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Relief
Side view of Lorenzo Ghiberti's cast gilt-bronze Gates of Paradise at the Florence Baptistery in Florence, Italy, combining high-relief main figures with backgrounds mostly in low relief.
Side view of Lorenzo Ghiberti's cast gilt-bronze Gates of Paradise at the Florence Baptistery in Florence, Italy, combining high-relief main figures w
A common mixture of high and low relief, in the Roman Ara Pacis, placed to be seen from below. Low relief background.
A common mixture of high and low relief, in the Roman Ara Pacis, placed to be seen from below. Low relief background.
A low-relief dating to c. 2000 BC, from the kingdom of Simurrum, modern Iraq
A low-relief dating to c. 2000 BC, from the kingdom of Simurrum, modern Iraq
"Blocked-out" unfinished low relief of Ahkenaten and Nefertiti; unfinished Greek and Persian high-reliefs show the same method of beginning a work.
"Blocked-out" unfinished low relief of Ahkenaten and Nefertiti; unfinished Greek and Persian high-reliefs show the same method of beginning a work.
Byzantine Church mosaics, Monreale, Sicily, late 12th century
Byzantine Church mosaics, Monreale, Sicily, late 12th century
Detail of The Effects of Good Government, a fresco in the City Hall of Siena by Ambrogio Lorenzetti, 1338.
Detail of The Effects of Good Government, a fresco in the City Hall of Siena by Ambrogio Lorenzetti, 1338.
Scenes of courtly love on a lady's ivory mirror-case. Paris, 1300–1330.
Scenes of courtly love on a lady's ivory mirror-case. Paris, 1300–1330.
The jewelled cover of the Codex Aureus of St. Emmeram, c. 870, a Carolingian Gospel book.
The jewelled cover of the Codex Aureus of St. Emmeram, c. 870, a Carolingian Gospel book.