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Set for Act III in the première
Set for Act III in the première
Meyerbeer, c. 1825, shortly before he commenced working on Robert.
Meyerbeer, c. 1825, shortly before he commenced working on Robert.
Poster for the 1831 first performance
Poster for the 1831 first performance
Act 3 scene 2 of Robert at the Paris Opéra (Salle Le Peletier), 1831
Act 3 scene 2 of Robert at the Paris Opéra (Salle Le Peletier), 1831
The Théâtre de l'Académie Royale de Musique, the official title of the Paris Opera c. 1821
The Théâtre de l'Académie Royale de Musique, the official title of the Paris Opera c. 1821
Performance of Charles-Simon Catel's opera Les bayadères for the inauguration of the Paris Opera's Salle Le Peletier on 16 August 1821
Performance of Charles-Simon Catel's opera Les bayadères for the inauguration of the Paris Opera's Salle Le Peletier on 16 August 1821
The ballet Giselle during a state visit of Tsar Alexander II (4 June 1867)
The ballet Giselle during a state visit of Tsar Alexander II (4 June 1867)
The Principal Ballerinas of the Paris Opera (clockwise from top left): Lise Noblet, Marie Taglioni, Mlle Julia [de Varennes], Alexis Dupont (née Félic
The Principal Ballerinas of the Paris Opera (clockwise from top left): Lise Noblet, Marie Taglioni, Mlle Julia [de Varennes], Alexis Dupont (née Félicité Noblet, she used the name of her husband Alexis Dupont), Amélie Legallois, and Pauline Montessu, premiers sujets in 1831.