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William Blake, The Temptation and Fall of Eve, 1808 (illustration of John Milton's Paradise Lost).
William Blake, The Temptation and Fall of Eve, 1808 (illustration of John Milton's Paradise Lost).
Adam, Eve, and a female serpent at the entrance to Notre Dame Cathedral in Paris, France. The portrayal of the image of the serpent as a mirror of Eve
Adam, Eve, and a female serpent at the entrance to Notre Dame Cathedral in Paris, France. The portrayal of the image of the serpent as a mirror of Eve was common in earlier Christian iconography as a result of the identification of women as the ones responsible for the fall of man and source of the original sin.
Ivory of Christ treading on the beasts from Genoels-Elderen, with four beasts; the basilisk was sometimes depicted as a bird with a long smooth tail.
Ivory of Christ treading on the beasts from Genoels-Elderen, with four beasts; the basilisk was sometimes depicted as a bird with a long smooth tail.
Medieval illustration of Eve and the serpent in the Garden of Eden. Folio from the Biblia pauperum, 14th–15th century.
Medieval illustration of Eve and the serpent in the Garden of Eden. Folio from the Biblia pauperum, 14th–15th century.
Satan
Illustration of the Devil on Codex Gigas, early thirteenth century
Illustration of the Devil on Codex Gigas, early thirteenth century
Balaam and the Angel (1836) by Gustav Jäger. The angel in this incident is referred to as a "satan".
Balaam and the Angel (1836) by Gustav Jäger. The angel in this incident is referred to as a "satan".
The Examination of Job (c. 1821) by William Blake
The Examination of Job (c. 1821) by William Blake
The sound of a shofar (pictured) is believed to symbolically confuse Satan.
The sound of a shofar (pictured) is believed to symbolically confuse Satan.