The Royal manuscripts are one of the "closed collections" of the British Library, consisting of some 2,000 manuscripts collected by the sovereigns of England in the "Old Royal Library" and given to the British Museum by George II in 1757. They are still catalogued with call numbers using the prefix "Royal" in the style "Royal MS 2. B. V". As a collection, the Royal manuscripts date back to Edward IV, though many earlier manuscripts were added to the collection before it was donated. Though the collection was therefore formed entirely after the invention of printing, luxury illuminated manuscripts continued to be commissioned by royalty in England as elsewhere until well into the 16th century. The collection was expanded under Henry VIII by confiscations in the Dissolution of the Monasteries and after the falls of Henry's ministers Cardinal Wolsey and Thomas Cromwell. Many older manuscripts were presented to monarchs as gifts; perhaps the most important manuscript in the collection, the Codex Alexandrinus, was presented to Charles I in recognition of the diplomatic efforts of his father James I to help the Eastern Orthodox churches under the rule of the Ottoman Empire. The date and means of entry into the collection can only be guessed at in many if not most cases. Now the collection is closed in the sense that no new items have been added to it since it was donated to the nation.
Author portrait of Vincent de Beauvais with borders decorated with the arms of Edward IV in Bruges, c. 1478-1480, Royal MS 14 E I vol 1 f3r
Detail of miniature from the Westminster Psalter, c. 1250, Royal MS 2 A XXII, f. 220
The death of Walter VI, Count of Brienne in 1356 at the Battle of Poitiers, from one of Edward IV's histories, Royal MS 14 E v f.499v
The Royal Collection of the British royal family is the largest private art collection in the world.
The Gold State Coach was commissioned by George III in 1760. It was used as part of the Coronation of Charles III and Camilla.
Andrea Mantegna, Triumph of Caesar: The Vase Bearers, c. 1484–1492, acquired by Charles I
Queen Elizabeth II showing art to Enrique Peña Nieto, then President of Mexico, on his state visit to the UK in 2015