1.
Port Arthur, Texas
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Port Arthur is a city in Jefferson County within the Beaumont−Port Arthur Metropolitan Statistical Area of the U. S. state of Texas. A small portion extends into Orange County and it is ninety-one miles east of Houston. The population was 53,818 at the 2010 census, early attempts at settlements in the area had all failed. However, in 1895 Arthur Stilwell founded Port Arthur, and the town quickly grew, Port Arthur was incorporated as a city in 1898 and soon developed into a seaport. It eventually became the center of a oil refinery network. The Rainbow Bridge across the Neches River connects Port Arthur to Bridge City, Aurora was an early settlement attempt near the mouth of Taylor Bayou on Sabine Lake, about 14 miles long and 7 miles wide. It is an estuary formed by the confluence of the Neches. Through its tidal outlet 5 miles long, Sabine Pass, Sabine Lake drains some 50,000 square miles of Texas, the town was conceived in 1837, and in 1840 promoters led by Almanzon Huston were offering town lots for sale. Some were sold, but Hustons project failed to attract many settlers, the area next was known as Sparks, after John Sparks, who moved his family to the shores of Sabine Lake near the site of Aurora. The Eastern Texas Railroad, completed between Sabine Pass and Beaumont, Texas, passed four miles west of Sparks, however, the American Civil War soon began, and rail lines were removed. In 1886, a hurricane hit the coast, causing the remaining residents to dismantle their homes. By 1895, Aurora had become a ghost town, Arthur Stilwell led the resettling of the area as part of his planned city of Port Arthur. Pleasure Island now separates the city from the Gulf Intracoastal Waterway, the 18. 5-mile man-made island was created between 1899 and 1908 by the Corps of Engineers to support development of the port. Arthur Stilwell founded the Port Arthur Channel and Dock Company to manage the port facilities, the port officially opened with the arrival of the British steamer Saint Oswald in 1899. When oil was discovered in the region, Port Arthur developed for a time as the center of the largest oil refinery network in the world, Port Arthur is located at 29°53′6″N 93°56′24″W east of Houston. According to the United States Census Bureau, the city has an area of 143.8 square miles. The average relative humidity is 90% in the morning, and 72% in the afternoon, as of the 2000 census, there were 57,755 people,21,839 households, and 14,675 families residing in the city. The population density was 696.5 people per square mile, there were 24,713 housing units at an average density of 298.0 per square mile
2.
Captiva, Florida
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Captiva is a census-designated place in Lee County, Florida, United States. It is located on Captiva Island, as of 2015 the CDP had a total year-round population of 379. It is part of the Cape Coral-Fort Myers, Florida Metropolitan Statistical Area, captivas many large estates, condominiums, and businesses have recovered from the serious damage due to 2004s Hurricane Charley. There is a toll to use the causeway that goes from Fort Myers to Sanibel Island, Captiva is accessed by a small bridge that crosses Blind Pass from Sanibel Island. Captiva is located at 26°31′5″N 82°11′28″W, according to the United States Census Bureau, the CDP has a total area of 10.5 square miles, of which 1.2 square miles is land and 9.2 square miles is water. Mostly in the Gulf of Mexico to the west and Pine Island Sound, as of the census of 2000, there were 379 people,194 households, and 130 families residing in the CDP. The population density was 305.3 people per square mile, there were 1,150 housing units at an average density of 926. 2/sq mi. The racial makeup of the CDP was 98. 42% White,0. 79% Asian,0. 26% from other races, hispanic or Latino of any race were 0. 79% of the population. 25. 3% of all households were made up of individuals and 11. 9% had someone living alone who was 65 years of age or older, the average household size was 1.95 and the average family size was 2.25. In the CDP, the population was out with 8. 2% under the age of 18,1. 1% from 18 to 24,14. 2% from 25 to 44,44. 1% from 45 to 64. The median age was 58 years, for every 100 females there were 96.4 males. For every 100 females age 18 and over, there were 96.6 males, the median income for a household in the CDP was $64,821, and the median income for a family was $120,488. Males had an income of $31,875 versus $44,861 for females. The per capita income for the CDP was $76,139, none of the population or families were below the poverty line. Travel, tourism and hospitality rank as the one industry on Captiva Island. Noted world-famous guests to Captiva include Teddy Roosevelt, Charles Lindbergh, Anne Morrow Lindbergh, both the Old Captiva House restaurant and a number of guest cottages have been designated historically-significant sites by Lee County, Florida. The Wall Street Journal selected Sanibel and Captiva Islands as one of the 10 Best Places for Second Homes in 2010, sanibel-Captiva Chamber of Commerce Official site for Sanibel & Captiva Islands
3.
Kansas City Art Institute
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The Kansas City Art Institute is a private, independent, four-year college of fine arts and design founded in 1885 in Kansas City, Missouri. It has about 75 faculty members and some 600 students, the school started in 1885 when art enthusiasts formed the Sketch Club with the purpose of talking over art matters in general and to judge pictures. Meetings were originally in private homes and then moved to the Deardorf Building at 11th, the club had its first exhibition in 1887 and 12 benefactors stepped forward to form the Kansas City Art Association and School of Design. A Wight and Wight addition was added to the building, the residence was later renamed Vanderslice Hall and is listed on the National Register of Historic Places along with another building on the campus—Mineral Hall. The campus has expanded to 15 acres. In 1935 painter Thomas Hart Benton left New York City to teach at the school, among the artists Benton influenced as a teacher at KCAI were Frederic James, Margot Peet, Jackson Lee Nesbitt, Roger Medearis, Glenn Gant, and Delmer J. Yoakum. Though Benton brought attention to the Art Institute, he was dismissed in 1941 after making disparaging references to, as he claimed, the excessive influence of homosexuals in the art world. In 1977, the Kansas City Renaissance Festival was founded as a benefit for the school, in 1992 the Kemper Museum of Contemporary Art opened on the west side of the campus. On the occasion of its 130th anniversary in 2015, the Kansas City Art Institute received a donation of $25 million
4.
Black Mountain College
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Many of the schools students and faculty were influential in the arts or other fields, or went on to become influential. Although notable even during its life, the school closed in 1957 after only 24 years. The history and legacy of Black Mountain College are preserved and extended through Black Mountain College Museum + Arts Center, in downtown Asheville, NC. The schools Lake Eden campus, used from 1941 to 1957, is now part of Camp Rockmont, a camp for boys. Buckminster Fuller met student Kenneth Snelson at Black Mountain, and the result was their first geodesic dome, Merce Cunningham formed his dance company, not a haphazardly conceived venture, Black Mountain College was a consciously directed liberal arts school that grew out of the progressive education movement. In its day it was an educational experiment for the artists. Bennington College was founded the year before Black Mountain College based on the same philosophy, for the first eight years, the college rented the YMCA Blue Ridge Assembly buildings south of Black Mountain, North Carolina. In 1941, it moved across the valley to its own campus at Lake Eden where it remained until its closing in 1956, a number of the original structures are still in use as lodgings or administrative facilities. The college suspended classes by court order in 1957 and this was due to debts not sustained by the decreased number of students. In 1962, the books were finally closed, with all debts covered. The college was featured in the Nicholas Sparks novel, The Longest Ride and 2015 movie, richards, Alexander Schawinsky, Ben Shahn, Arthur Siegel, Aaron Siskind, Theodoros Stamos, Robert C. Turner, Jack Tworkov, Peter Voulkos, Emerson Woelffer, Stefan Wolpe, guest lecturers included Albert Einstein, Clement Greenberg, Bernard Rudofsky, Richard Lippold, and William Carlos Williams. The college ran summer institutes from 1944 until its closing in 1956 and it was however influential to the founding of the Free University of New York. Various avant-garde poets were drawn to the school through the years, most notably Charles Olson, Robert Duncan, Denise Levertov, Jonathan Williams, Ed Dorn and Robert Creeley. Black Mountain College is the subject of the museum exhibition Leap Before You Look, Black Mountain College 1933-1957, the show was curated by Helen Molesworth with Ruth Erickson. The story of BMC is woven through interviews with students, professors and modern scholars with archival footage, produced and directed by Judith Pearlman, Cliofilm
5.
Art Students League of New York
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The Art Students League of New York is an art school located on West 57th Street in Manhattan, New York City, New York. Although artists may study full-time, there have never been any degree programs or grades, the League also maintains a significant permanent collection of student and faculty work, and publishes an online journal of writing on art-related topics, entitled LINEA. The breakaway group of students included women, and was originally housed in rented rooms at 16th Street. Influential board members from this period included painter Thomas Eakins. Membership continued to increase, forcing the League to relocate to larger spaces. In 1889, the League participated in the founding of the American Fine Arts Society, together with the Society of American Artists, the American Fine Arts Building at 215 West 57th Street, constructed as their joint headquarters, has continued to house the League since 1892. In the late 1890s and early 1900s an increasing number of artists came to study. Among them was a young Miss Wilhelmina Weber Furlong and eventually her husband Thomas Furlong, the avant-garde couple served the league in executive and administrative roles and as student members throughout the American modernism movement. Alice Van Vechten Brown, who would later develop some of the first art programs in American higher education, in the years after World War II, the G. I. Bill played an important role in the history of the League by enabling returning veterans to attend classes. As of 2010, the League remains an important part of New York City art life, from 1906 until 1922, and again after the end of World War II from 1947 until 1979, the League operated a summer school of painting at Woodstock, New York. In 1995, the Leagues facilities expanded to include the Vytlacil campus in Sparkill, New York, named after and based upon a gift of the property, since its inception, the Art Students League has employed notable professional artists as instructors and lecturers. Most engagements have been for a year or two, and some, like those of sculptor George Grey Barnard, were quite brief. Others have taught for decades, notably Frank DuMond and George Bridgman, bridgmans successor was Robert Beverly Hale. In 1988, Robert Cenedella took over the George Grosz Chair, luis Mora, Robert Neffson, Maxfield Parrish, Jules Pascin, Joseph Pennell, Richard C. Pionk, Larry Poons, Richard Pousette-Dart, Abraham Rattner, Peter Reginato, Frank J. Alden Weir, and William Zorach
6.
Assemblage (art)
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Assemblage is an artistic form or medium usually created on a defined substrate that consists of three-dimensional elements projecting out of or from the substrate. It is similar to collage, a two-dimensional medium and it is part of the visual arts, and it typically uses found objects, but is not limited to these materials. The origin of the art form dates to the cubist constructions of Pablo Picasso c, the origin of the word can be traced back to the early 1950s, when Jean Dubuffet created a series of collages of butterfly wings, which he titled assemblages dempreintes. However, both Marcel Duchamp, Pablo Picasso and others had been working with found objects for many years prior to Dubuffet, Russian artist Vladimir Tatlin created his counter-reliefs in the mid 1910s. Alongside Tatlin, the earliest woman artist to try her hand at assemblage was Elsa von Freytag-Loringhoven, in Paris in the 1920s Alexander Calder, Jose De Creeft, Picasso and others began making fully 3-dimensional works from metal scraps, found metal objects and wire. In the U. S. one of the earliest and most prolific assemblage artists was Louise Nevelson, in 1961, the exhibition The Art of Assemblage was featured at the New York Museum of Modern Art. William C Seitz, the curator of the exhibition, described assemblages as being made up of preformed natural or manufactured materials, objects, arman, French artist, sculptor and painter. Hans Bellmer, a German artist known for his life-sized female dolls, wallace Berman, an American artist known for his verifax collages. André Breton, a French artist, regarded as a founder of Surrealism. John Chamberlain, a Chicago artist known for his sculptures of welded pieces of wrecked automobiles, greg Colson, an American artist known for his wall sculptures of stick maps, constructed paintings, solar systems, directionals, and intersections. Many of his boxes, such as the famous Medici Slot Machine boxes, are interactive and are meant to be handled, rosalie Gascoigne, a New Zealand-born Australian sculptor. Raoul Hausmann, an Austrian artist and writer and a key figure in Berlin Dada, his most famous work is the assemblage Der Geist Unserer Zeit - Mechanischer Kopf, Robert H. Hudson, an American artist. Jasper Johns, an American Pop artist, painter, printmaker, jean-Jacques Lebel, in 1994 installed a large assemblage entitled Monument à Félix Guattari in the Forum of the Centre Pompidou. Janice Lowry, American artist known for art in the form of assemblage, artist books, and journals. Ondrej Mares, a Czech-Australian artist and sculptor best known for his Kachina figures - a series of works. Markus Meurer, a German artist, known for his sculptures from found objects Louise Nevelson and she used found objects or everyday discarded things in her “assemblages” or assemblies, one of which was three stories high. Meret Oppenheim, a German-born Swiss artist, identified with the Surrealist movement, wolfgang Paalen, an Austrian-German-Mexican surrealist artist and theorist, founder of the magazine DYN and known for several assembled objects, f. e. Nuage articulé Robert Rauschenberg, painter and collagist known for his mixed media works during six decades, fred H. Roster, an American sculptor
7.
Abstract Expressionism
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Abstract Expressionism is a post–World War II art movement in American painting, developed in New York in the 1940s. It was the first specifically American movement to achieve international influence and put New York City at the center of the art world. In the United States, Alfred Barr was the first to use this term in 1929 in relation to works by Wassily Kandinsky, technically, an important predecessor is surrealism, with its emphasis on spontaneous, automatic, or subconscious creation. Jackson Pollocks dripping paint onto a canvas laid on the floor is a technique that has its roots in the work of André Masson, Max Ernst, and David Alfaro Siqueiros. His long essay Totem Art had considerable influence on artists as Martha Graham, Isamu Noguchi, Jackson Pollock, Mark Rothko. Around 1944 Barnett Newman tried to explain Americas newest art movement, paalen is mentioned twice, other artists mentioned are Gottlieb, Rothko, Pollock, Hofmann, Baziotes, Gorky and others. Motherwell is mentioned with a question mark, additionally, it has an image of being rebellious, anarchic, highly idiosyncratic and, some feel, nihilistic. In practice, the term is applied to any number of working in New York who had quite different styles. Yet all four artists are classified as abstract expressionists, Abstract expressionism has many stylistic similarities to the Russian artists of the early 20th century such as Wassily Kandinsky. Why this style gained mainstream acceptance in the 1950s is a matter of debate, American social realism had been the mainstream in the 1930s. It had been influenced not only by the Great Depression, but also by the muralists of Mexico such as David Alfaro Siqueiros, the political climate after World War II did not long tolerate the social protests of these painters. Abstract expressionism arose during World War II and began to be showcased during the early forties at galleries in New York such as The Art of This Century Gallery. The McCarthy era after World War II was a time of censorship in the United States, but if the subject matter were totally abstract then it would be seen as apolitical. Or if the art was political, the message was largely for the insiders, many of the sculptors listed participated in the Ninth Street Show, a famous exhibition curated by Leo Castelli on East Ninth Street in New York City in 1951. Although the abstract expressionist school spread throughout the United States, the major centers of this style were New York City. At a certain moment the canvas began to appear to one American painter after another as an arena in which to act, what was to go on the canvas was not a picture but an event. In the 1940s there were not only few galleries but also few critics who were willing to follow the work of the New York Vanguard, there were also a few artists with a literary background, among them Robert Motherwell and Barnett Newman, who functioned as critics as well. Hess, the editor of ARTnews, championed Willem de Kooning
8.
Praemium Imperiale
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These are areas of achievement not covered by the Nobel Prize. The prizes are awarded for outstanding contributions to the development, promotion, the Praemium Imperiale is awarded in the memory of His Imperial Highness Prince Takamatsu, younger brother of Emperor Shōwa who reigned from 1926 through 1989. Prince Takamatsu was famous for his support of the development, promotion. The laureates are announced each September, the presentation ceremony and related events are held in Tokyo, Japan. The prize presentation ceremony is held in the presence of His Imperial Highness Prince Hitachi, President of the Japan Art Association, Prince Hitachi presents the prizes to the selected laureates. The prize consists of a medal and 15 million Japanese yen, and was created by the Fujisankei Communications Group. The laureates are annually recommended by international advisers, and decided by a committee of the Japan Art Association. The advisers include Yasuhiro Nakasone, William H. Luers, Lamberto Dini, François Pinault, Chris Patten, honorary advisers include Jacques Chirac, David Rockefeller, David Rockefeller, Jr. Helmut Schmidt and Richard von Weizsäcker. Since 1997, a series of grants have been made to organizations which nourish young artists
9.
Pop art
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Pop art is an art movement that emerged in the mid-1950s in Britain and the late 1950s in the United States. Pop art presented a challenge to traditions of art by including imagery from popular culture such as advertising. In pop art, material is sometimes removed from its known context, isolated. Pop art employs aspects of culture, such as advertising, comic books. One of its aims is to use images of popular culture in art, emphasizing the banal or kitschy elements of any culture and it is also associated with the artists use of mechanical means of reproduction or rendering techniques. Pop art is interpreted as a reaction to the then-dominant ideas of abstract expressionism. Due to its utilization of found objects and images, it is similar to Dada, Pop art and minimalism are considered to be art movements that precede postmodern art, or are some of the earliest examples of postmodern art themselves. Pop art often takes imagery that is currently in use in advertising, product labeling and logos figure prominently in the imagery chosen by pop artists, seen in the labels of Campbells Soup Cans, by Andy Warhol. Even the labeling on the outside of a box containing food items for retail has been used as subject matter in pop art. The origins of pop art in North America developed differently from Great Britain, in the United States, pop art was a response by artists, it marked a return to hard-edged composition and representational art. They used impersonal, mundane reality, irony, and parody to defuse the personal symbolism, in the U. S. some artwork by Larry Rivers, Alex Katz and Man Ray anticipated pop art. By contrast, the origins of pop art in post-War Britain, while employing irony, early pop art in Britain was a matter of ideas fueled by American popular culture when viewed from afar. Similarly, pop art was both an extension and a repudiation of Dadaism, among those artists in Europe seen as producing work leading up to pop art are, Pablo Picasso, Marcel Duchamp, and Kurt Schwitters. During the 1920s, American artists Gerald Murphy, Charles Demuth and Stuart Davis created paintings that contained pop culture imagery, the Independent Group, founded in London in 1952, is regarded as the precursor to the pop art movement. They were a gathering of young painters, sculptors, architects, writers and their group discussions centered on pop culture implications from elements such as mass advertising, movies, product design, comic strips, science fiction and technology. This material of found objects such as advertising, comic characters, magazine covers. One of the collages in that presentation was Paolozzis I was a Rich Mans Plaything, following Paolozzis seminal presentation in 1952, the IG focused primarily on the imagery of American popular culture, particularly mass advertising. Nevertheless, Alloway was one of the critics to defend the inclusion of the imagery of mass culture in the fine arts
10.
Combine painting
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A combine painting is an artwork that incorporates various objects into a painted canvas surface, creating a sort of hybrid between painting and sculpture. Items attached to paintings might include photographic images, clothing, newspaper clippings, the term is most closely associated with the artwork of American artist Robert Rauschenberg who coined the phrase to describe his own creations. Rauschenberg’s Combines explored the boundaries between art and the everyday world. In addition, his cross-medium creations challenged the doctrine of medium specificity mentioned by modernist art critic Clement Greenberg and they shared ideas about art as well as career strategies. Paul Schimmel of the Los Angeles Museum of Contemporary Art described Rauschenbergs Combine paintings as some of the most influential, poetic, but theyve also been called ramshackle hybrids between painting and sculpture, stage prop and three-dimensional scrap-book assemblage according to Guardian critic Adrian Searle. Searle believed the different elements of the Combines have been described as having no more relation than the different stories that vie for attention on a newspaper page. Jasper Johns, as well, used similar techniques, in at least one painting, examples of Rauschenbergs Combine paintings include Bed, Canyon, and the free-standing Monogram. Rauschenbergs works mostly incorporated two-dimensional materials held together with splashes and drips of paint with occasional 3-D objects, critic John Perreault wrote The Combines are both painting and sculpture–or, some purists would say, neither. Perreault liked them since they were memorable, photogenic, and could stick in the mind as well as surprise, Rauschenberg added stuffed birds on his 1955 work Satellite, which featured a stuffed pheasant patrolling its top edge. In another work, he added a ladder and his Combine Broadcast, featuring three radios blaring at once, was a melange of paint, grids, newspaper clips and fabric snippets. Rauschenbergs Bed had an attached to a patchwork quilt with paint splashed over it. The idea was to promote immediacy, the prevailing theme of Rauschenbergs combine paintings is nonmeaning, the absurd, or antiart. In this regard the combine paintings relate to Pop art and their earlier predecessor Dada. In the early 1960s, Rauschenbergs Combines sold from $400 to $7,500, in 1999, the Museum of Modern Art, which had balked at buying Rauschenbergs work decades earlier, spent $12 million to buy his Factum II which the artist made in 1957. Rauschenbergs Rebus was valued in 1991 at $7.3 million, Rauschenberg reportedly said that the images in Rebus jostle with each other like pedestrians on a street. Rauschenbergs Photograph, a Combine painting from 1959, was valued at $10.7 million by Sothebys in 2008 and his work Bantam sold for $2.6 million in 2009. In 2008, New York Times art critic Roberta Smith, who described Combines as multimedia hybrids, in 2012, Canyon was donated to MoMA by the children of Ileana Sonnabend as part of an IRS settlement that valued the work at $65 million
11.
Photography
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Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. With an electronic sensor, this produces an electrical charge at each pixel. A negative image on film is used to photographically create a positive image on a paper base, known as a print. The word photography was created from the Greek roots φωτός, genitive of φῶς, light and γραφή representation by means of lines or drawing, several people may have coined the same new term from these roots independently. Johann von Maedler, a Berlin astronomer, is credited in a 1932 German history of photography as having used it in an article published on 25 February 1839 in the German newspaper Vossische Zeitung. Both of these claims are now widely reported but apparently neither has ever been confirmed as beyond reasonable doubt. Credit has traditionally given to Sir John Herschel both for coining the word and for introducing it to the public. Photography is the result of combining several technical discoveries, later Greek mathematicians Aristotle and Euclid also independently described a pinhole camera in the 5th and 4th centuries BCE. Daniele Barbaro described a diaphragm in 1566, wilhelm Homberg described how light darkened some chemicals in 1694. The fiction book Giphantie, published in 1760, by French author Tiphaigne de la Roche, the discovery of the camera obscura that provides an image of a scene dates back to ancient China. Leonardo da Vinci mentions natural camera obscura that are formed by dark caves on the edge of a sunlit valley, a hole in the cave wall will act as a pinhole camera and project a laterally reversed, upside down image on a piece of paper. So the birth of photography was primarily concerned with inventing means to capture, renaissance painters used the camera obscura which, in fact, gives the optical rendering in color that dominates Western Art. The camera obscura literally means dark chamber in Latin and it is a box with a hole in it which allows light to go through and create an image onto the piece of paper. Around the year 1800, British inventor Thomas Wedgwood made the first known attempt to capture the image in a camera obscura by means of a light-sensitive substance and he used paper or white leather treated with silver nitrate. The shadow images eventually darkened all over, the first permanent photoetching was an image produced in 1822 by the French inventor Nicéphore Niépce, but it was destroyed in a later attempt to make prints from it. Niépce was successful again in 1825, in 1826 or 1827, he made the View from the Window at Le Gras, the earliest surviving photograph from nature. Because Niépces camera photographs required a long exposure, he sought to greatly improve his bitumen process or replace it with one that was more practical. With an eye to eventual commercial exploitation, the partners opted for total secrecy, Daguerres efforts culminated in what would later be named the daguerreotype process
12.
Printmaking
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Printmaking is the process of making artworks by printing, normally on paper. Printmaking normally covers only the process of creating prints that have an element of originality, except in the case of monotyping, the process is capable of producing multiples of the same piece, which is called a print. Each print produced is not considered a copy but rather is considered an original, a print may be known as an impression. Printmaking is not chosen only for its ability to multiple impressions. Prints are created by transferring ink from a matrix or through a screen to a sheet of paper or other material. Screens made of silk or synthetic fabrics are used for the screenprinting process, other types of matrix substrates and related processes are discussed below. Multiple impressions printed from the matrix form an edition. Prints may also be printed in book form, such as illustrated books or artists books, Printmaking techniques are generally divided into the following basic categories, Relief, where ink is applied to the original surface of the matrix. Relief techniques include woodcut or woodblock as the Asian forms are known, wood engraving. Intaglio, where ink is applied beneath the surface of the matrix. Intaglio techniques include engraving, etching, mezzotint, aquatint, planographic, where the matrix retains its original surface, but is specially prepared and/or inked to allow for the transfer of the image. Planographic techniques include lithography, monotyping, and digital techniques, stencil, where ink or paint is pressed through a prepared screen, including screenprinting and pochoir. Other types of printmaking techniques outside these groups include collagraphy and viscosity printing, collagraphy is a printmaking technique in which textured material is adhered to the printing matrix. This texture is transferred to the paper during the printing process, Contemporary printmaking may include digital printing, photographic mediums, or a combination of digital, photographic, and traditional processes. Many of these techniques can also be combined, especially within the same family, for example, Rembrandts prints are usually referred to as etchings for convenience, but very often include work in engraving and drypoint as well, and sometimes have no etching at all. Woodcut, a type of print, is the earliest printmaking technique. It was probably first developed as a means of printing patterns on cloth, woodcuts of images on paper developed around 1400 in Japan, and slightly later in Europe. These are the two areas where woodcut has been most extensively used purely as a process for making images without text, the artist draws a design on a plank of wood, or on paper which is transferred to the wood
13.
Papermaking
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Today almost all paper is manufactured using industrial machinery, while handmade paper survives as a specialized craft and a medium for artistic expression. In papermaking, a dilute suspension consisting mostly of cellulose fibres in water is drained through a sieve-like screen. Water is further removed from this sheet by pressing, sometimes aided by suction or vacuum, once dry, a generally flat, uniform and strong sheet of paper is achieved. Before the invention and current widespread adoption of automated machinery, all paper was made by hand, while hempen paper had been used in China for wrapping and padding since the eighth century BCE. Paper used as a medium became widespread by the 3rd century and, by the 6th century. During the Tang Dynasty paper was folded and sewn into square bags to preserve the flavour of tea, in the 8th century, papermaking spread to the Islamic world, where the process was refined, and machinery was designed for bulk manufacturing. Production began in Samarkand, Baghdad, Damascus, Cairo, Morocco, in Baghdad, papermaking was under the supervision of the Grand Vizier Jafar ibn Yahya. Muslims invented a method to make a sheet of paper. This innovation helped transform papermaking from an art into a major industry, the earliest use of water-powered mills in paper production, specifically the use of pulp mills for preparing the pulp for papermaking, dates back to Samarkand in the 8th century. The earliest references to paper mills also come from the medieval Islamic world, Papermaking was diffused across the Islamic world, from where it was diffused further west into Europe. Modern papermaking began in the early 19th century in Europe with the development of the Fourdrinier machine and this machine produces a continuous roll of paper rather than individual sheets. Some produce paper 150 meters in length and 10 meters wide and they can produce paper at a rate of 100 km/h. In 1844, Canadian Charles Fenerty and German F. G. Keller had invented the machine and this innovation ended the nearly 2, 000-year use of pulped rags and start a new era for the production of newsprint and eventually almost all paper was made out of pulped wood. Water is removed from this mat of fibres using a press, the method of manual papermaking changed very little over time, despite advances in technologies. The process of manufacturing handmade paper can be generalized into five steps, the size of the paper is governed by the size of the frame. This tool is completely submerged in the solution vertically and drawn out horizontally to ensure a uniform coating of the wire mesh. Excess water is removed and the wet mat of fibre laid on top of a damp cloth. The process is repeated for the number of sheets
14.
National Medal of Arts
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The National Medal of Arts is an award and title created by the United States Congress in 1984, for the purpose of honoring artists and patrons of the arts. A prestigious American honor, it is the highest honor given for achievement in the arts conferred to an individual artist on behalf of the people. Honorees are selected by the National Endowment for the Arts, the medal was designed for the NEA by sculptor Robert Graham. In 1989, composer and conductor, Leonard Bernstein refused his award, in 1997, poet Adrienne Rich refused her award as a protest against “inconsistencies” between art and “the cynical politics” of the Clinton White House administration. National Medal of Science National Medal of Technology and Innovation National Endowment for the Arts
15.
Captiva Island, Florida
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Captiva Island is an island in Lee County in southwest Florida, located just offshore in the Gulf of Mexico. Captiva Island is just north of Sanibel Island, according to local folklore, Captiva got its name because the pirate captain José Gaspar held his female prisoners on the island for ransom. However, the existence of José Gaspar is sourced from an advertising brochure of an early 20th-century developer. Around 3000 B. C. the sands of Captiva started to erode, the Gulf of Mexico waters were eight feet lower than they are today. It is said that the first inhabitants of Captiva were The Calusa Indians, the population of the Calusa is believed to have reached as many as 50,000 people. Calusa means fierce people, and they were described as a war-like people, the Calusa Indians were resistant to colonization and attacked any explorers who came into their territory. Calusa Indians built their houses on stilts without walls and they wove palmetto leaves together to build roves. The Calusa Indians fished for food on the coast, bays, rivers, “The men and boys of the tribe made nets from palm tree webbing to catch mullet, pinfish, pigfish, and catfish. They used spears to catch eels and turtles and they made fish bone arrowheads to hunt for animals such as deer. The women and children learned to catch shellfish like conchs, crabs, clams, lobsters, and oysters. ”The Calusa Indians used the shells on the island for utensils, jewelry, tools, weapons, by the late 1700s most of the Calusa Indians had died out. Many were captured and sold as slaves while others died from such as smallpox. An Austrian named Binder was on a German freighter headed to New Orleans when the ship crashed and he then washed up to shore on what has been since 1921, Upper Captiva. “He lived for weeks on what the unoccupied island had to offer, built a makeshift raft, and got himself to Pine Island. By 1888, due to his having fought with the U. S. Army, he became naturalized, and was allowed to homestead on Captiva in 1888, for 10 years he was Captiva’s first and only inhabitant. Originally part of neighboring Sanibel Island to the southeast, it was severed in 1926 when a storm surge created a new channel. The channel filled in over subsequent years, but was reopened by dredging in the summer of 2009, like Sanibel, Captiva is a barrier island to Pine Island, however it is much narrower. The only automobile access to Captiva is via the Sanibel Causeway and Sanibel-Captiva Road, which ends in the CDP of Captiva, the islands only CDP. Captiva was homesteaded in 1888 and a cemetery next to The Chapel by the Sea has the grave of the original resident, William Herbert Binder
16.
Germans
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Germans are a Germanic ethnic group native to Central Europe, who share a common German ancestry, culture and history. German is the mother tongue of a substantial majority of ethnic Germans. The English term Germans has historically referred to the German-speaking population of the Holy Roman Empire since the Late Middle Ages, before the collapse of communism and the reunification of Germany in 1990, Germans constituted the largest divided nation in Europe by far. Ever since the outbreak of the Protestant Reformation within the Holy Roman Empire, of approximately 100 million native speakers of German in the world, roughly 80 million consider themselves Germans. Thus, the number of Germans lies somewhere between 100 and more than 150 million, depending on the criteria applied. Today, people from countries with German-speaking majorities most often subscribe to their own national identities, the German term Deutsche originates from the Old High German word diutisc, referring to the Germanic language of the people. It is not clear how commonly, if at all, the word was used as an ethnonym in Old High German, used as a noun, ein diutscher in the sense of a German emerges in Middle High German, attested from the second half of the 12th century. The Old French term alemans is taken from the name of the Alamanni and it was loaned into Middle English as almains in the early 14th century. The word Dutch is attested in English from the 14th century, denoting continental West Germanic dialects, while in most Romance languages the Germans have been named from the Alamanni, the Old Norse, Finnish and Estonian names for the Germans were taken from that of the Saxons. In Slavic languages, the Germans were given the name of němьci, originally with a meaning foreigner, the English term Germans is only attested from the mid-16th century, based on the classical Latin term Germani used by Julius Caesar and later Tacitus. It gradually replaced Dutch and Almains, the latter becoming mostly obsolete by the early 18th century, the Germans are a Germanic people, who as an ethnicity emerged during the Middle Ages. Originally part of the Holy Roman Empire, around 300 independent German states emerged during its decline after the Peace of Westphalia in 1648 ending the Thirty Years War and these states eventually formed into modern Germany in the 19th century. The concept of a German ethnicity is linked to Germanic tribes of antiquity in central Europe, the early Germans originated on the North German Plain as well as southern Scandinavia. By the 2nd century BC, the number of Germans was significantly increasing and they began expanding into eastern Europe, during antiquity these Germanic tribes remained separate from each other and did not have writing systems at that time. In the European Iron Age the area that is now Germany was divided into the La Tène horizon in Southern Germany and the Jastorf culture in Northern Germany. By 55 BC, the Germans had reached the Danube river and had either assimilated or otherwise driven out the Celts who had lived there, and had spread west into what is now Belgium and France. Conflict between the Germanic tribes and the forces of Rome under Julius Caesar forced major Germanic tribes to retreat to the east bank of the Rhine, in Roman-held territories with Germanic populations, the Germanic and Roman peoples intermarried, and Roman, Germanic, and Christian traditions intermingled. The adoption of Christianity would later become an influence in the development of a common German identity
17.
Anglo-Saxon
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The Anglo-Saxons are a people who have inhabited Great Britain from the 5th century. Historically, the Anglo-Saxon period denotes the period in Britain between about 450 and 1066, after their settlement and up until the Norman conquest. The early Anglo-Saxon period includes the creation of an English nation, with many of the aspects that survive today, including government of shires. During this period, Christianity was re-established and there was a flowering of literature, charters and law were also established. The term Anglo-Saxon is popularly used for the language that was spoken and written by the Anglo-Saxons in England, in scholarly use, it is more commonly called Old English. The history of the Anglo-Saxons is the history of a cultural identity and it developed from divergent groups in association with the peoples adoption of Christianity, and was integral to the establishment of various kingdoms. Threatened by extended Danish invasions and occupation of eastern England, this identity was re-established, the visible Anglo-Saxon culture can be seen in the material culture of buildings, dress styles, illuminated texts and grave goods. Behind the symbolic nature of these emblems, there are strong elements of tribal. The elite declared themselves as kings who developed burhs, and identified their roles and peoples in Biblical terms, above all, as Helena Hamerow has observed, local and extended kin groups remained. the essential unit of production throughout the Anglo-Saxon period. Use of the term Anglo-Saxon assumes that the words Angles, Saxons or Anglo-Saxon have the meaning in all the sources. Assigning ethnic labels such as Anglo-Saxon is fraught with difficulties and this term began to be used only in the 8th century to distinguish the Germanic groups in Britain from those on the continent. The Old English ethnonym Angul-Seaxan comes from the Latin Angli-Saxones and became the name of the peoples Bede calls Anglorum, Anglo-Saxon is a term that was rarely used by Anglo-Saxons themselves, it is not an autonym. It is likely they identified as ængli, Seaxe or, more probably, also, the use of Anglo-Saxon disguises the extent to which people identified as Anglo-Scandinavian after the Viking age or the conquest of 1016, or as Anglo-Norman after the Norman conquest. The earliest historical references using this term are from outside Britain, referring to piratical Germanic raiders, Saxones who attacked the shores of Britain, procopius states that Britain was settled by three races, the Angiloi, Frisones, and Britons. The term Angli Saxones seems to have first been used in writing of the 8th century. The name therefore seemed to mean English Saxons, the Christian church seems to have used the word Angli, for example in the story of Pope Gregory I and his remark, Non Angli sed angeli. The terms ænglisc and Angelcynn were also used by West Saxon King Alfred to refer to the people, at other times he uses the term rex Anglorum, which presumably meant both Anglo-Saxons and Danes. Alfred the Great used Anglosaxonum Rex, the term Engla cyningc is used by Æthelred
18.
Fundamentalist Christian
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Christian fundamentalism began in the late 19th and early 20th centuries among British and American Protestants as a reaction to theological liberalism and cultural modernism. Fundamentalists are almost always described as having an interpretation of the Bible. A few scholars regard Catholics who reject modern theology in favor of traditional doctrines as fundamentalists. Scholars debate how much the terms evangelical and fundamentalist are synonymous, interpretations of Christian fundamentalism have changed over time. Fundamentalism is a movement manifested in various such as Pentecostalism or Roman Catholicism with various theologies. The movement became more organized in the 1920s within U. S. Protestant churches, especially Baptist, many such churches adopted a fighting style and combined Princeton theology with Dispensationalism. The term fundamentalism was coined by Baptist editor Curtis Lee Laws in 1920 to designate Christians who were ready to do battle royal for the fundamentals, the term was quickly adopted by all sides. Laws borrowed it from the title of a series of essays published between 1910 and 1915 called The Fundamentals, A Testimony to the Truth, the term fundamentalism entered the English language in 1922, and is often capitalized when referring to the religious movement. The term fundamentalist is controversial in the 21st century, as it can carry the connotation of religious extremism, some who hold these beliefs reject the label of fundamentalism, seeing it as too pejorative, while to others it has become a banner of pride. Such Christians prefer to use the fundamental, as opposed to fundamentalist. The term is confused with Christian legalism. Fundamentalism came from streams in British and American theology of the 19th century. Modernists attempted to update Christianity to match their view of science and they denied biblical miracles and argued that God manifests himself through the social evolution of society. These latent tensions erupted to the surface after World War I in what came to be called the fundamentalist/modernist split, however, the split does not mean there are just two groups, modernists and fundamentalists. There are also people who considered themselves to be neo-evangelicals, separating themselves from the components of fundamentalism. These neo-evangelicals also wanted to separate themselves from the fundamentalist movement and they in turn had been influenced by the Pietism movement in Germany. A second stream was Dispensationalism, a new interpretation of the Bible developed in the 1830s in England, John Nelson Darbys ideas were disseminated by the notes and commentaries in the widely used Scofield Reference Bible, published in 1909. Dispensationalism was a theory that divided all of time into seven different stages, called dispensations
19.
University of Texas
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Founded in 1881 as The University of Texas, its campus is in Austin, Texas—approximately 1 mile from the Texas State Capitol. The institution has the nations seventh-largest single-campus enrollment, with over 50,000 undergraduate and graduate students and over 24,000 faculty, UT Austin was inducted into the American Association of Universities in 1929, becoming only the third university in the American South to be elected. It is a center for academic research, with research expenditures exceeding $550 million for the 2014–2015 school year. J. Pickle Research Campus and the McDonald Observatory, among university faculty are recipients of the Nobel Prize, Pulitzer Prize, the Wolf Prize, the Emmy Award, the Turing Award, and the National Medal of Science, as well as many other awards. UT Austin student athletes compete as the Texas Longhorns and are members of the Big 12 Conference and its Longhorn Network is the only sports network featuring the college sports of a single university. The first mention of a university in Texas can be traced to the 1827 constitution for the Mexican state of Coahuila y Tejas. Although Title 6, Article 217 of the Constitution promised to establish education in the arts and sciences. On April 18,1838, An Act to Establish the University of Texas was referred to a committee of the Texas Congress. On January 26,1839, the Texas Congress agreed to set aside fifty leagues of land towards the establishment of a publicly funded university, in addition,40 acres in the new capital of Austin were reserved and designated College Hill. In 1845, Texas was annexed into the United States, interestingly, the states Constitution of 1845 failed to mention higher education. On February 11,1858, the Seventh Texas Legislature approved O. B,102, an act to establish the University of Texas, which set aside $100,000 in United States bonds toward construction of the states first publicly funded university. The legislature also designated land reserved for the encouragement of railroad construction toward the universitys endowment, Texas secession from the Union and the American Civil War delayed repayment of the borrowed monies. At the end of the Civil War in 1865, The University of Texas endowment was just over $16,000 in warrants, the more valuable lands reverted to the fund to support general education in the state. The legislature additionally appropriated $256,272.57 to repay the funds taken from the university in 1860 to pay for frontier defense, the 1883 grant of land increased the land in the Permanent University Fund to almost 2.2 million acres. Under the Act of 1858, the university was entitled to just over 1,000 acres of land for every mile of railroad built in the state. On March 30,1881, the legislature set forth the structure and organization. By popular election on September 6,1881, Austin was chosen as the site, galveston, having come in second in the election was designated the location of the medical department. On November 17,1882, on the original College Hill, smite the earth, smite the rocks with the rod of knowledge and fountains of unstinted wealth will gush forth
20.
United States Navy
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The United States Navy is the naval warfare service branch of the United States Armed Forces and one of the seven uniformed services of the United States. The U. S. Navy is the largest, most capable navy in the world, the U. S. Navy has the worlds largest aircraft carrier fleet, with ten in service, two in the reserve fleet, and three new carriers under construction. The service has 323,792 personnel on duty and 108,515 in the Navy Reserve. It has 274 deployable combat vessels and more than 3,700 operational aircraft as of October 2016, the U. S. Navy traces its origins to the Continental Navy, which was established during the American Revolutionary War and was effectively disbanded as a separate entity shortly thereafter. It played a role in the American Civil War by blockading the Confederacy. It played the role in the World War II defeat of Imperial Japan. The 21st century U. S. Navy maintains a global presence, deploying in strength in such areas as the Western Pacific, the Mediterranean. The Navy is administratively managed by the Department of the Navy, the Department of the Navy is itself a division of the Department of Defense, which is headed by the Secretary of Defense. The Chief of Naval Operations is an admiral and the senior naval officer of the Department of the Navy. The CNO may not be the highest ranking officer in the armed forces if the Chairman or the Vice Chairman of the Joint Chiefs of Staff. The mission of the Navy is to maintain, train and equip combat-ready Naval forces capable of winning wars, deterring aggression, the United States Navy is a seaborne branch of the military of the United States. The Navys three primary areas of responsibility, The preparation of naval forces necessary for the prosecution of war. The development of aircraft, weapons, tactics, technique, organization, U. S. Navy training manuals state that the mission of the U. S. Armed Forces is to prepare and conduct prompt and sustained combat operations in support of the national interest, as part of that establishment, the U. S. Navys functions comprise sea control, power projection and nuclear deterrence, in addition to sealift duties. It follows then as certain as that night succeeds the day, that without a decisive naval force we can do nothing definitive, the Navy was rooted in the colonial seafaring tradition, which produced a large community of sailors, captains, and shipbuilders. In the early stages of the American Revolutionary War, Massachusetts had its own Massachusetts Naval Militia, the establishment of a national navy was an issue of debate among the members of the Second Continental Congress. Supporters argued that a navy would protect shipping, defend the coast, detractors countered that challenging the British Royal Navy, then the worlds preeminent naval power, was a foolish undertaking. Commander in Chief George Washington resolved the debate when he commissioned the ocean-going schooner USS Hannah to interdict British merchant ships, and reported the captures to the Congress
21.
Josef Albers
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Albers was born into a Roman Catholic family of craftsmen in Bottrop, Westphalia, Germany. He worked from 1908 to 1913 as a schoolteacher in his town, he also trained as an art teacher at Königliche Kunstschule in Berlin, Germany. From 1916 to 1919 he began his work as a printmaker at the Kunstgewerbschule in Essen, in 1918 he received his first public commission, Rosa mystica ora pro nobis, a stained-glass window for a church in Essen. In 1919 he went to Munich, Germany, to study at the Königliche Bayerische Akademie der Bildenden Kunst, Albers enrolled as a student in the preliminary course of Johannes Itten at the Weimar Bauhaus in 1920. In 1925, Albers was promoted to professor, the year the Bauhaus moved to Dessau, at this time, he married Anni Albers who was a student there. His work in Dessau included designing furniture and working with glass, as a younger art teacher, he was teaching at the Bauhaus among artists who included Oskar Schlemmer, Wassily Kandinsky, and Paul Klee. The so-called form master, Klee taught the formal aspects in the workshops where Albers was the crafts master. With the closure of the Bauhaus under Nazi pressure in 1933 the artists dispersed, Albers emigrated to the United States. The architect Philip Johnson, then a curator at the Museum of Modern Art, arranged for Albers to be offered a job as head of a new art school, Black Mountain College, in North Carolina. In November 1933, he joined the faculty of the college where he was the head of the program until 1949. At Black Mountain, his students included Ruth Asawa, Ray Johnson, Robert Rauschenberg, Cy Twombly and he also invited important American artists such as Willem de Kooning, to teach in the summer seminar. Albers produced many woodcuts and leaf studies at this time, in 1950, Albers left Black Mountain to head the department of design at Yale University in New Haven, Connecticut. While at Yale, Albers worked to expand the nascent graphic design program, hiring designers Alvin Eisenman, Herbert Matter, Albers worked at Yale until he retired from teaching in 1958. At Yale, Richard Anuszkiewicz, Eva Hesse, Neil Welliver, in 1962, as a fellow at Yale, he received a grant from the Graham Foundation for an exhibit and lecture on his work. Albers also collaborated with Yale professor and architect King-lui Wu in creating designs for some of Wus projects. Among these were distinctive geometric fireplaces for the Rouse and DuPont houses, the façade of Manuscript Society, one of Yales secret senior groups, also, at this time he worked on his structural constellation pieces. In 1963, he published Interaction of Color which presented his theory that colors were governed by an internal, the very rare first edition has a limited printing of only 2,000 copies and contained 150 silk screen plates. This work has been republished since and is now available as a cell phone app
22.
Bauhaus
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The Bauhaus was founded by Walter Gropius in Weimar. Nonetheless, it was founded with the idea of creating a work of art in which all arts, including architecture. The Bauhaus style later became one of the most influential currents in modern design, Modernist architecture and art, design, the Bauhaus had a profound influence upon subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography. Although the school was closed, the continued to spread its idealistic precepts as they left Germany. The changes of venue and leadership resulted in a constant shifting of focus, technique, instructors, many Germans of left-wing views were influenced by the cultural experimentation that followed the Russian Revolution, such as constructivism. Such influences can be overstated, Gropius did not share these radical views, thus, the Bauhaus style, also known as the International Style, was marked by the absence of ornamentation and by harmony between the function of an object or a building and its design. In its first seven years, the Werkbund came to be regarded as the body on questions of design in Germany. The entire movement of German architectural modernism was known as Neues Bauen, beginning in June 1907, Peter Behrens pioneering industrial design work for the German electrical company AEG successfully integrated art and mass production on a large scale. Behrens was a member of the Werkbund, and both Walter Gropius and Adolf Meyer worked for him in this period. The Bauhaus was founded at a time when the German zeitgeist had turned from emotional Expressionism to the matter-of-fact New Objectivity, beyond the Bauhaus, many other significant German-speaking architects in the 1920s responded to the same aesthetic issues and material possibilities as the school. They also responded to the promise of a minimal dwelling written into the new Weimar Constitution, ernst May, Bruno Taut, and Martin Wagner, among others, built large housing blocks in Frankfurt and Berlin. The acceptance of modernist design into everyday life was the subject of publicity campaigns, well-attended public exhibitions like the Weissenhof Estate, films, the Vkhutemas, the Russian state art and technical school founded in 1920 in Moscow, has been compared to Bauhaus. Founded a year after the Bauhaus school, Vkhutemas has close parallels to the German Bauhaus in its intent, organization, the two schools were the first to train artist-designers in a modern manner. Vkhutemas was a school than the Bauhaus, but it was less publicised outside the Soviet Union. With the internationalism of modern architecture and design, there were exchanges between the Vkhutemas and the Bauhaus. In addition, El Lissitzkys book Russia, an Architecture for World Revolution published in German in 1930 featured several illustrations of Vkhutemas/Vkhutein projects there. The school was founded by Walter Gropius in Weimar in 1919 as a merger of the Grand Ducal School of Arts and Crafts and the Weimar Academy of Fine Art. Its roots lay in the arts and crafts founded by the Grand Duke of Saxe-Weimar-Eisenach in 1906
23.
Morris Kantor
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Morris Kantor was a Russian-born American painter based in the New York City area. Born in Minsk in 1896, Kantor was brought to the United States as a child in 1906 and he made his home in West Nyack, New York for much of his life, and died there in 1974. He produced a prolific and diverse body of work, much of it in the form of paintings, perhaps his most widely recognized work is the iconic painting Baseball At Night, which depicts an early night baseball game played under artificial electric light. He married fellow artist Martha Ryther, in addition to his downtown Manhattan studio adjacent to Union Square, he also maintained a studio on Cape Cod in Wellfleet, Massachusetts. Like many American artists, in the 1920s he also spent time working in Paris, the 1930s found him in the position of supervisor of the Federal Art Projects Easel Painting Project in Rockland County, New York. In the 1940s some of his summers were spent in Monhegan and he was active in sketching and drawing through the 1970s, until shortly before his death. Kantors work is on display in many prominent museums, including the Smithsonian American Art Museum and the Hirshhorn Museum
24.
Knox Martin
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Knox Martin is an American painter, sculptor and muralist. Born in Barranquilla, Colombia, he studied at the Art Students League of New York from 1946 till 1950 and he is one of the leading members of the New York School of artists and writers. He lives and works in New York City, Art is at its cutting edge out of a specific lineage - the creation of reality. The subject matter of what I do, is creation, Knox Martin is the oldest son of Lieutenant William Knox Martin, a Virginia-born early aviation pioneer and flyer, and his wife Isabel Vieco, who were married in the Canal Zone in Panama in 1921. Knox Martin Sr. painter, poet, early test pilot, was the first man to fly over the Andes mountains, six years after his marriage, Martin Sr. was fatally injured in an automobile accident in Watertown, New York. His widow Isabel relocated with her three sons from Salem, Virginia to New York City. After serving in World War II, Knox Martin attended the Art Students League of New York on the G. I, bill from 1946 to 1950, where he studied with Harry Sternberg, Vaclav Vytlacil, Will Barnet, and Morris Kantor. In 1954, Knox Martins friend Franz Kline placed a painting of his in the Stable Gallery Annual. Charles Egan of the Charles Egan Gallery saw Knox Martins painting at the Stable Gallery, Knox Martin is best known for his repertory of signs and symbols that allude to nature and, in particular, to the female form. He mostly creates painting, sculpture and wall paintings using media such as acrylic, collage, fresco, ink drawing, mixed media/multimedia, one of his wall paintings in New York City is the twelve-story mural Venus. Painted in 1970, Venus is located on the side of Bayview Correctional Facility at 19th Street. Traditionally the goddess of love and fertility, Venus represents woman, erotic and supple, Venus is his love poem to the city where he has always lived, a place that is part of his being. The feminine, curvilinear shapes of the image are in direct contrast with the forms that intersect the composition. The overwhelming size of this enormous mural only intensifies the experience of female shapes, the aspects of the painted composition. In an era when art was reaching out to the masses with pop culture, in 2002 Knox Martin was named to the National Academy of Design. In the fall of 2010 Knox Martin had a show of his Black. October 6,2012 to April 6,2013, Knox Martin had an exhibition of recent paintings, SHE, at the Sam & Adele Golden Gallery at Golden Artist Colors in New Berlin. September 13,2013 to October 26,2013, Knox Martin Exhibition SHE at LGTripp Gallery in Philadelphia, on November 14,2016 France conferred the insignia of the Legion of Honour on Knox Martin for his contribution to the liberation of France during World War II
25.
Cy Twombly
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Edwin Parker Cy Twombly, Jr. was an American painter, sculptor and photographer. He belonged to the generation of Robert Rauschenberg and Jasper Johns and his paintings are predominantly large-scale, freely-scribbled, calligraphic and graffiti-like works on solid fields of mostly gray, tan, or off-white colors. He was also commissioned for the ceiling of a room of the Musée du Louvre in Paris, many of his later paintings and works on paper shifted toward romantic symbolism, and their titles can be interpreted visually through shapes and forms and words. Twombly often quoted the poets as Stéphane Mallarmé, Rainer Maria Rilke and John Keats, as well as many classical myths, examples of this are his Apollo and The Artist and a series of eight drawings consisting solely of inscriptions of the word VIRGIL. Twombly is said to have influenced artists such as Jean-Michel Basquiat, Anselm Kiefer, Francesco Clemente. Twombly was born in Lexington, Virginia on April 25,1928, Twomblys father, also nicknamed Cy, pitched for the Chicago White Sox. They were both nicknamed after the baseball great Cy Young who pitched for, among others, the Cardinals, Red Sox, Indians, at age 12, Twombly began to take private art lessons with the Catalan modern master Pierre Daura. On a tuition scholarship from 1950 to 1951, he studied at the Art Students League of New York, Rauschenberg encouraged him to attend Black Mountain College near Asheville, North Carolina. At Black Mountain in 1951 and 1952 he studied with Franz Kline, Robert Motherwell and Ben Shahn, the poet and rector of the College Charles Olson had a great influence on him. Arranged by Motherwell, Twomblys first solo exhibition was organized by the Samuel M. Kootz Gallery in New York in 1951, at this time his work was influenced by Klines black-and-white gestural expressionism, as well as Paul Klees imagery. In 1952, Twombly received a grant from the Virginia Museum of Fine Arts which enabled him to travel to North Africa, Spain, Italy and he spent this journey in Africa and Europe with Robert Rauschenberg. In 1954, he served in the U. S. Army as a cryptographer in Washington, D. C. in 1957, Twombly moved to Rome, where he met the Italian artist Baroness Tatiana Franchetti – sister of his patron Baron Giorgio Franchetti. They were married at City Hall in New York in 1959, in addition, they had a 17th-century villa in Bassano in Teverina, north of Rome. They had a son, Cyrus Alessandro Twombly, who is also a painter, in 1964, Twombly met Nicola Del Roscio of Gaeta, who became his longtime companion. Twombly bought a house and rented a studio in Gaeta in the early 1990s, Twombly and Tatiana, who died in 2010, never divorced and remained friends. In 2011, Twombly died in Rome after being hospitalized for several days, a plaque in Santa Maria in Vallicella commemorates him. After his return in 1953, Twombly served in the U. S. army as a cryptologist, an activity that left a distinct mark on his artistic style. From 1955 to 1959, he worked in New York, where he became a prominent figure among a group of artists including Robert Rauschenberg, with whom he was sharing a studio, and Jasper Johns
26.
Morton Feldman
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Morton Feldman was an American composer. His later works, after 1977, also begin to explore extremes of duration, Feldman was born in Woodside, Queens into a family of Russian-Jewish immigrants Irving Feldman and Frances Breskin Feldman, who immigrated to New York from Pereyaslav and Bobruysk. His father was a manufacturer of childrens coats, as a child he studied piano with Vera Maurina Press, who, according to the composer himself, instilled in him a vibrant musicality rather than musicianship. Feldman and Wolpe spent most of their time talking about music. In early 1950 Feldman went to hear the New York Philharmonic give a performance of Anton Weberns Symphony, after this work, the orchestra was going to perform a piece by Sergei Rachmaninoff, and Feldman left immediately before that, disturbed by the audiences disrespectful reaction to Weberns work. In the lobby he met John Cage, who was at the concert and had decided to step out. The two composers quickly became friends, with Feldman moving into the apartment on the second floor of the building Cage lived in. Through Cage, he met sculptor Richard Lippold and artists Sonia Sekula, Robert Rauschenberg, and others, and composers such as Henry Cowell, Virgil Thomson, and George Antheil. With encouragement from Cage, Feldman began to write pieces that had no relation to compositional systems of the past, such as the constraints of traditional harmony or the serial technique. He experimented with systems of musical notation, often using grids in his scores, and specifying how many notes should be played at a certain time. Through Cage, Feldman met many prominent figures in the New York arts scene, among them Jackson Pollock, Philip Guston. He found inspiration in the paintings of the expressionists, and throughout the 1970s wrote a number of pieces around twenty minutes in length, including Rothko Chapel. In 1977, he wrote the opera Neither with original text by Samuel Beckett, Feldman was commissioned to compose the score for Jack Garfeins 1961 film, Something Wild. However, after hearing the music for the scene, in which a character is raped. The reaction of the director was said to be, My wife is being raped. Morton Feldmans music changed radically in 1970, moving away from his interest in graphic notation and arhythmic notation systems and toward a more rhythmically precise method of composition. The first piece of this new period was a short, fifty-five measure work entitled Madame Press Died Last Week at Ninety, dedicated to his piano teacher. In 1973, at the age of 47, Feldman became the Edgard Varèse Professor at the University at Buffalo, prior to that time, Feldman had earned his living as a full-time employee at the family textile business in New Yorks garment district
27.
Jasper Johns
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Jasper Johns is an American painter, sculptor and printmaker associated with Abstract expressionism, Neo-Dada, and Pop art. Born in Augusta, Georgia, Jasper Johns spent his life in Allendale, South Carolina. He completed Edmunds High School in Sumter, South Carolina, where he again lived with his mother. Recounting this period in his life, he said, In the place where I was a child, there were no artists and there was no art. I think I thought it meant that I would be in a different than the one that I was in. Johns studied a total of three semesters at the University of South Carolina, from 1947 to 1948 and he then moved to New York City and studied briefly at the Parsons School of Design in 1949. In 1952 and 1953 he was stationed in Sendai, Japan, in 1954, after returning to New York, Johns met Robert Rauschenberg and they became long-term lovers. For a time lived in the same building as Rachel Rosenthal. In the same period he was influenced by the gay couple Merce Cunningham. Working together they explored the art scene, and began developing their ideas on art. In 1958, gallery owner Leo Castelli discovered Johns while visiting Rauschenbergs studio, Castelli gave him his first solo show. It was here that Alfred Barr, the director of New Yorks Museum of Modern Art. In 1963, Johns and Cage founded Foundation for Contemporary Performance Arts, Johns currently lives in Sharon, Connecticut, and on the island of Saint Martin. Until 2012, he lived in a rustic 1930s farmhouse with a studio in Stony Point. He first began visiting Saint Martin in the late 1960s and bought the property there in 1972, the architect Philip Johnson is the principal designer of his Saint Martin home, a long, white, rectangular structure divided into three distinct sections. Johns is best known for his painting Flag, which he painted after having a dream of the American flag and his work is often described as Neo-Dadaist, as opposed to pop art, even though his subject matter often includes images and objects from popular culture. Still, many compilations on pop art include Jasper Johns as a pop artist because of his use of classical iconography. Early works were composed using simple schema such as flags, maps, targets, Johns treatment of the surface is often lush and painterly, he is famous for incorporating such media as encaustic and plaster relief in his paintings
28.
Jonathan D. Katz
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He is also the former executive coordinator of the Larry Kramer Initiative for Lesbian and Gay Studies at Yale University. He is a chair of the Department of Lesbian and Gay studies at the City College of San Francisco. Katz was a professor in the Art History Department at the State University of New York at Stony Brook. He received his Ph. D. from Northwestern University in 1996, Katz is the founder of the Harvey Milk Institute, the largest queer studies institute in the world, and the Queer Caucus for Art of the College Art Association. Katz co-founded Queer Nation San Francisco and he has made scholarly contributions to queer studies the focus of his professional career. He was the first artistic director of the National Queer Arts Festival in San Francisco and has published widely in the United States and Europe. His forthcoming book, The Homosexualization of American Art, Jasper Johns, Robert Rauschenberg, an internationally recognized expert in queer postwar American art, Katz has recently published Jasper Johns Alley Oop, On Comic Strips and Camouflage in Schwule Bildwelten im 20. Jahrhundert, edited by Thomas Roeske, and The Silent Camp, Queer Resistance, goes the World, edited by Serge Guilbaut. In 1995, Katz was kicked out of Rauschenberg conference at the Guggenheim for mentioning Rauschenbergs relationship with Johns, Katz was co-curator with David C. Ward and Jenn Sichel of the exhibition Hide/Seek, Difference and Desire in American Portraiture at the National Portrait Gallery, Washington. This was the first major exploration of the impact of same-sex desire in the creation of modern American portraiture. David Wojnarowiczs video A Fire in My Belly was removed from the exhibition on November 30,2010, Katz was not consulted before the works removal. Re-viewing the Field, Queer Studies in Art History, Art History,1999 John Cages Queer Silence or How to Avoid Making Matters Worse, GLQ, Duke University Press, April,1999. 16,1998 Intro to Works - Queer Cultural Center Resume - Queer Cultural Center California Thinkers 300 Years of Queer History at Yale
29.
Captiva Island
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Captiva Island is an island in Lee County in southwest Florida, located just offshore in the Gulf of Mexico. Captiva Island is just north of Sanibel Island, according to local folklore, Captiva got its name because the pirate captain José Gaspar held his female prisoners on the island for ransom. However, the existence of José Gaspar is sourced from an advertising brochure of an early 20th-century developer. Around 3000 B. C. the sands of Captiva started to erode, the Gulf of Mexico waters were eight feet lower than they are today. It is said that the first inhabitants of Captiva were The Calusa Indians, the population of the Calusa is believed to have reached as many as 50,000 people. Calusa means fierce people, and they were described as a war-like people, the Calusa Indians were resistant to colonization and attacked any explorers who came into their territory. Calusa Indians built their houses on stilts without walls and they wove palmetto leaves together to build roves. The Calusa Indians fished for food on the coast, bays, rivers, “The men and boys of the tribe made nets from palm tree webbing to catch mullet, pinfish, pigfish, and catfish. They used spears to catch eels and turtles and they made fish bone arrowheads to hunt for animals such as deer. The women and children learned to catch shellfish like conchs, crabs, clams, lobsters, and oysters. ”The Calusa Indians used the shells on the island for utensils, jewelry, tools, weapons, by the late 1700s most of the Calusa Indians had died out. Many were captured and sold as slaves while others died from such as smallpox. An Austrian named Binder was on a German freighter headed to New Orleans when the ship crashed and he then washed up to shore on what has been since 1921, Upper Captiva. “He lived for weeks on what the unoccupied island had to offer, built a makeshift raft, and got himself to Pine Island. By 1888, due to his having fought with the U. S. Army, he became naturalized, and was allowed to homestead on Captiva in 1888, for 10 years he was Captiva’s first and only inhabitant. Originally part of neighboring Sanibel Island to the southeast, it was severed in 1926 when a storm surge created a new channel. The channel filled in over subsequent years, but was reopened by dredging in the summer of 2009, like Sanibel, Captiva is a barrier island to Pine Island, however it is much narrower. The only automobile access to Captiva is via the Sanibel Causeway and Sanibel-Captiva Road, which ends in the CDP of Captiva, the islands only CDP. Captiva was homesteaded in 1888 and a cemetery next to The Chapel by the Sea has the grave of the original resident, William Herbert Binder
30.
Fountain (Duchamp)
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Fountain is a 1917 work produced by Marcel Duchamp. The piece was a urinal, which was signed R. Mutt. Fountain was displayed and photographed at Alfred Stieglitzs studio, and the published in The Blind Man. The work is regarded by art historians and theorists of the avant-garde, such as Peter Bürger,17 replicas commissioned by Duchamp in the 1960s now exist. Marcel Duchamp arrived in the United States less than two prior to the creation of Fountain and had become involved with Dada, an anti-rational, anti-art cultural movement. The artist brought the urinal to his studio at 33 West 67th Street, reoriented it to a position 90 degrees from its position of use. According to another version, Duchamp did not create Fountain, at the time Duchamp was a board member of the Society of Independent Artists. After much debate by the members about whether the piece was or was not art. Duchamp resigned from the Board in protest and he took an ordinary article of life, placed it so that its useful significance disappeared under the new title and point of view – created a new thought for that object. In defense of the work being art, Wood also wrote, The only works of art America has given are her plumbing, Duchamp described his intent with the piece was to shift the focus of art from physical craft to intellectual interpretation. Menno Hubregtse argues that Duchamp may have chosen Fountain as a readymade because it parodied Robert J. Coadys exaltation of industrial machines as pure forms of American art. Coady, who championed his call for American art in his publication The Soil, Hubregtse notes that Duchamps urinal may have been a clever response to Coadys comparison of Crottis sculpture with the absolute expression of a—plumber. Shortly after its exhibition, Fountain was lost. According to Duchamp biographer Calvin Tomkins, the best guess is that it was out as rubbish by Stieglitz. The edition of eight was manufactured from glazed earthenware painted to resemble the original porcelain, the artwork is not a special object—it was mass-produced in a factory. The experience of art is not exciting and ennobling—at best it is puzzling, but over and above that, Duchamp did not select just any ready-made object to display. In selecting the urinal, his message was clear, Art is something you piss on, since the photograph taken by Stieglitz is the only image of the original sculpture, there are some interpretations of Fountain by looking not only at reproductions but this particular photograph. The use of the word Dada for the art movement, the meaning and it is not clear whether Duchamp or Freytag-Lorinhoven had in mind the German Armut, or possibly Urmutter
31.
Dada
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Dada or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centers in Zürich, Switzerland at the Cabaret Voltaire, in New York, and after 1920, in Paris. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up writing, Dadaist artists expressed their discontent with violence, war, and nationalism, and maintained political affinities with the radical left. Others note that it suggests the first words of a child, evoking a childishness, still others speculate that the word might have been chosen to evoke a similar meaning in any language, reflecting the movements internationalism. The roots of Dada lay in pre-war avant-garde, the term anti-art, a precursor to Dada, was coined by Marcel Duchamp around 1913 to characterize works which challenge accepted definitions of art. Cubism and the development of collage and abstract art would inform the movements detachment from the constraints of reality, the work of French poets, Italian Futurists and the German Expressionists would influence Dadas rejection of the tight correlation between words and meaning. Works such as Ubu Roi by Alfred Jarry, and the ballet Parade by Erik Satie would also be characterized as proto-Dadaist works, the Dada movements principles were first collected in Hugo Balls Dada Manifesto in 1916. The movement influenced later styles like the avant-garde and downtown music movements, Dada was an informal international movement, with participants in Europe and North America. The beginnings of Dada correspond to the outbreak of World War I, avant-garde circles outside France knew of pre-war Parisian developments. Futurism developed in response to the work of various artists, many Dadaists believed that the reason and logic of bourgeois capitalist society had led people into war. They expressed their rejection of that ideology in artistic expression that appeared to reject logic and embrace chaos, for example, George Grosz later recalled that his Dadaist art was intended as a protest against this world of mutual destruction. According to Hans Richter Dada was not art, it was anti-art, Dada represented the opposite of everything which art stood for. Where art was concerned with aesthetics, Dada ignored aesthetics. If art was to appeal to sensibilities, Dada was intended to offend, as Hugo Ball expressed it, For us, art is not an end in itself. But it is an opportunity for the perception and criticism of the times we live in. A reviewer from the American Art News stated at the time that Dada philosophy is the sickest, most paralyzing and most destructive thing that has ever originated from the brain of man. Art historians have described Dada as being, in large part, a systematic work of destruction and demoralization. In the end it became nothing but an act of sacrilege, to quote Dona Budds The Language of Art Knowledge, Dada was born out of negative reaction to the horrors of the First World War. This international movement was begun by a group of artists and poets associated with the Cabaret Voltaire in Zürich, Dada rejected reason and logic, prizing nonsense, irrationality and intuition
32.
Marcel Duchamp
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Duchamp has had an immense impact on twentieth-century and twenty first-century art. By World War I, he had rejected the work of many of his artists as retinal art. Instead, Duchamp wanted to use art to serve the mind, Marcel Duchamp was born at Blainville-Crevon in Normandy, France, and grew up in a family that enjoyed cultural activities. The art of painter and engraver Émile Frédéric Nicolle, his grandfather, filled the house, and the family liked to play chess, read books, paint. Of Eugene and Lucie Duchamps seven children, one died as an infant, Marcel Duchamp was the brother of, Jacques Villon, painter, printmaker Raymond Duchamp-Villon, sculptor Suzanne Duchamp-Crotti, painter. At 8 years old, Duchamp followed in his brothers footsteps when he left home and began schooling at the Lycée Pierre-Corneille, two other students in his class also became well-known artists and lasting friends, Robert Antoine Pinchon and Pierre Dumont. For the next 8 years, he was locked into a regime which focused on intellectual development. Though he was not a student, his best subject was mathematics. He also won a prize for drawing in 1903, and at his commencement in 1904 he won a coveted first prize and he learned academic drawing from a teacher who unsuccessfully attempted to protect his students from Impressionism, Post-Impressionism, and other avant-garde influences. However, Duchamps true artistic mentor at the time was his brother Jacques Villon, whose fluid, at 14, his first serious art attempts were drawings and watercolors depicting his sister Suzanne in various poses and activities. That summer he painted landscapes in an Impressionist style using oils. Duchamps early art works align with Post-Impressionist styles and he experimented with classical techniques and subjects. He studied art at the Académie Julian from 1904 to 1905, during this time Duchamp drew and sold cartoons which reflected his ribald humor. Many of the drawings use verbal puns, visual puns, or both, such play with words and symbols engaged his imagination for the rest of his life. In 1905, he began his military service with the 39th Infantry Regiment. There he learned typography and printing processes—skills he would use in his later work, due to his eldest brother Jacques membership in the prestigious Académie royale de peinture et de sculpture Duchamps work was exhibited in the 1908 Salon dAutomne. The following year his work was featured in the Salon des Indépendants, of Duchamps pieces in the show, critic Guillaume Apollinaire—who was to become a friend—criticized what he called Duchamps very ugly nudes. The group came to be known as the Puteaux Group, or the Section dOr, uninterested in the Cubists seriousness or in their focus on visual matters, Duchamp did not join in discussions of Cubist theory, and gained a reputation of being shy
33.
Galerie Iris Clert
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The Iris Clert Gallery was an art gallery named after its Greek owner and curator, Iris Clert. The single-room gallery was located on 3 rue des Beaux-Arts in Paris and it was open from 1955 to 1971 and during that time housed artworks from many successful and influential artists of the time, including Yves Klein, Jean Tinguely, Arman, Takis and René Laubies. The Iris Clert Gallery opened in 1955, in the middle of Pariss fine-art district, Yves Klein and Iris Clert first met in December 1955, when the still unknown artist approached Clert in her newly opened gallery, attempting to solicit his monochrome artwork. Klein persuaded Clert to keep one of his paintings, a small orange monochrome and she displayed the monochrome in the corner of the one-room gallery. The painting proved to be successful, and upon Kleins return, Clert invited him to exhibit a few of his monochromes in the gallerys first major exhibition in April 1957, Micro-Salon dAvril consisted of over 250 artworks, no larger than a postcard, by over a hundred artists. Besides Klein, the featured works from Pablo Picasso and Max Ernst. Kleins showing in the Micro-Salon dAvril also proved a success, and within a month, he had his own exhibition in the Clert Gallery and it too was a success, though not necessarily for its artistic merit at first. Proudly displayed in the large store-front window was a single blue monochrome, according to Clert, the one-color painting caused quite a stir in the neighborhood, art students made jokes, the elderly seemed confused – everyone was talking about it. Opening night included releasing 1,001 blue balloons into the sky, the immaterial exhibition opened on April 28,1958, Kleins 30th birthday. My paintings are now invisible and I would like to them in a clear and positive manner. Klein did not necessarily deem the empty gallery as the artwork, but the emptiness, the void, however, these were all extremely private acts of artistic experimentation. The Void, on the hand, was inherently a public act, meant as an event for the larger populous to absorb. The participatory nature of the exhibition was critical to the realization of the piece and this demonstration of perceptive synthesis sanctions the pictorial quest of Yves Klein for an ecstatic and immediately communicable emotion. Pierre Restany 3,500 of these invitations were sent out,3,000 of them in Paris, always a master of personal publicity, Kleins efforts were all in an attempt to create a buzz around the opening night. A blue cocktail was served, a combination of gin, Cointreau, and methylene blue. The event was an success, if only by numbers alone. Klein later recalls that by 9,30, The whole place is packed, the corridor is full, the crowd is so dense that one cannot move anywhere. Alternatively, it was also a success if one goes by the reactions of fellow artists, albert Camus commented simply, With the void, full empowerment
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Iris Clert
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Iris Clert was the owner of the Galerie Iris Clert from 1955 to 1971. During its tenure, her gallery became a hotspot in the international art scene, particularly to Yves Klein, Jean Tinguely. Originally of Greek nationality, Clert became a socialite with the success of her gallery. Clert was active in the French Resistance during the Second World War, Rauschenberg proceeded to send a telegram to the Galerie, containing the words This is a portrait of Iris Clert if I say so/ Robert Rauschenberg. The Formidable Blue Stamp of Yves Klein by John Held, Jr
35.
Berlin, Germany
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Berlin is the capital and the largest city of Germany as well as one of its constituent 16 states. With a population of approximately 3.5 million, Berlin is the second most populous city proper, due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. Around one-third of the area is composed of forests, parks, gardens, rivers. Berlin in the 1920s was the third largest municipality in the world, following German reunification in 1990, Berlin once again became the capital of all-Germany. Berlin is a city of culture, politics, media. Its economy is based on high-tech firms and the sector, encompassing a diverse range of creative industries, research facilities, media corporations. Berlin serves as a hub for air and rail traffic and has a highly complex public transportation network. The metropolis is a popular tourist destination, significant industries also include IT, pharmaceuticals, biomedical engineering, clean tech, biotechnology, construction and electronics. Modern Berlin is home to world renowned universities, orchestras, museums and its urban setting has made it a sought-after location for international film productions. The city is known for its festivals, diverse architecture, nightlife, contemporary arts. Since 2000 Berlin has seen the emergence of a cosmopolitan entrepreneurial scene, the name Berlin has its roots in the language of West Slavic inhabitants of the area of todays Berlin, and may be related to the Old Polabian stem berl-/birl-. All German place names ending on -ow, -itz and -in, since the Ber- at the beginning sounds like the German word Bär, a bear appears in the coat of arms of the city. It is therefore a canting arm, the first written records of towns in the area of present-day Berlin date from the late 12th century. Spandau is first mentioned in 1197 and Köpenick in 1209, although these areas did not join Berlin until 1920, the central part of Berlin can be traced back to two towns. Cölln on the Fischerinsel is first mentioned in a 1237 document,1237 is considered the founding date of the city. The two towns over time formed close economic and social ties, and profited from the right on the two important trade routes Via Imperii and from Bruges to Novgorod. In 1307, they formed an alliance with a common external policy, in 1415 Frederick I became the elector of the Margraviate of Brandenburg, which he ruled until 1440. In 1443 Frederick II Irontooth started the construction of a new palace in the twin city Berlin-Cölln
36.
North Africa
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North Africa or Northern Africa is the northernmost region of Africa. The United Nationss definition of Northern Africa is, Algeria, Egypt, Libya, Morocco, Sudan, Tunisia, the countries of Algeria, Morocco, Tunisia, and Libya are often collectively referred to as the Maghreb, which is the Arabic word for sunset. Egypt lies to the northeast and encompasses part of West Asia, while Sudan is situated on the edge of the Sahel, Egypt is a transcontinental country because of the Sinai Peninsula, which geographically lies in Western Asia. North Africa also includes a number of Spanish possessions, the Canary Islands and Madeira in the North Atlantic Ocean northwest of the African mainland are included in considerations of the region. From 3500 BC, following the abrupt desertification of the Sahara due to changes in the Earths orbit. The Islamic influence in the area is significant, and North Africa is a major part of the Muslim world. Some researchers have postulated that North Africa rather than East Africa served as the point for the modern humans who first trekked out of the continent in the Out of Africa migration. The Atlas Mountains extend across much of Morocco, northern Algeria and Tunisia, are part of the mountain system that also runs through much of Southern Europe. They recede to the south and east, becoming a steppe landscape before meeting the Sahara desert, the sediments of the Sahara overlie an ancient plateau of crystalline rock, some of which is more than four billion years old. Sheltered valleys in the Atlas Mountains, the Nile Valley and Delta, a wide variety of valuable crops including cereals, rice and cotton, and woods such as cedar and cork, are grown. Typical Mediterranean crops, such as olives, figs, dates and citrus fruits, the Nile Valley is particularly fertile, and most of the population in Egypt and Sudan live close to the river. Elsewhere, irrigation is essential to improve yields on the desert margins. The inhabitants of Saharan Africa are generally divided in a manner corresponding to the principal geographic regions of North Africa, the Maghreb, the Nile valley. The edge of the Sahel, to the south of Egypt has mainly been inhabited by Nubians, Ancient Egyptians record extensive contact in their Western desert with people that appear to have been Berber or proto-Berber, as well as Nubians from the south. They have contributed to the Arabized Berber populations, the official language or one of the official languages in all of the countries in North Africa is Arabic. The people of the Maghreb and the Sahara regions speak Berber languages and several varieties of Arabic, the Arabic and Berber languages are distantly related, both being members of the Afroasiatic language family. The Tuareg Berber languages are more conservative than those of the coastal cities. Over the years, Berbers have been influenced by contact with cultures, Greeks, Phoenicians, Egyptians, Romans, Vandals, Arabs, Europeans
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Morocco
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Morocco, officially known as the Kingdom of Morocco, is a sovereign country located in the Maghreb region of North Africa. Geographically, Morocco is characterized by a mountainous interior, large tracts of desert. Morocco has a population of over 33.8 million and an area of 446,550 km2 and its capital is Rabat, and the largest city is Casablanca. Other major cities include Marrakesh, Tangier, Tetouan, Salé, Fes, Agadir, Meknes, Oujda, Kenitra, a historically prominent regional power, Morocco has a history of independence not shared by its neighbours. Marinid and Saadi dynasties continued the struggle against foreign domination, the Alaouite dynasty, the current ruling dynasty, seized power in 1666. In 1912 Morocco was divided into French and Spanish protectorates, with a zone in Tangier. Moroccan culture is a blend of Arab, indigenous Berber, Sub-Saharan African, Morocco claims the non-self-governing territory of Western Sahara as its Southern Provinces. Morocco annexed the territory in 1975, leading to a war with indigenous forces until a cease-fire in 1991. Peace processes have thus far failed to break the political deadlock, Morocco is a constitutional monarchy with an elected parliament. The King of Morocco holds vast executive and legislative powers, especially over the military, foreign policy, the king can issue decrees called dahirs which have the force of law. He can also dissolve the parliament after consulting the Prime Minister, Moroccos predominant religion is Islam, and the official languages are Arabic and Tamazight. The Moroccan dialect, referred to as Darija, and French are also widely spoken, Morocco is a member of the Arab League, the Union for the Mediterranean, and the African Union. It has the fifth largest economy of Africa, the full Arabic name al-Mamlakah al-Maghribiyyah translates to Kingdom of the West, although the West in Arabic is الغرب Al-Gharb. The basis of Moroccos English name is Marrakesh, its capital under the Almoravid dynasty, the origin of the name Marrakesh is disputed, but is most likely from the Berber words amur akush or Land of God. The modern Berber name for Marrakesh is Mṛṛakc, in Turkish, Morocco is known as Fas, a name derived from its ancient capital of Fes. The English name Morocco is an anglicisation of the Spanish Marruecos, the area of present-day Morocco has been inhabited since Paleolithic times, sometime between 190,000 and 90,000 BC. During the Upper Paleolithic, the Maghreb was more fertile than it is today, twenty-two thousand years ago, the Aterian was succeeded by the Iberomaurusian culture, which shared similarities with Iberian cultures. Skeletal similarities have been suggested between the Iberomaurusian Mechta-Afalou burials and European Cro-Magnon remains, the Iberomaurusian was succeeded by the Beaker culture in Morocco
38.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
39.
Rome
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Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
40.
Florence
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Florence is the capital city of the Italian region of Tuscany and of the Metropolitan City of Florence. It is the most populous city in Tuscany, with 383,083 inhabitants, Florence was a centre of medieval European trade and finance and one of the wealthiest cities of the time. It is considered the birthplace of the Renaissance, and has called the Athens of the Middle Ages. A turbulent political history includes periods of rule by the powerful Medici family, from 1865 to 1871 the city was the capital of the recently established Kingdom of Italy. The Historic Centre of Florence attracts 13 million tourists each year and it was declared a World Heritage Site by UNESCO in 1982. The city is noted for its culture, Renaissance art and architecture, the city also contains numerous museums and art galleries, such as the Uffizi Gallery and the Palazzo Pitti, and still exerts an influence in the fields of art, culture and politics. Due to Florences artistic and architectural heritage, it has been ranked by Forbes as one of the most beautiful cities in the world, in 2008, the city had the 17th highest average income in Italy. Florence originated as a Roman city, and later, after a period as a flourishing trading and banking medieval commune. According to the Encyclopædia Britannica, it was politically, economically, and culturally one of the most important cities in Europe, the language spoken in the city during the 14th century was, and still is, accepted as the Italian language. Starting from the late Middle Ages, Florentine money—in the form of the gold florin—financed the development of all over Europe, from Britain to Bruges, to Lyon. Florentine bankers financed the English kings during the Hundred Years War and they similarly financed the papacy, including the construction of their provisional capital of Avignon and, after their return to Rome, the reconstruction and Renaissance embellishment of Rome. Florence was home to the Medici, one of European historys most important noble families, Lorenzo de Medici was considered a political and cultural mastermind of Italy in the late 15th century. Two members of the family were popes in the early 16th century, Leo X, catherine de Medici married king Henry II of France and, after his death in 1559, reigned as regent in France. Marie de Medici married Henry IV of France and gave birth to the future king Louis XIII, the Medici reigned as Grand Dukes of Tuscany, starting with Cosimo I de Medici in 1569 and ending with the death of Gian Gastone de Medici in 1737. The Etruscans initially formed in 200 BC the small settlement of Fiesole and it was built in the style of an army camp with the main streets, the cardo and the decumanus, intersecting at the present Piazza della Repubblica. Situated along the Via Cassia, the route between Rome and the north, and within the fertile valley of the Arno, the settlement quickly became an important commercial centre. Peace returned under Lombard rule in the 6th century, Florence was conquered by Charlemagne in 774 and became part of the Duchy of Tuscany, with Lucca as capital. The population began to again and commerce prospered
41.
Arno
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The Arno is a river in the Tuscany region of Italy. It is the most important river of central Italy after the Tiber, the river originates on Mount Falterona in the Casentino area of the Apennines, and initially takes a southward curve. The river turns to the west near Arezzo passing through Florence, Empoli and Pisa, with a length of 241 kilometres, it is the largest river in the region. It has many tributaries, Sieve at 60 kilometres long, Bisenzio at 49 kilometres, and the Era, Elsa, Pesa, the Val di Chiana, a plain drained in the 18th century, which until then had been a marshy area tributary of the Tiber. The upper Valdarno, a valley bordered on the east by the Pratomagno massif. The Sieves basin, which flows into the Arno immediately before Florence, the middle Valdarno, with the plain including Florence, Sesto Fiorentino, Prato, and Pistoia. The lower Valdarno, with the valley of important tributaries such as the Pesa, Elsa, and Era and in which, after Pontedera, the Arno flows into the Ligurian Sea. The river has a variable discharge, ranging from about 6 cubic metres per second to more than 2,000 cubic metres per second. The mouth of the river was once near Pisa but is now several kilometres westwards and it crosses Florence, where it passes below the Ponte Vecchio and the Santa Trìnita bridge. The flow rate of the Arno is irregular and it is sometimes described as having a torrentlike behaviour, because it can easily go from almost dry to near flood in a few days. At the point where the Arno leaves the Apennines, flow measurements can vary between 0.56 and 3,540 cubic metres per second, new dams built upstream of Florence have greatly alleviated the problem in recent years. The flood on November 4,1966, collapsed the embankment in Florence, killing at least 40 people and damaging or destroying millions of works of art, new conservation techniques were inspired by the disaster, but even decades later hundreds of works still await restoration. The philologist Hans Krahe related this toponym on a paleo-European basis *Ar-n-, derived from the Proto-Indo-European root *er-, flow, move
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Willem de Kooning
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Willem de Kooning was a Dutch-American abstract expressionist artist who was born in Rotterdam, Netherlands, and moved to New York in 1927. Willem de Kooning was born in Rotterdam, the Netherlands, on April 24,1904 and his parents, Leendert de Kooning and Cornelia Nobel, were divorced in 1907, and de Kooning lived first with his father and then with his mother. He left school in 1916 and became an apprentice in a firm of commercial artists, until 1924 he attended evening classes at the Academie van Beeldende Kunsten en Technische Wetenschappen, now the Willem de Kooning Academie. In 1926 de Kooning travelled to the United States as a stowaway on the Shelley, a British freighter bound for Argentina and he stayed at the Dutch Seamens Home in Hoboken, New Jersey, and found work as a house-painter. In 1927 he moved to Manhattan, where he had a studio on West Forty-fourth Street and he supported himself with jobs in carpentry, house-painting and commercial art. De Kooning began painting in his time and in 1928 he joined the art colony at Woodstock. He also began to some of the modernist artists active in Manhattan. None of them were executed, but a sketch for one was included in New Horizons in American Art at the Museum of Modern Art, De Kooning met his wife, Elaine Fried, at the American Artists School in New York. She was 14 years his junior, thus was to begin a lifelong partnership affected by alcoholism, lack of money, love affairs, quarrels and separations. They were married on December 9,1943, at this time, de Koonings work borrowed strongly from Gorkys surrealist imagery and was influenced by Picasso. This only changed when de Kooning met the younger painter Franz Kline, Kline died young and he was one of de Koonings closest artist friends. Klines influence is evident in de Koonings calligraphic black images of this period, in the late 1950s, de Koonings work shifted away from the figurative work of the women and began to display an interest in more abstract, less representational imagery. He became a US citizen in 1961 and moved to East Hampton in 1963 and this became his primary residence and he remained there until the end of his life. On Long Island de Kooning, in addition to his painting, inspired in part by the work of Henry Moore, de Kooning created highly abstracted figurative sculpture very reminicent of his figurative paintings. It was revealed toward the end of his life that de Kooning began losing his memory in the late 1980s and had been suffering from Alzheimers disease for some time. This revelation has initiated considerable debate among scholars and critics about how responsible de Kooning was for the creation of his late work, succumbing to the progress of his disease, William de Kooning painted his final works in 1991. He passed away in 1997 at the age of 92, upon death William de Kooning was cremated. His final place of rest is publicly unknown, De Koonings paintings of the 1930s and early 1940s are abstract still-lifes characterised by geometric or biomorphic shapes and strong colours
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Pop Art
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Pop art is an art movement that emerged in the mid-1950s in Britain and the late 1950s in the United States. Pop art presented a challenge to traditions of art by including imagery from popular culture such as advertising. In pop art, material is sometimes removed from its known context, isolated. Pop art employs aspects of culture, such as advertising, comic books. One of its aims is to use images of popular culture in art, emphasizing the banal or kitschy elements of any culture and it is also associated with the artists use of mechanical means of reproduction or rendering techniques. Pop art is interpreted as a reaction to the then-dominant ideas of abstract expressionism. Due to its utilization of found objects and images, it is similar to Dada, Pop art and minimalism are considered to be art movements that precede postmodern art, or are some of the earliest examples of postmodern art themselves. Pop art often takes imagery that is currently in use in advertising, product labeling and logos figure prominently in the imagery chosen by pop artists, seen in the labels of Campbells Soup Cans, by Andy Warhol. Even the labeling on the outside of a box containing food items for retail has been used as subject matter in pop art. The origins of pop art in North America developed differently from Great Britain, in the United States, pop art was a response by artists, it marked a return to hard-edged composition and representational art. They used impersonal, mundane reality, irony, and parody to defuse the personal symbolism, in the U. S. some artwork by Larry Rivers, Alex Katz and Man Ray anticipated pop art. By contrast, the origins of pop art in post-War Britain, while employing irony, early pop art in Britain was a matter of ideas fueled by American popular culture when viewed from afar. Similarly, pop art was both an extension and a repudiation of Dadaism, among those artists in Europe seen as producing work leading up to pop art are, Pablo Picasso, Marcel Duchamp, and Kurt Schwitters. During the 1920s, American artists Gerald Murphy, Charles Demuth and Stuart Davis created paintings that contained pop culture imagery, the Independent Group, founded in London in 1952, is regarded as the precursor to the pop art movement. They were a gathering of young painters, sculptors, architects, writers and their group discussions centered on pop culture implications from elements such as mass advertising, movies, product design, comic strips, science fiction and technology. This material of found objects such as advertising, comic characters, magazine covers. One of the collages in that presentation was Paolozzis I was a Rich Mans Plaything, following Paolozzis seminal presentation in 1952, the IG focused primarily on the imagery of American popular culture, particularly mass advertising. Nevertheless, Alloway was one of the critics to defend the inclusion of the imagery of mass culture in the fine arts
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