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Rauschenberg in 1968
Rauschenberg in 1968
Factum I and Factum II (both 1957) at the National Gallery of Art in 2022
Factum I and Factum II (both 1957) at the National Gallery of Art in 2022
Untitled (1963), oil, silkscreen, metal, and plastic on canvas
Untitled (1963), oil, silkscreen, metal, and plastic on canvas
Riding Bikes (1998) in Berlin
Riding Bikes (1998) in Berlin
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Eduardo Paolozzi, I was a Rich Man's Plaything (1947). Part of his Bunk! series, this is considered the initial bearer of "pop art" and the first to d
Eduardo Paolozzi, I was a Rich Man's Plaything (1947). Part of his Bunk! series, this is considered the initial bearer of "pop art" and the first to display the word "pop".
Andy Warhol, Campbell's Tomato Juice Box, 1964. Synthetic polymer paint and silkscreen ink on wood, 10 inches × 19 inches × 9½ inches (25.4 × 48.3 × 2
Andy Warhol, Campbell's Tomato Juice Box, 1964. Synthetic polymer paint and silkscreen ink on wood, 10 inches × 19 inches × 9½ inches (25.4 × 48.3 × 24.1 cm), Museum of Modern Art, New York City
Charles Demuth, I Saw the Figure 5 in Gold 1928, collection of the Metropolitan Museum of Art, New York City
Charles Demuth, I Saw the Figure 5 in Gold 1928, collection of the Metropolitan Museum of Art, New York City
Richard Hamilton's collage Just what is it that makes today's homes so different, so appealing? (1956) is one of the earliest works to be considered "
Richard Hamilton's collage Just what is it that makes today's homes so different, so appealing? (1956) is one of the earliest works to be considered "pop art".