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Leonardo da Vinci's Vitruvian Man (c. 1490) shows the correlations of ideal human body proportions with geometry described by the ancient Roman architect Vitruvius in his De Architectura. In his explicit turn back to an ancient model in search of knowledge and wisdom, Leonardo follows early humanist practice. What he finds in Vitruvius is a mathematical formula for the proportions of all parts of the human body, which results in its idealized representation as the true microcosmic measure of all things. [...]The perfection of this ideal human form corresponds visually to the early humanist belief in the unique central placement of human beings within the divine universal order and their consequent human grandeur and dignity, expressed in the philosopher
Leonardo da Vinci's Vitruvian Man (c. 1490) shows the correlations of ideal human body proportions with geometry described by the ancient Roman archit
Medieval and Renaissance Italian writers portrayed by Giorgio Vasari in Six Tuscan Poets (1544). From left to right: Cristoforo Landino, Marsilio Fici
Medieval and Renaissance Italian writers portrayed by Giorgio Vasari in Six Tuscan Poets (1544). From left to right: Cristoforo Landino, Marsilio Ficino, Francesco Petrarca, Giovanni Boccaccio, Dante Alighieri, and Guido Cavalcanti.
Frontispiece depicting Dante Alighieri, Giovanni Boccaccio, and Francesco Petrarca with the coat of arms of the Medici–Toledo family on top
Frontispiece depicting Dante Alighieri, Giovanni Boccaccio, and Francesco Petrarca with the coat of arms of the Medici–Toledo family on top
Leonardo da Vinci
Leonardo da Vinci's baptism record
Leonardo da Vinci's baptism record
The possible birthplace and childhood home of Leonardo in Anchiano, Vinci, Italy
The possible birthplace and childhood home of Leonardo in Anchiano, Vinci, Italy
The Baptism of Christ (1472–1475) by Verrocchio and Leonardo, Uffizi Gallery
The Baptism of Christ (1472–1475) by Verrocchio and Leonardo, Uffizi Gallery
Adoration of the Magi c. 1478–1482, Uffizi, Florence
Adoration of the Magi c. 1478–1482, Uffizi, Florence