1.
Medici lions
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The sculptures depict standing male lions with a sphere or ball under one paw, looking to the side. The Medici lions have been copied, directly or with variations, according to Vacca, the lion had been a relief, which was carved free of its background and reworked by Giovanni Sciarano or Giovanni di Scherano Fancelli, of whom little is now known. The second was made and signed by Vacca, also in marble, the pair were in place at the Loggia dei Leoni in 1598 The pendant was made from a capital that had come from the Temple of Jupiter Optimus Maximus. The sculptures were replaced by copies at the Villa Medici when Napoleon relocated the French Academy in Rome to the villa in 1803 and these copies were made by the French sculptor Augustin Pajou. The original Medici lions are since 1789 standing at the Loggia dei Lanzi, Piazza della Signoria, there is smaller bronze left-looking sculpture attributed to Italian sculptor Pietro da Barga and the same period. Eight sculptures are now in the Museo del Prado, of which four support the tabletop of Rodrigo Calderón, Sculptures in Colmenar marble at the Montforte Gardens, Valencia by José Bellver. Sculptures in marble at the Canalejas Park, Alicante, sculpture in bronze in the Royal Swedish Academy of Arts building, Stockholm. Sculpture in bronze at the Royal Institute of Art, Stockholm, sculpture in bronze in Nacka, Stockholm. Sculptures in lead at Stowe House attributed to John Cheere, formerly placed at Stanley Park, Blackpool. Sculpture in the park of Kedleston Hall, carved by Joseph Wilton, two artificial stone versions are found in the garden of the Osborne House, Isle of Wight. Sculptures at the Stanley Park, Blackpool and these were produced, by Rupert Harris Conservation, using casts from the former sculptures which were returned, on loan, to Stowe house in 2013. Versions in Saint Petersburg, Russia include, The Lion Cascade in bronze at Peterhof Palace, Sculptures in marble at the Lobanov-Rostovsky Residence. Sculptures in bronze at the staircase of the old Mikhailovsky Palace, Sculptures at the entrance of Yelagin Palace. The Lions at the Dvortsovaya pier in bronze at the Admiralty embankment, versions in southern Russia and later Ukraine include, Sculptures in marble at the Vorontsov Palace, Odessa. Six pairs of lion sculptures at the Voronstov Palace, Crimea. Pair of lion sculptures at Starosinnyi Garden, Odessa, Sculptures in marble by Augustin Pajou at the Villa Medici. Four miniature versions surrounding the Akademie- or Löwenbrunnen in the palace garden, two gilded versions as part of the Lion Fountain in front of Glienicke Palace, Berlin. Statues at the entrance of Schloss Monrepos, Ludwigsburg, two versions outside the Cathedral de la Purisma Concepción in Cienfuegos, Cuba
2.
Russia
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Russia, also officially the Russian Federation, is a country in Eurasia. The European western part of the country is more populated and urbanised than the eastern. Russias capital Moscow is one of the largest cities in the world, other urban centers include Saint Petersburg, Novosibirsk, Yekaterinburg, Nizhny Novgorod. Extending across the entirety of Northern Asia and much of Eastern Europe, Russia spans eleven time zones and incorporates a range of environments. It shares maritime borders with Japan by the Sea of Okhotsk, the East Slavs emerged as a recognizable group in Europe between the 3rd and 8th centuries AD. Founded and ruled by a Varangian warrior elite and their descendants, in 988 it adopted Orthodox Christianity from the Byzantine Empire, beginning the synthesis of Byzantine and Slavic cultures that defined Russian culture for the next millennium. Rus ultimately disintegrated into a number of states, most of the Rus lands were overrun by the Mongol invasion. The Soviet Union played a role in the Allied victory in World War II. The Soviet era saw some of the most significant technological achievements of the 20th century, including the worlds first human-made satellite and the launching of the first humans in space. By the end of 1990, the Soviet Union had the second largest economy, largest standing military in the world. It is governed as a federal semi-presidential republic, the Russian economy ranks as the twelfth largest by nominal GDP and sixth largest by purchasing power parity in 2015. Russias extensive mineral and energy resources are the largest such reserves in the world, making it one of the producers of oil. The country is one of the five recognized nuclear weapons states and possesses the largest stockpile of weapons of mass destruction, Russia is a great power as well as a regional power and has been characterised as a potential superpower. The name Russia is derived from Rus, a state populated mostly by the East Slavs. However, this name became more prominent in the later history, and the country typically was called by its inhabitants Русская Земля. In order to distinguish this state from other states derived from it, it is denoted as Kievan Rus by modern historiography, an old Latin version of the name Rus was Ruthenia, mostly applied to the western and southern regions of Rus that were adjacent to Catholic Europe. The current name of the country, Россия, comes from the Byzantine Greek designation of the Kievan Rus, the standard way to refer to citizens of Russia is Russians in English and rossiyane in Russian. There are two Russian words which are translated into English as Russians
3.
Museum
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Most large museums are located in major cities throughout the world and more local ones exist in smaller cities, towns and even the countryside. Museums have varying aims, ranging from serving researchers and specialists to serving the general public, the goal of serving researchers is increasingly shifting to serving the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, the city with the largest number of museums is Mexico City with over 128 museums. According to The World Museum Community, there are more than 55,000 museums in 202 countries, the English museum comes from the Latin word, and is pluralized as museums. The first museum/library is considered to be the one of Plato in Athens, however, Pausanias gives another place called Museum, namely a small hill in Classical Athens opposite to the Akropolis. The hill was called Mouseion after Mousaious, a man who used to sing on the hill, the purpose of modern museums is to collect, preserve, interpret, and display items of artistic, cultural, or scientific significance for the education of the public. The purpose can also depend on ones point of view, to a family looking for entertainment on a Sunday afternoon, a trip to a local history museum or large city art museum could be a fun, and enlightening way to spend the day. To city leaders, a healthy museum community can be seen as a gauge of the health of a city. To a museum professional, a museum might be seen as a way to educate the public about the museums mission, Museums are, above all, storehouses of knowledge. In 1829, James Smithsons bequest, that would fund the Smithsonian Institution, stated he wanted to establish an institution for the increase, Museums of natural history in the late 19th century exemplified the Victorian desire for consumption and for order. Gathering all examples of classification of a field of knowledge for research. As American colleges grew in the 19th century, they developed their own natural history collections for the use of their students, while many large museums, such as the Smithsonian Institution, are still respected as research centers, research is no longer a main purpose of most museums. While there is a debate about the purposes of interpretation of a museums collection, there has been a consistent mission to protect. Much care, expertise, and expense is invested in efforts to retard decomposition in aging documents, artifacts, artworks. All museums display objects that are important to a culture, as historian Steven Conn writes, To see the thing itself, with ones own eyes and in a public place, surrounded by other people having some version of the same experience can be enchanting. Museum purposes vary from institution to institution, some favor education over conservation, or vice versa. For example, in the 1970s, the Canada Science and Technology Museum favored education over preservation of their objects and they displayed objects as well as their functions. One exhibit featured a printing press that a staff member used for visitors to create museum memorabilia
4.
Nicholas II of Russia
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Nicholas II was the last Emperor of Russia, ruling from 1 November 1894 until his forced abdication on 15 March 1917. His reign saw the fall of the Russian Empire from being one of the foremost great powers of the world to economic, Soviet historiography portrayed Nicholas as a weak and incompetent leader, whose decisions led to military defeats and the deaths of millions of his subjects. The Anglo-Russian Entente, designed to counter German attempts to influence in the Middle East. Nicholas approved the Russian mobilisation on 30 July 1914, which led to Germany declaring war on Russia on 1 August 1914 and it is estimated that around 3,300,000 Russians were killed in World War I. Following the February Revolution of 1917, Nicholas abdicated on behalf of himself and his son, Nicholas, the recovered remains of the Imperial Family were finally re-interred in St. Petersburg, eighty years to the day on 17 July 1998. In 1981, Nicholas, his wife and their children were canonized as martyrs by the Russian Orthodox Church Outside Russia, located in New York City. On 15 August 2000 Nicholas and his family were canonized as passion bearers, Nicholas was born in the Alexander Palace in Saint Petersburg, Russian Empire, the eldest son of Emperor Alexander III and Empress Maria Feodorovna of Russia. He had five siblings, Alexander, George, Xenia, Michael. Nicholas often referred to his father nostalgically in letters after Alexanders death in 1894 and he was also very close to his mother, as revealed in their published letters to each other. His paternal grandparents were Emperor Alexander II and Empress Maria Alexandrovna of Russia and his maternal grandparents were King Christian IX and Queen Louise of Denmark. Nicholas was of primarily German and Danish descent, his last ethnically Russian ancestor being Grand Duchess Anna Petrovna, Nicholas was related to several monarchs in Europe. His mothers siblings included Kings Frederik VIII of Denmark and George I of Greece, Nicholas, his wife Alexandra, and Kaiser Wilhelm II of Germany were all first cousins of King George V of the United Kingdom. Nicholas was also a first cousin of both King Haakon VII and Queen Maud of Norway, as well as King Constantine I of Greece, Tsar Nicholas II was the first cousin-once-removed of Grand Duke Nicholas Nikolaevich. To distinguish between them the Grand Duke was often known within the Imperial family as Nikolasha and Nicholas the Tall, while the Tsar was Nicholas the Short. In his childhood, Nicholas, his parents and siblings made annual visits to the Danish royal palaces of Fredensborg and Bernstorff to visit his grandparents, the king and queen. The visits also served as family reunions, as his mothers siblings would come from the United Kingdom, Germany. It was there in 1883, that he had a flirtation with one of his English first cousins, in 1873, Nicholas also accompanied his parents and younger brother, two-year-old George, on a two-month, semi-official visit to England. In London, Nicholas and his family stayed at Marlborough House, as guests of his Uncle Bertie and Aunt Alix, the Prince and Princess of Wales, where he was spoiled by his uncle
5.
Alexander III of Russia
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Alexander III was the Emperor of Russia, King of Poland, and Grand Duke of Finland from 13 March 1881 until his death on 1 November 1894. He was highly conservative and reversed some of the reforms of his father, Alexander II. During Alexanders reign Russia fought no wars, for which he was styled The Peacemaker. Although an enthusiastic amateur musician and patron of the ballet, Alexander was seen as lacking refinement, indeed, he rather relished the idea of being of the same rough texture as some of his subjects. His education was not such as to soften these peculiarities, more than six feet tall, he was also noted for his immense physical strength. A sebaceous cyst on the side of his nose caused him to be mocked by some of his contemporaries. I was struck by the size of the man, and although cumbersome and heavy, there was indeed something of the muzhik about him. The look of his eyes made quite an impression on me. As he passed where I was standing, he raised his head for a second and it was a look as cold as steel, in which there was something threatening, even frightening, and it struck me like a blow. The look of a man who stood above all others, but who carried a burden and who every minute had to fear for his life. In later years I came into contact with the Emperor on several occasions, in more ordinary cases Tsar Alexander III could be at once kind, simple, and even almost homely. Great solicitude was devoted to the education of Nicholas as tsesarevich and this included acquaintance with French, English and German, and military drill. Pobedonostsev instilled into the mans mind the belief that zeal for Russian Orthodox thought was an essential factor of Russian patriotism to be cultivated by every right-minded emperor. On his deathbed the previous tsesarevich was said to have expressed the wish that his fiancée, Princess Dagmar of Denmark, the union proved a happy one to the end, unlike his fathers, there was no adultery in his marriage. The couple spent their night at the Tsesarevichs private dacha known as My Property. To the scandal of many at court, including the Tsesarevich himself, on 1 March 1881 Alexanders father, Alexander II, was assassinated by members of the terrorist organization Narodnaya Volya. As a result, he ascended to the Russian imperial throne in Nennal on 13 March 1881 and he and Maria Feodorovna were officially crowned and anointed on 27 May 1883. On the day of his assassination Alexander II had signed an ukaz setting up commissions to advise the monarch
6.
Hermitage Museum
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The State Hermitage Museum is a museum of art and culture in Saint Petersburg, Russia. One of the largest and oldest museums in the world, it was founded in 1754 by Catherine the Great and has open to the public since 1852. Its collections, of only a small part is on permanent display. The collections occupy a complex of six historic buildings along Palace Embankment, including the Winter Palace. Apart from them, the Menshikov Palace, Museum of Porcelain, Storage Facility at Staraya Derevnya, the museum has several exhibition centers abroad. The Hermitage is a state property. Since July 1992, the director of the museum has been Mikhail Piotrovsky, of the six buildings in the main museum complex, five, namely the Winter Palace, Small Hermitage, Old Hermitage, New Hermitage and Hermitage Theatre, are open to the public. The entrance ticket for foreign tourists more than the fee paid by citizens of Russia. However, entrance is free of charge the first Thursday of every month for all visitors, the museum is closed on Mondays. The entrance for visitors is located in the Winter Palace. A hermitage is the dwelling of a hermit or recluse, the word derives from Old French hermit, ermit hermit, recluse, from Late Latin eremita, from Greek eremites, literally people who live alone, which is in turn derived from ἐρημός, desert. Originally, the building housing the collection was the Small Hermitage. Today, the Hermitage Museum encompasses many buildings on the Palace Embankment, apart from the Small Hermitage, the museum now also includes the Old Hermitage, the New Hermitage, the Hermitage Theatre, and the Winter Palace, the former main residence of the Russian tsars. In recent years, the Hermitage has expanded to the General Staff Building on the Palace Square facing the Winter Palace, the Western European Art collection includes European paintings, sculpture, and applied art from the 13th to the 20th centuries. It is displayed, in about 120 rooms, on the first, drawings and prints are displayed in temporary exhibitions. Since 1940, the Egyptian collection, dating back to 1852 and it serves as a passage to the exhibition of Classical Antiquities. A modest collection of the culture of Ancient Mesopotamia, including a number of Assyrian reliefs from Babylon, Dur-Sharrukin, the collection of Classical Antiquities occupies most of the ground floor of the Old and New Hermitage buildings. Its floor is made of a marble mosaic imitating ancient tradition, while the stucco walls
7.
Alexander Palace
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The Alexander Palace is a former imperial residence at Tsarskoye Selo, on a plateau around 30 minutes by train from St Petersburg. The Alexander Palace is situated in the Alexander Park, not far from the larger Catherine Palace, today it is undergoing renovation as a museum housing relics of the former imperial dynasty. The Alexander Palace was constructed in the Imperial retreat of Tsarskoe Selo, the Neoclassical edifice was planned by Giacomo Quarenghi and built between 1792 and 1796. It was agreed that the architect had excelled himself in creating a masterpiece, in 1821, a quarter of a century later, the architects son wrote, An elegant building which looks over the beautiful new garden. In Tsarskoe Selo, was designed and built by my father at the request of Catherine II, as a residence for the young Grand Duke Alexander. In keeping with the august status of the person for whom the Palace was conceived and its dignified façade, harmonic proportions, and moderate ornamentation. are also manifested in its interiors. Without compromising comfort in striving for magnificence and elegance, Alexander used the palace as a summer residence through the remainder of his grandmothers and his father, Pauls, reign. When he became emperor, however, he chose to reside in the larger nearby Catherine Palace. Alexander I gave the palace to his brother, the future Nicholas I, from that time on, it was the summer residence of the heir to the throne. From 1830–1850, extensive redecoration was carried out according to designs by D. Cerfolio, A. Thon, D. Yefimov, A. Stakenschneider and others in keeping with rapidly changing tastes. The appearance of the formal and private rooms of the palace during Nicholas reign can be seen in exquisite watercolors by E. Hau, the famous Mountain Hall which had a large slide built in for the children of Nicholas I was built during this time. In 1842, the Imperial couple celebrated their wedding anniversary with a series of galas including a medieval jousting tournament. Two years later, the family mourned the death of Nicholass daughter Grand Duchess Alexandra, on October 19,1860, the Empress Alexandra Feodorovna also died at the palace. Alexander III and his Danish born wife Maria Feodorovna had their apartments in the right-hand or western wing of the palace near the gardens, before their accession to the imperial throne, Maria gave birth to their eldest child, the future Nicholas II, at the Alexander Palace. In his diary, the then Tsarevich Alexander recorded the event of the birth of his first child, Around 12.30 my wife came to the bedroom. The pains became stronger and stronger, and Minny suffered very much, helped me hold my darling the whole time. Finally, at 2.30, the last minute came, god sent us a son whom we named Nicholas. I sprang to embrace my darling wife, and she instantly became cheerful and was terribly happy, I had been weeping like a child but suddenly my heart became light and cheerful
8.
Imperial Academy of Arts
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The Russian Academy of Arts in Saint Petersburg, informally known as the Saint Petersburg Academy of Arts, was founded in 1757 by Ivan Shuvalov under the name Academy of the Three Noblest Arts. Catherine the Great renamed it the Imperial Academy of Arts and commissioned a new building, the academy promoted the neoclassical style and technique, and sent its promising students to European capitals for further study. Training at the academy was virtually required for artists to make successful careers, formally abolished in 1918 after the Russian Revolution, the academy was renamed several times. It established free tuition, students from across the country competed fiercely for its few places annually, in 1947 the national institution was moved to Moscow, and much of its art collection was moved to the Hermitage. The building in Leningrad was devoted to the Ilya Repin Leningrad Institute for Painting, Sculpture and Architecture, since 1991 it has been called the St. Petersburg Institute for Painting, Sculpture and Architecture. The academy was located in the Shuvalov Palace on Sadovaya Street, in 1764, Catherine the Great renamed it the Imperial Academy of Arts and commissioned its first rector, Alexander Kokorinov, to design a new building. It took 25 years to complete the Neoclassical edifice, which opened in 1789, konstantin Thon was responsible for the sumptuous decoration of the interiors. He also designed a quayside in front of the building, with stairs down to the Neva River, Ivan Betskoy reorganized the academy into a de facto government department, it supervised matters concerning art throughout the country, distributing orders and awarding ranks to artists. The academy vigorously promoted the principles of Neoclassicism by sending the most notable Russian painters abroad, in order to learn the ancient and Renaissance styles of Italy and it also had its own sizable collection of choice artworks intended for study and copying. The adherents of this movement became known as peredvizhniki, led by Ivan Kramskoi, they publicly broke with the Academy and organized their own exhibitions, which traveled from town to town across Russia. Ilya Repin, Mikhail Vrubel and some other painters still regarded the academys training as indispensable for the development of professional and technical skills. After the Russian Revolution of 1917, the Imperial Academy passed through a series of transformations, after the Academys move to Moscow that year, the building in what was then called Leningrad was renamed Ilya Repin Leningrad Institute for Painting, Sculpture and Architecture. The national academy has stayed in Moscow, in 1991 it was renamed the Russian Academy of Arts. The old academys art collection, which included works by Poussin, David. During the Soviet era, academies were free of tuition fees as they were financed by the government, many would-be students would apply to the Academy for as many as six or seven years in a row without success. With just twenty places available and thousands of applicants, the competition was brutal, well-known graduates of Ilya Repin Leningrad Institute for Painting, Sculpture and Architecture in 1930–1950s include, The Russian Academy of Arts has been headquartered in Moscow since 1947. Its current president is Zurab Tsereteli and its vice-president is Tair Salakhov and it is also called the St. Petersburg State Academic Institute of Fine Arts, Sculpture and Architecture. - Saint Petersburg, NP-Print Edition,2007, the Leningrad School Russian Academy of Arts The St. Petersburg State Academic Institute of Fine Arts Sergei V. Ivanov
9.
Russian Revolution
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The Russian Revolution was a pair of revolutions in Russia in 1917, which dismantled the Tsarist autocracy and led to the eventual rise of the Soviet Union. The Russian Empire collapsed with the abdication of Emperor Nicholas II, in the second revolution that October, the Provisional Government was removed and replaced with a communist state. The February Revolution was a revolution focused around Petrograd, then capital of Russia, in the chaos, members of the Imperial parliament assumed control of the country, forming the Russian Provisional Government. The army leadership felt they did not have the means to suppress the revolution, the February Revolution took place in the context of heavy military setbacks during the First World War, which left much of the Russian Army in a state of mutiny. During this chaotic period there were frequent mutinies, protests and many strikes, when the Provisional Government chose to continue fighting the war with Germany, the Bolsheviks and other socialist factions campaigned for stopping the conflict. The Bolsheviks turned workers militias under their control into the Red Guards over which they exerted substantial control, the Bolsheviks appointed themselves as leaders of various government ministries and seized control of the countryside, establishing the Cheka to quash dissent. To end Russia’s participation in the First World War, the Bolshevik leaders signed the Treaty of Brest-Litovsk with Germany in March 1918, soon after, civil war erupted among the Reds, the Whites, the independence movements and the non-Bolshevik socialists. It continued for years, during which the Bolsheviks defeated both the Whites and all rival socialists. In this way, the Revolution paved the way for the creation of the Union of Soviet Socialist Republics in 1922, the Russian Revolution of 1905 was said to be a major factor to the February Revolutions of 1917. The events of Bloody Sunday triggered a line of protests, a council of workers called the St. Petersburg Soviet was created in all this chaos, and the beginning of a communist political protest had begun. World War I prompted a Russian outcry directed at Tsar Nicholas II and it was another major factor contributing to the retaliation of the Russian Communists against their royal opponents. However, the problems were merely administrative, and not industrial as Germany was producing great amounts of munitions whilst constantly fighting on two major battlefronts, the war also developed a weariness in the city, owing to a lack of food in response to the disruption of agriculture. Food scarcity had become a problem in Russia, but the cause of this did not lie in any failure of the harvests. As a result, they tended to hoard their grain and to revert to subsistence farming, thus the cities were constantly short of food. At the same time rising prices led to demands for wages in the factories. The outcome of all this, however, was a criticism of the government rather than any war-weariness. The original fever of excitement, which had caused the name of St. Heavy losses during the war also strengthened thoughts that Tsar Nicholas II was unfit to rule, the Liberals were now better placed to voice their complaints, since they were participating more fully through a variety of voluntary organizations
10.
Kazimir Malevich
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Kazimir Severinovich Malevich was a Russian painter and art theoretician. He was a pioneer of abstract art and the originator of the avant-garde Suprematist movement. He was a devout Christian mystic who believed the central task of an artist was that of rendering spiritual feeling, Kazimir Malevich was born Kazimierz Malewicz to a Polish family, who settled near Kiev in Kiev Governorate of the Russian Empire during the partitions of Poland. His parents, Ludwika and Seweryn Malewicz, were Roman Catholic like most ethnic Poles and they both had fled from the former eastern territories of the Commonwealth to Kiev in the aftermath of the failed Polish January Uprising of 1863 against the tsarist army. His native language was Polish though he spoke Ukrainian in public, subsequently, Malevich even wrote a series of articles about art in Ukrainian. Kazimirs father managed a sugar factory, Kazimir was the first of fourteen children, only nine of whom survived into adulthood. His family moved often and he spent most of his childhood in the villages of Ukraine, amidst sugar-beet plantations, until age twelve he knew nothing of professional artists, although art had surrounded him in childhood. He delighted in peasant embroidery, and in decorated walls and stoves and he was able to paint in the peasant style. He studied drawing in Kiev from 1895 to 1896, from 1896 to 1904 Kazimir Malevich lived in Kursk. In 1904, after the death of his father, he moved to Moscow and he studied at the Moscow School of Painting, Sculpture, and Architecture from 1904 to 1910 and in the studio of Fedor Rerberg in Moscow. In the same year he participated in an exhibition by the collective, by that time his works were influenced by Natalia Goncharova and Mikhail Larionov, Russian avant-garde painters, who were particularly interested in Russian folk art called lubok. Malevich described himself as painting in a Cubo-Futuristic style in 1912, in March 1913 a major exhibition of Aristarkh Lentulovs paintings opened in Moscow. Already in the year the Cubo-Futurist opera, Victory Over the Sun, with Malevichs stage-set. In 1914 Malevich exhibited his works in the Salon des Indépendants in Paris together with Alexander Archipenko, Sonia Delaunay, Aleksandra Ekster, Malevich also co-illustrated, with Pavel Filonov, Selected Poems with Postscript, 1907–1914 by Velimir Khlebnikov and another work by Khlebnikov in 1914 titled Roar. In 1915, Malevich laid down the foundations of Suprematism when he published his manifesto, in 1915–1916 he worked with other Suprematist artists in a peasant/artisan co-operative in Skoptsi and Verbovka village. In 1916–1917 he participated in exhibitions of the Jack of Diamonds group in Moscow together with Nathan Altman, David Burliuk, Aleksandra Ekster, famous examples of his Suprematist works include Black Square and White On White. Malevich exhibited his first Black Square, now at the Tretyakov Gallery in Moscow, a black square placed against the sun appeared for the first time in the 1913 scenery designs for the Futurist opera Victory over the Sun. The second Black Square was painted around 1923, some believe that the third Black Square was painted in 1929 for Malevichs solo exhibition, because of the poor condition of the 1915 square
11.
Neoclassicism
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The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th, European Neoclassicism in the visual arts began c.1760 in opposition to the then-dominant Baroque and Rococo styles. Each neo-classicism selects some models among the range of classics that are available to it. They ignored both Archaic Greek art and the works of Late Antiquity, the Rococo art of ancient Palmyra came as a revelation, through engravings in Woods The Ruins of Palmyra. While the movement is described as the opposed counterpart of Romanticism. The case of the main champion of late Neoclassicism, Ingres, demonstrates this especially well. The revival can be traced to the establishment of formal archaeology, the writings of Johann Joachim Winckelmann were important in shaping this movement in both architecture and the visual arts. With the advent of the Grand Tour, a fad of collecting antiquities began that laid the foundations of many great collections spreading a Neoclassical revival throughout Europe, Neoclassicism in each art implies a particular canon of a classical model. In English, the term Neoclassicism is used primarily of the arts, the similar movement in English literature. This, which had been dominant for decades, was beginning to decline by the time Neoclassicism in the visual arts became fashionable. Though terms differ, the situation in French literature was similar, in music, the period saw the rise of classical music, and Neoclassicism is used of 20th-century developments. Ingress coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, much Neoclassical painting is more classicizing in subject matter than in anything else. A fierce, but often very badly informed, dispute raged for decades over the merits of Greek and Roman art, with Winckelmann. The work of artists, who could not easily be described as insipid, combined aspects of Romanticism with a generally Neoclassical style. Unlike Carstens unrealized schemes, the etchings of Giovanni Battista Piranesi were numerous and profitable and his main subject matter was the buildings and ruins of Rome, and he was more stimulated by the ancient than the modern. Neoclassicism in painting gained a new sense of direction with the success of Jacques-Louis Davids Oath of the Horatii at the Paris Salon of 1785. Despite its evocation of republican virtues, this was a commission by the royal government, David managed to combine an idealist style with drama and forcefulness. David rapidly became the leader of French art, and after the French Revolution became a politician with control of government patronage in art
12.
Carlo Rossi (architect)
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Carlo di Giovanni Rossi was a Russian architect born in Italy. He was the author of classical buildings and architectural ensembles in Saint Petersburg. Carlo Rossi was born 18 December 1775 in Naples and was brought to Russia in his childhood when his mother Guertroude Rossi-Le Picq, from youth he was connected with the world of the arts. He trained in the studio of architect Vincenzo Brenna, from 1802 to 1803 Rossi studied in Italy. In 1806 he obtained the title of architect and an office and he was rewarded with the Order of St. Vladimir of IV degree. In 1814, he obtained the rank of Collegiate Councilor, in 1815, he returned to Saint Petersburg. In 1816, he was appointed to a position on the committee of structures, the buildings of Rossi are characteristic of the empire style, which combines grandeur with noble simplicity. In Pavlovsk, Rossi built the palace library, one of the last buildings of Rossi was the belfry of the Yurevskogo monastery near Velikiy Novgorod. On 18 April 1849, he died of Cholera in Saint Petersburg, according to available data - in complete oblivion and his children were left with the responsibilities of his burial and debts, which they petitioned the Tsar for help with. The Tsar gave a sum for the funeral and Rossi was buried in the Volkov Lutheran cemetery. During the Soviet period, he was reburied at the necropolis St. Lazarus of the Alexander Nevsky Monastery under the same tombstone. St. Peter and St. Pauls Cathedral, Tallinn Order of St. Vladimir, 3rd class Order of St. Anna, 2nd class with diamonds Media related to Carlo Rossi at Wikimedia Commons
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