1.
Egyptian hieroglyphs
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Egyptian hieroglyphs were the formal writing system used in Ancient Egypt. It combined logographic, syllabic and alphabetic elements, with a total of some 1,000 distinct characters, cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts are derived from hieroglyphic writing, the writing system continued to be used throughout the Late Period, as well as the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, with the closing of pagan temples in the 5th century, knowledge of hieroglyphic writing was lost, and the script remained undeciphered throughout the medieval and early modern period. The decipherment of hieroglyphs would only be solved in the 1820s by Jean-François Champollion, the word hieroglyph comes from the Greek adjective ἱερογλυφικός, a compound of ἱερός and γλύφω, supposedly a calque of an Egyptian phrase mdw·w-nṯr gods words. The glyphs themselves were called τὰ ἱερογλυφικὰ γράμματα the sacred engraved letters, the word hieroglyph has become a noun in English, standing for an individual hieroglyphic character. As used in the sentence, the word hieroglyphic is an adjective. Hieroglyphs emerged from the artistic traditions of Egypt. For example, symbols on Gerzean pottery from c.4000 BC have been argued to resemble hieroglyphic writing, proto-hieroglyphic symbol systems develop in the second half of the 4th millennium BC, such as the clay labels of a Predynastic ruler called Scorpion I recovered at Abydos in 1998. The first full sentence written in hieroglyphs so far discovered was found on a seal found in the tomb of Seth-Peribsen at Umm el-Qaab. There are around 800 hieroglyphs dating back to the Old Kingdom, Middle Kingdom, by the Greco-Roman period, there are more than 5,000. However, given the lack of evidence, no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt. Since the 1990s, and discoveries such as the Abydos glyphs, as writing developed and became more widespread among the Egyptian people, simplified glyph forms developed, resulting in the hieratic and demotic scripts. These variants were more suited than hieroglyphs for use on papyrus. Hieroglyphic writing was not, however, eclipsed, but existed alongside the other forms, especially in monumental, the Rosetta Stone contains three parallel scripts – hieroglyphic, demotic, and Greek. Hieroglyphs continued to be used under Persian rule, and after Alexander the Greats conquest of Egypt, during the ensuing Ptolemaic and Roman periods. It appears that the quality of comments from Greek and Roman writers about hieroglyphs came about, at least in part. Some believed that hieroglyphs may have functioned as a way to distinguish true Egyptians from some of the foreign conquerors, another reason may be the refusal to tackle a foreign culture on its own terms, which characterized Greco-Roman approaches to Egyptian culture generally
2.
Djet
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Djet, also known as Wadj, Zet, and Uadji, was the fourth pharaoh of the First Dynasty. Djets Horus name means Horus Cobra or Serpent of Horus, Djets queen was his sister Merneith, who may have ruled as a pharaoh in her own right after his death. There is a possibility that a lady called Ahaneith was also one of his wives, Djet and Merneiths son was Den, and their grandson was Anedjib. How long Djet ruled is unknown, only one Sekar festival is attested by ivory labels dating to his reign, whose duration is estimated to be anywhere between six and ten years. According to Wolfgang Helck he reigned 10 years, from a calendar entry, Djer is known to have died on a 7 Peret III while Djet began his reign on 22 Peret IV. The reason for the 45 days of interregnum is unknown, details of Djets reign are lost in the lacunas of the Palermo Stone. However, finds of vessel fragments and seal impressions prove that there were intense trading activities with Syria, graves at Tarkhan and Saqqara dating to his reign yielded pottery from Palestine. Other activities can be inferred from the two known years tablets of the ruler, one of which is preserved in two copies. The reading of the events described on the tablets is highly problematic, Helck translated, Year of the planning of the underground/basement of the dual plant, birth of lotus buds, standing in the crown shrine of the two Ladies. The other year tablet mentions a victory, the production of a statue, finally, in Masra Alam in Nubia, the short inscription Hemka below Djet was discovered. Clay seals prove that official Amka begun his career under king Djer, under Djet, Amka became royal steward. In the early years of the kings successor Amka died after he was appointed to regional responsibilities in the western Nile Delta, other senior officials under the Djet were Sekhemkasedj and Setka. Djets tomb is located at Abydos in Petries Tomb Z and it is located west of his father, King Djers tomb. Surrounding Djets tomb are 174 subsidiary burials most of them being retainers that were sacrificed upon Djets death to him in the afterlife. Found within Djets tomb was a stele and this stele was a snake surmounted by a falcon and could be interpreted to mean Horus the snake. Also found within the tomb was a comb with the name of Djet on it. Copper tools and pottery were found in the tomb, a common find in Egyptian tombs. There is evidence that Djets tomb was intentionally burned, along with other tombs at Abydos from this time period, the tombs were later renovated because of the association with the cult of Osiris
3.
Horus
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Horus is one of the most significant ancient Egyptian deities. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom, different forms of Horus are recorded in history and these are treated as distinct gods by Egyptologists. He was most often depicted as a falcon, most likely a falcon or peregrine falcon. In another tradition Hathor is regarded as his mother and sometimes as his wife, Horus served many functions, most notably being a god of the sky, war and hunting. Horus is recorded in Egyptian hieroglyphs as ḥr. w Falcon, additional meanings are thought to have been the distant one or one who is above, over. As the language changed over time, it appeared in Coptic dialects variously as hoːɾ or ħoːɾ and was adopted into ancient Greek as Ὧρος Hōros and it also survives in Late Egyptian and Coptic theophoric names such as Har-si-ese Horus, Son of Isis. Nekheny may have been another falcon god worshipped at Nekhen, city of the falcon, Horus may be shown as a falcon on the Narmer Palette, dating from about the 31st century BC. In early Egypt, Horus was the brother of Isis, Osiris, Set, as different cults formed, he became the son of Isis and Osiris. Isis remained the sister of Osiris, Set and Nephthys, the Pyramid Texts describe the nature of the pharaoh in different characters as both Horus and Osiris. The pharaoh as Horus in life became the pharaoh as Osiris in death, New incarnations of Horus succeeded the deceased pharaoh on earth in the form of new pharaohs. The lineage of Horus, the product of unions between the children of Atum, may have been a means to explain and justify pharaonic power. The gods produced by Atum were all representative of cosmic and terrestrial forces in Egyptian life, the notion of Horus as the pharaoh seems to have been superseded by the concept of the pharaoh as the son of Ra during the Fifth Dynasty. Once Isis knew she was pregnant with Horus, she fled to the Nile Delta marshlands to hide from her brother Set, who jealously killed Osiris, there Isis bore a divine son, Horus. Since Horus was said to be the sky, he was considered to contain the sun. It became said that the sun was his eye and the moon his left, and that they traversed the sky when he. Later, the reason that the moon was not as bright as the sun was explained by a tale, known as the The Contendings of Horus and Seth. As Horus was the victor he became known as ḥr. w wr Horus the Great. In the struggle, Set had lost a testicle, explaining why the desert, Horus left eye had also been gouged out, then a new eye was created by part of Khonsu, the moon god, and was replaced
4.
Heraldry
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The beauty and pageantry of heraldic designs allowed them to survive the gradual abandonment of armour on the battlefield during the seventeenth century. Heraldry has been described poetically as the handmaid of history, the shorthand of history, in modern times, heraldry is used by individuals, public and private organizations, corporations, cities, towns, and regions to symbolize their heritage, achievements, and aspirations. Various symbols have been used to represent individuals or groups for thousands of years, similar emblems and devices are found in ancient Mesopotamian art of the same period, and the precursors of heraldic beasts such as the griffin can also be found. In the Bible, the Book of Numbers refers to the standards and ensigns of the children of Israel, the Greek and Latin writers frequently describe the shields and symbols of various heroes, and units of the Roman army were sometimes identified by distinctive markings on their shields. The Book of Saint Albans, compiled in 1486, declares that Christ himself was a gentleman of coat armour, the medieval heralds also devised arms for various knights and lords from history and literature. Notable examples include the toads attributed to Pharamond, the cross and martlets of Edward the Confessor, and the arms attributed to the Nine Worthies. These too are now regarded as an invention, rather than evidence of the antiquity of heraldry. The development of the modern heraldic language cannot be attributed to an individual, time. Yet no individual is depicted twice bearing the arms, nor are any of the descendants of the various persons depicted known to have borne devices resembling those in the tapestry. A Spanish manuscript from 1109 describes both plain and decorated shields, none of which appears to have been heraldic, in England, from the time of the Norman conquest, official documents had to be sealed. A notable example of an armorial seal is attached to a charter granted by Philip I, Count of Flanders. Seals from the part of the eleventh and early twelfth centuries show no evidence of heraldic symbolism. One of the earliest known examples of armory as it came to be practiced can be seen on the tomb of Geoffrey Plantagenet, Count of Anjou. An enamel, probably commissioned by Geoffreys widow between 1155 and 1160, depicts him carrying a shield decorated with six golden lions rampant. He wears a helmet adorned with another lion, and his cloak is lined in vair. A medieval chronicle states that Geoffrey was given a shield of this description when he was knighted by his father-in-law, Henry I, in 1128, but this account probably dates to about 1175. Since Henry was the son of Geoffrey Plantagenet, it seems reasonable to suppose that the adoption of lions as an emblem by Henry or his sons might have been inspired by Geoffreys shield. Richard is also credited with having originated the English crest of a lion statant and it is from this garment that the phrase coat of arms is derived
5.
Ancient Egypt
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Ancient Egypt was a civilization of ancient Northeastern Africa, concentrated along the lower reaches of the Nile River in what is now the modern country of Egypt. It is one of six civilizations to arise independently, Egyptian civilization followed prehistoric Egypt and coalesced around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh Narmer. In the aftermath of Alexander the Greats death, one of his generals, Ptolemy Soter and this Greek Ptolemaic Kingdom ruled Egypt until 30 BC, when, under Cleopatra, it fell to the Roman Empire and became a Roman province. The success of ancient Egyptian civilization came partly from its ability to adapt to the conditions of the Nile River valley for agriculture, the predictable flooding and controlled irrigation of the fertile valley produced surplus crops, which supported a more dense population, and social development and culture. Its art and architecture were widely copied, and its antiquities carried off to far corners of the world and its monumental ruins have inspired the imaginations of travelers and writers for centuries. The Nile has been the lifeline of its region for much of human history, nomadic modern human hunter-gatherers began living in the Nile valley through the end of the Middle Pleistocene some 120,000 years ago. By the late Paleolithic period, the climate of Northern Africa became increasingly hot and dry. In Predynastic and Early Dynastic times, the Egyptian climate was less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates, foliage and fauna were far more prolific in all environs and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated. The largest of these cultures in upper Egypt was the Badari, which probably originated in the Western Desert, it was known for its high quality ceramics, stone tools. The Badari was followed by the Amratian and Gerzeh cultures, which brought a number of technological improvements, as early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan, establishing a power center at Hierakonpolis, and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the desert to the west. Royal Nubian burials at Qustul produced artifacts bearing the oldest-known examples of Egyptian dynastic symbols, such as the crown of Egypt. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a system of hieroglyphs for writing the ancient Egyptian language. The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilisation of Mesopotamia, the third-century BC Egyptian priest Manetho grouped the long line of pharaohs from Menes to his own time into 30 dynasties, a system still used today
6.
Cartouche
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In Egyptian hieroglyphs, a cartouche /kɑːrˈtuːʃ/ is an oval with a horizontal line at one end, indicating that the text enclosed is a royal name. They came into use during the beginning of the Fourth Dynasty under Pharaoh Sneferu, while the cartouche is usually vertical with a horizontal line, it is sometimes horizontal if it makes the name fit better, with a vertical line on the left. The Ancient Egyptian word for it was shenu, and it was essentially an expanded shen ring, in Demotic, the cartouche was reduced to a pair of brackets and a vertical line. Of the five royal titularies it was the prenomen, the name, and the Son of Ra titulary, the so-called nomen name given at birth. At times amulets were given the form of a cartouche displaying the name of a king, such items are often important to archaeologists for dating the tomb and its contents. Cartouches were formerly worn by Pharaohs. The oval surrounding their name was meant to them from evil spirits in life. The cartouche has become a symbol representing good luck and protection from evil, egyptians believed that one who had their name recorded somewhere would not disappear after death. A cartouche attached to a coffin satisfied this requirement, there were periods in Egyptian history when people refrained from inscribing these amulets with a name, for fear they might fall into somebodys hands conferring power over the bearer of the name. In the Rosetta Stone, the hieroglyph is used for the word name. For the cartouche cut in half, the half-cartouche hieroglyph, Gardiners sign listed no, v11, is used in the Egyptian language for words meaning, to cut, to divide, to separate. It was the use of cartouches on the Rosetta Stone that was the biggest clue allowing Jean-François Champollion to decipher hieroglyphics, cartouche Serekh, a predecessor to the cartouche Shen ring General Budge. The Rosetta Stone, E. A. Wallis Budge, c, archived from the original on June 15,2011
7.
Floor plan
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Dimensions are usually drawn between the walls to specify room sizes and wall lengths. Floor plans may also include details of fixtures like sinks, water heaters, furnaces, floor plans may include notes for construction to specify finishes, construction methods, or symbols for electrical items. Similar to a map the orientation of the view is downward from above, but unlike a conventional map, objects below this level are seen, objects at this level are shown cut in plan-section, and objects above this vertical position within the structure are omitted or shown dashed. Plan view or planform is defined as an orthographic projection of an object on a horizontal plane. The term may be used in general to any drawing showing the physical layout of objects. For example, it may denote the arrangement of the objects at an exhibition. Drawings are now reproduced using plotters and large format xerographic copiers and this convention maintains the same orientation of the floor and ceilings plans - looking down from above. RCPs are used by designers and architects to demonstrate lighting, visible mechanical features, a floor plan is not a top view or birds eye view. It is a drawing to scale of the layout of a floor in a building. A top view or birds eye view does not show an orthogonally projected plane cut at the typical 4 foot height above the floor level, a floor plan could show, Interior walls and hallways Restrooms Windows and doors Appliances such as stoves, refrigerators, water heater etc. In other words, a plan is a section viewed from the top, in such views, the portion of the object above the plane is omitted to reveal what lies beyond. In the case of a plan, the roof and upper portion of the walls may typically be omitted. Roof plans are orthographic projections, but they are not sections as their plane is outside of the object. A plan is a method of depicting the internal arrangement of a 3-dimensional object in two dimensions. It is often used in drawing and is traditionally crosshatched. The style of crosshatching indicates the type of material the section passes through, a 3D floor plan can be defined as a virtual model of a building floor plan. Its often used to better convey architectural plans to individuals not familiar with floor plans, despite the purpose of floor plans originally being to depict 3D layouts in a 2D manner, technological expansion has made rendering 3D models much more cost effective. 3D plans show a depth of image and are often complimented by 3D furniture in the room
8.
Facade
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A façade is generally one exterior side of a building, usually, but not always, the front. It is a loan word from the French façade, which means frontage or face. In architecture, the façade of a building is often the most important aspect from a design standpoint, from the engineering perspective of a building, the façade is also of great importance due to its impact on energy efficiency. For historical façades, many local zoning regulations or other laws restrict or even forbid their alteration. The word comes from the French foreign loan word façade, which in turn comes from the Italian facciata, from faccia meaning face, the earliest usage recorded by the Oxford English Dictionary is 1656. It was quite common in the Georgian period for existing houses in English towns to be given a fashionable new façade, in modern highrise building, the exterior walls are often suspended from the concrete floor slabs. Examples include curtain walls and precast concrete walls, the façade can at times be required to have a fire-resistance rating, for instance, if two buildings are very close together, to lower the likelihood of fire spreading from one building to another. In general, the systems that are suspended or attached to the precast concrete slabs will be made from aluminium or stainless steel. In recent years more lavish materials such as titanium have sometimes been used, whether rated or not, fire protection is always a design consideration. The melting point of aluminium,660 °C, is reached within minutes of the start of a fire. Firestops for such building joints can be qualified, too, putting fire sprinkler systems on each floor has a profoundly positive effect on the fire safety of buildings with curtain walls. Some building codes also limit the percentage of area in exterior walls. When the exterior wall is not rated, the slab edge becomes a junction where rated slabs are abutting an unrated wall. For rated walls, one may also choose rated windows and fire doors, on a film set and within most themed attractions, many of the buildings are only façades, which are far cheaper than actual buildings, and not subject to building codes. In film sets, they are held up with supports from behind. Within theme parks, they are usually decoration for the interior ride/attraction/restaurant, by Ulrich Knaack, Tillmann Klein, Marcel Bilow and Thomas Auer. ISBN 978-3-7643-7961-2 ISBN 978-3-7643-7962-9 Giving buildings an illusion of grandeur Poole, the article outlines the development of the façade in ecclesiastical architecture from the early Christian period to the Renaissance
9.
Pharaoh
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The word pharaoh ultimately derive from the Egyptian compound pr-ˤ3 great house, written with the two biliteral hieroglyphs pr house and ˤ3 column, here meaning great or high. It was used only in larger phrases such as smr pr-ˤ3 Courtier of the High House, with specific reference to the buildings of the court or palace. From the twelfth dynasty onward, the word appears in a wish formula Great House, may it live, prosper, and be in health, but again only with reference to the royal palace and not the person. During the reign of Thutmose III in the New Kingdom, after the rule of the Hyksos during the Second Intermediate Period. During the eighteenth dynasty the title pharaoh was employed as a designation of the ruler. From the nineteenth dynasty onward pr-ˤ3 on its own was used as regularly as hm. f, the term, therefore, evolved from a word specifically referring to a building to a respectful designation for the ruler, particularly by the twenty-second dynasty and twenty-third dynasty. For instance, the first dated appearance of the pharaoh being attached to a rulers name occurs in Year 17 of Siamun on a fragment from the Karnak Priestly Annals. Here, an induction of an individual to the Amun priesthood is dated specifically to the reign of Pharaoh Siamun and this new practice was continued under his successor Psusennes II and the twenty-second dynasty kings. Shoshenq I was the successor of Siamun. Meanwhile, the old custom of referring to the sovereign simply as pr-ˤ3 continued in traditional Egyptian narratives, by this time, the Late Egyptian word is reconstructed to have been pronounced *par-ʕoʔ whence Herodotus derived the name of one of the Egyptian kings, Φερων. In the Bible, the title also occurs as פרעה, from that, Septuagint φαραώ pharaō and then Late Latin pharaō, both -n stem nouns. The Quran likewise spells it فرعون firawn with n, interestingly, the Arabic combines the original pharyngeal ayin sound from Egyptian, along with the -n ending from Greek. English at first spelt it Pharao, but the King James Bible revived Pharaoh with h from the Hebrew, meanwhile in Egypt itself, *par-ʕoʔ evolved into Sahidic Coptic ⲡⲣ̅ⲣⲟ prro and then rro. Scepters and staves were a sign of authority in ancient Egypt. One of the earliest royal scepters was discovered in the tomb of Khasekhemwy in Abydos, kings were also known to carry a staff, and Pharaoh Anedjib is shown on stone vessels carrying a so-called mks-staff. The scepter with the longest history seems to be the heqa-scepter, the earliest examples of this piece of regalia dates to pre-dynastic times. A scepter was found in a tomb at Abydos that dates to the late Naqada period, another scepter associated with the king is the was-scepter. This is a long staff mounted with an animal head, the earliest known depictions of the was-scepter date to the first dynasty
