Renaissance of the Celtic Harp

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Renaissance of the Celtic Harp
Renaissance of the Celtic Harp by Alan Stivell.jpg
Studio album by Alan Stivell
Released 1972
Recorded at Studio Des Dames, Paris by Paul Haudebinr & Philippe Lerichomme
Genre Celtic music / Celtic fusion
New-age / World music
Breton traditional music
Irish traditional music
Welsh traditional music
Scottish traditional music
Manx traditional music
Length 37:32
Label Fontana/Philips
Producer Franck Giboni
Alan Stivell chronology
Renaissance of the Celtic Harp
À l'Olympia
(1972)À l'Olympia1972

Renaissance de la Harpe Celtique or Renaissance of the Celtic Harp is a 1972[1][2] record album by the Breton master of the Celtic harp Alan Stivell that revolutionised[how?] the connection between traditional folk music, modern rock music and world music.[3]


The release of this album with its fusion of classical, traditional folk and rock music, its mixture of instruments (cello, harp, electric guitar, traditional and modern drums) and its evocation of a utopian atmosphere and vision of humans in harmony with nature, immediately set it as a benchmark in the Celtic music revival of the 1970s.[4] Listening of this music influenced many harpists, Bretons like Myrdhin or Cécile Corbel[5] but also Jo Morrison, Loreena McKennitt, Deborah Henson-Conant, Charles de Lint, Australian Robert Hart and Louisa John-Krol, Russian Anastasia Papisova, Italian Vincenzo Zitello, Norwegian Kristian Nordeide, New Yorkers musicians Steven Halpern and Ben Kettlewell... By the time of his second album, in one year, the number of harps sold in France had reached into the thousands.[6]

The music critic Bruce Elder wrote of the album Renaissance de la Harpe Celtique:

People who hear this record are never the same again. Renaissance of the Celtic Harp, one of the most beautiful and haunting records ever made by anybody, introduced the Celtic harp to many thousands of listeners around the world. To call this music gorgeous and ravishing would be the height of understatement—indeed, there aren't words in the English language to describe this record adequately. The opening work, Ys, is a piece inspired by the legend of the 5th century capital of the kingdom of Cornwall, [most versions of the legend place the city in the Douarnenez Bay on the coast of Brittany] which was engulfed by a flood as punishment for its sins. (Debussy wrote one of his finest works, "The Engulfed Cathedral," later adapted by the group Renaissance into "The Harbor" on Ashes Are Burning, based on the same legend). The reflective "Marv Pontkellec" is every bit as sublimely beautiful, but the highlight of this record is "Gaeltacht," a 19 minute musical journey by Stivell's harp across the Gaelic lands of Ireland, Scotland, and the Isle of Man.[7][8]


Bass [Bass Guitar] - Gérard Levavsseur, Gérard Salkowsky
Bombarde - Alan kloatr, Mig Ar Biz
Cello - Henri Delagarde, Jean Huchot, Manuel Recasens
Double Bass - Jean-Marc Dollez
Drums - Guy Cascales
Drums [Scottish] - Yann-Fanch Ar Merdy
Electric Guitar - Dan Ar Bras
Organ - Gilles Tinayjre
Percussion, Tabla - Michel Delaporte
Producer - Franck Giboni
Viola - Gabriel Beauvais, Paul Hadjaje, Pierre Cheval, Stéphane Weiner

Track listing[edit]

Side A

A1 Ys Variations on folk themes. (Traditional, arranged by A. Stivell)
A2 Marv Pointkalleg Folk themes. A classical arrangement of Breton music. (Traditional, arranged by Denise Megevand)
A3 Extracts From Penllyn Manuscripts of Harp Music Sonatas for Bardic Harp transcriped from 17th Century Welsh manuscripts by Arnold Dolmetsch
A3a Ap Huw (Traditional, arranged by A. Dolmetsch)
A3b Penllyn (Traditional, arranged by A. Dolmetsch)
A4 Eliz Iza Breton mountain folk song. (Traditional, arranged by A. Stivell)

Side B
B1 Gaeltacht Folk themes. A journey across Gaelic countries (Ireland, Scotland, Isle of Man)
B1a Caitlin Triall Irish Melody. (Traditional, arranged by A. Stivell)
B1b Port Ui Mhuirgheasa Irish Jig. (Traditional, arranged by A. Stivell)
B1c Airde Cuan Irish Melody. (Traditional, arranged by Jord Cochevelou)
B1d Na Reubairean Scottish Melody. (Traditional, arranged by D. Megevand)
B1e Manx Melody (Traditional, Arranged By A. Stivell)
B1f Heman Dubh Hebridean Work Song. (Traditional, arranged by A. Stivell)
B1g Gaelic Waltz Scottish Waltz. (Traditional, arranged by A. Stivell)
B1h Struan Robertson Strathspey. (Traditional, arranged by A. Stivell)
B1i The Little Cascade Scottish Dance (Reel). (Traditional, arranged by A. Stivell)
B1j Braigh Loch Lall Scottish Melody (Traditional, arranged by A. Stivell)
B1k Port An Deorai Suit of Irish Slip Jig. (Traditional, arranged by A. Stivell)


  • Fontana 6325 302 [original French release]
  • Philips 6414 406 [British release (w/ translated title) of 1973]
  • Polydor 2424 069 [Canadian release of 1973][9]
  • Rounder 3067 [American release of 1982]
  • Philips 51 [British cassette/vinyl of 1983, re-released in 1990]
  • Philips 818007-2 [British CD release of 1990][10]


  1. ^ Elder, Bruce. "All Music Guide". Retrieved 15 July 2009. 
  2. ^ Stivell, Alan. "Discography". Retrieved 9 June 2014. 
  3. ^ Jonathyne Briggs, 2015, p. 127
  4. ^ JT Koch (ed). Celtic Culture. A Historical Encyclopaedia ABC-CLIO 2006 pp 1627-1628
  5. ^ Roberti, Nicolas (July 1, 2011). "Cécile Corbel. Pour tout vous avouer, je suis plutôt optimiste". (in French). 
  6. ^ Briggs, 2015, p. 122
  7. ^ Elder, Bruce. "All Music Guide". Retrieved 15 July 2009. 
  8. ^ Guyot, Charles. The Legend of the City of Ys, Amherst, MA: University of Massachusetts Press, 1979.
  9. ^
  10. ^ Chokey, Jim. "Discography Alan Stivell". Retrieved 15 July 2009. 


  • Jonathyne Briggs, Sounds French: Globalization, Cultural Communities, and Pop Music in France, 1958-1980, Oxford University Press, 2015, Chapter 4 "Sounds Regional: The World in Breton Folk Music" ISBN 9780199377091