Sarmatism was an ethno-cultural ideology within the Polish–Lithuanian Commonwealth. It was the dominant Baroque culture and ideology of the nobility that existed in times of the Renaissance to the 18th centuries. Together with the concept of "Golden Liberty", it formed a central aspect of the Commonwealth social elites’ culture and society. At its core was the unifying belief that the people of the Polish–Lithuanian Commonwealth descended from the ancient Iranian Sarmatians, the legendary invaders of contemporary Polish lands in antiquity.
Stanisław Antoni Szczuka in Sarmatian attire, wearing a kontusz
Sarmatian-style Karacena armor
Politically influential Elżbieta Sieniawska, in Sarmatist pose and male delia coat
Karol Stanisław Radziwiłł, the most prominent nobleman of his times and a representative of Sarmatism.
The Polish Baroque lasted from the early 17th to the mid-18th century. As with Baroque style elsewhere in Europe, Poland's Baroque emphasized the richness and triumphant power of contemporary art forms. In contrast to the previous, Renaissance style which sought to depict the beauty and harmony of nature, Baroque artists strove to create their own vision of the world. The result was manifold, regarded by some critics as grand and dramatic, but sometimes also chaotic and disharmonious and tinged with affectation and religious exaltation, thus reflecting the turbulent times of the 17th-century Europe.
Portrait of Jakub Narzymski by Szymon Czechowicz, 1738
Plafond Allegory of Spring by Jerzy Siemiginowski-Eleuter, 1680s
Saints Peter and Paul Church, Kraków, Poland
Church of St. Johns and Vilnius University