A reverse-contrast or reverse-stress letterform is a design in which the stress is reversed from the norm: a typeface or custom lettering where the horizontal lines are the thickest. This is the reverse of the vertical lines being the same width or thicker than horizontals, which is normal in Latin-alphabet writing and especially printing. The result is a dramatic effect, in which the letters seem to have been printed the wrong way round. The style invented in the early nineteenth century as attention-grabbing novelty display designs. Modern font designer Peter Biľak, who has created a design in the genre, has described them as "a dirty trick to create freakish letterforms that stood out."
Reverse-contrast executed in wood type by William Leavenworth, c. 1830s
French Clarendon wood type, showing its highly condensed design.
French Clarendon type on a 1914 poster from Ljubljana.
The Caslon type foundry was a type foundry in London which cast and sold metal type. It was founded by the punchcutter and typefounder William Caslon I, probably in 1720. For most of its history it was based at Chiswell Street, Islington, was the oldest type foundry in London, and the most prestigious.
William Caslon's specimen sheet (dated 1734 but actually issued from 1738 onwards). Some of the types shown were not cut by Caslon, most notably the French Canon roman (probably cut by Joseph Moxon)
The Caslon family chest tomb at St Luke's, Old Street
During the late 18th century the poster began to appear, creating a new market for printing. A watercolour of a theatre shows posters outside