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Sennacherib
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Sennacherib was the king of the Neo-Assyrian Empire from 705 BC until his assassination in 681 BC. The second king of the Sargonid dynasty, Sennacherib is one of the most famous Assyrian kings for the
Cast of a rock relief of Sennacherib from the foot of Mount Judi, near Cizre
Cast of a rock relief of Sennacherib from the foot of Mount Judi, near Cizre
Bas-relief depicting Sargon II, Sennacherib's father and predecessor
Bas-relief depicting Sargon II, Sennacherib's father and predecessor
Sennacherib's father Sargon II (left) facing a high-ranking official, possibly his crown prince Sennacherib
Sennacherib's father Sargon II (left) facing a high-ranking official, possibly his crown prince Sennacherib
Depiction of Sennacherib's arch-enemy Marduk-apla-iddina II (left), king of Babylon 722–710 BC and 704/703–703 BC and the instigator of many of Sennac
Depiction of Sennacherib's arch-enemy Marduk-apla-iddina II (left), king of Babylon 722–710 BC and 704/703–703 BC and the instigator of many of Sennacherib's later conflicts
Esarhaddon
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Esarhaddon, also spelled Essarhaddon, Assarhaddon and Ashurhaddon was the king of the Neo-Assyrian Empire from 681 to 669 BC. The third king of the Sargonid dynasty, Esarhaddon is most famous for his
Sennacherib
…son and crown prince Aššur-nādin-šumi, Sennacherib originally designated his second son Arda-Mulissu heir. He later replaced him with a younger son, Esarhaddon, in 684 BC, for unknown reasons. Sennacherib ignored Arda-Mulissu's repeated appeals to be reinstated as heir, and in 681 BC, Arda-Mulissu and his…
Esarhaddon, closeup from his victory stele, now housed in the Pergamon Museum
Esarhaddon, closeup from his victory stele, now housed in the Pergamon Museum
The Recognition of Esarhaddon as King in Nineveh, illustration by A. C. Weatherstone for Hutchinson's History of the Nations (1915).
The Recognition of Esarhaddon as King in Nineveh, illustration by A. C. Weatherstone for Hutchinson's History of the Nations (1915).
Relief in the Louvre depicting Esarhaddon (right) and his mother Naqiʾa (left). Possibly as a result of his distrust of his male relatives, the women
Relief in the Louvre depicting Esarhaddon (right) and his mother Naqiʾa (left). Possibly as a result of his distrust of his male relatives, the women of the royal family were allowed greater political influence and power during Esarhaddon's reign than in any previous period of Assyrian history.
Black basalt monument of Esarhaddon in traditional Sumero-Akkadian cuneiform, which narrates his restoration of Babylon. c. 670 BC. Exhibited at the B
Black basalt monument of Esarhaddon in traditional Sumero-Akkadian cuneiform, which narrates his restoration of Babylon. c. 670 BC. Exhibited at the British Museum, BM 91027.