Shakespeare Theatre Company
|Purpose||Shakespeare and other classical era plays|
The Shakespeare Theatre Company is a regional theatre company located in Washington, D.C. The theatre company focuses primarily on plays from the Shakespeare canon, but its seasons include works by other classic playwrights such as Euripides, Ibsen, Wilde, Shaw, Schiller, Coward and Tennessee Williams. The company manages and performs in the Harman Center for the Arts, consisting of the Lansburgh Theatre and Sidney Harman Hall. In cooperation with George Washington University, they run the Academy for Classical Acting.
The company is a member of the League of Resident Theatres.
- 1 History
- 2 Facilities
- 3 Theatrical Focus
- 4 Notable Events
- 4.1 Black Iago in Othello
- 4.2 Race Reversed Othello
- 4.3 The Oedipus Plays at the Athens Festival
- 4.4 Love's Labor's Lost at the Royal Shakespeare Company's Complete Works Festival
- 4.5 Shakespeare in Washington Festival
- 4.6 Opening of Sidney Harman Hall
- 4.7 Special Performances of The Great Game: Afghanistan
- 5 Awards
- 6 Other Activities
- 7 See also
- 8 References
- 9 External links
The Folger Shakespeare Library on Capitol Hill includes a replica of an Elizabethan theatre, originally used for lectures and tours. In 1970 this space was transformed into a functioning playhouse, and soon Folger Theatre Group (later The Folger Theatre) was organized to perform in the space.
After years of discussion, Amherst College, administering body of the Folger Shakespeare Library, in 1986 withdrew financial support for the company. To save the company, concerned citizens led by R. Robert Linowes reincorporated it as the non-profit Shakespeare Theatre at the Folger, later hiring Michael Kahn as artistic director; the company continued to perform at the Folger for the next six years.
Changing its name to The Shakespeare Theatre, the troupe moved in 1992 to the Lansburgh Theatre, a newly built space in the original Lansburgh's Department Store building in the Penn Quarter. At the start of the 2005-6 season, it adopted the current name, Shakespeare Theatre Company; the company constructed another theatre, Sidney Harman Hall, which opened in 2007 in the lower part of an office building in the quarter, and the two theatres were joined to become the Harman Center for the Arts.
Meanwhile, after initially importing traveling shows from the Shenandoah Shakespeare Express the Folger Shakespeare Library developed a new Folger Theatre company to present plays in its Elizabethan replica.
The Shakespeare Theatre Company has two current performance venues; the newer and larger Sidney Harman Hall occupies the lower half of an 11-story office tower. The exterior is distinguished by a glass façade curtain wall on a projected bay window; the 774-seat performance space can be configured as a proscenium, thrust, semi-arena, corridor or bare stage. The smaller Lansburgh Theatre is in the restored former Lansburgh's Department Store flagship store, originally built in 1882; the performance space is 451-seat classic proscenium stage. The seating arrangement is reminiscent of a Greek Amphitheater, it has been described as "an intimate space for dramatic theatre, ensemble music and dance"
In addition to its performance spaces, the company maintains administrative offices, rehearsal studios, and a costume shop in the Capitol Hill neighborhood. A set construction and painting shop is near Catholic University in Northeast D.C. Finally a stage properties shop for the construction and storage of furniture, decorative items, hand props and a variety of set dressing items is located just outside D.C. on the northeast side of the city.
The Shakespeare Theatre Company's self professed mission is "...to present classic theatre of scope and size in an imaginative, skillful and accessible American style that honors the playwrights’ language and intentions while viewing their work through a 21st-century lens". Their vision is to "... endeavor to be an important resource to an expanded national and international community—as the nation’s premier destination for classic theatre, as a training ground for the next generation of theatre artists and as a model provider of high-quality educational content for students and scholars."
- Richmond Crinkley (1970-1973) (While Folger Theatre Group)
- Louis W. Scheeder (1973-1980) (While Folger Theatre Group)
- John Neville-Andrews (1980-1986) (Name changed to Folger Theatre then Shakespeare Theatre at the Folger)
- Michael Kahn (1986–2019) (While Shakespeare Theatre at the Folger, then Shakespeare Theatre Company)
- Simon Godwin (2019-)
Current and recent productions
Resident theatre company pioneer Zelda Fichandler has stated that for resident theatre companies "repertory is destiny" - a theatre company acquires its audience by the productions it presents. Most of The Shakespeare Theatre Company's productions are from The Bard's canon; however each year up to half of the productions are classical works by other authors. The oldest has been Aeschylus's The Persians, the oldest surviving play in the history of theatre; the youngest plays include works by Tennessee Williams (Camino Real, Sweet Bird of Youth) and Harold Pinter (Old Times). The company has also produced modern interpretations of classical texts such as Mary Zimmerman's Argonautika (adapted from The Voyage of Jason and the Argonauts).
- 2017-2018 Season
- 2016-2017 Season
- Fully staged productions:
Notable Guest Artists
In addition to its troupe of regular and frequently appearing actors, The Shakespeare Theatre Company invites guest performers and directors each season.
- Jane Alexander - Ghosts (Mrs. Alving)
- Elizabeth Ashley - Mrs. Warren's Profession (Mrs Warren), The Little Foxes (Regina)
- Michael Attenborough - Director (As You Like It)
- René Auberjonois - The Imaginary Invalid (Argan)
- Keith Baxter - Actor Measure For Measure (Duke Vincentio), Henry IV, Parts 1 and 2 (Henry IV), Merchant of Venice (Antonio); Director (Lady Windermere's Fan, The Imaginary Invalid, The Rivals, The Country Wife, Henry IV, Part 1, Mrs. Warren's Profession, An Ideal Husband, The Importance of Being Earnest)
- André Braugher - Othello (Iago)
- Avery Brooks - Othello (Othello), The Oedipus Plays (Oedipus), Tamburlaine (Tamburlaine)
- Ron Canada - Othello (Iago)
- Dixie Carter - Lady Windermere's Fan (Mrs. Erlynne)
- Jeffrey Carlson - Hamlet (Hamlet)
- Pat Carroll - Romeo and Juliet (Nurse), The Merry Wives of Windsor (Falstaff), Mother Courage and Her Children (Mother Courage), Volpone (Volpone)
- Gale Edwards - Director (Edward II, Titus Andronicus, Richard III, Hamlet)
- Harry Hamlin - Henry V (Henry V)
- Hal Holbrook - Merchant of Venice (Shylock)
- Tom Hulce - Hamlet (Hamlet)
- Stacy Keach - Richard III (Richard), King Lear (Lear), Henry IV, Parts 1 and 2 (Falstaff )
- Sabrina LeBeauf- Love's Labour's Lost (Rosaline), The Taming of the Shrew (Kathrine)
- Marsha Mason - All's Well That Ends Well (Countess of Rousillon)
- Kelly McGillis - Merchant of Venice (Portia), Twelfth Night (Viola), Mourning Becomes Electra (Lavinia), MacBeth (Lady MacBeth), The Duchess of Malfi (Duchess), As You Like It (Rosalind), Measure for Measure (Isabella), All's Well That Ends Well (Helena), Much Ado About Nothing (Beatrice)
- Ethan McSweeny - Director (Major Barbara, The Persians, Ion, The Merchant of Venice, A Midsummer Night’s Dream, The Tempest)
- Patrick Page - Othello (Iago), MacBeth (MacBeth), Coriolanus (Coriolanus)
- Siân Phillips - The Importance of Being Earnest (Lady Bracknell)
- Richard Schiff - Hughie (Erie Smith)
- Jean Stapleton - Romeo and Juliet (Nurse)
- Patrick Stewart - Othello (Othello)
- Rebecca Taichman - Director (The Taming of the Shrew, Twelfth Night, Cymbeline, The Winter's Tale)
- Richard Thomas - Richard II (Richard)
- Paul Winfield - Merry Wives of Windsor (Falstaff)
- Hannah Yelland - The Winter's Tale (Hermione)
- Mary Zimmerman - Director (Pericles, Argonautika, Candide)
The Shakespeare Theatre Company commissioned playwright David Ives to translapt (translate and adapt) a series of rediscovered European comedy masterpieces as follows:
All plays featured Ives's rhyming word play and were directed by Michael Kahn
The Liar subsequently opened off-Broadway, again directed by Michael Kahn
Black Iago in Othello
In 1990 artistic director Michael Kahn and black director Harold Scott cast black actors as Iago and Emilia, the trusted ensign who incites the Moor's fatal jealousy and his wife. With Avery Brooks as Othello, Andre Braugher as Iago and Franchelle Stewart Dorn as Emilia, the resulting production was critically acclaimed.
Race Reversed Othello
In 1997 The Shakespeare Theatre Company produced an Othello in which Othello was white with an all black cast. Actor Patrick Stewart approached Artistic Director Michael Kahn with the concept: "I've been imagining myself playing Othello and, in a sense, preparing for it, since I was about 14; when the time came that I was old enough and experienced enough to do it, it was the same time that it no longer became acceptable for a white actor to put on blackface and pretend to be African. One of my hopes for this production is that it will continue to say what a conventional production of Othello would say about racism and prejudice... To replace the black outsider with a white man in a black society will, I hope, encourage a much broader view of the fundamentals of racism."  Ron Canada performed the part of Iago. During the Meet the Cast event before the production Stewart remarked that he realized that while he had never performed this role, all of the principal male actors in the cast had, and he would learn from them.[better source needed]
The Oedipus Plays at the Athens Festival
After seeing The Shakespeare Theatre Company's production of The Oedipus Plays in September 2001, officials from the Greek Embassy in Washington arranged for an invitation to the company to perform it as part of the 2003 Athens Festival; the show was a single-evening adaption by Michael Kahn of Sophocles' three plays Oedipus Rex, Oedipus at Colonus and Antigone. He changed the setting from Greece to central Africa, and used an all-black cast headed by Avery Brooks; the performance was on 10–11 September 2003 in the semicircular 5,000-seat Odeon theater on the south slope of the Acropolis. As an historical footnote, the original production had just opened the week before the September 11 attacks. After a single performance cancellation that night, the show went on the next night (9/12) with a new meaning for cast and audience; the second Athens' performance was two years to the day after the attack.
Love's Labor's Lost at the Royal Shakespeare Company's Complete Works Festival
The Shakespeare Theatre Company took its production of Love’s Labor’s Lost to England to participate in the Royal Shakespeare Company’s Complete Works Festival. Performances were from 17 to 26 August 2006 in the Swan Theatre in Stratford-upon-Avon.
Shakespeare in Washington Festival
From January through June 2007 The Shakespeare Theatre co-hosted the International Shakespeare in Washington Festival; this celebration was conceived by Michael Kaiser, President of the Kennedy Center, and was curated by Michael Kahn. Over 60 arts organizations produced over 100 presentations.
Opening of Sidney Harman Hall
On 1 October 2007, Sidney Harman Hall opened with a gala performance emceed by Sam Waterston and featuring ballet dancers Nina Ananiashvili and Julio Bocca, Jazz at Lincoln Center Orchestra with Wynton Marsalis, actress Patti LuPone, violinist Anne-Sophie Mutter, The Washington Ballet, Washington Performing Arts Society’s (WPAS) Men and Women of the Gospel Mass Choir and actors from the Shakespeare Theatre Company.
Special Performances of The Great Game: Afghanistan
At the request of US Department of Defense officials and with support funding from private sources, the Shakespeare Theatre Company donated Harman Hall and provided logistical support for two all-day special performances of the full cycle of The Great Game: Afghanistan; the 10–11 February 2011 performances were offered free to soldiers, wounded veterans and government officials in the Washington DC area.
The Shakespeare Theatre Company both presents and receives awards. Annually it presents The Will Award and The Emery Battis award. Additionally it regularly receives awards for its productions
The Will Award
The William Shakespeare Award for Classical Theatre (The Will Award) has been presented by the Shakespeare Theatre Company since 1988; the Will Award is an annual honor to recognize an artist who has made a significant contribution to classical theatre in America. Since at least 2008 the award ceremony has been held under the patronage of the British Ambassador and his wife.
1988 – Joseph Papp
1989 – Kevin Kline
1990 – Christopher Plummer
1991 – Kenneth Branagh
1992 – Mel Gibson
1993 – Morgan Freeman
1994 – Christopher Walken
1995 – Lynn Redgrave
1996 – Sam Waterston
1997 – Patrick Stewart
1998 – Hal Holbrook
2000 – Sir Anthony Hopkins
2001 – Ralph Fiennes
2002 – Michael Kahn
2003 – Fiona Shaw
2004 – Dame Judi Dench
2005 – Jeremy Irons
2006 – Kevin Spacey
2007 – The Shakespeare Theatre Company’s Acting Company
2009 – Sir Ian McKellen
2010 – Annette Bening
2011 – Michael Kahn in honor of his 25th Anniversary as Artistic Director
The Emery Battis Awards
The Emery Battis Award for Acting Excellence is presented annually at the first opening night of the new season to recognize two actors whose work in a mainstage production demonstrates outstanding classical technique; the award is funded by an anonymous donor and includes a cash prize. It is named for the long time and beloved Shakespeare Theatre Company actor Emery Battis.
|Adam Green||The Liar||Cliton (the valet)||2009–2010|
|Michael Hayden||Richard II, Henry V||Richard II, Henry V||2009–2010|
|Holly Twyford||Old Times||Anna||2010–2011|
|Mark Nelson||The Merchant of Venice||Shylock||2010–2011|
|Carson Elrod||The Heir Apparent||Crispin||2011–2012|
|Steven Epp||The Servant of Two Masters||Truffaldino||2011–2012|
|Bianca Amato||Private Lives||Amanda||2013-2014|
|Matthew Amendt||Henry IV, Part 1 and Part 2||Prince Hal||2013-2014|
|Amber Iman||Man of La Mancha||Aldonza||2014-2015|
|Robert Stanton||The Critic & The Real Inspector Hound||Puff & Moon||2015-2016 |
|Robyn Hurder||Kiss Me Kate||Bianca/Lois Lane||2015-2016 |
- Over the past 29 years, the Shakespeare Theatre Company has won over 80 Helen Hayes Awards for producing, acting, directing, and design achievements.
- 2012: The Shakespeare Theatre Company in Washington, DC, received the Tony Award for Regional Theatre.
- 2017: The Washington Post said, "The quality of its seasons has taken a hit over the past several years" and "Where once it regularly ventured into daring terrain...it is making a conscious choice to lead from behind."
- 2007: The New York Times said, the Shakespeare Theatre has "a repertory of classics that no New York theater of similar size and scale can match."
- 2001: The Christian Science Monitor printed, "The Shakespeare Theatre: The best classical theater in the country, bar none."
- 1999: The Economist named the Shakespeare Theatre Company as one of the "world's three great Shakespearean theatres"
Free for All
In 1991, the Shakespeare Theatre Company began its annual Free For All productions at the Carter Barron Amphitheatre in D.C.'s Rock Creek Park. Each summer the company remounts a production from the previous season; until 2009, these productions were held at the outdoor Amphitheatre in Rock Creek Park. However, in 2009 the company moved the free performances downtown and indoors  For a complete list of the productions see Shakespeare Theatre Company Free For All
Works for the ReDiscovery Series are chosen by Artistic Director Michael Kahn and presented under the direction of Shakespeare Theatre artistic staff. Guest artists join members of the Shakespeare Theatre Company and the Washington theatrical community to investigate these great but lesser known plays of world literature; the readings occur at the Lansburgh on at least three Mondays throughout the year and are hosted by company member Ted van Griethuysen. Guest scholars, translators and adaptors involved with the evening's reading also frequently participate in the rehearsal, performance and occasional post-performance discussion when time permits.
Academy for Classical Acting
The Shakespeare Theatre Company and George Washington University offer a one-year intensive graduate program leading to a Master of Fine Arts degree; the curriculum focuses on the specific craft of acting Shakespeare and other classical texts. George Washington University provides accreditation for an MFA degree, resources and strong links to the Folger Shakespeare Library & the Library of Congress; the program has graduated over 100 actors who are now performing on stages in New York, Washington D.C. and across the country.
National Theatre Live
The National Theatre (Great Britain) broadcasts live via satellite, performances of their productions to movie theaters, cinemas and arts centres around the world; each showing is performed live in London, filmed in high definition and presented on a large screen in Sidney Harman Hall
- About Folger Theatre 1970–1991 Folger Theatre Group Archived 17 February 2011 at the Wayback Machine
- Gussow, Mel (9 June 1985). "THE FOLGER THEATER IS ALIVE AND CLICKING". New York Times. Retrieved 9 January 2014.
- Rousuck, J. Wynn (4 March 1992). "Much ado is rightly made about Shakespeare space". The Baltimore Sun. Retrieved 18 June 2013.
- Yarrow, Andrew (15 October 1987). "Folger in Washington Survives Its Own Drama". The New York Times. Retrieved 9 January 2014.
- Ashley Parker, "Synonymous With Shakespeare in Washington", The New York Times, 23 September 2007
- P. Marks, "A Bold New Stage for D.C.", Washington Post, p.R1 9 September 2007
- "Harman Theater Open House: District Community Events, Sept. 13-20, 2007", Washington Post, 12 Sept. 2007
- Shakespearetheatre.org Archived 8 January 2011 at the Wayback Machine
- "Tennessee Williams Explored: Five by Tenn". kennedy-center.org. Retrieved 20 January 2011.
- Shakespeartheatre.org Archived 11 December 2010 at the Wayback Machine
- Shakespeartheatre.org Archived 27 July 2011 at the Wayback Machine
- Shakespearetheatre.org Archived 27 July 2011 at the Wayback Machine
- Shakespearetheatre.org Archived 27 July 2011 at the Wayback Machine
- "JThe Mission of the Shakespeare Theatre Company". shakespearetheatre.org. Retrieved 20 January 2011.
- Former Folger, Kennedy Center Aide Richmond Crinkley Dies, The Washington Post 31 January 1989
- 01/12/11 email from John Neville-Andrews
- Shakespearetheatre.org Archived 24 December 2010 at the Wayback Machine
- Pressley, Nelson (13 February 2017). "Michael Kahn plots his Shakespeare Theatre exit for 2019". The Washington Post. Retrieved 14 February 2017.
- "Meet Simon Goodwin". Shakespeare Theatre Company. Retrieved 5 September 2018.
- Pressley, Nelson (6 September 2018). "Shakespeare Theatre Company names U.K.'s Simon Godwin to succeed Kahn" (6 September 2018). The Washington Post; the Washington Post. Retrieved 6 September 2018.
- "Past Productions". The Persians; the Shakespeare Theatre Company. Retrieved 12 February 2011.
- "Production History". Shakespeare Theatre Company. Archived from the original on 25 May 2011. Retrieved 12 February 2011. Cite uses deprecated parameter
- Author, Guest (9 February 2017). "Shakespeare Theatre Company Unveils its 2017-2018 Season Lineup". DC Metro Theater Arts. Retrieved 18 August 2017.
- "Waiting for Godot". Shakespeare Theatre Company. Retrieved 19 August 2017.
- "2016-2017 Season (Shakespeare Theatre Company)". Shakespeare Theatre Company. Retrieved 3 December 2017.
- "The Select (The Sun Also Rises)". Shakespeare Theatre Company. Retrieved 19 August 2017.
- "Jane Alexander Is Mrs. Alving in American-Set Ghosts". playbill.com. Retrieved 18 January 2011.
- "Elizabeth Ashley To Star In Shakespeare Theatre Co's Mrs. Warren's profession". broadwayworld.com. Retrieved 18 January 2011.
- "The Little Foxes". talkinbroadway.com. Retrieved 18 January 2011.
- Marks, Peter (4 November 2014). "Into the often drab woods with Shakespeare Theatre Company's 'As You Like It'". The Washington Post. Retrieved 27 November 2014.
- Horwitz, Jane (2 July 2008). "How to Treat an 'Imaginary Invalid' René Auberjonois Takes On the Challenge of Molière". The Washington Post. Retrieved 18 January 2011.
- "The Importance of Being Earnest Program Book". Shakespeare Theatre Company. 27 January 2014.
- "Keith Baxter Directs Dixie Carter, Tessa Auberjonois in D.C. Shakespeare Theatre's Lady Windermere's Fan June 7". playbill.com. Archived from the original on 19 October 2012. Retrieved 20 January 2011. Cite uses deprecated parameter
- "2007-2008 Season". shakespearetheatre.org. Retrieved 20 January 2011.
- "CurtainUp DC Review Henry IV, Part 1". curtainup.com. Retrieved 20 January 2011.
- Marks, Peter (16 June 2010). "'Mrs. Warren's Profession' is alluring in Shakespeare Theatre Company production". The Washington Post. Retrieved 25 February 2013.
- Marks, Peter (16 March 2011). "Theater review: Shakespeare Theatre Company's 'An Ideal Husband'". The Washington Post. Archived from the original on 16 December 2013. Retrieved 25 February 2013. Cite uses deprecated parameter
- Pressley, Nelson (10 January 2014). "Siân Phillips's Wilde Ride". The Washington Post. Retrieved 11 January 2014.
- "Othello Artistic Team and Cast". .shakespearetheatre.org. Retrieved 18 January 2011.
- "African-Set Oedipus Plays Open Sept. 4 at DC Shakespeare Theatre". playbill.com. Retrieved 18 January 2011.
- "Tamburlaine". washingtonian.com. Retrieved 18 January 2011.
- Rose, Lloyd (18 November 1997). "'Othello': Twist on Timeless Tragedy: Patrick Stewart Adds New Dimension". The Washington Post. Retrieved 5 July 2013.
- "Carlson Is Hamlet, Opening June 11 at DC's Shakespeare Theatre". playbill.com. Retrieved 20 January 2011.
- "Pat Caroll Biography". wic.org. Retrieved 28 February 2011.
- Rich, Frank (30 May 1990). "Review/Theater; Pat Carroll as Falstaff in 'Merry Wives' at Folger". New York Times. Retrieved 20 January 2011.
- Rose, Lloyd (13 April 1993). "Theater; A Great Display Of `Courage'; Pat Carroll Is Heroic in Brecht's Masterpiece at Shakespeare Theatre". The Washington Post. Retrieved 13 February 2011.
- Rousuck, J. Wynn (24 April 1996). "Shakespeare Theatre gives greed a good name in 'Volpone' Theater review". The Baltimore Sun. Retrieved 13 February 2011.
- "Harry Hamlin Biography (1951-)". filmreference.com. Retrieved 20 January 2011.
- Rose, Lloyd (2 June 1999). "A Strained Quality of Mercy; All Isn't Well That Ends Well in 'Merchant'". The Washington Post. Retrieved 13 February 2011.
- Rose, Lloyd (24 November 1992). "The Human Heart of `Hamlet'". The Washington Post. Retrieved 13 February 2011.
- Gussow, Mel (2 October 1990). "Stacy Keach's Gleeful Richard III". The New York Times. Retrieved 13 February 2011.
- Marks, Peter (23 June 2009). "A Magnificent 'King Lear' Rises to the Madness". The Washington Post. Retrieved 13 February 2011.
- "Henry IV, Part 1 and Part 2 Meet the Cast Reception", Shakespeare Theatre Company, 14 January 2014
- "The Plays - Related Information About This Production". Shakespeare Theatre Company. Retrieved 19 May 2013.
- Marks, Peter (31 August 2009). "A 'Shrew' for The Summer of Our Discontent". The Washington Post. Retrieved 19 May 2013.
- Toscano, Michael (13 September 2010). "All's Well That Ends Well". Theatre Mania. Retrieved 26 February 2013.
- Richards, David (4 May 1988). "Meticulous `Merchant';Brian Bedford & Kelly McGillis at the Folger". The Washington Post. Archived from the original on 5 November 2012. Retrieved 13 February 2011. Cite uses deprecated parameter
- Rich, Frank (4 October 1989). "Kelly McGillis Stars In 'Twelfth Night'". New York Times. Retrieved 13 February 2011.
- Rose, Lloyd (7 May 1997). "Mourning Becomes Electra". The Washington Post. Retrieved 13 February 2011.
- Holtmeier, Lisa. "An Absorbing Couple". Shakespeare Theatre Company 04-05 Season. ShakespeareTheatre.org. Retrieved 8 May 2013.
- "Kelly McGillis Biography (1957-)". filmreference.com. Retrieved 13 February 2011.
- "Full Interview with Ethan McSweeny". shakespearetheatre.org. Retrieved 20 January 2011.
- "Ion: Artistic Team and Cast". shakespearetheatre.org. Retrieved 20 January 2011.
- Pressley, Nelson (8 July 2011). "Director Ethan McSweeny, growing up on the way to 'Venice'". The Washington Post. Retrieved 20 May 2013.
- Marks, Peter (28 November 2012). "At Shakespeare Theatre Company, whirlwind of a Bottom spins 'Midsummer' for laughs". The Washington Post. Retrieved 25 February 2013.
- Marks, Peter (9 December 2014). "Ethan McSweeny's "Tempest" casts a bright, uplifting spell". The Washington Post. Retrieved 27 February 2015.
- Jones, Kenneth (25 March 2005). "Patrick Page Is Iago in D.C. Shakespeare Theatre's Othello in 2005-06; Moliere and Aeschylus on Season Slate". Playbill.com. Retrieved 8 March 2013.
- Marks, Peter (11 April 2013). "'Coriolanus' turns on a potent Page". The Washington Post. Retrieved 8 May 2013.
- Pressley, Nelson (12 February 2013). "A splendid 'Hughie' at Shakespeare Theatre Company". The Washington Post. Retrieved 25 February 2013.
- Rose, Lloyd (18 November 1997). "'Othello': Twist on Timeless Tragedy Patrick Stewart Adds New Dimension". The Washington Post. Retrieved 26 February 2013.
- Marks, Peter (17 May 2013). "An English actress, transformed by Washington". The Washington Post. Retrieved 19 May 2013.
- Brantley, Ben (22 September 1993). "Review/Theater: Richard II; Richard Thomas Puts His Stamp On Giving Up a Throne Vigorously". The New York Times. Retrieved 29 January 2014.
- Rose, Lloyd (31 March 1998). "'Merry Wives': A Big Belly But Few Sustained Laughs". The Washington Post. Retrieved 20 May 2013.
- Peter, Marks (14 April 2010). "Theater review: Peter Marks on 'The Liar' at Shakespeare Theatre Company". The Washington Post. Retrieved 27 February 2015.
- Marks, Peter (13 September 2011). "'The Heir Apparent': A fine time for rhyme". The Washington Post. Retrieved 27 February 2015.
- Marks, Peter (8 June 2017). "It's prime-time rhyme time with 'School for Lies' at Lansburgh Theatre". The Washington Post. Retrieved 28 March 2018.
- "2018-2019 Season". Shakespeare Theatre Company. Retrieved 28 March 2018.
- Isherwood, Charles. "Review: A Revival of 'The Liar' Plays Alternative Facts for Laughs". New York Times. Retrieved 27 January 2017.
- Rousuck, J. Wynn (5 December 1990). "Inspired casting brings dynamism to 'Othello' at Folger". The Baltimore Sun. Retrieved 11 January 2014.
- Collins, William (7 December 1990). "A Contemporary 'Othello' At Folger". The Philadelphia Inquirer. Retrieved 11 January 2014.
- Rose, Lloyd (5 December 1990). "`Othello': The Two Faces Of Tragedy; At the Folger, a Black Iago Makes All the Difference". The Washington Post. Archived from the original on 10 June 2014. Retrieved 11 January 2014. Cite uses deprecated parameter
- "Patrick Stewart Stars in Race-Reversed Othello in D.C. Nov. 17". playbill.com. Retrieved 5 July 2013.
- Ray, Green. "Patrick Stewart:The Veteran Shakespearean Actor Brings a "New Kind of Othello" to The Shakespeare Theatre". Retrieved 5 July 2013.
- "Othello Meet the Cast Reception". 19 August 1997.
- Van Gelder, Lawrence (10 September 2003). "Arts bBriefing". The New York Times.
- Marks, Peter (22 March 2005). "Avon Calling: Kahn & Co. to Play In the Bard's Town". The Washington Post.
- Shakespearetheatre.org Archived 25 May 2011 at the Wayback Machine
- Kennedy-center.org Archived 27 April 2014 at the Wayback Machine
- Norton-Taylor, Richard (9 January 2011). "London theatre troupe to perform play on Afghan history for US military". The Guardian. London.
- Marks, Peter (9 January 2011). "'Great Game' gets encore, with Pentagon's applause". The Washington Post.
- Dowd, Maureen (15 February 2011). "Worth a Bottle of Whiskey". The New York Times. Retrieved 18 February 2011.
- Will Award Recipients, Shakespeare Theatre Company document, used by permission
- "Harman Center for the Arts Annual Gala Monday, October 27, 2008". ShakespeareTheatre.org. Retrieved 21 January 2011.
- "Dame Maggie Smith Receives 'Will Award' in D.C. April 10". Playbill. 9 April 1999. Archived from the original on 6 December 2013. Retrieved 6 July 2017. Cite uses deprecated parameter
- Goldstein, Jessica (4 September 2012). "F. Murray Abraham to receive Shakespeare Theatre Company's annual award". The Washington Post. Retrieved 5 September 2012.
- Goldstein,, Jessica (7 August 2013). "Backstage: Rorschach and Synetic thrilled with Kickstarter campaigns". The Washington Post. Retrieved 7 August 2013.CS1 maint: extra punctuation (link)
- "Harman Center for the Arts Annual Gala". Shakespeare Theatre Company. Shakespeare Theatre Company. Retrieved 11 September 2014.
- "Director Julie Taymor to receive prestigious Will Award". Washington Post. Washington Post. Retrieved 5 April 2016.
- Andrews-Dyer, Helena (16 October 2017). "The Scene: The Shakespeare Theatre Company's 10th annual gala". The Washington Post. Retrieved 17 October 2017.
- Marks, Peter (1 June 2003). "A Noble Heart; For Emery Battis, 88, The Curtain Is Still Up on a Long and Distinguished Career". The Washington Post. Archived from the original on 5 November 2012. Retrieved 25 January 2011. Cite uses deprecated parameter
- "Patrick Page, Diane D'Aquila Receive STC's Emery Battis Acting Awards". Broadway World. Retrieved 12 January 2014.
- "2010/2011 Annual Report" (PDF). Shakespeare Theatre Company. Retrieved 14 February 2013.
- "Shakespeare Theatre Company Presents The Emery Battis Award For Acting Excellence To Holly Twyford And Mark Nelson" (PDF). Shakespeare Theatre Company.
- "Bianca Amato & Matthew Amendt Receive Shakespeare Theatre Company's Emery Battis Award". BroadwayWorld.com. 4 November 2014. Retrieved 9 December 2014.
- BWW News Desk. "Emery Battis Award Recipients Announced". BroadwayWorld.com. Retrieved 1 January 2016.
- "Emery Battis Award 2016". Stages Donor Update 2016-2017 Season, Issue 1. January 2017.
- Jones, Kenneth. "Zounds! DC's Shakespeare Theatre Is 2012 Tony Award-Winning Regional Theatre". Playbill.com. Retrieved 1 May 2012.
- Charles, Isherwood (15 November 2007). "Shakespeare's New House Makes Room for Marlowe". The New York Times. Retrieved 24 January 2011.
- Hong, Terry (11 May 2001). "America's hippest theaters? They're just off-Capitol Hill". The Christian Science Monitor. Retrieved 24 January 2011.
- "Shakespeare on Stage". The Economist. 4 February 1999. Retrieved 26 February 2013.
- "Midsummer Night's End: No More Shakespeare In The Park". The Washington Post.
- "ReDiscovery Readings". Shakespeare Theatre Company. Retrieved 26 February 2013.
- Shakespearetheatre.org Archived 25 December 2010 at the Wayback Machine
- "Cymbeline". Shakespeare Theatre Company Program Book: 24. 18 January 2011.
- "National Theatre Live". The Shakespeare Theatre Company. Retrieved 12 February 2011.
- "National Theatre Live". Royal National Theatre (Great Britain). Retrieved 12 February 2011.