gable and eave curves are gentler than in China and columnar entasis limited, the roof is the most visually impressive component, often constituting half the size of the whole edifice. The slightly curved eaves extend far beyond the walls, covering verandas, simpler solutions are adopted in domestic structures. The oversize eaves give the interior a characteristic dimness, which contributes to the buildings atmosphere, the interior of the building normally consists of a single room at the center called moya, from which depart any other less important spaces. Inner space divisions are fluid, and room size can be modified through the use of screens or movable paper walls, the large, single space offered by the main hall can therefore be divided according to the need. For example, some walls can be removed and different rooms joined temporarily to make space for some more guests, the separation between inside and outside is itself in some measure not absolute as entire walls can be removed, opening a residence or temple to visitors. Verandas appear to be part of the building to an outsider, structures are therefore made to a certain extent part of their environment
12.
Chinese architecture
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Chinese architecture is a style of architecture that has taken shape in East Asia over many centuries. The structural principles of Chinese architecture have remained unchanged, the main changes being only the decorative details. Since the Tang Dynasty, Chinese architecture has had a influence on the architectural styles of Korea, Vietnam. The architecture of China is as old as Chinese civilization, throughout the 20th Century, Western-trained Chinese architects have attempted to combine traditional Chinese designs into modern architecture, with only limited success. A very important feature in Chinese architecture is its emphasis on articulation and bilateral symmetry, bilateral symmetry and the articulation of buildings are found everywhere in Chinese architecture, from palace complexes to humble farmhouses. When possible, plans for renovation and extension of a house will often try to maintain this symmetry provided that there is enough capital to do so, secondary elements are positioned either side of main structures as two wings to maintain overall bilateral symmetry. The buildings are planned to contain an even number of columns in a structure to produce an odd number of bays. With the inclusion of a door to a building in the center bay. In contrast to the buildings, Chinese gardens are an exception which tend to be asymmetrical. The principle underlying the composition is to create enduring flow. In much of traditional Chinese architecture, buildings or building complexes take up an entire property and these enclosed spaces come in two forms, the, Courtyard, The use of open courtyards is a common feature in many types of Chinese architectures. This is best exemplified in the Siheyuan, which has consisted of an empty space surrounded by buildings connected with one another either directly or through verandas. This structure is essentially an enclosed courtyard formed from the intersections of closely spaced buildings. These enclosures serve in temperature regulation and in venting the building complexes, northern courtyards are typically open and facing the south to allow the maximum exposure of the building windows and walls to the sun while keeping the cold northern winds out. Southern sky wells are relatively small and serves to collect water from the roof tops. They perform the duties as the Roman impluvium while restricting the amount of sunlight that enters the building. Sky wells also serve as vents for rising hot air, which cool air from the lower stories of the house. The projected hierarchy and importance and uses of buildings in traditional Chinese architecture are based on the placement of buildings in a property/complex
