1.
Immaculate Conception
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The Catholic Church teaches that Mary was conceived by normal biological means in the womb of her mother, Saint Anne, but God acted upon her soul, keeping it immaculate. The Immaculate Conception is commonly confused with the Virgin Birth of Jesus, jesuss birth is covered by the Doctrine of Incarnation, while the Immaculate Conception deals with the conception of Mary, not that of her son. The defined dogma of the Immaculate Conception regards original sin only, therefore, being always free from original sin, the doctrine teaches that from her conception Mary received the sanctifying grace that would normally come with baptism after birth. The definition makes no declaration about the Churchs belief that the Blessed Virgin was sinless in the sense of freedom from actual or personal sin, however, the Church holds that Mary was also sinless personally, free from all sin, original or personal. The doctrine of the conception is not to be confused with the virginal conception of her son Jesus. This misunderstanding of the immaculate conception is frequently met in the mass media. Catholics believe that Mary was not the product of a virginal conception herself but was the daughter of a father and mother, traditionally known by the names of Saint Joachim. In 1677, the Holy See condemned the belief that Mary was virginally conceived, the Church celebrates the Feast of the Immaculate Conception on 8 December, exactly nine months before celebrating the Nativity of Mary. The feast of the Annunciation is celebrated on 25 March, nine months before Christmas Day, another misunderstanding is that, by her immaculate conception, Mary did not need a saviour. When defining the dogma in Ineffabilis Deus, Pope Pius IX explicitly affirmed that Mary was redeemed in a more sublime. He stated that Mary, rather than being cleansed after sin, was prevented from contracting Original Sin in view of the foreseen merits of Jesus Christ. In Luke 1,47, Mary proclaims, My spirit has rejoiced in God my Saviour and this is referred to as Marys pre-redemption by Christ. A feast of the Conception of the Most Holy and All Pure Mother of God was celebrated in Syria on 8 December perhaps as early as the 5th century, note that the title of achrantos refers to the holiness of Mary, not specifically to the holiness of her conception. Marys complete sinlessness and concomitant exemption from any taint from the first moment of her existence was a familiar to Greek theologians of Byzantium. Beginning with St. St. Gregory Nazianzen designated Mary as prokathartheisa, gregorys doctrines surrounding Marys purification were likely related to the burgeoning commemoration of the Mother of God in and around Constantinople very close to the date of Christmas. Nazianzens title of Mary at the Annunciation as prepurified was subsequently adopted by all interested in his Mariology to justify the Byzantine equivalent of the Immaculate Conception. This is especially apparent in the Fathers St. Sophronios of Jerusalem and St. John Damascene, about the time of Damascene, the public celebration of the Conception of St. Ann was becoming popular. It is admitted that the doctrine as defined by Pius IX was not explicitly mooted before the 12th century and it is also agreed that no direct or categorical and stringent proof of the dogma can be brought forward from Scripture
2.
Altarpiece
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An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing behind the altar of a Christian church. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Large number of altarpieces are now removed from their settings, and often their elaborate sculpted frameworks. Altarpieces seem to have begun to be used during the 11th century, the reasons and forces that led to the development of altarpieces are not generally agreed upon. The habit of placing decorated reliquaries of saints on or behind the altar, as well as the tradition of decorating the front of the altar with sculptures or textiles, an elaborate example of such an early altarpiece is the Pala dOro in Venice. The appearance and development of these first altarpieces marked an important turning point both in the history of Christian art and Christian religious practice, the autonomous image now assumed a legitimate position at the centre of Christian worship. Painted panel altars emerged in Italy during the 13th century, in the 13th century, it is not uncommon to find frescoed or mural altarpieces in Italy, mural paintings behind the altar function as visual complements for the liturgy. These altarpieces were influenced by Byzantine art, notably icons, which reached Western Europe in greater numbers following the conquest of Constantinople in 1204. During this time, altarpieces began to be decorated with an outer. Vigoroso da Sienas altarpiece from 1291 display such an altarpiece and this treatment of the altarpiece would eventually pave the way for the emergence, in the 14th century, of the polyptych. The sculpted elements in the emerging polyptychs often took inspiration from contemporary Gothic architecture, in Italy, they were still typically executed in wood and painted, while in northern Europe altarpieces were often made of stone. The early 14th century saw the emergence, in Germany, the Netherlands, Scandinavia, the Baltic region, by hinging the outer panels to the central panel and painting them on both sides, the motif could be regulated by opening or closing the wings. The pictures could thus be changed depending on liturgical demands, the earliest often displayed sculptures on the inner panels, i. e. displayed when open, and paintings on the back of the wings, displayed when closed. With the advent of winged altarpieces, a shift in imagery also occurred, instead of being centred on a single holy figure, altarpieces began to portray more complex narratives linked to the Christian concept of salvation. As the Middle Ages progressed, altarpieces began to be commissioned more frequently, in Northern Europe, initially Lübeck and later Antwerp would develop into veritable export centres for the production of altarpieces, exporting to Scandinavia, Spain and northern France. By the 15th century, altarpieces were often commissioned not only by churches but also by individuals, families, guilds, the 15th century saw the birth of Early Netherlandish painting in the Low Countries, henceforth panel painting would dominate altarpiece production in the area. In Germany, sculpted wooden altarpieces were instead generally preferred, while in England alabaster was used to a large extent, in England, as well as in France, stone retables enjoyed general popularity. In Italy both stone retables and wooden polyptychs were common, with painted panels and often with complex framing in the form of architectural compositions
3.
Altar
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An altar is any structure upon which offerings such as sacrifices are made for religious purposes, and by extension the Holy table of post-reformation Anglican churches. Altars are usually found at shrines, and they can be located in temples, churches, today they are used particularly in Christianity, Buddhism, Hinduism, Shinto, Taoism, as well as in Neopaganism and Ceremonial Magic. Judaism used such a structure until the destruction of the Second Temple, many historical faiths also made use of them, including Greek and Norse religion. Altars in the Hebrew Bible were typically made of earth or unwrought stone, altars were generally erected in conspicuous places. The first altar recorded in the Hebrew Bible is that erected by Noah, altars were erected by Abraham, by Isaac, by Jacob, and by Moses. In Catholic and Orthodox Christian theology, the Eucharist is a re-presentation, hence, the table upon which the Eucharist is consecrated is called an altar. The altar plays a role in the celebration of the Eucharist, which takes place at the altar on which the bread. The altar is often on a higher elevation than the rest of the church, in Reformed and Anabaptist churches, a table, often called a Communion table, serves an analogous function. In some colloquial usage, the altar is used to denote the altar rail also. The main altar was also referred to as the high altar, in the earliest days of the Church, the Eucharist appears to have been celebrated on portable altars set up for the purpose. Some historians hold that, during the persecutions, the Eucharist was celebrated among the tombs in the Catacombs of Rome, other historians dispute this, but it is thought to be the origin of the tradition of placing relics beneath the altar. Although in the days of the Jerusalem Temple the High Priest indeed faced east when sacrificing on Yom Kippur, the ministers, celebrated the Eucharist facing east, towards the entrance. Some hold that for the part of the celebration the congregation faced the same way. After the sixth century the contrary orientation prevailed, with the entrance to the west and the altar at the east end. Then the ministers and congregation all faced east during the whole celebration, most rubrics, even in books of the seventeenth century and later, such as the Pontificale Romanum, continued to envisage the altar as free-standing. The rite of the Dedication of the Church continued to presume that the officiating Bishop could circle the altar during the consecration of the church and its altar. Despite this, with the increase in the size and importance of the reredos, most altars were built against the wall or barely separated from it. This diversity was recognized in the rubrics of the Roman Missal from the 1604 typical edition of Pope Clement VIII to the 1962 edition of Pope John XXIII, Si altare sit ad orientem, versus populum
4.
Church (building)
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A church building, often simply called a church, is a building used for Christian religious activities, particularly worship services. The term in its sense is most often used by Christians to refer to their religious buildings. In traditional Christian architecture, the church is arranged in the shape of a Christian cross. When viewed from plan view the longest part of a cross is represented by the aisle, towers or domes are often added with the intention of directing the eye of the viewer towards the heavens and inspiring church visitors. The earliest identified Christian church was a church founded between 233 and 256. During the 11th through 14th centuries, a wave of building of cathedrals, a cathedral is a church, usually Roman Catholic, Anglican, Oriental Orthodox or Eastern Orthodox, housing the seat of a bishop. In standard Greek usage, the word ecclesia was retained to signify both a specific edifice of Christian worship, and the overall community of the faithful. This usage was retained in Latin and the languages derived from Latin, as well as in the Celtic languages. In the Germanic and some Slavic languages, the word kyriak-ós/-ē/-ón was adopted instead, in Old English the sequence of derivation started as cirice, then churche, and eventually church in its current pronunciation. German Kirche, Scottish kirk, Russian церковь, etc. are all similarly derived, according to the New Testament, the earliest Christians did not build church buildings. Instead, they gathered in homes or in Jewish worship places like the Second Temple or synagogues, the earliest archeologically identified Christian church is a house church, the Dura-Europos church, founded between 233 and 256. During the 11th through 14th centuries, a wave of building of cathedrals, in addition to being a place of worship, the cathedral or parish church was used by the community in other ways. It could serve as a place for guilds or a hall for banquets. Mystery plays were performed in cathedrals, and cathedrals might also be used for fairs. The church could be used as a place to thresh and store grain, a common architecture for churches is the shape of a cross. These churches also often have a dome or other large vaulted space in the interior to represent or draw attention to the heavens. Other common shapes for churches include a circle, to represent eternity, or an octagon or similar star shape, another common feature is the spire, a tall tower on the west end of the church or over the crossing. The Latin word basilica was used to describe a Roman public building
5.
Ivory
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Ivory is a hard, white material from the tusks and teeth of animals, that can be used in art or manufacturing. It consists mainly of dentine ), one of the structures of teeth. The chemical structure of the teeth and tusks of mammals is the same and it has been valued since ancient times for making a range of items, from ivory carvings to false teeth, fans, and dominoes. Elephant ivory is the most important source, but ivory from mammoth, walrus, hippopotamus, sperm whale, killer whale, narwhal, elk also have two ivory teeth, which are believed to be the remnants of tusks from their ancestors. The national and international trade in ivory of threatened species such as African and Asian elephants is illegal, the word ivory ultimately derives from the ancient Egyptian âb, âbu, through the Latin ebor- or ebur. Both the Greek and Roman civilizations practiced ivory carving to make large quantities of high value works of art, precious religious objects, Ivory was often used to form the white of the eyes of statues. There is some evidence of either whale or walrus ivory used by the ancient Irish, solinus, a Roman writer in the 3rd century claimed that the Celtic peoples in Ireland would decorate their sword-hilts with the teeth of beasts that swim in the sea. Adomnan of Iona wrote a story about St Columba giving a sword decorated with carved ivory as a gift that a penitent would bring to his master so he could redeem himself from slavery. The Syrian and North African elephant populations were reduced to extinction, the Chinese have long valued ivory for both art and utilitarian objects. Southeast Asian kingdoms included tusks of the Indian elephant in their annual tribute caravans to China, Chinese craftsmen carved ivory to make everything from images of deities to the pipe stems and end pieces of opium pipes. The Buddhist cultures of Southeast Asia, including Myanmar, Thailand, Laos and Cambodia, Ivory was prized for containers due to its ability to keep an airtight seal. It was also carved into elaborate seals utilized by officials to sign documents. In Southeast Asian countries, where Muslim Malay peoples live, such as Malaysia, Indonesia, in the Philippines, ivory was also used to craft the faces and hands of Catholic icons and images of saints prevalent in the Santero culture. Tooth and tusk ivory can be carved into a vast variety of shapes, examples of modern carved ivory objects are okimono, netsukes, jewelry, flatware handles, furniture inlays, and piano keys. Additionally, warthog tusks, and teeth from sperm whales, orcas and hippos can also be scrimshawed or superficially carved, Ivory usage in the last thirty years has moved towards mass production of souvenirs and jewelry. In Japan, the increase in wealth sparked consumption of solid ivory hanko – name seals – which before this time had made of wood. Prior to the introduction of plastics, ivory had many ornamental and practical uses and it was formerly used to make cutlery handles, billiard balls, piano keys, Scottish bagpipes, buttons and a wide range of ornamental items. Ivory can be taken from dead animals – however, most ivory came from elephants that were killed for their tusks, for example, in 1930 to acquire 40 tons of ivory required the killing of approximately 700 elephants
6.
Gilding
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The term gilding covers a number of decorative techniques for applying fine gold leaf or powder to solid surfaces such as wood, stone, or metal to give a thin coating of gold. A gilded object is described as gilt. Where metal is gilded, it was silver in the West, to make silver-gilt objects, but gilt-bronze is commonly used in China. Methods of gilding include hand application and glueing, chemical gilding, and electroplating, parcel-gilt objects are only gilded over part of their surfaces. This may mean that all of the inside, and none of the outside, of a chalice or similar vessel is gilded, herodotus mentions that the Egyptians gilded wood and metals, and many such objects have been excavated. Certain Ancient Greek statues of great prestige were chryselephantine, i. e. made of gold and ivory, extensive ornamental gilding was also used in the ceiling coffers of the Propylaea. But he adds that luxury advanced on them so rapidly that in very little time you see all, even private and poor people, gild the walls, vaults. Owing to the thickness of the gold leaf used in ancient gilding. Fire-gilding of metal goes back at least to the 4th century BC, in Europe, silver-gilt has always been more common than gilt-bronze, but in China the opposite has been the case. The ancient Chinese also developed the gilding of porcelain, which was taken up by the French. Modern gilding is applied to numerous and diverse surfaces and by various processes, mechanical gilding includes all the operations in which gold leaf is prepared, and the processes to mechanically attach the gold onto surfaces. The process is completed by cold burnishing, overlaying or folding or hammering on gold foil or gold leaf is the simplest and most ancient method, and is mentioned in Homers Odyssey and the Old Testament. The Ram in a Thicket of about 2600–2400 BCE from Ur uses this technique on wood, the next advances involved two simple processes. The first involves gold leaf, which is gold that is hammered or cut very thin sheets. If gilding on canvas or on wood, the surface was often first coated with gesso, gesso is a substance made of finely ground gypsum or chalk mixed with glue. Other gilding processes involved using the gold as pigment in paint, then the gold was applied in the same way as with any paint. Sometimes, after either gold-leafing or gold-painting, the artist would heat the piece enough to melt the gold slightly and these techniques remained the only alternatives for materials like wood, leather, and the vellum pages of illuminated manuscripts. Chemical gilding embraces those processes in which the gold is at some stage of chemical combination and these include, In this process the gold is obtained in a state of extremely fine division, and applied by mechanical means
7.
Mosaic
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A mosaic is a piece of art or image made from the assemblage of small pieces of colored glass, stone, or other materials. It is often used in art or as interior decoration. Most mosaics are made of small, flat, roughly square, pieces of stone or glass of different colors, some, especially floor mosaics, are made of small rounded pieces of stone, and called pebble mosaics. Others are made of other materials, mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece, mosaics with patterns and pictures became widespread in classical times, Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practise the old technique, Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics. Mosaic was widely used on buildings and palaces in early Islamic art, including Islams first great religious building, the Dome of the Rock in Jerusalem. Mosaic went out of fashion in the Islamic world after the 8th century, modern mosaics are made by professional artists, street artists, and as a popular craft. Many materials other than stone and ceramic tesserae may be employed, including shells, glass. The earliest known examples of made of different materials were found at a temple building in Abra, Mesopotamia. They consist of pieces of colored stones, shells and ivory, excavations at Susa and Chogha Zanbil show evidence of the first glazed tiles, dating from around 1500 BC. However, mosaic patterns were not used until the times of Sassanid Empire, mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the left on a floor after a feast. Both of these themes were widely copied, most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire, no doubt most ordinary craftsmen were slaves. Splendid mosaic floors are found in Roman villas across North Africa, in such as Carthage. The tiny tesserae allowed very fine detail, and an approach to the illusionism of painting, often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. The normal technique was opus tessellatum, using larger tesserae, which was laid on site, there was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work. In Rome, Nero and his architects used mosaics to cover surfaces of walls and ceilings in the Domus Aurea, built 64 AD
8.
Niche (architecture)
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A niche in classical architecture is an exedra or an apse that has been reduced in size, retaining the half-dome heading usual for an apse. The word derives from the Latin nidus or nest, via the French niche, in Gothic architecture, a niche may be set within a tabernacle framing, like a richly-decorated miniature house, such as might serve for a reliquary. The backings for the altars in churches can be embedded with niches for statues, one of the earliest buildings which uses external niches containing statues is the Church of Orsanmichele in Florence, built between 1380-1404. The Uffizi Palace in Florence modified the concept by setting the niche within the wall so it did not protrude, the Uffizi has two dozen or so such niches containing statues of great historical figures. In England the Uffizi style niches were adopted at Montacute House, in Fra Filippo Lippis Madonna the trompe-loeil niche frames her as with the canopy of estate that was positioned over a personage of importance in the late Middle Ages and Early Modern Europe. At the same time, the Madonna is represented as an iconic sculpture who has come alive with miraculous immediacy, expanding from its primary sense as an architectural recess, a niche can be applied to a rocky hollow, crack, crevice, or foothold. The sense of a niche as a clearly defined narrow space led to its use describing the position of an organisms species. Alcove Grotto Mihrab Wave cut platform Sir John Summerson,1948. in Heavenly Mansions
9.
Statue
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A statue is a sculpture representing one or more people or animals, normally full-length, as opposed to a bust, and at least close to life-size, or larger. A small statue, usually enough to be picked up, is called a statuette or figurine. Statues have been produced in many cultures from prehistory to the present, the worlds tallest statue, Spring Temple Buddha, is 128 metres, and is located in Lushan County, Henan, China. Many statues are built on commission to commemorate a historical event, many statues are intended as public art, exhibited outdoors or in public buildings. Some statues gain fame in their own right, separate from the person or concept they represent, Ancient statues often survive showing the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marble sculpture, most of the colour was weathered off over time, small remnants were removed during cleaning, in some cases small traces remained which could be identified. Richter goes so far as to say of classical Greek sculpture, All stone sculpture, whether limestone or marble, was painted, medieval statues were also usually painted, with some still retaining their original pigments. The colouring of statues ceased during the Renaissance, as excavated classical sculptures, the Löwenmensch figurine from the Swabian Alps in Germany is the oldest known statue in the world, and dates to 30, 000-40,000 years ago. The Venus of Hohle Fels, from the area, is somewhat later. Throughout history, statues have been associated with images in many religious traditions, from Ancient Egypt, Ancient Greece. Egyptian statues showing kings as sphinxes have existed since the Old Kingdom, the oldest statue of a striding pharaoh dates from the reign of Senwosret I and is the Egyptian Museum, Cairo. The Middle Kingdom of Egypt witnessed the growth of block statues which then became the most popular form until the Ptolemaic period, the oldest statue of a deity in Rome was the bronze statue of Ceres in 485 BC. The oldest statue in Rome is now the statue of Diana on the Aventine, the wonders of the world include several statues from antiquity, with the Colossus of Rhodes and the Statue of Zeus at Olympia among the Seven Wonders of the Ancient World. While Byzantine art flourished in various forms, sculpture and statue making witnessed a general decline, an example was the statue of Justinian which stood in the square across from the Hagia Sophia until the fall of Constantinople in the 15th century. While making statues was not subject to a ban, it was hardly encouraged in this period. Starting with the work of Maillol around 1900, the human figures embodied in statues began to move away from the schools of realism that had held them bound for thousands of years. The Futurist and Cubist schools took this even further until statues, often still nominally representing humans, had lost all. By the 1920s and 1930s statues began to appear that were abstract in design
10.
Tapestry
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Tapestry is a form of textile art, traditionally woven on a vertical loom. Tapestry is weft-faced weaving, in all the warp threads are hidden in the completed work. In tapestry weaving, weft yarns are typically discontinuous, the artisan interlaces each coloured weft back and it is a plain weft-faced weave having weft threads of different colours worked over portions of the warp to form the design. Most weavers use a warp thread, such as linen or cotton. The weft threads are usually wool or cotton, but may include silk, gold, silver, the earliest attested form of the word is the Mycenaean Greek
11.
Silk
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Silk is a natural protein fiber, some forms of which can be woven into textiles. The protein fiber of silk is composed mainly of fibroin and is produced by insect larvae to form cocoons. The best-known silk is obtained from the cocoons of the larvae of the mulberry silkworm Bombyx mori reared in captivity, Silk is produced by several insects, but generally only the silk of moth caterpillars has been used for textile manufacturing. There has been research into other types of silk, which differ at the molecular level. Silk is mainly produced by the larvae of insects undergoing complete metamorphosis, Silk production also occurs in Hymenoptera, silverfish, mayflies, thrips, leafhoppers, beetles, lacewings, fleas, flies, and midges. Other types of arthropod produce silk, most notably various arachnids such as spiders, the word silk comes from Old English sioloc, from Greek σηρικός serikos, silken, ultimately from an Asian source. Several kinds of silk, which are produced by caterpillars other than the mulberry silkworm, have been known and used in China, South Asia. However, the scale of production was far smaller than for cultivated silks. Thus, the way to obtain silk suitable for spinning into textiles in areas where commercial silks are not cultivated was by tedious. Commercial silks originate from reared silkworm pupae, which are bred to produce a silk thread with no mineral on the surface. The pupae are killed by either dipping them in boiling water before the adult moths emerge or by piercing them with a needle. These factors all contribute to the ability of the cocoon to be unravelled as one continuous thread. Wild silks also tend to be difficult to dye than silk from the cultivated silkworm. Genetic modification of domesticated silkworms is used to facilitate the production of more types of silk. Silk fabric was first developed in ancient China, the earliest example of silk fabric is from 3630 BC, and it was used as wrapping for the body of a child from a Yangshao culture site in Qingtaicun at Xingyang, Henan. Legend gives credit for developing silk to a Chinese empress, Leizu, because of its texture and lustre, silk rapidly became a popular luxury fabric in the many areas accessible to Chinese merchants. Silk was in demand, and became a staple of pre-industrial international trade. In July 2007, archaeologists discovered intricately woven and dyed silk textiles in a tomb in Jiangxi province, Silk is described in a chapter on mulberry planting by Si Shengzhi of the Western Han
12.
Velvet
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Velvet is a type of woven tufted fabric in which the cut threads are evenly distributed, with a short dense pile, giving it a distinctive feel. By extension, the word velvety means smooth like velvet, Velvet can be made from either synthetic or natural fibers. Velvet is woven on a loom that weaves two thicknesses of the material at the same time. The two pieces are cut apart to create the pile effect, and the two lengths of fabric are wound on separate take-up rolls. This complicated process meant that velvet was expensive to make before industrial power looms became available, Velvet is difficult to clean because of its pile, but modern dry cleaning methods make cleaning more feasible. Velvet pile is created by warp or vertical yarns and velveteen pile is created by weft or fill yarns, Velvet can be made from several different kinds of fibers, traditionally, the most expensive of which is silk. Much of the velvet sold today as silk velvet is actually a mix of rayon, Velvet made entirely from silk is rare and usually has market prices of several hundred US dollars per yard. Cotton is also used to make velvet, though this results in a less luxurious fabric. Velvet can also be made from such as linen, mohair. A cloth made by the Kuba people of the Democratic Republic of Congo from raffia is often referred to as Kuba velvet. More recently, synthetic velvets have been developed, mostly from polyester, nylon, viscose, acetate, a small percentage of spandex is sometimes added to give the final material a certain amount of stretch. Because of its softness and appearance as well as its high cost of production. Velvet was introduced to Baghdad during the rule of Harun al-Rashid by Kashmiri merchants, in the Mamluk era, Cairo was the worlds largest producer of velvet. Much of it was exported to Venice, Al-Andalus and the Mali Empire, musa I of Mali, the ruler of the Mali Empire, visited Cairo on his pilgrimage to Mecca. Many Arab velvet makers accompanied him back to Timbuktu, later Ibn Battuta mentions how Suleyman, the ruler of Mali, wore a locally produced complete crimson velvet caftan on Eid. During the reign of Mehmed II, assistant cooks wore blue-coloured dresses, conical hats, king Richard II of England directed in his will that his body should be clothed in velveto in 1399. Chiffon velvet, Very lightweight velvet on a silk or rayon chiffon base. Ciselé, Velvet where the pile uses cut and uncut loops to create a pattern, crushed, This type of velvet can be produced by pressing the fabric down in different directions
13.
Retable
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A retable is a structure or element placed either on or immediately behind and above the altar or communion table of a church. At the minimum it may be a shelf for candles behind an altar. A retable which incorporates sculptures or painting is referred to as an altarpiece. Many altars have both a reredos and a retable and this distinction is not always upheld in common use, and the terms are often confused or used as synonyms. The non-English word retable therefore often refers to what should in English be called a reredos, the retable may hold the altar cross, mostly in Protestant churches, as well as candles, flowers and other things. This article incorporates text from a now in the public domain, Chisholm, Hugh
14.
French language
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French is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages, French has evolved from Gallo-Romance, the spoken Latin in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues doïl—languages historically spoken in northern France and in southern Belgium, French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the Frankish language of the post-Roman Frankish invaders. Today, owing to Frances past overseas expansion, there are numerous French-based creole languages, a French-speaking person or nation may be referred to as Francophone in both English and French. French is a language in 29 countries, most of which are members of la francophonie. As of 2015, 40% of the population is in Europe, 35% in sub-Saharan Africa, 15% in North Africa and the Middle East, 8% in the Americas. French is the fourth-most widely spoken mother tongue in the European Union, 1/5 of Europeans who do not have French as a mother tongue speak French as a second language. As a result of French and Belgian colonialism from the 17th and 18th century onward, French was introduced to new territories in the Americas, Africa, most second-language speakers reside in Francophone Africa, in particular Gabon, Algeria, Mauritius, Senegal and Ivory Coast. In 2015, French was estimated to have 77 to 110 million native speakers, approximately 274 million people are able to speak the language. The Organisation internationale de la Francophonie estimates 700 million by 2050, in 2011, Bloomberg Businessweek ranked French the third most useful language for business, after English and Standard Mandarin Chinese. Under the Constitution of France, French has been the language of the Republic since 1992. France mandates the use of French in official government publications, public education except in specific cases, French is one of the four official languages of Switzerland and is spoken in the western part of Switzerland called Romandie, of which Geneva is the largest city. French is the language of about 23% of the Swiss population. French is also a language of Luxembourg, Monaco, and Aosta Valley, while French dialects remain spoken by minorities on the Channel Islands. A plurality of the worlds French-speaking population lives in Africa and this number does not include the people living in non-Francophone African countries who have learned French as a foreign language. Due to the rise of French in Africa, the total French-speaking population worldwide is expected to reach 700 million people in 2050, French is the fastest growing language on the continent. French is mostly a language in Africa, but it has become a first language in some urban areas, such as the region of Abidjan, Ivory Coast and in Libreville. There is not a single African French, but multiple forms that diverged through contact with various indigenous African languages, sub-Saharan Africa is the region where the French language is most likely to expand, because of the expansion of education and rapid population growth
15.
Catalan language
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Catalan is a Romance language derived from Vulgar Latin and named after the medieval Principality of Catalonia, in northeastern modern Spain and adjoining parts of France. It is the national and only language of Andorra, and a co-official language of the Spanish autonomous communities of Catalonia, the Balearic Islands. It also has status in the commune of Alghero, situated on the northwestern coast of the island of Sardinia. All these territories are often called Catalan Countries. 4% with Catalan and 47. 5% only Spanish, in order to integrate newcomers, the Generalitat de Catalunya spends part of its annual budget on the promotion of the use of Catalan in Catalonia and in other territories. Catalan evolved from Vulgar Latin in the Middle Ages around the eastern Pyrenees, during the Low Middle Ages it saw a golden age as the literary and dominant language of the Crown of Aragon, and was widely used all over the Mediterranean. The union of Aragon with the territories of Spain in 1479 marked the start of the decline of the language. In 1659 Spain ceded Northern Catalonia to France, and Catalan was banned in both states in the early 18th century, 19th-century Spain saw a Catalan literary revival, which culminated in the 1913 orthographic standardization, and the official status of the language during the Second Spanish Republic. However, the Francoist dictatorship banned the use of Catalan in schools and in the public administration, there is no parallel in Europe for such a large, bilingual, non-state speech community. Catalan dialects are relatively uniform, and are mutually intelligible and they are divided into two blocks, Eastern and Western, differing mostly in pronunciation. The terms Catalan and Valencian are two varieties of the same language, there are two institutions regulating the two standard varieties, the Institute of Catalan Studies in Catalonia and the Valencian Academy of the Language in the Valencian Community. Catalan shares many traits with its neighboring Romance languages, thus, the similarities are naturally most notable with eastern Occitan. Nouns have two genders, and two numbers, pronouns additionally can have a neuter gender, and some are also inflected for case and politeness, and can be combined in very complex ways. Verbs are split in several paradigms and are inflected for person, number, tense, aspect, mood, in terms of pronunciation, Catalan has many words ending in a wide variety of consonants and some consonant clusters, in contrast with many other Romance languages. The word Catalan derives from the territory of Catalonia, itself of disputed etymology, in English, the term referring to a person first appears in the mid 14th century as Catelaner, followed in the 15th century as Catellain. It is attested a language name since at least 1652, Catalan can be pronounced as /ˈkætəlæn/, /kætəˈlæn/ or /ˈkætələn/. The endonym is pronounced /kə. təˈɫa/ in the Eastern Catalan dialects, in the Valencian Community, the term valencià is frequently used instead. The names Catalan and Valencian are two names for the same language, see also status of Valencian below. By the 9th century, Catalan had evolved from Vulgar Latin on both sides of the end of the Pyrenees, as well as the territories of the Roman province of Hispania Tarraconensis to the south
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Spanish language
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Spanish —also called Castilian —is a Romance language that originated in the Castile region of Spain, with hundreds of millions of native speakers around the world. It is usually considered the worlds second-most spoken native language after Mandarin Chinese and it is one of the few languages to use inverted question and exclamation marks. Spanish is a part of the Ibero-Romance group of languages, which evolved from several dialects of Vulgar Latin in Iberia after the collapse of the Western Roman Empire in the 5th century. Beginning in the early 16th century, Spanish was taken to the colonies of the Spanish Empire, most notably to the Americas, as well as territories in Africa, Oceania, around 75% of modern Spanish is derived from Latin. Greek has also contributed substantially to Spanish vocabulary, especially through Latin, Spanish vocabulary has been in contact from an early date with Arabic, having developed during the Al-Andalus era in the Iberian Peninsula. With around 8% of its vocabulary being Arabic in origin, this language is the second most important influence after Latin and it has also been influenced by Basque as well as by neighboring Ibero-Romance languages. It also adopted words from languages such as Gothic language from the Visigoths in which many Spanish names and surnames have a Visigothic origin. Spanish is one of the six languages of the United Nations. It is the language in the world by the number of people who speak it as a mother tongue, after Mandarin Chinese. It is estimated more than 437 million people speak Spanish as a native language. Spanish is the official or national language in Spain, Equatorial Guinea, speakers in the Americas total some 418 million. In the European Union, Spanish is the tongue of 8% of the population. Spanish is the most popular second language learned in the United States, in 2011 it was estimated by the American Community Survey that of the 55 million Hispanic United States residents who are five years of age and over,38 million speak Spanish at home. The Spanish Constitution of 1978 uses the term castellano to define the language of the whole Spanish State in contrast to las demás lenguas españolas. Article III reads as follows, El castellano es la lengua española oficial del Estado, las demás lenguas españolas serán también oficiales en las respectivas Comunidades Autónomas. Castilian is the official Spanish language of the State, the other Spanish languages as well shall be official in their respective Autonomous Communities. The Spanish Royal Academy, on the hand, currently uses the term español in its publications. Two etymologies for español have been suggested, the Spanish Royal Academy Dictionary derives the term from the Provençal word espaignol, and that in turn from the Medieval Latin word Hispaniolus, from—or pertaining to—Hispania
17.
Obsolescence
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Obsolescence is the state of being which occurs when an object, service, or practice is no longer wanted even though it may still be in good working order. Obsolescence frequently occurs because a replacement has become available that has, in sum, obsolete refers to something that is already disused or discarded, or antiquated. Typically, obsolescence is preceded by a decline in popularity. Driven by rapid changes, new components are developed and launched on the market with increasing speed. The result is a change in production methods of all components. A growing industry sector is facing issues where life cycles of products no longer fit together with life cycles of required components and this issue is known as obsolescence, the status given to a part when it is no longer available from its original manufacturer. However, obsolescence extends beyond electronic components to other items, such as materials, textiles, in addition, obsolescence has been shown to appear for software, specifications, standards, processes, and soft resources, such as human skills. It is highly important to implement and operate a management of obsolescence to mitigate. Technical obsolescence usually occurs when a new product or technology supersedes the old, on a smaller scale, particular products may become obsolete due to replacement by a newer version of the product. Many products in the industry become obsolete in this manner, for example. Singularly, rapid obsolescence of data formats along with their hardware and software can lead to loss of critical information. Another complementary reason for obsolescence can be that supporting technologies may no longer be available to produce or even repair a product and it is rarely worth redeveloping a product to get around these issues since its overall functionality and price/performance ratio has usually been superseded by that time as well. Some products are rendered obsolete due to changes in complementary products which results in the function of the first product being made unnecessary. For example, buggy whips became obsolete when people started to travel in cars rather than in horse-drawn buggies, items become functionally obsolete when they can no longer adequately perform the function for which they were created. This causes scarcity of parts and skilled technicians for repairs. This ultimately leads to prohibitive expense in keeping old technology functioning, the term obsolescence was first applied to the built environment in 1910 in an attempt to explain American skyscrapers sudden loss of value. For example, he suggested that hotels obsolescence will occur faster than banks due to their ever-changing functions, sometimes marketers deliberately introduce obsolescence into their product strategy, with the objective of generating long-term sales volume by reducing the time between repeat purchases. One example might be producing an appliance which is designed to wear out within five years of its purchase
18.
Fireplace mantel
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Fireplace mantel or mantelpiece, also known as a chimneypiece, originated in medieval times as a hood that projected over a grate to catch the smoke. The term has evolved to include the decorative framework around the fireplace, mantelpiece is now the general term for the jambs, mantel shelf, and external accessories of a fireplace. The most prolific designer of chimneypieces was G. B. Piranesi, who in 1765 published a series, on which at a later date the Empire style in France was based. In France, the finest work of the early Renaissance period is to be found in the chimneypieces, which are of infinite variety of design. In the latter part of the century the classic architrave was abandoned in favor of a bolder and more effective molding, as in the chimneypieces at Hampton Court. In the eighteenth century, the returned to the Inigo Jones classic type. Towards the close of the century the designs of the Adam Brothers superseded all others. The Adam mantels are in wood enriched with ornament, cast in molds, mantels or fireplace mantels can be the focus of custom interior decoration. A mantel traditionally offers an opportunity for the architect/designer to create a personal statement unique to the room they are creating. Historically the mantel defines the style of the interior decor, whether it be traditional i. e. Classic, Renaissance, Italian, French, American, Victorian. The choice of material for the mantel includes such rich materials as marble, limestone, granite, certainly the most luxurious of materials is marble. In the past only the finest of rare colored and white marbles were used, today many of those fine materials are no longer available, however many other beautiful materials can be found world wide. The defining element of a great mantel is the design and workmanship, a mantel offers a unique opportunity in its design for a sculptor/artisan to demonstrate their skill in carving each of the fine decorative elements. Elements such as capitals, moldings, brackets, figurines, animals, fruits, one might say that a mantel can be an encyclopedia of sculpture. More than the material, it is the quality of the carving that defines the quality of the piece thus highlighting the magnificence of the room. In 1834 Gideon Algernon Mantell, was given a block containing Iguanodon bones. Up to the century, fires were simply made in the middle of a home by a hypocaust, or with braziers
19.
New College, Oxford
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New College is one of the constituent colleges of the University of Oxford in the United Kingdom. Founded in 1379 by William of Wykeham, the name of the college is The Warden. The name New College, however, soon came to be used following its completion in 1386 to distinguish it from the existing college of St. Mary. In 2013, the college ranked second in the Norrington Table, having been ranked third in the 2011-12 tables, maintaining its place from 2010 to 2011, New College jumped to 1st after the 2012-13 academic year. The college is between Holywell Street and New College Lane, next to All Souls College, Harris Manchester College, Hertford College, The Queens College, the colleges sister college is Kings College, Cambridge. The college is one of the main foundations of the University of Oxford. The college choir is regarded as one of the choirs of the world. New College is one of the wealthiest colleges in Oxford University, as of June 2015, it had a financial endowment in excess of £190 million, and net assets of over £220 million. In 1379 William of Wykeham had purchased land in Oxford and was able to apply to King Richard II for a charter to allow the foundation of a de novo. In his own charter of foundation, Wykeham declared the college to consist of a warden, the site on which the college would be built was acquired from several sources, including the City of Oxford, Merton College and Queens College. This land had been the City Ditch, a haunt of thieves, on 5 March 1380, the first stone of New College was laid. By 14 April 1386, the college entered formal possession of the buildings, Wykeham set to drawing up the statutes of the college, with a first draft presented in 1390. The statutes were not completed until the year before Wykeham died, the coat of arms of the college is one adopted by William Wykeham. It features two black chevrons, one said to have been added when he became a bishop and the other representing his skill with architecture, Winchester College uses the same arms. The grand collection of buildings is a testament to Williams experience in administering both ecclesiastical and civil institutions as the Bishop of Winchester and High Chancellor of England. Both Winchester College and New College were originally established for the education of priests, William of Wykeham ordained that there were to be ten chaplains, three clerks and 16 choristers on the foundation of the college. The original choristers were accommodated within the walls of the college under one schoolmaster, since then the school has expanded and in 1903 moved to New College School in Savile Road. In August 1651, New College was fortified by the Parliamentarian forces, in 1685, Monmouths rebellion involved Robert Sewster, a fellow of the college, who commanded a company of university volunteers
20.
Cathedral-Basilica of Our Lady of the Pillar
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The Cathedral-Basilica of Our Lady of the Pillar is a Roman Catholic church in the city of Zaragoza, Aragon, Spain. The Basilica venerates Blessed Virgin Mary, under her title Our Lady of the Pillar praised as Mother of the Hispanic Peoples by Pope John Paul II and it is reputed to be the first church dedicated to Mary in history. This is the reported apparition of Mary to have occurred before her believed Assumption. Many of the kings of Spain, many foreign rulers. Saint John of the Cross, Saint Teresa of Ávila, Saint Ignatius of Loyola, the Basilica of Our Lady of the Pillar is one of two minor basilicas in the city of Zaragoza, and is co-cathedral of the city alongside the nearby La Seo Cathedral. The architecture is of Baroque style, and the present building was built between 1681 and 1872. According to ancient local tradition, soon after the crucifixion and resurrection of Jesus, Saint James was preaching the Gospel in Spain, but was disheartened because of the failure of his mission. About a year after the believed apparition James is believed to have arranged to build a chapel in Marys honor. After James returned to Jerusalem, he was executed by Herod Agrippa in about 44 AD, several of his disciples took his body and returned it for final burial in Spain. This first chapel was destroyed with various other Christian shrines, but the statue. Numerous churches have been built upon this site through the years, the tiny chapel built by Saint James later gave way to a basilicalike enclosure during Constantine Is time, subsequently being transformed into Romanesque, then Gothic then Mudéjar styles. The venerated shrines at Zaragoza date to the Christian Reconquest by King Alfonso I in 1118, a church in the Romanesque style was built under the pontificate of Pedro de Librana who is also credited with the oldest written testimonial to the Virgin at Zaragoza. A tympanum on the wall of this Romanesque church still stands. The Romanesque church was damaged by fire in 1434, and reconstruction began in the Mudéjar Gothic style. A Gothic-style church was built in the 15th century but only a few parts of it remain intact or were restored, including the choir stand. The present spacious church in Baroque style was begun in 1681 by Charles II, King of Spain, the early constructions were supervised by Felipe Sanchez and were later modified by Francisco Herrera the Younger under John of Austria the Younger. The area most visited is the part of the chapel, because this is where the Holy Chapel by Ventura Rodríguez is built. Around the Holy Chapel are the vaults or domes painted with frescoes by Francisco Goya, The Queen of Martyrs, by 1718 the church had been vaulted over
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Zaragoza
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Zaragoza, also called Saragossa in English, is the capital city of the Zaragoza province and of the autonomous community of Aragon, Spain. It lies by the Ebro river and its tributaries, the Huerva, on 1 September 2010 the population of the city of Zaragoza was 701,090, within its administrative limits on a land area of 1,062.64 square kilometres, ranking fifth in Spain. It is the 32nd most populous municipality in the European Union, the population of the metropolitan area was estimated in 2006 at 783,763 inhabitants. The municipality is home to more than 50 percent of the Aragonese population, the city lies at an elevation of 199 metres above sea level. Zaragoza hosted Expo 2008 in the summer of 2008, a fair on water. It was also a candidate for the European Capital of Culture in 2012, the city is famous for its folklore, local gastronomy, and landmarks such as the Basílica del Pilar, La Seo Cathedral and the Aljafería Palace. Together with La Seo and the Aljafería, several other buildings part of the Mudéjar Architecture of Aragon which is a UNESCO World Heritage Site. The Fiestas del Pilar are among the most celebrated festivals in Spain, the city was called by the ancient Romans Caesaraugusta, from which the present name derives. The Iberian town that predated the Roman city was called Salduie, see also, Caesar Augusta The Sedetani, a tribe of ancient Iberians, populated a village called Salduie. Later on, Augustus founded a city called Caesaraugusta at the location to settle army veterans from the Cantabrian wars. The foundation date of Caesaraugusta has not been set with exact precision, the city did not suffer any decline during the last centuries of the Roman empire and was captured peacefully by the Goths in the fifth century AD. From 1018 to 1118, Zaragoza was one of the taifa kingdoms, during the first three decades of this period, 1018–1038, the city was ruled by the Banu Tujibi. After the death of El Cid his kingdom was overrun by the Almoravids, who, by 1100, had managed to cross the Ebro into Barbastro, the Banu Hud stubbornly resisted the Almoravids and ruled until they were eventually defeated by them in May 1110. On 18 December 1118, the Aragonese led by Alfonso I conquered the city from the Almoravids, after Alfonsos death without heirs in 1134, Zaragoza was swiftly occupied by Alfonso VII of León and Castile. The wedding never happened, as Petronila ended up marrying Ramon Berenguer IV, the marriage union was the origin of the Crown of Aragón. While the reality of the existence of Saint Dominguito del Val is questioned, despite a decline in the outlying rural economy, Zaragoza has continued to grow. The General Military Academy, a training center of the Spanish Army, was re-established on September 27,1940 by Minister of the Army José Enrique Varela Iglesias. During the second half of the 20th century, Zaragozas population boomed as a number of factories opened in the region, in 1979, the Hotel Corona de Aragón fire killed at least 80
22.
Mission Basilica San Juan Capistrano
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Mission Basilica San Juan Capistrano is a Catholic parish in the Diocese of Orange in California. The parish church is located just northwest of Mission San Juan Capistrano in the city of San Juan Capistrano, California, completed in 1986, it was designated a minor basilica in 2000 and a national shrine in 2003. St. John OSullivan was placed in charge of the mission in 1910, at which time its community was scattered and he set about rebuilding the parish community as well as restoring the old facilities. The Mission was accorded full parochial status in 1918 as the Mission Church San Juan Capistrano, various efforts had been made to restore the church over the years, but had only caused further damage. OSullivan, who would serve as pastor until his death in 1933, had thought to construct a new parish church modeled on the old stone church, the modern case for a new parish church was taken up by Fr. Paul Martin, who was named pastor in 1976. By this time, the area Catholic population had grown considerably, fundraising had begun by 1981, encompassing pledge drives and donations from mission visitors. The first Mass in the new building was offered on Christmas 1984, the first Mass in the new church was celebrated on October 23,1986, and the building was officially dedicated by Timothy Cardinal Manning on February 8,1987. The church is patterned after the Missions 1806 stone church, but is not a replica of it and it was designed by architect John Bartlett and built by Joseph Byron, Jr. of Alex Sutherland Construction. The interior was designed by historian Norman Neuerberg, who painted much of the decorative, the retablos focal point is the Trinity, composed of the crucifix, God the Father depicted as an ancient partriarch, and the Holy Spirit depicted as a dove. Beneath the Trinity is Our Lady of Guadalupe, the Retablo was designed and created by 84 artisans in numerous parts at the Talleres de Arte Granda in Madrid, Spain. Mission Basilica San Juan Capistrano official website
23.
Lalique
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Lalique is a French glassmaker, founded by renowned glassmaker and jeweller René Lalique in 1888. Lalique is best known for producing art, including perfume bottles, vases. Following the death of René, Lalique transitioned to producing lead glass works during the 1950s while under the direction of Renés son, since 2010, Lalique has been owned by Swiss company Art and Fragrance. René Lalique began his career as an apprentice at the age of 16. In 1885, he opened his own workshop on Place Gaillon in Paris, in 1887, Lalique opened a business on Rue du Quatre-Septembre, and registered the RL mark the following year. In 1890, he opened a shop in the Opera District of Paris, within a decade, Lalique was amongst the best-known Parisian jewellers. In 1905, Lalique opened a new shop at Place Vendôme which exhibited not only jewellery and it was close to the shop of renowned perfumer François Coty, in 1907, Lalique began producing ornate perfume bottles for Coty. The production of glass objects began at his villa in 1902. The first Lalique glassworks opened in 1909 in a facility in Combs-la-Ville. In December 1912, Lalique hosted an exhibition of Lalique Glass—as his glass would come to be known—at the Place Vendôme shop, during the First World War, the glassworks produced mundane items in support of the war effort. In 1919, work began on a new facility in Wingen-sur-Moder. From 1925-1931, Lalique produced 29 models of hood ornaments, a mermaid statuette first produced in 1920 was also sold as a hood ornament. During the 1920s and 1930s, Lalique was amongst the worlds most renowned glassmakers and his son Marc Lalique took over the business, operating initially as M. Lalique and later as Cristal Lalique. Under Marcs leadership, the company transitioned from producing its famous Lalique Glass to producing lead glass, marie-Claude Lalique took control of the company following Marcs death in 1977. It was sold to Pochet in 1994 and to a partnership of Art & Fragrance, since 2010, Cristal Lalique has been wholly owned by Art & Fragrance. Today, Lalique produces an array of products in five main categories, jewellery, decorative items, interior design, perfumes. The company is best known for the production of glass works. The addition of perfumes and non-glass decorative items and art are recent additions to Laliques product line, reproductions of designs by René Lalique have increased since 2009
24.
St Matthew's Church, Jersey
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St Matthews Church, also known as the Glass Church, is an Anglican church in Millbrook, in the parish of Saint Lawrence, Jersey in the Channel Islands. Built in 1840, the church is known for its glass-work by René Lalique, St Matthews was built in 1840 as a chapel of ease. In 1934, Florence Boot, Lady Trent, the widow of Jesse Boot of Boots the Chemists, grayson and French glass designer René Lalique. According to BBC News, the church is noted as the only remaining, on 26 September 2008, St Matthews was listed as a Site of Special Interest by Jersey Heritage for its architectural, historical and artistic special interest. In 2010 the church received £125,000 worth of funding for restoration, St Matthews is an active Church of England church in the Diocese of Winchester which is part of the Province of Canterbury. The church is part of the Archdeaconry of Bournemouth and the Deanery of Jersey, as of 2010, the churchs vicar is the Reverend Philip James Warren. Religion in Jersey Boots, Maurice, Architecture in Jersey, La Haule Books, ISBN 0-86120-015-2 Official website
25.
Jersey
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Jersey, officially the Bailiwick of Jersey, is a Crown dependency of the United Kingdom, ruled by the Crown in right of Jersey, off the coast of Normandy, France. Jersey was part of the Duchy of Normandy, whose dukes went on to become kings of England from 1066. After Normandy was lost by the kings of England in the 13th century, and the ducal title surrendered to France, Jersey, Jersey is a self-governing parliamentary democracy under a constitutional monarchy, with its own financial, legal and judicial systems, and the power of self-determination. The Lieutenant Governor on the island is the representative of the Queen. The island of Jersey is the largest of the Channel Islands, although the bailiwicks of Jersey and Guernsey are often referred to collectively as the Channel Islands, the Channel Islands are not a constitutional or political unit. Jersey has a relationship to the Crown from the other Crown dependencies of Guernsey. It is not part of the United Kingdom, and has an identity separate from that of the UK. The definition of United Kingdom in the British Nationality Act 1981 is interpreted as including the UK, Jersey is not fully part of the European Union but has a special relationship with it, notably being treated as within the European Community for the purposes of free trade in goods. The name Caesarea has been used as the Latin name for Jersey since William Camdens Britannia, the Latin name Caesarea was also applied to the colony of New Jersey as Nova Caesarea. Andium, Agna and Augia were used in antiquity, scholars variously surmise that Jersey and Jèrri derive from jarð or jarl, or perhaps a personal name, Geirr. The ending -ey denotes an island, Jersey history is influenced by its strategic location between the northern coast of France and the southern coast of England, the islands recorded history extends over a thousand years. La Cotte de St Brelade is a Palaeolithic site inhabited before rising sea levels transformed Jersey into an island, Jersey was a centre of Neolithic activity, as demonstrated by the concentration of dolmens. Evidence of Bronze Age and early Iron Age settlements can be found in locations around the island. In June 2012 it was announced what could be Europes largest hoard of Iron Age coins had been found in Grouville by two persons using metal detectors, the hoard may be worth up to £10 M. People had been searching for treasure for 30 years. It was reported that the hoard weighed about three quarters of a tonne and could contain up to 50,000 Roman and Celtic coins, in 2012 the same two men had found 60 Iron Age coins in the same area. Jersey was part of Neustria with the same Gallo-Frankish population as the continental mainland, Jersey was invaded by Vikings in the 9th century. In 933 it was annexed to the future Duchy of Normandy, together with the other Channel Islands, Cotentin and Avranchin, by William Longsword, count of Rouen and it became one of the Norman Islands
26.
Grace Church (Manhattan)
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Grace Church is a historic parish church in Manhattan, New York City which is part of the Episcopal Diocese of New York. The church is located at 800-804 Broadway, at the corner of East 10th Street, Grace Church School and the church houses – which are now used by the school – are located to the east at 86-98 Fourth Avenue between East 10th and 12th Streets. The church, which has called one of the citys greatest treasures, is a French Gothic Revival masterpiece designed by James Renwick. Grace Church was initially organized in 1808 at Broadway and Rector Street, under rector Thomas House Taylor, who began service at the church in 1834, the decision was made to move the church uptown with the citys expanding population. In 1843, the land on which the church was built was purchased from Henry Brevoort, the 23-year-old architect James Renwick, Jr. – a nephew of Brevoort – whose sole completed work at the time was the Bowling Green Fountain, was commissioned as the architect. The cornerstone for the new church was laid in 1843 and the church was consecrated in 1846. The church originally had a spire, but under the leadership of the rector at the time, Henry Codman Potter. The interior of the church is constructed from lath and plaster. The east window over the high altar created by the English stained glass manufacturer Clayton and Bell in 1878, dominates the chancel, and the whole church, a Te Deum window, its theme is praise. The figures with their faces raised toward Christ, who is seated at the top center, represent prophets, apostles, martyrs, other windows in the church are by Henry Holiday. This piece, along with the altar, was designed by Renwick, the choir furniture was installed in 1903 after the chancel was lengthened an additional fifteen feet in a renovation designed by Heins and La Farge. On the lawn in front of Renwicks Grace House, which connects the sancturary to his Rectory, like Trinity and the First Presbyterian Church, Grace Church spun off new congregations by building chapels elsewhere in the city. Its first chapel was on Madison Avenue at East 28th Street, the congregation became the Church of the Incarnation in 1852 and built its own sanctuary, and the chapel, which is no longer extant, was renamed the Church of the Atonement. Graces second chapel was located at 132 East 14th Street between Third and Fourth Avenues and was built in 1861 and this Renwick designed Chapel of the Redemption burned down in 1872. The second chapel is no longer extant. Finally, Grace Church built a chapel and hospital at 406 East 14th Street between First Avenue and Avenue A, both designed by Barney & Chapman. This was closed in 1943 and sold to the Roman Catholic Archdiocese of New York and this complex still exists, and is New York City landmark and on the National Register of Historic Places. The day school began in 1934, and the school now offers complete secondary education for boys and girls from pre-K to twelfth grade
27.
Iconostasis
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In Eastern Christianity an iconostasis is a wall of icons and religious paintings, separating the nave from the sanctuary in a church. Iconostasis also refers to a portable icon stand that can be placed anywhere within a church, the iconostasis evolved from the Byzantine templon, a process complete by the fifteenth century. A direct comparison for the function of the iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts, the holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the larger part of the buildings interior by a curtain. Only the High Priest was allowed to enter the Holy of Holies, the third part was the entrance court. In the Eastern Orthodox tradition only men can enter the altar portion behind the iconostasis, the word comes from the Greek εἰκονοστάσι, which means icon stand. The nave is the body of the church where most of the worshippers stand. The sanctuary is one to three steps higher than the nave. The Iconostasis does not sit directly on the edge of the sanctuary and this forms a walkway in front of the iconostasis for the clergy, called a soleas. In the very center of the soleas is an extension, often rounded, called the ambon, on which the deacon will stand to give litanies during the services, the iconostasis, though often tall, rarely touches the ceiling. Acoustically, this permits the ekphoneses of the clergy to be heard clearly by the faithful, in small, modern churches the iconostasis may be completely absent, in such cases it is replaced by a few small icons on analogia, forming a virtual divide. The iconostasis typically has three openings or sets of doors, the Beautiful Gates or Holy Doors in the center, and the North and South Doors to either side. The Beautiful Gates are sometimes called the Royal Doors, but that more properly belongs to the central doors connecting the narthex, or porch. They remain shut whenever a service is not being held, modern custom as to when they should be opened during services varies depending upon jurisdiction and local custom. The North and South Doors are often called Deacons Doors because the use them frequently. Icons of sainted deacons are often depicted on these doors, alternatively, they may be called Angels Doors, and the Archangels Michael and Gabriel are often depicted there. The South Door is typically the entrance door, and Michael is depicted there because he is the Defender, the North Door is the exit and these doors may also be casually referred to as the side doors
28.
Retablo
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A retablo in Mexican folk art is a devotional painting, especially a small popular or folk art one using iconography derived from traditional Catholic church art. Typically this includes painting, sculpture or a combination of the two, and an elaborate framework enclosing it, the Latin etymology of the Spanish word means board behind. Aside from being found behind the altar, similar structures are built and carved over facades and doorways. Small retablos are devotional or votive paintings, often on rectangular sheets of tin that illustrate holy images such as Christ and they are made as a way of thanking the sacred person for protection in precarious situations, such as surviving an illness or earthquake. Both devotional and especially ex-voto retablos may be deposited at a shrine as a votive offering, reredos of the Late Middle Ages and Renaissance in Spain grew extremely large and elaborate, typically using carved and gilded wood, and rising as high as 40 feet or more. The tradition of making them was taken to the new Spanish Empire in America, there, by the late 18th century at least, the word became used for much smaller popular religious paintings, both conventional devotional images and ex-votos. These were typically made to express gratitude towards the Virgin Mary for saving a person or a loved one from a fatal event. Labeling ex-votos as retablos can be traced back to Robert Montenegro in the early 18th century and he was thanking Nuestra Señora de Dolores de Xaltocan for renewing the peoples health after a severe illness. On the bottom of the left, he inscribed a message that read en cuia memoria dedica a su Magestad este Retablo. Not only were the retablos purchased by those wanting to show devotion to their patron saints, when people wished to express gratitude, they could give retablos that described the miraculous deed of a saint to whom the petitioner turned to in a time of need. People call upon these saints for aid with rain, harvests or other outcomes, for example, if a farmer needs rain for his crops he might pray for rain. After the rain comes, a retablo might be created to give thanks to San Ysidro Labrador and he is venerated for good weather, agricultural issues and prosperous crops. That figure would most likely be kept in the farmers house, each time rain was needed in the future, that farmer might pray in front of that retablo. These traditions are by no means exclusive to Latin America, but are found in all Roman Catholic countries, as well as in classical paganism, to judge by survivals, similar small paintings were especially common in the German-speaking Catholic areas of Europe in the Early Modern period. By the 19th century, the process of lithography became popular for devotional retablos. The way a retablo and ex-voto look is entirely up to the person designing it, the most important part of the retablo is the representation of the miraculous event. That is why most artists try to use bright, vibrant colors to portray the supremacy of the event, an ex-voto is, more often than not, reduced to a smaller size. It is usually half the size of the original, while still maintaining its rectangular shape
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International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
