The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the later 16th and 17th centuries, as both artists and publishers. As with other dynasties such as the Wierixes and Van de Passe family, the style of family members is very similar, and their work often hard to tell apart in the absence of a signature or date, or evidence of location. Altogether at least ten Sadelers worked as engravers, in the Spanish Netherlands, Germany, Italy, Bohemia and Austria.
Aegidius Sadeler, in Het Gulden Cabinet
Raphael Sadeler, in Het Gulden Cabinet
Jan Sadeler, in Het Gulden Cabinet
The marriage of Peleus and Thetis, Jan Sadeler, c. 1580–1600
Crispijn van de Passe the Elder, or de Passe was a Dutch publisher and engraver and founder of a dynasty of engravers comparable to the Wierix family and the Sadelers, though mostly at a more mundane commercial level. Most of their engravings were portraits, book title-pages, and the like, with relatively few grander narrative subjects. As with the other dynasties, their style is very similar, and hard to tell apart in the absence of a signature or date, or evidence of location. Many of the family members produced their own designs, and have left drawings.
The Fall of Phaëthon, Crispijn van de Passe I, after design by Maerten de Vos
Portraits of 8 of the 13 Gunpowder Plotters, Crispijn van de Passe I, 1605.