Seven Against Thebes (play)
Seven Against Thebes is the third play in an Oedipus-themed trilogy produced by Aeschylus in 467 BC. The trilogy is sometimes referred to as the Oedipodea. It concerns the battle between an Argive army, led by seven champions including Polynices who were called the Seven against Thebes, and the army of Thebes led by Eteocles and his supporters. The trilogy won the first prize at the Athens City Dionysia. The trilogy's first two plays, Laius and Oedipus, as well as the satyr play Sphinx, are no longer extant.
Capaneus scales the city wall of Thebes, Campanian red-figure Neck-amphora attributed to the Caivano Painter, ca. 340 BC, J. Paul Getty Museum (92.AE.86).
Aeschylus was an ancient Greek tragedian often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.
Roman marble herma of Aeschylus dating to c. 30 BC, based on an earlier bronze Greek herma, dating to around 340-320 BC
Sanctuary of Demeter and Kore of Eleusis, Aeschylus' hometown
The death of Aeschylus illustrated in the 15th century Florentine Picture Chronicle by Maso Finiguerra
Modern picture of the Theatre of Dionysus in Athens, where many of Aeschylus's plays were performed