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Dublin
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Dublin is the capital and largest city of Ireland. Dublin is in the province of Leinster on Irelands east coast, the city has an urban area population of 1,345,402. The population of the Greater Dublin Area, as of 2016, was 1,904,806 people, founded as a Viking settlement, the Kingdom of Dublin became Irelands principal city following the Norman invasion. The city expanded rapidly from the 17th century and was briefly the second largest city in the British Empire before the Acts of Union in 1800, following the partition of Ireland in 1922, Dublin became the capital of the Irish Free State, later renamed Ireland. Dublin is administered by a City Council, the city is listed by the Globalization and World Cities Research Network as a global city, with a ranking of Alpha-, which places it amongst the top thirty cities in the world. It is a historical and contemporary centre for education, the arts, administration, economy, the name Dublin comes from the Irish word Dubhlinn, early Classical Irish Dubhlind/Duibhlind, dubh /d̪uβ/, alt. /d̪uw/, alt /d̪u, / meaning black, dark, and lind /lʲiɲ pool and this tidal pool was located where the River Poddle entered the Liffey, on the site of the castle gardens at the rear of Dublin Castle. In Modern Irish the name is Duibhlinn, and Irish rhymes from Dublin County show that in Dublin Leinster Irish it was pronounced Duílinn /d̪ˠi, other localities in Ireland also bear the name Duibhlinn, variously anglicized as Devlin, Divlin and Difflin. Historically, scribes using the Gaelic script wrote bh with a dot over the b and those without knowledge of Irish omitted the dot, spelling the name as Dublin. Variations on the name are found in traditionally Irish-speaking areas of Scotland, such as An Linne Dhubh. It is now thought that the Viking settlement was preceded by a Christian ecclesiastical settlement known as Duibhlinn, beginning in the 9th and 10th century, there were two settlements where the modern city stands. Baile Átha Cliath, meaning town of the ford, is the common name for the city in modern Irish. Áth Cliath is a name referring to a fording point of the River Liffey near Father Mathew Bridge. Baile Átha Cliath was an early Christian monastery, believed to have been in the area of Aungier Street, there are other towns of the same name, such as Àth Cliath in East Ayrshire, Scotland, which is Anglicised as Hurlford. Although the area of Dublin Bay has been inhabited by humans since prehistoric times and he called the settlement Eblana polis. It is now thought that the Viking settlement was preceded by a Christian ecclesiastical settlement known as Duibhlinn, beginning in the 9th and 10th century, there were two settlements where the modern city stands. The subsequent Scandinavian settlement centred on the River Poddle, a tributary of the Liffey in an area now known as Wood Quay, the Dubhlinn was a small lake used to moor ships, the Poddle connected the lake with the Liffey. This lake was covered during the early 18th century as the city grew, the Dubhlinn lay where the Castle Garden is now located, opposite the Chester Beatty Library in Dublin Castle
2.
North Hollywood, Los Angeles
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North Hollywood is a neighborhood in the San Fernando Valley region of the city of Los Angeles. It is home to the NoHo Arts District and the Academy of Television Arts & Sciences, there is a municipal park and a recreation center. The neighborhood is an important transportation center, and it is also a place where many people have lived or worked. North Hollywood was established by the Lankershim Ranch Land and Water Company in 1887 and it was first named Toluca before being renamed Lankershim in 1896 and finally North Hollywood in 1927. It is not contiguous with Hollywood, being separated by parts of the San Fernando Valley. In 2008, the city estimated that the population had increased to 87,241, in 2000 the median age for residents was 30, considered an average age for city and county neighborhoods, the percentage of residents aged 19 to 34 was among the countys highest. The neighborhood was considered moderately diverse ethnically within Los Angeles, the breakdown was Latinos,57. 7%, whites, 27%, Asians,5. 7%, blacks,5. 6%, and others, 4%. Mexico and El Salvador were the most common places of birth for the 46. 4% of the residents who were born abroad—a high percentage for Los Angeles, the percentages of never-married men and never-married women were among the countys highest. The median yearly income in 2008 dollars was $42,791, considered average for the city. The percentages of households that earned $40,000 or less were high for the county, renters occupied 75. 4% of the housing stock, and house- or apartment-owners held 24. 6%. North Hollywood is bordered on the north by Sun Valley and on the northeast and east by Burbank, Toluca Lake borders North Hollywood on the southeast and south, and Studio City abuts it on the southwest. It is flanked by Valley Village and Valley Glen on the west, North Hollywood was once part of the vast landholdings of the Mission San Fernando Rey de España, which was confiscated by the government during the Mexican period of rule. A group of investors assembled as the San Fernando Farm Homestead Association purchased the half of the Rancho Ex-Mission San Fernando. The leading investor was Isaac Lankershim, a Northern California stockman and grain farmer, in 1873, Isaac Lankershims son and future son-in-law, James Boon Lankershim and Isaac Newton Van Nuys, moved to the San Ferndando Valley and took over management of the property. Van Nuys thought the property could profitably grow wheat using the dryland farming developed on the Great Plains. In time the Lankershim property, under its name, the Los Angeles Farming and Milling Company. Lankershim established a townsite which the residents named Toluca along the old road from Cahuenga Pass to San Fernando, the land boom of the 1880s went bust by the 1890s, but despite another brutal drought cycle in the late 1890s, the fruit and nut farmers remained solvent. The Toluca Fruit Growers Association was formed in 1894, the next year the Southern Pacific opened a branch line slanting northwest across the Valley to Chatsworth
3.
Yale University
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Yale University is an American private Ivy League research university in New Haven, Connecticut. Founded in 1701 in Saybrook Colony to train Congregationalist ministers, it is the third-oldest institution of education in the United States. The Collegiate School moved to New Haven in 1716, and shortly after was renamed Yale College in recognition of a gift from British East India Company governor Elihu Yale. Originally restricted to theology and sacred languages, the curriculum began to incorporate humanities and sciences by the time of the American Revolution. In the 19th century the school introduced graduate and professional instruction, awarding the first Ph. D. in the United States in 1861 and organizing as a university in 1887. Yale is organized into fourteen constituent schools, the undergraduate college, the Yale Graduate School of Arts and Sciences. While the university is governed by the Yale Corporation, each schools faculty oversees its curriculum, the universitys assets include an endowment valued at $25.4 billion as of June 2016, the second largest of any U. S. educational institution. The Yale University Library, serving all constituent schools, holds more than 15 million volumes and is the third-largest academic library in the United States, Yale College undergraduates follow a liberal arts curriculum with departmental majors and are organized into a social system of residential colleges. Almost all faculty teach courses, more than 2,000 of which are offered annually. Students compete intercollegiately as the Yale Bulldogs in the NCAA Division I – Ivy League, Yale has graduated many notable alumni, including five U. S. Presidents,19 U. S. Supreme Court Justices,20 living billionaires, and many heads of state. In addition, Yale has graduated hundreds of members of Congress,57 Nobel laureates,5 Fields Medalists,247 Rhodes Scholars, and 119 Marshall Scholars have been affiliated with the University. Yale traces its beginnings to An Act for Liberty to Erect a Collegiate School, passed by the General Court of the Colony of Connecticut on October 9,1701, the Act was an effort to create an institution to train ministers and lay leadership for Connecticut. Soon thereafter, a group of ten Congregationalist ministers, Samuel Andrew, Thomas Buckingham, Israel Chauncy, Samuel Mather, the group, led by James Pierpont, is now known as The Founders. Originally known as the Collegiate School, the institution opened in the home of its first rector, Abraham Pierson, the school moved to Saybrook, and then Wethersfield. In 1716 the college moved to New Haven, Connecticut, the feud caused the Mathers to champion the success of the Collegiate School in the hope that it would maintain the Puritan religious orthodoxy in a way that Harvard had not. Cotton Mather suggested that the school change its name to Yale College, meanwhile, a Harvard graduate working in England convinced some 180 prominent intellectuals that they should donate books to Yale. The 1714 shipment of 500 books represented the best of modern English literature, science, philosophy and it had a profound effect on intellectuals at Yale. Undergraduate Jonathan Edwards discovered John Lockes works and developed his original theology known as the new divinity
4.
Edison Studios
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Edison Studios was an American film production organization, owned by companies controlled by inventor and entrepreneur, Thomas Edison. The studio made close to 1,200 films, as part of the Edison Manufacturing Company and then the Thomas A. Edison, of that number,54 were feature length, and the remainder were shorts. The first production facility was Edisons Black Maria studio, in West Orange, New Jersey, the second facility, a glass-enclosed rooftop studio built at 41 East 21st Street in Manhattans entertainment district, opened in 1901. In 1907, Edison had new facilities built, on Decatur Avenue and Oliver Place, Thomas Edison himself played no direct part in the making of his studios films, beyond being the owner and appointing William Gilmore as vice-president and general manager. Edisons assistant William Kennedy Dickson, who supervised the development of Edisons motion picture system, produced the first Edison films intended for public exhibition, 1893–95. After Dicksons departure for the American Mutoscope and Biograph Company in 1895, he was replaced as director of production by cameraman William Heise, then from 1896-1903, by James H. White. When White left to supervise Edisons European interests in 1903, he was replaced by William Markgraf, then Alex T. Moore, and Horace G. Plimpton. The first commercially exhibited motion pictures in the United States were from Edison, the program consisted of ten short films, each less than a minute long, of athletes, dancers, and other performers. After competitors began exhibiting films on screens, Edison introduced its own, Projecting Kinetoscope, the earliest productions were brief actualities, showing everything, from acrobats, to parades, to fire calls. But, competition from French and British story films, in the early 1900s, by 1904, 85% of Edisons sales were from story films. In December 1908, Edison led the formation of the Motion Picture Patents Company in an attempt to control the industry, the Motion Picture Patents Co. and the General Film Co. were found guilty of antitrust violation in October 1915, and were dissolved. The breakup of the Trust by federal courts, under monopoly laws, Edison sold its film business, including the Bronx studio, on 30 March 1918, to the Lincoln & Parker Film Company, of Massachusetts. Everson described as the screens first genuinely lyrical film, the company also produced a number of short Kinetophone sound films in 1913–1914 using a sophisticated acoustical recording system capable of picking up sound from 30 feet away. The studio also released a number of Raoul Barré cartoon films in 1915, nor did the Edison films show the sense of dynamic progress, that one gets, from studying the Biograph films, on a year-by-year basis. On the contrary, there is a sense of stagnation, shaw, who later went on to a successful career directing in England, South Africa, and Lithuania before returning to the US in 1922. Other important directors who started at Edison included Oscar Apfel, Charles Brabin, Alan Crosland, J. Searle Dawley, and Edward H. Griffith. net
5.
Vitagraph Studios
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Vitagraph Studios, also known as the Vitagraph Company of America, was a United States motion picture studio. It was founded by J. Stuart Blackton and Albert E. Smith in 1897 in Brooklyn, New York, by 1907 it was the most prolific American film production company, producing many famous silent films. It was bought by Warner Bros. in 1925, in 1896, English émigré Blackton was moonlighting as a reporter/artist for the New York Evening World when he was sent to interview Thomas Edison about his new film projector. The inventor talked the entrepreneurial reporter into buying a set of films, a year later, Blackton and business partner Smith founded the American Vitagraph Company in direct competition with Edison. A third partner, distributor William Pop Rock, joined in 1899, the companys first studio was located on the rooftop of a building on Nassau Street in Manhattan. Operations were later moved to the Midwood neighborhood of Brooklyn, New York, the companys first claim to fame came from newsreels, Vitagraph cameramen were on the scene to film events from the Spanish–American War of 1898. These shorts were among the first works of propaganda. In 1897 Vitagraph produced The Humpty Dumpty Circus, which was the first film to use the stop-motion technique, Blackton did his best to avoid lawsuits by buying a special license from Edison in 1907 and by agreeing to sell many of his most popular films to Edison for distribution. The American Vitagraph Company made many contributions to the history of movie-making, in 1903 the director Joseph Delmont started his career by producing westerns, he later became famous by using wild carnivores in his movies—a sensation for that time. In 1909 it was one of the ten production companies included in Edisons attempt to corner movie-making. Major stars included Florence Turner, Maurice Costello, Harry T. Morey, Jean and such stars as Helen Hayes, Viola Dana, Dolores Costello, Norma Talmadge, Constance Talmadge. Larry Trimble was a director of films for Turner and Jean. The first Les Miserables film adaptation, a short silent historical drama starring Maurice Costello as Jean Valjean, the film consists of four reels, each released over the course of three months beginning on 4 September to 27 November 1909. In 1910 a number of houses showed the five parts of the Vitagraph serial The Life of Moses consecutively. A long series of Shakespeare adaptations were the first done of the Bards works in the U. S. In 1911, Vitagraph produced the first aviation film, The Military Air-Scout, directed by William J. Humphrey, the 1915 feature The Battle Cry of Peace was one of the great propaganda films of World War I. Ironically, after America declared war, the film was modified for re-release because it was seen as not being sufficiently pro-war, World War I spelled the beginning of the end for Vitagraph. With the loss of foreign distributors and the rise of the monopolistic Studio system, on January 28,1925, it left the Motion Picture Producers and Distributors of America, the owner, Albert E
6.
Metro-Goldwyn-Mayer
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Metro-Goldwyn-Mayer Studios Inc. is an American media company, involved primarily in the production and distribution of feature films and television programs. Its headquarters are in Beverly Hills, California and it is one of the worlds oldest film studios. In 1971, it was announced that MGM would merge with 20th Century Fox, over the next thirty-nine years, the studio was bought and sold at various points in its history until, on November 3,2010, MGM filed for Chapter 11 bankruptcy. MGM Resorts International, a Las Vegas-based hotel and casino company listed on the New York Stock Exchange under the symbol MGM, is not currently affiliated with Metro-Goldwyn-Mayer. In 1966, MGM was sold to Canadian investor Edgar Bronfman Sr. whose son Edgar Jr. would later buy Universal Studios, the studio continued to produce five to six films a year that were released through other studios, mostly United Artists. Kerkorian did, however, commit to increased production and a film library when he bought United Artists in 1981. MGM ramped up production, as well as keeping production going at UA. It also incurred significant amounts of debt to increase production, the studio took on additional debt as a series of owners took charge in the 1980s and early 1990s. In 1986, Ted Turner bought MGM, but a few later, sold the company back to Kerkorian to recoup massive debt. The series of deals left MGM even more heavily in debt, MGM was bought by Pathé Communications in 1990, but Parretti lost control of Pathé and defaulted on the loans used to purchase the studio. The French banking conglomerate Crédit Lyonnais, the major creditor. Even more deeply in debt, MGM was purchased by a joint venture between Kerkorian, producer Frank Mancuso, and Australias Seven Network in 1996, the debt load from these and subsequent business deals negatively affected MGMs ability to survive as an independent motion picture studio. In 1924, movie theater magnate Marcus Loew had a problem and he had bought Metro Pictures Corporation in 1919 for a steady supply of films for his large Loews Theatres chain. With Loews lackluster assortment of Metro films, Loew purchased Goldwyn Pictures in 1924 to improve the quality, however, these purchases created a need for someone to oversee his new Hollywood operations, since longtime assistant Nicholas Schenck was needed in New York headquarters to oversee the 150 theaters. Mayer, Loew addressed the situation by buying Louis B. Mayer Pictures on April 17,1924, Mayer became head of the renamed Metro-Goldwyn-Mayer, with Irving Thalberg as head of production. MGM produced more than 100 feature films in its first two years, in 1925, MGM released the extravagant and successful Ben-Hur, taking a $4.7 million profit that year, its first full year. Marcus Loew died in 1927, and control of Loews passed to Nicholas Schenck, in 1929, William Fox of Fox Film Corporation bought the Loew familys holdings with Schencks assent. Mayer and Thalberg disagreed with the decision, Mayer was active in the California Republican Party and used his political connections to persuade the Justice Department to delay final approval of the deal on antitrust grounds
7.
The Four Horsemen of the Apocalypse (film)
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The Four Horsemen of the Apocalypse is a 1921 American silent epic war film produced by Metro Pictures Corporation and directed by Rex Ingram. Based on the Spanish novel The Four Horsemen of the Apocalypse by Vicente Blasco Ibáñez, the film stars Pomeroy Cannon, Josef Swickard, Bridgetta Clark, Rudolph Valentino, Wallace Beery, and Alice Terry. Often regarded as one of the first true anti-war films, it had a cultural impact and became the top-grossing film of 1921. The film turned then-little-known actor Rudolph Valentino into a superstar and associated him with the image of the Latin Lover, the film also inspired a tango craze and such fashion fads as gaucho pants. The film was masterminded by June Mathis, who, with its success, the film is now in the public domain, having been made before 1923. A DVD version was released in 2000 but is now out of print, the film is now available for free download on the Internet Archive. Madariaga The Centaur, a harsh but popular Argentine landowner, has a German son-in-law whom he dislikes and he is particularly fond of his grandson Julio, with whom he often carouses at seedy dives in the Boca district of Buenos Aires. In one of these bars, the famous tango sequence occurs. A man and a woman are dancing the tango, Julio strides up and asks to cut in. The woman stares at Julio alluringly, the man brushes him off, and they resume dancing. Julio then challenges the man and strikes him, knocking him into some tables, Julio and the woman then dance a dramatic version of the tango that brings cheers from the people in the establishment. Following the dance, the woman sits on Julios lap, madariaga then slides to the floor, drunk. Julio casts her aside in scorn and helps his grandfather home, the extended family breaks up, one half returning to Germany and the other to France. In Paris, Julio enjoys a somewhat shiftless life as a would-be artist and he falls in love with Marguerite Laurier, the unhappy and much younger wife of Etienne Laurier, a friend of Julios father. The affair is discovered, and Marguerites husband agrees to give her a divorce to avoid a scandal and it seems as though Julio and Marguerite will be able to marry, but both end up getting caught up in the start of the Great War. Marguerite becomes a nurse in Lourdes, the bravery of Etienne is reported, and he is blinded in battle. Etienne happens to end up at the hospital where she is working, Julio travels to Lourdes to see Marguerite and instead sees her taking care of Etienne. Julio, ashamed of his life, enlists in the French Army
8.
Hollywood Walk of Fame
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The Walk of Fame is administered by the Hollywood Chamber of Commerce and maintained by the self-financing Hollywood Historic Trust. It is a popular tourist destination, with a reported 10 million visitors in 2003, as of 2017, the Walk of Fame comprises over 2,600 stars, spaced at 6-foot intervals. The monuments are coral-pink terrazzo five-point stars rimmed with brass inlaid into a charcoal-colored terrazzo background, in the upper portion of each star field the name of the honoree is inlaid in brass block letters. Below the inscription, in the half of the star field. Approximately 20 new stars are added to the Walk each year, special category stars recognize various contributions by corporate entities, service organizations, and special honorees, and display emblems unique to those honorees. The moons are silver and grey terrazzo circles rimmed in brass on a square pink terrazzo background, the Hollywood Chamber of Commerce credits E. M. Stuart, its volunteer president in 1953, with the original idea for creating a Walk of Fame. Stuart reportedly proposed the Walk as a means to maintain the glory of a community whose name means glamor, Harry Sugarman, another Chamber member and president of the Hollywood Improvement Association, receives credit in an independent account. A committee was formed to flesh out the idea, and a firm was retained to develop specific proposals. By 1955 the basic concept and general design had been agreed upon, multiple accounts exist for the origin of the star concept. By another account, the stars were inspired, by Sugarmans drinks menu, which featured celebrity photos framed in gold stars. In February 1956 a prototype was unveiled featuring a caricature of an example honoree inside a star on a brown background. The committees met at the Brown Derby restaurant, and included such prominent names as Cecil B, deMille, Samuel Goldwyn, Jesse L. Lasky, Walt Disney, Hal Roach, Mack Sennett, and Walter Lantz. A requirement stipulated by the audio recording committee specified minimum sales of one million records or 250,000 albums for all music category nominees. The committee soon realized that many important recording artists would be excluded from the Walk by that requirement, as a result, the National Academy of Recording Arts and Sciences was formed for the purpose of creating a separate award system for the music business. The first Grammy Awards were presented in Beverly Hills in 1959, construction of the Walk began in 1958 but two lawsuits delayed completion. The first was filed by local property owners challenging the legality of the $1.25 million tax assessment levied upon them to pay for the Walk, along with new street lighting, in October 1959 the assessment was ruled legal. The second lawsuit, filed by Charles Chaplin, Jr. sought damages for the exclusion of his father, chaplins suit was dismissed in 1960, paving the way for completion of the project. Woodwards name was one of eight drawn at random from the original 1,558, the other seven names were Olive Borden, Ronald Colman, Louise Fazenda, Preston Foster, Burt Lancaster, Edward Sedgwick, and Ernest Torrence
9.
Church of Ireland
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The Church of Ireland is a Christian church in Ireland and an autonomous province of the Anglican Communion. It is organised on a basis and is the second-largest Christian church on the island after the Catholic Church in Ireland. Like other Anglican churches, it has retained elements of pre-Reformation practice, notably its episcopal polity, nevertheless, in theological and liturgical matters, it incorporates many principles of the Reformation, particularly those espoused during the English Reformation. The church self identifies as being both Catholic and Reformed, within the church, differences exist between those members who are more Catholic-leaning and those who are more Protestant-leaning. For historical and cultural reasons, the Church of Ireland is generally identified as a Protestant church, the Church of Ireland is the second-largest in the Republic of Ireland, with around 130,000 members, and the third-largest in Northern Ireland, with around 260,000 members. The Church of Ireland describes itself as part of the Irish Church which was influenced by the Reformation. However, the Church of Ireland is also Protestant, or Reformed, since it opposes doctrines and ways of worshiping that it considers contrary to scripture and which led to the Reformation. When the Church of England broke communion with the Holy See, all, the church then became the established church of Ireland, assuming possession of most church property. This church-state link was vigorously applied when the Normans came to Ireland in the 12th century, Bishops were required to do homage to the king for their lands, just like earls and barons, who were vassals of the crown. It was therefore accepted, both during and after the Reformation, that the crown should continue to exercise authority over the church. In this way, church property that existed at the time of the Reformation, in Ireland, the substantial majority of the population continued to adhere to Roman Catholicism, despite the political and economic advantages of membership in the state church. Legitimacy for the Norman invasion of Ireland was derived from a Papal Bull of 1155 – Laudabiliter, the bull gave King Henry II of England authority to invade Ireland ostensibly as a means of reforming the church in Ireland more directly under the control of the Holy See. The authorisation from the Holy See was based upon the Donation of Constantine which made every Christian island in the western Roman Empire the property of the Papacy. The Church of Ireland is the second largest church in Ireland, the Church of Ireland began as a reformed church independent of the Catholic Church in 1536 when the Irish Parliament declared King Henry VIII to be the Supreme Head of the Church on earth. He would not legally become king of Ireland until 1541, adrian granted Henry II the Lordship of Ireland, thus, Henrys assumption of the title of King had less to do with dispossessing the native Irish kings than with confronting the Pope. The reformation commenced mainly in Dublin under the auspices of George Browne during Henrys reign, when the Church of England was reformed under King Edward VI of England, so too was the Church of Ireland. All but two of the Irish bishops appointed by Queen Mary accepted the Elizabethan Settlement, although the vast majority of priests, the Church of Ireland claims Apostolic succession because of the unbroken continuity of the episcopal hierarchy, however, this is disputed by the Roman Catholic Church. In this way, they were able to conform to the established church whilst at the same time continuing to worship. in the traditional
10.
The Yale Record
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The Yale Record is the campus humor magazine of Yale University. Founded in 1872, it became the oldest humor magazine in the world when Punch folded in 2002, the Record is currently published eight times during the academic year and is distributed in Yale residential college dining halls and around the nation through subscriptions. Content from the magazine is available online and entire issues can be downloaded in. pdf form. The Record began as a newspaper, with its first issue appearing on September 11,1872. Almost immediately, it became a home to funny writing, and later, the Record thrived immediately, and by the turn of the century had a wide circulation outside of New Haven—at prep schools, other college towns, and even New York City. As Yale became one of the bellwethers of collegiate taste and fashion, scott Fitzgerald referred to the magazine as one of the harbingers of the new, looser morality of collegians of that time. But it wasnt just laughs The Record was serving up—during the 1920s, comedy first published in the magazine was re-printed in national humor magazines like Puck and Judge. The character Whit in the Sinclair Lewis story Go East, Young Man drew caricatures for the Yale Record, from the 1920s to the 1960s, The Record placed special emphasis on cartooning, which led many of its alumni to work at Esquire magazine and especially The New Yorker. Record cartoonists during this period included Peter Arno, Reginald Marsh, Clarence Day, Julien Dedman. Osborn, James Stevenson, William Hamilton and Garry Trudeau, from 1920 through the 1940s, many Record staffers and alums contributed to College Humor, a popular nationally distributed humor magazine. Additionally, comedy first published in The Record was re-printed in national magazines like Life. By the late 1940s, the ties to The New Yorker were so strong that designers from that magazine consulted on The Records layout. By the 1950s, the Record had established the Cartoonist of the Year award, which people like Walt Kelly. In the early 1960s, cartoons and comic writing from the magazine were regularly re-printed in Harvey Kurtzmans Help, a satirical magazine that helped launch the careers of Monty Pythons Terry Gilliam, R. Crumb, Woody Allen, John Cleese, Gloria Steinem and many others. In the late 1960s, the played a integral role in editor-in-chief Garry Trudeaus creation of his epochal strip Doonesbury. Trudeau published the pre-syndication Doonesbury collection Michael J. through The Yale Record, in addition to editing the Record, Trudeau organized Record events such as a successful Annette Funicello film festival, a Tarzan film festival and a Jefferson Airplane concert featuring Sha Na Na. The 1970s and 1980s are known as the Dark Ages amongst Record staffers, boards were convened and issues were published on an intermittent basis, with issues released in 1971,1972,1973, 1976-1981,1983, and 1987. Then in 1989, Yale students Michael Gerber and Jonathan Schwarz relaunched The Record for good and their more informal, iconoclastic version of The Record proved popular, and a parody of the short-lived sports newspaper The National garnered national media attention
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