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Self Portrait (c. 1650s), oil on canvas, 75 x 62.5 cm., Detroit Institute of Art.
Self Portrait (c. 1650s), oil on canvas, 75 x 62.5 cm., Detroit Institute of Art.
Self-portrait (c. 1645), oil on canvas, 61 x 45 cm., (Musée des Beaux-Arts de Strasbourg)
Self-portrait (c. 1645), oil on canvas, 61 x 45 cm., (Musée des Beaux-Arts de Strasbourg)
Portrait of Lucrezia Paolini (c. 1656–60), oil on canvas, 66 x 50.5 cm., Galleria Nazionale d'Arte Antica
Portrait of Lucrezia Paolini (c. 1656–60), oil on canvas, 66 x 50.5 cm., Galleria Nazionale d'Arte Antica
Self-Portrait (c. 1647), oil on canvas, 91 x 79.4 cm., Metropolitan Museum of Art. Rosa inscribes the Greek words "Behold, whither, when" while contem
Self-Portrait (c. 1647), oil on canvas, 91 x 79.4 cm., Metropolitan Museum of Art. Rosa inscribes the Greek words "Behold, whither, when" while contemplating a skull
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The Calling of Saint Matthew (1599–1600), by Caravaggio. Contarelli Chapel, San Luigi dei Francesi, Rome. The beam of light, which enters the picture
The Calling of Saint Matthew (1599–1600), by Caravaggio. Contarelli Chapel, San Luigi dei Francesi, Rome. The beam of light, which enters the picture from the direction of a real window, expresses in the blink of an eye the conversion of St Matthew, the hinge on which his destiny will turn, with no flying angels, parting clouds or other artifacts.
Rembrandt van Rijn, The Night Watch or The Militia Company of Captain Frans Banning Cocq, 1642, oil on canvas, 363 cm × 437 cm (143 in × 172 in), Rijk
Rembrandt van Rijn, The Night Watch or The Militia Company of Captain Frans Banning Cocq, 1642, oil on canvas, 363 cm × 437 cm (143 in × 172 in), Rijksmuseum, Amsterdam. The painting is a classic example of Baroque art.
Orazio Gentileschi, David and Goliath (c. 1605–1607)
Orazio Gentileschi, David and Goliath (c. 1605–1607)
Nativity by Josefa de Óbidos, 1669, National Museum of Ancient Art, Lisbon
Nativity by Josefa de Óbidos, 1669, National Museum of Ancient Art, Lisbon